Persuasion: Jane Austen (The Complete Works)

by Jane Austen

  Girls of seventeen are always laughing. They laugh when Mr Binney helps himself to salt instead of sugar. They almost die of laughing when old Mrs Tomkins sits down upon the cat. But they are crying the moment after. They have no fixed point from which they see that there is something eternally laughable in human nature. They do not know that wherever they go and however long they live they will always find Lady Grevilles snubbing poor Marias at a dance. But Jane Austen knew it. That is one reason why she is so impersonal and remains for ever so inscrutable. One of those fairies who are said to attend with their gifts upon cradles must have taken her on a flight through the air directly she was born. And when she was laid in her cradle again she knew what the world looked like. She had chosen her kingdom. She had agreed that if she might rule over that territory she would covet no other. Thus at seventeen she had few illusions about other people and none about herself. Whatever she writes is finished and turned and set in its relation to the universe like a work of art. When Jane Austen, the writer, wrote down, in the most remarkable sketch in the book, a little of Lady Greville's conversation, there is no trace of anger at the snub which Jane Austen, the clergyman's daughter, no doubt once received. Her gaze passes straight to the mark, and somehow we know precisely where, upon the map of human nature, that mark is. We know because Jane Austen kept to her compact; she never trespassed beyond her boundaries. Never, even at the emotional age of seventeen, did she round upon herself in shame, and obliterate a sarcasm in a spasm of compassion, or blur an outline in a mist of rhapsody. Spasms and rhapsodies, she seems to have said, end here. And the boundary line is perfectly distinct. But she does not deny that moons and mountains and castles exist - on the other side. She has even one romance of her own. It is for the Queen of Scots. She really admired her very much. 'One of the first characters in the World,' she called her, 'a bewitching Princess whose only friend was then the Duke of Norfolk, and whose only ones now Mr Whitaker, Mrs Lefroy, Mrs Knight and myself.' With these words the passion is neatly circumscribed, and rounded with a laugh. It is amusing to remember how the young Brontes wrote, not so very much later, about the Duke of Wellington.

  It may be that we are reading too much into these scraps and scribbles. We are still under the influence of the quilts and counterpanes. But just as we determine to shake ourselves free - and, after all, she was a limited, tart, rather conventional woman for all her genius - we hear a snatch of music. 'Yet truth being I think very excusable in an historian.' And again, 'She was nothing more than a mere good tempered, civil, and obliging young woman; as such we could scarcely dislike her - she was only an object of contempt.' And yet again, '... for what could be expected from a man who possessed not the smallest atom of sensibility, who scarcely knew the meaning of sympathy, and who actually snored'. She is only humming a tune beneath her breath, trying over a few bars of the music for Pride and Prejudice and Emma. But we know that there is no one else who can sing like that. She need not raise her voice. Every syllable comes quite distinctly through the gates of time. And whatever they may say about her genius and her cousins and Mansfield Park we are content to listen all day long to Jane Austen practising.

  The Biographies

  The house in Winchester where Austen spent her final days

  The plaque commemorating the author's residence at the house

  A Victorian engraving of the beloved author

  A MEMOIR OF JANE AUSTEN by James Edward Austen-Leigh

  A Memoir of Jane Austen was written by Austen's nephew James Edward Austen-Leigh in the late 1860's and first published in 1870 by Richard Bentley and Son. Austen-Leigh released a second edition in 1871, which included Lady Susan and fragments of the author's uncompleted works. Although Austen-Leigh was the predominant architect in orchestrating the biography, he received considerable contributions from others. He was particularly helped by his half-sister Anna Lefroy, his younger sister Caroline Austen and his cousin Cassey Esten. There had been an increasing interest in Austen and her works in recent years and the family were uneasy about the prospect of an outsider deciding to write a biography on her. There was an aspect of attempting to censure information about the author as much as revealing important facets of her life. The family engaged in disagreements over whether there should be any mention or allusions to any romantic entanglements. The absence of certain unflattering details pertaining to members of the Austen family is not surprising; it was fairly customary in nineteenth century biographies to exclude certain information for the sake of discretion.

