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Runaway Robot

Page 16

by Frank Cottrell Boyce


  Of course, one of the good things that modern robots can do is help us get rid of landmines.

  Eric wasn’t really a robot. He was what we call an automaton. He couldn’t go off on his own like Oppy. He couldn’t make decisions like next door’s lawn mower. But, by building him, Reffell and Richards made us think what a real robot might be like. This is always happening in science. Someone has to imagine what it would be like to fly to the moon before anyone starts building a rocket. Dreaming is every bit as important as building.

  Modern robots do lots of good, important work. But they wouldn’t exist if people like Richards and Reffell hadn’t had fun playing about with ideas in an old garage in Surrey.

  I knew nothing about Eric until my friend and editor Sarah Dudman showed me some clips of him speaking – you can still find them on YouTube. Normally Sarah reads my books when they’re almost finished and shows me how to make them better. But this time she was there at the beginning as well as the end. When the idea got lost and started to rust – like Eric – she dug it out of its hiding place and sprayed it with WD-40, and got it going again. Thank you, Sarah – like never before.

  Thank you too to the wise and patient Venetia Gosling, who let me keep going at this book until the story was right.

  And of course to the mighty Steven Lenton, who brings all my imaginings to life.

  Frank Cottrell-Boyce is an award-winning author and screenwriter. Millions, his debut children’s novel, won the CILIP Carnegie Medal. His books have been shortlisted for a multitude of prizes, including the Guardian Children’s Fiction Prize, the Whitbread Children’s Fiction Award (now the Costa Book Award), the Roald Dahl Funny Prize and the Blue Peter Book Award.

  Frank is a judge for BBC Radio 2’s 500 Words competition and, along with Danny Boyle, devised the Opening Ceremony for the London 2012 Olympics. He lives in Merseyside with his family.

  Steven Lenton is based in Brighton and loves to illustrate books, filling them with charming, fun characters that really capture children’s imaginations. As well as illustrating Frank Cottrell-Boyce’s multi-award winning books, he is the illustrator of the bestselling and award-winning Shifty McGifty and Slippery Sam series. Steven also illustrates the Nothing To See Here Hotel series, the first of which won the Sainsbury’s Children’s Fiction Book Award 2018.

  StevenLenton.com

  Praise for Frank Cottrell-Boyce:

  MILLIONS

  ‘Deliciously funny’ Guardian

  ‘Pure gold’ Scotsman

  COSMIC

  ‘He has something of Roald Dahl’s magic, but more heart’ Sunday Telegraph

  ‘Five-laughs-a-page, fall-off-the-chair funny’ Mail on Sunday

  FRAMED

  ‘Heart-warming – a delight’ Guardian

  ‘Full of jokes and touching moments’ Sunday Times

  THE ASTOUNDING BROCCOLI BOY

  ‘Classic Cottrell-Boyce: brilliantly funny, believable and very human’ Bookseller

  ‘A funny, silly and underlyingly serious story about self-belief . . . and the value of being nice to people’ Sunday Times

  SPUTNIK’S GUIDE TO LIFE ON EARTH

  ‘A wonderful and exciting story about friendship and appreciating what you have’ Independent

  Also by Frank Cottrell-Boyce

  Millions

  Framed

  Cosmic

  The Astounding Broccoli Boy

  Sputnik’s Guide to Life on Earth

  The Great Rocket Robbery (World Book Day 2019)

  Chitty Chitty Bang Bang Flies Again

  Chitty Chitty Bang Bang and the Race Against Time

  Chitty Chitty Bang Bang Over the Moon

  First published 2019 by Macmillan Children’s Books

  This electronic edition published 2019 by Macmillan Children’s Books

  an imprint of Pan Macmillan

  20 New Wharf Road, London N1 9RR

  Associated companies throughout the world

  www.panmacmillan.com

  ISBN 978-1-5098-8646-3

  Text copyright © Frank Cottrell-Boyce 2019

  Illustrations copyright © Steven Lenton 2019

  Illustrated by Steven Lenton

  The right of Frank Cottrell-Boyce and Steven Lenton to be identified as the author and illustrator of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.

  Pan Macmillan does not have any control over, or any responsibility for, any author or third-party websites referred to in or on this book.

  You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

  A CIP catalogue record for this book is available from the British Library.

  This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

  Visit www.panmacmillan.com to read more about all our books and to buy them. You will also find features, author interviews and news of any author events, and you can sign up for e-newsletters so that you’re always first to hear about our new releases.

 

 

 


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