The Complete Stories of J. G. Ballard

by J. G. Ballard

  Why did Fay anger me so easily? Was it, as I assumed at the time, unconscious resentment that egged me on, or was I merely a vehicle for the antagonism which had accumulated during Vanden Starr’s marriage to Gloria Tremayne and was now venting itself on the hapless couple who followed them to 99 Stellavista? Perhaps I’m over-charitable to myself in assuming the latter, but Fay and I had been tolerably happy during our five years of marriage, and I am sure my nostalgic infatuation for Gloria Tremayne couldn’t have so swept me off my feet.

  Either way, however, Fay didn’t wait for a second attempt. Two days later I came home to find a fresh tape on the kitchen memophone. I switched it on to hear her tell me that she could no longer put up with me, my nagging or 99 Stellavista and was going back east to stay with her sister.

  Callously, my first reaction, after the initial twinge of indignation, was sheer relief. I still believed that Fay was responsible for Gloria Tremayne’s eclipse and the emergence of Vanden Starr, and that with her gone I would recapture the early days of idyll and romance.

  I was only partly right. Gloria Tremayne did return, but not in the role expected. I, who had helped to defend her at her trial, should have known better.

  A few days after Fay left I became aware that the house had taken on a separate existence, its coded memories discharging themselves independently of my own behaviour. Often when I returned in the evening, eager to relax over half a decanter of scotch, I would find the ghosts of Miles Vanden Starr and Gloria Tremayne in full flight. Starr’s black and menacing personality crowded after the tenuous but increasingly resilient quintessence of his wife. This rapier-like resistance could be observed literally – the walls of the lounge would stiffen and darken in a vortex of anger that converged upon a small zone of lightness hiding in one of the alcoves, as if to obliterate its presence, but at the last moment Gloria’s persona would flit nimbly away, leaving the room to seethe and writhe.

  Fay had set off this spirit of resistance, and I visualized Gloria Tremayne going through a similar period of living hell. As her personality re-emerged in its new role I watched it carefully, volume at maximum despite the damage the house might do to itself. Once Stamers stopped by and offered to get the circuits checked for me. He had seen the house from the road, flexing and changing colour like an anguished squid. Thanking him, I made up some excuse and declined. Later he told me that I had kicked him out unceremoniously – apparently he hardly recognized me; I was striding around the dark quaking house like a madman in an Elizabethan horror tragedy, oblivious of everything.

  Although submerged by the personality of Miles Vanden Starr, I gradually realized that Gloria Tremayne had been deliberately driven out of her mind by him. What had prompted his implacable hostility I can only hazard – perhaps he resented her success, perhaps she had been unfaithful to him. When she finally retaliated and shot him it was, I’m sure, an act of self-defence.

  Two months after she went east Fay filed a divorce suit against me. Frantically I telephoned her, explaining that I would be grateful if she postponed the action as the publicity would probably kill my new law office. However, Fay was adamant. What annoyed me most was that she sounded better than she had done for years, really happy again. When I pleaded with her she said she needed the divorce in order to marry again, and then, as a last straw, refused to tell me who the man was.

  By the time I slammed the phone down my temper was taking off like a lunar probe. I left the office early and began a tour of the bars in Red Beach, working my way slowly back to Vermilion Sands. I hit 99 Stellavista like a one-man task force, mowing down most of the magnolias in the drive, ramming the car into the garage on the third pass after wrecking both auto-doors.

  My keys jammed in the door lock and I finally had to kick my way through one of the glass panels. Raging upstairs on to the darkened terrace I flung my hat and coat into the pool and slammed into the lounge. By 2 a.m., as I mixed myself a nightcap at the bar and put the last act of Götterdämmerung on the stereogram, the whole place was really warming up.

  On the way to bed I lurched into Fay’s room to see what damage I could do to the memories I still retained of her, kicked in a wardrobe and booted the mattress on to the floor, turning the walls literally blue with a salvo of epithets.

  Shortly after three o’clock I fell asleep, the house revolving around me like an enormous turntable.

