Complete Works of Harriet Beecher Stowe

by Harriet Beecher Stowe

  “Would that such gifts were mine!”

  “They are thine, sweet one,” said the monk. “In Christ’s dear kingdom is no mine or thine, but all that each hath is the property of others. I never rejoice so much in my art as when I think of the communion of saints, and that all that our Blessed Lord will work through me is the property of the humblest soul in his kingdom. When I see one flower rarer than another, or a bird singing on a twig, I take note of the same, and say, ‘This lovely work of God shall be for some shrine, or the border of a missal, or the foreground of an altar-piece, and thus shall his saints be comforted.’”

  “But,” said Agnes, fervently, “how little can a poor young maiden do! Ah, I do so long to offer myself up in some way to the dear Lord, who gave himself for us, and for his Most Blessed Church!”

  As Agnes spoke these words, her cheek, usually so clear and pale, became suffused with a tremulous color, and her dark eyes had a deep, divine expression; a moment after, the color slowly faded, her head drooped, and her long, dark lashes fell on her cheek, while her hands were folded on her bosom. The eye of the monk was watching her with an enkindled glance.

  “Is she not the very presentment of our Blessed Lady in the Annunciation?” said he to himself. “Surely, this grace is upon her for this special purpose. My prayers are answered.”

  “Daughter,” he began, in a gentle tone, “a glorious work has been done of late in Florence under the preaching of our blessed Superior. Could you believe it, daughter, in these times of backsliding and rebuke there have been found painters base enough to paint the pictures of vile, abandoned women in the character of our Blessed Lady; yea, and princes have been found wicked enough to buy them and put them up in churches, so that the people have had the Mother of all Purity presented to them in the guise of a vile harlot. Is it not dreadful?”

  “How horrible!” said Agnes.

  “Ah, but you should have seen the great procession through Florence, when all the little children were inspired by the heavenly preaching of our dear Master. These dear little ones, carrying the blessed cross and singing the hymns our Master had written for them, went from house to house and church to church, demanding that everything that was vile and base should be delivered up to the flames, — and the people, beholding, thought that the angels had indeed come down, and brought forth all their loose pictures and vile books, such as Boccaccio’s romances and other defilements, and the children made a splendid bonfire of them in the Grand Piazza, and so thousands of vile things were consumed and scattered. And then our blessed Master exhorted the artists to give their pencils to Christ and his Mother, and to seek for her image among pious and holy women living a veiled and secluded life, like that our Lady lived before the blessed Annunciation. ‘Think you,’ he said, ‘that the blessed Angelico obtained the grace to set forth our Lady in such heavenly wise by gazing about the streets on mincing women tricked out in all the world’s bravery? — or did he not find her image in holy solitudes, among modest and prayerful saints?’”

  “Ah,” said Agnes, drawing in her breath with an expression of awe, “what mortal would dare to sit for the image of our Lady!”

  “Dear child, there be women whom the Lord crowns with beauty when they know it not, and our dear Mother sheds so much of her spirit into their hearts that it shines out in their faces; and among such must the painter look. Dear little child, be not ignorant that our Lord hath shed this great grace on thee. I have received a light that thou art to be the model for the ‘Hail Mary!’ in my Breviary.”

  “Oh, no, no, no! it cannot be!” said Agnes, covering her face with her hands.

  “My daughter, thou art very beautiful, and this beauty was given thee not for thyself, but to be laid like a sweet flower on the altar of thy Lord. Think how blessed, if, through thee, the faithful be reminded of the modesty and humility of Mary, so that their prayers become more fervent, — would it not be a great grace?”

  “Dear uncle,” said Agnes, “I am Christ’s child. If it be as you say, — which I did not know, — give me some days to pray and prepare my soul, that I may offer myself in all humility.”

  During this conversation Elsie had left the garden and gone a little way down the gorge, to have a few moments of gossip with an old crony. The light of the evening sky had gradually faded away, and the full moon was pouring a shower of silver upon the orange-trees. As Agnes sat on the parapet, with the moonlight streaming down on her young, spiritual face, now tremulous with deep suppressed emotion, the painter thought he had never seen any human creature that looked nearer to his conception of a celestial being.