  The release of the work immediately prompted great interest in Austen's work, which had previously been read only by the elite. The publication of the Memoir resulted in a reissue of Austen's novels, including a popular edition by Routledge. The memoir also had a significant critical impact on how Austen's character was perceived, popularising the image of the dear old aunt who only wrote when she was not busily employed in her domestic duties and responsibilities as a daughter, aunt and sister. This image of Austen sat alongside non-political readings of her work until the mid to late twentieth century, when a more nuanced and complex reading of the author, her life and her works emerged.

  The second edition of the memoir

  CONTENTS

  PREFACE.

  CHAPTER I.

  CHAPTER II.

  CHAPTER III.

  CHAPTER IV.

  CHAPTER V.

  CHAPTER VI.

  CHAPTER VII.

  CHAPTER VIII.

  CHAPTER IX.

  CHAPTER X.

  CHAPTER XI.

  CHAPTER XII.

  CHAPTER XIII.

  CHAPTER XIV.

  James Edward Austen-Leigh, the author's nephew and first biographer

  PREFACE.

  The Memoir of my Aunt, Jane Austen, has been received with more favour than I had ventured to expect. The notices taken of it in the periodical press, as well as letters addressed to me by many with whom I am not personally acquainted, show that an unabated interest is still taken in every particular that can be told about her. I am thus encouraged not only to offer a Second Edition of the Memoir, but also to enlarge it with some additional matter which I might have scrupled to intrude on the public if they had not thus seemed to call for it. In the present Edition, the narrative is somewhat enlarged, and a few more letters are added; with a short specimen of her childish stories. The cancelled chapter of 'Persuasion' is given, in compliance with wishes both publicly and privately expressed. A fragment of a story entitled 'The Watsons' is printed; p. iii and extracts are given from a novel which she had begun a few months before her death; but the chief addition is a short tale never before published, called 'Lady Susan.' I regret that the little which I have been able to add could not appear in my First Edition; as much of it was either unknown to me, or not at my command, when I first published; and I hope that I may claim some indulgent allowance for the difficulty of recovering little facts and feelings which had been merged half a century deep in oblivion.

  November 17, 1870.

  CHAPTER I.

  Introductory Remarks -- Birth of Jane Austen -- Her Family Connections -- Their Influence on her Writings.

  More than half a century has passed away since I, the youngest of the mourners, attended the funeral of my dear aunt Jane in Winchester Cathedral; and now, in my old age, I am asked whether my memory will serve to rescue from oblivion any events of her life or any traits of her character to satisfy the enquiries of a generation of readers who have been born since she died. Of events her life was singularly barren: few changes and no great crisis ever broke the smooth current of its course. Even her fame may be said to have been posthumous: it did not attain to any vigorous life till she had ceased to exist. Her talents did not introduce her to the notice of other writers, or connect her with the literary world, or in any degree pierce through the obscurity of her domestic retirement. I have therefore scarcely any materials for a detailed life of my aunt; but I have a distinct recollection of her person
and character; and perhaps many may take an interest in a delineation, if any such can be drawn, of that prolific mind whence sprung the Dashwoods and Bennets, the Bertrams and Woodhouses, the Thorpes and Musgroves, who have been admitted as familiar guests to the firesides of so many families, and are known there as individually and intimately as if they were living neighbours. Many may care to know whether the moral rectitude, the correct taste, and the warm affections with which she invested her ideal characters, were really existing in the native source whence those ideas flowed, and were actually exhibited by her in the various relations of life. I can indeed bear witness that there was scarcely a charm in her most delightful characters that was not a true reflection of her own sweet temper and loving heart. I was young when we lost her; but the impressions made on the young are deep, and though in the course of fifty years I have forgotten much, I have not forgotten that 'Aunt Jane' was the delight of all her nephews and nieces. We did not think of her as being clever, still less as being famous; but we valued her as one always kind, sympathising, and amusing. To all this I am a living witness, but whether I can sketch out such a faint outline of this excellence as shall be perceptible to others may be reasonably doubted. Aided, however, by a few survivors who knew her, I will not refuse to make the attempt. I am the more inclined to undertake the task from a conviction that, however little I may have to tell, no one else is left who could tell so much of her.