  It must have been only four o’clock when I woke, conscious of a curious silence in the darkened room. I was stretched across the bed, one hand around the neck of the decanter, the other holding a dead cigar stub.

  The walls were motionless, unstirred by even the residual eddies which drift through a psychotropic house when the occupants are asleep.

  Something had altered the normal perspectives of the room. Trying to focus on the grey underswell of the ceiling, I listened for footsteps outside. Sure enough, the corridor wall began to retract. The archway, usually a six-inch wide slit, rose to admit someone. Nothing came through, but the room expanded to accommodate an additional presence, the ceiling ballooning upwards. Astounded, I tried not to move my head, watching the unoccupied pressure zone move quickly across the room towards the bed, its motion shadowed by a small dome in the ceiling.

  The pressure zone paused at the foot of the bed and hesitated for a few seconds. But instead of stabilizing, the walls began to vibrate rapidly, quivering with strange uncertain tremors, radiating a sensation of acute urgency and indecision.

  Then, abruptly, the room stilled. A second later, as I lifted myself up on one elbow, a violent spasm convulsed the room, buckling the walls and lifting the bed off the floor. The entire house started to shake and writhe. Gripped by this seizure, the bedroom contracted and expanded like the chamber of a dying heart, the ceiling rising and falling.

  I steadied myself on the swinging bed and gradually the convulsion died away, the walls realigning. I stood up, wondering what insane crisis this psychotropic grand mal duplicated.

  The room was in darkness, thin moonlight coming through the trio of small circular vents behind the bed. These were contracting as the walls closed in on each other. Pressing my hands against the ceiling, I felt it push downwards strongly. The edges of the floor were blending into the walls as the room converted itself into a sphere.

  The air pressure mounted. I tumbled over to the vents, reached them as they clamped around my fists, air whistling through my fingers. Face against the openings, I gulped in the cool night air, and tried to force apart the locking plastex.

  The safety cut-out switch was above the door on the other side of the room. I dived across to it, clambering over the tilting bed, but the flowing plastex had submerged the whole unit.

  Head bent to avoid the ceiling, I pulled off my tie, gasping at the thudding air. Trapped in the room, I was suffocating as it duplicated the expiring breaths of Vanden Starr after he had been shot. The tremendous spasm had been his convulsive reaction as the bullet from Gloria Tremayne’s gun crashed into his chest.

  I fumbled in my pockets for a knife, felt my cigarette lighter, pulled it out and flicked it on. The room was now a grey sphere ten feet in diameter. Thick veins, as broad as my arm, were knotting across its surface, crushing the endboards of the bedstead.

  I raised the lighter to the surface of the ceiling, and let it play across the opaque fluoglass. Immediately it began to fizz and bubble. It flared alight and split apart, the two burning lips unzipping in a brilliant discharge of heat.

  As the cocoon bisected itself, I could see the twisted mouth of the corridor bending into the room below the sagging outline of the dining room ceiling. Feet skating in the molten plastex, I pulled myself up on to the corridor. The whole house seemed to have been ruptured. Walls were buckled, floors furling at their edges. Water was pouring out of the pool as the unit tipped forwards on the weakened foundations. The glass slabs of the staircase had been shattered, the razor-like teeth jutting from the wall.

  I ran into Fay’s bedroom, found the
cut-out switch and stabbed the sprinkler alarm.

  The house was still throbbing, but a moment later it locked and became rigid. I leaned against the dented wall and let the spray pour across my face from the sprinkler jets.

  Around me, its wings torn and disarrayed, the house reared up like a tortured flower.

  Standing in the trampled flower beds, Stamers gazed at the house, an expression of awe and bewilderment on his face. It was just after six o’clock. The last of the three police cars had driven away, the lieutenant in charge finally conceding defeat. ‘Dammit, I can’t arrest a house for attempted homicide, can I?’ he’d asked me somewhat belligerently. I roared with laughter at this, my initial feelings of shock having given way to an almost hysterical sense of fun.

  Stamers found me equally difficult to understand.

  ‘What on earth were you doing in there?’ he asked, voice down to a whisper.

  ‘Nothing. I tell you I was fast asleep. And relax. The house can’t hear you. It’s switched off.’