  They both sat awhile in that kind of quietude which often falls between two who have stirred some deep fountain of emotion. All was so still around them, that the drip and trickle of the little stream which fell from the garden wall into the dark abyss of the gorge could well be heard as it pattered from one rocky point to another, with a slender, lulling sound.

  Suddenly the reveries of the two were disturbed by the shadow of a figure which passed into the moonlight and seemed to rise from the side of the gorge. A man enveloped in a dark cloak with a peaked hood stepped across the moss-grown garden parapet, stood a moment irresolute, then the cloak dropped suddenly from him, and the cavalier stood in the moonlight before Agnes. He bore in his hand a tall stalk of white lily, with open blossoms and buds and tender fluted green leaves, such as one sees in a thousand pictures of the Annunciation. The moonlight fell full upon his face, revealing his haughty yet beautiful features, agitated by some profound emotion. The monk and the girl were both too much surprised for a moment to utter a sound; and when, after an instant, the monk made a half-movement as if to address him, the cavalier raised his right hand with a sudden authoritative gesture which silenced him. Then turning toward Agnes, he kneeled, and kissing the hem of her robe, and laying the lily in her lap, “Holiest and dearest,” he said, “oh, forget not to pray for me!” He rose again in a moment, and, throwing his cloak around him, sprang over the garden wall, and was heard rapidly descending into the shadows of the gorge.

  All this passed so quickly that it seemed to both the spectators like a dream. The splendid man, with his jeweled weapons, his haughty bearing, and air of easy command, bowing with such solemn humility before the peasant-girl, reminded the monk of the barbaric princes in the wonderful legends he had read, who had been drawn by some heavenly inspiration to come and render themselves up to the teachings of holy virgins, chosen of the Lord, in divine solitudes. In the poetical world in which he lived all such marvels were possible. There were a thousand precedents for them in that devout dreamland, “The Lives of the Saints.”

  “My daughter,” he said, after looking vainly down the dark shadows upon the path of the stranger, “have you ever seen this man before?”

  “Yes, uncle; yesterday evening I saw him for the first time, when sitting at my stand at the gate of the city. It was at the Ave Maria; he came up there and asked my prayers, and gave me a diamond ring for the shrine of Saint Agnes, which I carried to the convent to-day.”

  “Behold, my dear daughter, the confirmation of what I have just said to thee! It is evident that our Lady hath endowed thee with the great grace of a beauty which draws the soul upward towards the angels, instead of downward to sensual things, like the beauty of worldly women. What saith the blessed poet Dante of the beauty of the holy Beatrice? — that it said to every man who looked on her, ‘Aspire!’2 Great is the grace, and thou must give special praise therefor.”

  I cannot forbear quoting Mr. Norton’s beautiful translation of this sonnet in the Atlantic Monthly for February, 1859: —

  “So gentle and so modest doth appear

  My lady when she giveth her salute,

  That every tongue becometh trembling mute,

  Nor do the eyes to look upon her dare.

  And though she hears her praises, she doth go

  Benignly clothèd with humility,

  And like a thing come down she seems to
be

  From heaven to earth, a miracle to show.

  So pleaseth she whoever cometh nigh her,

  She gives the heart a sweetness through the eyes

  Which none can understand who doth not prove.

  And from her lip there seems indeed to move

  A spirit sweet and in Love’s very guise,

  Which goeth saying to the soul, ‘Aspire!’”

  “I would,” said Agnes, thoughtfully, “that I knew who this stranger is, and what is his great trouble and need, — his eyes are so full of sorrow. Giulietta said he was the King’s brother, and was called the Lord Adrian. What sorrow can he have, or what need for the prayers of a poor maid like me?”

  “Perhaps the Lord hath pierced him with a longing after the celestial beauty and heavenly purity of paradise, and wounded him with a divine sorrow, as happened to Saint Francis and to the blessed Saint Dominic,” said the monk. “Beauty is the Lord’s arrow, wherewith he pierceth to the inmost soul, with a divine longing and languishment which find rest only in him. Hence thou seest the wounds of love in saints are always painted by us with holy flames ascending from them. Have good courage, sweet child, and pray with fervor for this youth; for there be no prayers sweeter before the throne of God than those of spotless maidens. The Scripture saith, ‘My beloved feedeth among the lilies.’”