  Jane Austen was born on December 16, 1775, at the Parsonage House of Steventon in Hampshire. Her father, the Rev. George Austen, was of a family long established in the neighbourhood of Tenterden and Sevenoaks in Kent. I believe that early in the seventeenth century they were clothiers. Hasted, in his history of Kent, says: 'The clothing business was exercised by persons who possessed most of the landed property in the Weald, insomuch that almost all the ancient families of these parts, now of large estates and genteel rank in life, and some of them ennobled by titles, are sprung from ancestors who have used this great staple manufacture, now almost unknown here.' In his list of these families Hasted places the Austens, and he adds that these clothiers 'were usually called the Gray Coats of Kent; and were a body so numerous and united that at county elections whoever had their vote and interest was almost certain of being elected.' The family still retains a badge of this origin; for their livery is of that peculiar mixture of light blue and white called Kentish gray, which forms the facings of the Kentish militia.

  Mr. George Austen had lost both his parents before he was nine years old. He inherited no property from them; but was happy in having a kind uncle, Mr. Francis Austen, a successful lawyer at Tunbridge, the ancestor of the Austens of Kippington, who, though he had children of his own, yet made liberal provision for his orphan nephew. The boy received a good education at Tunbridge School, whence he obtained a scholarship, and subsequently a fellowship, at St. John's College, Oxford. In 1764 he came into possession of the two adjoining Rectories of Deane and Steventon in Hampshire; the former purchased for him by his generous uncle Francis, the latter given by his cousin Mr. Knight. This was no very gross case of plurality, according to the ideas of that time, for the two villages were little more than a mile apart, and their united populations scarcely amounted to three hundred. In the same year he married Cassandra, youngest daughter of the Rev. Thomas Leigh, of the family of Leighs of Warwickshire, who, having been a fellow of All Souls, held the College living of Harpsden, near Henley-upon-Thames. Mr. Thomas Leigh was a younger brother of Dr. Theophilus Leigh, a personage well known at Oxford in his day, and his day was not a short one, for he lived to be ninety, and held the Mastership of Balliol College for above half a century. He was a man more famous for his sayings than his doings, overflowing with puns and witticisms and sharp retorts; but his most serious joke was his practical one of living much longer than had been expected or intended. He was a fellow of Corpus, and the story is that the Balliol men, unable to agree in electing one of their own number to the Mastership, chose him, partly under the idea that he was in weak health and likely soon to cause another vacancy. It was afterwards said that his long incumbency had been a judgment on the Society for having elected an Out-College Man. I imagine that the front of Balliol towards Broad Street which has recently been pulled down must have been built, or at least restored, while he was Master, for the Leigh arms were placed under the cornice at the corner nearest to Trinity gates. The beautiful building lately erected has destroyed this record, and thus 'monuments themselves memorials need.'

  His fame for witty and agreeable conversation extended beyond the bounds of the University. Mrs. Thrale, in a letter to Dr. Johnson, writes thus: 'Are you acquainted with Dr. Leigh, the Master of Balliol College, and are you not delighted with his gaiety of manners and youthful vivacity, now that he is eighty-six years of age? I never heard a more perfect or excellent pun than his, when some one told him how, in a late dispute among the Privy Councillors, the Lord Chancellor struck the table with such violence that he split it. "No, no, no," replied the Master; "I can hardly persuade myself that he split the table, though I believe he divided the Board."'

  Some of his sayings of course survive in family tradition. He was once calling on a gentleman notorious for never opening a book, who took him into a room overlooking the Bath Road, which was then a great thoroughfare for travellers of every class, saying rather pompously, 'This, Doctor, I call my study.' The Doctor, glancing his eye round the room, in which no books were to be seen, replied, 'And very well named too, sir, for you know Pope tells us, "The proper study of mankind is Man."' When my father went to Oxford he was honoured with an invitation to dine with this dignified cousin. Being a raw undergraduate, unaccustomed to the habits of the University, he was about to take off his gown, as if it were a great coat, when the old man, then considerably turned eighty, said, with a grim smile, 'Young man, you need not strip: we are not going to fight.' This humour remained in him so strongly to the last that he might almost have supplied Pope with another instance of 'the ruling passion strong in death,' for only three days before he expired, being told that an old acquaintance was lately married, having recovered from a long illness by eating eggs, and that the wits said that he had been egged on to matrimony, he immediately trumped the joke, saying, 'Then may the yoke sit easy on him.' I do not know from what common ancestor the Master of Balliol and his great-niece Jane Austen, with some others of the family, may have derived the keen sense of humour which they certainly possessed.