  We wandered across the churned gravel and waded through the water which lay like a black mirror. Stamers shook his head.

  ‘The place must have been insane. If you ask me it needs a psychiatrist to straighten it out.’

  ‘You’re right,’ I told him. ‘In fact, that was exactly my role – to reconstruct the original traumatic situation and release the repressed material.’

  ‘Why joke about it? It tried to kill you.’

  ‘Don’t be absurd. The real culprit is Vanden Starr. But as the lieutenant implied, you can’t arrest a man who’s been dead for ten years. It was the pent-up memory of his death which tried to kill me. Even if Gloria Tremayne was driven to pulling the trigger, Starr pointed the gun. Believe me, I lived out his role for a couple of months. What worries me is that if Fay hadn’t had enough good sense to leave she might have been hypnotized by the persona of Gloria Tremayne into killing me.’

  Much to Stamers’s surprise, I decided to stay on at 99 Stellavista. Apart from the fact that I hadn’t enough cash to buy another place, the house had certain undeniable memories for me that I didn’t want to forsake. Gloria Tremayne was still there, and I was sure that Vanden Starr had at last gone. The kitchen and service units were still functional, and apart from their contorted shapes most of the rooms were habitable. In addition I needed a rest, and nothing is so quiet as a static house.

  Of course, in its present form 99 Stellavista can hardly be regarded as a typical static dwelling. Yet, the deformed rooms and twisted corridors have as much personality as any psychotropic house. The PT unit is still working and one day I shall switch it on again. But one thing worries me. The violent spasms which ruptured the house may in some way have damaged Gloria Tremayne’s personality. To live with it might well be madness for me, as there’s a subtle charm about the house even in its distorted form, like the ambiguous smile of a beautiful but insane woman.

  Often I unlock the control console and examine the memory drum. Her personality, whatever it may be, is there. Nothing would be simpler than to erase it. But I can’t.

  One day soon, whatever the outcome, I know that I shall have to switch the house on again.

  1962

  THIRTEEN TO CENTAURUS

  Abel knew.

  Three months earlier, just after his sixteenth birthday, he had guessed, but had been too unsure of himself, too overwhelmed by the logic of his discovery, to mention it to his parents. At times, lying back half asleep in his bunk while his mother crooned one of the old lays to herself, he would deliberately repress the knowledge, but always it came back, nagging at him insistently, forcing him to jettison most of what he had long regarded as the real world.

  None of the other children at the Station could help. They were immersed in their games in Playroom, or chewing pencils over their tests and homework.

  ‘Abel, what’s the matter?’ Zenna Peters called after him as he wandered off to the empty store-room on D-Deck. ‘You’re looking sad again.’

  Abel hesitated, watching Zenna’s warm, puzzled smile, then slipped his hands into his pockets and made off, springing down the metal stairway to make sure she didn’t follow him. Once she sneaked into the store-room uninvited and he had pulled the light-bulb out of the socket, shattered about three weeks of conditioning. Dr Francis had been furious.

  As he hurried along the D-Deck corridor he listened carefully for the doctor, who had recently been keeping an eye on Abel, watching him shrewdly from behind the plastic models in Playroom. Perhaps Abel’s mother had told him about the nightmare, when he would wake from a vice of sweating terror, an image of a dull burning disc fixed before his eyes.

  If only Dr Francis could cure him of that dream.

  Every six yards down the corridor he stepped through a bulkhead, and idly touched the heavy control boxes on either side of the doorway. Deliberately unfocusing his mind, Abel identified some of the letters above the switches

  M–T––R SC––N

  but they scrambled into a blur as soon as he tried to read the entire phrase. Conditioning was too strong. After he trapped her in the store-room Zenna had been able to read a few of the notices, but Dr Francis whisked her away before she could repeat them. Hours later, when she came back, she remembered nothing.

  As usual when he entered the store-room, he waited a few seconds before switching on the light, seeing in front of him the small disc of burning light that in his dreams expanded until it filled his brain like a thousand arc lights. It seemed endlessly distant, yet somehow mysteriously potent and magnetic, arousing dormant areas of his mind close to those which responded to his mother’s presence.