  At this moment the sharp, decided tramp of Elsie was heard reëntering the garden.

  “Come, Agnes,” she said, “it is time for you to begin your prayers, or, the saints know, I shall not get you to bed till midnight. I suppose prayers are a good thing,” she added, seating herself wearily; “but if one must have so many of them, one must get about them early. There’s reason in all things.”

  Agnes, who had been sitting abstractedly on the parapet, with her head drooped over the lily-spray, now seemed to collect herself. She rose up in a grave and thoughtful manner, and, going forward to the shrine of the Madonna, removed the flowers of the morning, and holding the vase under the spout of the fountain, all feathered with waving maiden-hair, filled it with fresh water, the drops falling from it in a thousand little silver rings in the moonlight.

  “I have a thought,” said the monk to himself, drawing from his girdle a pencil and hastily sketching by the moonlight. What he drew was a fragile maiden form, sitting with clasped hands on a mossy ruin, gazing on a spray of white lilies which lay before her. He called it, The Blessed Virgin pondering the Lily of the Annunciation.

  “Hast thou ever reflected,” he said to Agnes, “what that lily might be like which the angel Gabriel brought to our Lady? — for, trust me, it was no mortal flower, but grew by the river of life. I have often meditated thereon, that it was like unto living silver with a light in itself, like the moon, — even as our Lord’s garments in the Transfiguration, which glistened like the snow. I have cast about in myself by what device a painter might represent so marvelous a flower.”

  “Now, brother Antonio,” said Elsie, “if you begin to talk to the child about such matters, our Lady alone knows when we shall get to bed. I am sure I’m as good a Christian as anybody; but, as I said, there’s reason in all things, and one cannot always be wondering and inquiring into heavenly matters, — as to every feather in Saint Michael’s wings, and as to our Lady’s girdle and shoestrings and thimble and work-basket; and when one gets through with our Lady, then one has it all to go over about her mother, the blessed Saint Anne (may her name be ever praised!). I mean no disrespect, but I am certain the saints are reasonable folk and must see that poor folk must live, and, in order to live, must think of something else now and then besides them. That’s my mind, brother.”

  “Well, well, sister,” said the monk, placidly, “no doubt you are right. There shall be no quarreling in the Lord’s vineyard; every one hath his manner and place, and you follow the lead of the blessed Saint Martha, which is holy and honorable.”

  “Honorable! I should think it might be!” said Elsie. “I warrant me, if everything had been left to Saint Mary’s doings, our Blessed Lord and the Twelve Apostles might have gone supperless. But it’s Martha gets all the work, and Mary all the praise.”

  “Quite right, quite right,” said the monk, abstractedly, while he stood out in the moonlight busily sketching the fountain. By just such a fountain, he thought, our Lady might have washed the clothes of the Blessed Babe. Doubtless there was some such in the court of her dwelling, all mossy, and with sweet waters forever singing a song of praise therein.

  Elsie was heard within the house meanwhile making energetic commotion, rattling pots and pans, and producing decided movements among the simple furniture of the dwelling, probably with a view to preparing for the night’s repose of the guest.

  Meanwhile Agnes, kneeling before the shrine, was going through with great feeling and tenderness the various manuals and movements of nightly devotion which her own religious fervor and the zeal of her spiritual advisers had enjoined upon her. Christianity, when it entered Italy, came among a people every act of whose life was colored and consecrated by symbolic and ritual acts of heathenism. The only possible way to uproot this was in supplanting it by Christian ritual and symbolism equally minute and pervading. Besides, in those ages when the Christian preacher was utterly destitute of all the help which the press now gives in keeping under the eye of converts the great inspiring truths of religion, it was one of the first offices of every saint whose preaching stirred the heart of the people, to devise symbolic forms, signs, and observances, by which the mobile and fluid heart of the multitude might crystalize into habits of devout remembrance. The rosary, the crucifix, the shrine, the banner, the procession, were catechisms and tracts invented for those who could not read, wherein the substance of pages was condensed and gave itself to the eye and the touch. Let us not, from the height of our day, with the better appliances which a universal press gives us, sneer at the homely rounds of the ladder by which the first multitudes of the Lord’s followers climbed heavenward.