  Mr. and Mrs. George Austen resided first at Deane, but removed in 1771 to Steventon, which was their residence for about thirty years. They commenced their married life with the charge of a little child, a son of the celebrated Warren Hastings, who had been committed to the care of Mr. Austen before his marriage, probably through the influence of his sister, Mrs. Hancock, whose husband at that time held some office under Hastings in India. Mr. Gleig, in his 'Life of Hastings,' says that his son George, the offspring of his first marriage, was sent to England in 1761 for his education, but that he had never been able to ascertain to whom this precious charge was entrusted, nor what became of him. I am able to state, from family tradition, that he died young, of what was then called putrid sore throat; and that Mrs. Austen had become so much attached to him that she always declared that his death had been as great a grief to her as if he had been a child of her own.

  About this time, the grandfather of Mary Russell Mitford, Dr. Russell, was Rector of the adjoining parish of Ashe; so that the parents of two popular female writers must have been intimately acquainted with each other.

  As my subject carries me back about a hundred years, it will afford occasions for observing many changes gradually effected in the manners and habits of society, which I may think it worth while to mention. They may be little things, but time gives a certain importance even to trifles, as it imparts a peculiar flavour to wine. The most ordinary articles of domestic life are looked on with some interest, if they are brought to light after being long buried; and we fee
l a natural curiosity to know what was done and said by our forefathers, even though it may be nothing wiser or better than what we are daily doing or saying ourselves. Some of this generation may be little aware how many conveniences, now considered to be necessaries and matters of course, were unknown to their grandfathers and grandmothers. The lane between Deane and Steventon has long been as smooth as the best turnpike road; but when the family removed from the one residence to the other in 1771, it was a mere cart track, so cut up by deep ruts as to be impassable for a light carriage. Mrs. Austen, who was not then in strong health, performed the short journey on a feather-bed, placed upon some soft articles of furniture in the waggon which held their household goods. In those days it was not unusual to set men to work with shovel and pickaxe to fill up ruts and holes in roads seldom used by carriages, on such special occasions as a funeral or a wedding. Ignorance and coarseness of language also were still lingering even upon higher levels of society than might have been expected to retain such mists. About this time, a neighbouring squire, a man of many acres, referred the following difficulty to Mr. Austen's decision: 'You know all about these sort of things. Do tell us. Is Paris in France, or France in Paris? for my wife has been disputing with me about it.' The same gentleman, narrating some conversation which he had heard between the rector and his wife, represented the latter as beginning her reply to her husband with a round oath; and when his daughter called him to task, reminding him that Mrs. Austen never swore, he replied, 'Now, Betty, why do you pull me up for nothing? that's neither here nor there; you know very well that's only my way of telling the story.' Attention has lately been called by a celebrated writer to the inferiority of the clergy to the laity of England two centuries ago. The charge no doubt is true, if the rural clergy are to be compared with that higher section of country gentlemen who went into parliament, and mixed in London society, and took the lead in their several counties; but it might be found less true if they were to be compared, as in all fairness they ought to be, with that lower section with whom they usually associated. The smaller landed proprietors, who seldom went farther from home than their county town, from the squire with his thousand acres to the yeoman who cultivated his hereditary property of one or two hundred, then formed a numerous class -- each the aristocrat of his own parish; and there was probably a greater difference in manners and refinement between this class and that immediately above them than could now be found between any two persons who rank as gentlemen. For in the progress of civilisation, though all orders may make some progress, yet it is most perceptible in the lower. It is a process of 'levelling up;' the rear rank 'dressing up,' as it were, close to the front rank. When Hamlet mentions, as something which he had 'for three years taken note of,' that 'the toe of the peasant comes so near the heel of the courtier,' it was probably intended by Shakspeare as a satire on his own times; but it expressed a principle which is working at all times in which society makes any progress. I believe that a century ago the improvement in most country parishes began with the clergy; and that in those days a rector who chanced to be a gentleman and a scholar found himself superior to his chief parishioners in information and manners, and became a sort of centre of refinement and politeness.