  As the disc began to expand he pressed the switch tab.

  To his surprise, the room remained in darkness. He fumbled for the switch, a short cry slipping involuntarily through his lips.

  Abruptly, the light went on.

  ‘Hello, Abel,’ Dr Francis said easily, right hand pressing the bulb into its socket. ‘Quite a shock, that one.’ He leaned against a metal crate. ‘I thought we’d have a talk together about your essay.’ He took an exercise book out of his white plastic suit as Abel sat down stiffly. Despite his dry smile and warm eyes there was something about Dr Francis that always put Abel on his guard.

  Perhaps Dr Francis knew too?

  ‘The Closed Community,’ Dr Francis read out. ‘A strange subject for an essay, Abel.’

  Abel shrugged. ‘It was a free choice. Aren’t we really expected to choose something unusual?’

  Dr Francis grinned. ‘A good answer. But seriously, Abel, why pick a subject like that?’

  Abel fingered the seals on his suit. These served no useful purpose, but by blowing through them it was possible to inflate the suit. ‘Well, it’s a sort of study of life at the Station, how we all get on with each other. What else is there to write about? I don’t see that it’s so strange.’

  ‘Perhaps not. No reason why you shouldn’t write about the Station. All four of the others did too. But you called yours “The Closed Community”. The Station isn’t closed, Abel, is it?’

  ‘It’s closed in the sense that we can’t go outside,’ Abel explained slowly. ‘That’s all I meant.’

  ‘Outside,’ Dr Francis repeated. ‘It’s an interesting concept. You must have given the whole subject a lot of thought. When did you first start thinking along these lines?’

  ‘After the dream,’ Abel said. Dr Francis had deliberately sidestepped his use of the word ‘outside’ and he searched for some means of getting to the point. In his pocket he felt the small plumbline he carried around. ‘Dr Francis, perhaps you can explain something to me. Why is the Station revolving?’

  ‘Is it?’ Dr Francis looked up with interest. ‘How do you know?’

  Abel reached up and fastened the plumbline to the ceiling stanchion. ‘The interval between the ball and the wall is about an eighth of an inch greater at the bottom than at the top. Centrifugal forces are driving it outwards. I calculated that the Station i
s revolving at about two feet per second.’

  Dr Francis nodded thoughtfully. ‘That’s just about right,’ he said matter-of-factly. He stood up. ‘Let’s take a trip to my office. It looks as if it’s time you and I had a serious talk.’

  The Station was on four levels. The lower two contained the crew’s quarters, two circular decks of cabins which housed the 14 people on board the Station. The senior clan was the Peters, led by Captain Theodore, a big stern man of taciturn disposition who rarely strayed from Control. Abel had never been allowed there, but the Captain’s son, Matthew, often described the hushed dome-like cabin filled with luminous dials and flickering lights, the strange humming music.

  All the male members of the Peters clan worked in Control – grandfather Peters, a white-haired old man with humorous eyes, had been Captain before Abel was born – and with the Captain’s wife and Zenna they constituted the elite of the Station.

  However, the Grangers, the clan to which Abel belonged, was in many respects more important, as he had begun to realize. The day-to-day running of the Station, the detailed programming of emergency drills, duty rosters and commissary menus, was the responsibility of Abel’s father, Matthias, and without his firm but flexible hand the Bakers, who cleaned the cabins and ran the commissary, would never have known what to do. And it was only the deliberate intermingling in Recreation which his father devised that brought the Peters and Bakers together, or each family would have stayed indefinitely in its own cabins.

  Lastly, there was Dr Francis. He didn’t belong to any of the three clans. Sometimes Abel asked himself where Dr Francis had come from, but his mind always fogged at a question like that, as the conditioning blocks fell like bulkheads across his thought trains (logic was a dangerous tool at the Station). Dr Francis’ energy and vitality, his relaxed good humour – in a way, he was the only person in the Station who ever made any jokes – were out of character with everyone else. Much as he sometimes disliked Dr Francis for snooping around and being a know-all, Abel realized how dreary life in the Station would seem without him.