  If there seemed somewhat mechanical in the number of times which Agnes repeated the “Hail, Mary!” — in the prescribed number of times she rose or bowed or crossed herself or laid her forehead in low humility on the flags of the pavement, it was redeemed by the earnest fervor which inspired each action. However foreign to the habits of a Northern mind or education such a mode of prayer may be, these forms to her were all helpful and significant, her soul was borne by them Godward, — and often, as she prayed, it seemed to her that she could feel the dissolving of all earthly things, and the pressing nearer and nearer of the great cloud of witnesses who ever surround the humblest member of Christ’s mystical body.

  “Sweet loving hearts around her beat,

  Sweet helping hands are stirred,

  And palpitates the veil between

  With breathings almost heard.”

  Certain English writers, looking entirely from a worldly and philosophical standpoint, are utterly at a loss to account for the power which certain Italian women of obscure birth came to exercise in the councils of nations merely by the force of a mystical piety; but the Northern mind of Europe is entirely unfitted to read and appreciate the psychological religious phenomena of Southern races. The temperament which in our modern days has been called the mediïstic, and which with us is only exceptional, is more or less a race-peculiarity of Southern climates, and gives that objectiveness to the conception of spiritual things from which grew up a whole ritual and a whole world of religious Art. The Southern saints and religious artists were seers, — men and women of that peculiar fineness and delicacy of temperament which made them especially apt to receive and project outward the truths of the spiritual life; they were in that state of “divine madness” which is favorable to the most intense conception of the poet and artist, and something of this influence descended through all the channels of the people.

  When Agnes rose from prayer, she had a serene, exalted expression, like one who walks with some unseen excellence and meditates on some unt
old joy. As she was crossing the court to come towards her uncle, her eye was attracted by the sparkle of something on the ground, and, stooping, she picked up a heart-shaped locket, curiously made of a large amethyst, and fastened with a golden arrow. As she pressed upon this, the locket opened and disclosed to her view a folded paper. Her mood at this moment was so calm and elevated that she received the incident with no start or shiver of the nerves. To her it seemed a providential token, which would probably bring to her some further knowledge of this mysterious being who had been so especially confided to her intercessions.

  Agnes had learned of the Superior of the Convent the art of reading writing, which would never have been the birthright of the peasant-girl in her times, and the moon had that dazzling clearness which revealed every letter. She stood by the parapet, one hand lying in the white blossoming alyssum which filled its marble crevices, while she read and seriously pondered the contents of the paper.

  TO AGNES

  Sweet saint, sweet lady, may a sinful soul

  Approach thee with an offering of love,

  And lay at thy dear feet a weary heart

  That loves thee, as it loveth God above?

  If blessed Mary may without a stain

  Receive the love of sinners most defiled,

  If the fair saints that walk with her in white

  Refuse not love from earth’s most guilty child,

  Shouldst thou, sweet lady, then that love deny

  Which all-unworthy at thy feet is laid?

  Ah, gentlest angel, be not more severe

  Than the dear heavens unto a loving prayer!

  Howe’er unworthily that prayer be said,

  Let thine acceptance be like that on high!

  There might have been times in Agnes’s life when the reception of this note would have astonished and perplexed her; but the whole strain of thought and conversation this evening had been in exalted and poetical regions, and the soft stillness of the hour, the wonderful calmness and clearness of the moonlight, all seemed in unison with the strange incident that had occurred, and with the still stranger tenor of the paper. The soft melancholy, half-religious tone of it was in accordance with the whole undercurrent of her life, and prevented that start of alarm which any homage of a more worldly form might have excited. It is not to be wondered at, therefore, that she read it many times with pauses and intervals of deep thought, and then with a movement of natural and girlish curiosity examined the rich jewel which had enclosed it. At last, seeming to collect her thoughts, she folded the paper and replaced it in its sparkling casket, and, unlocking the door of the shrine, laid the gem with its enclosure beneath the lily-spray, as another offering to the Madonna. “Dear Mother,” she said, “if indeed it be so, may he rise from loving me to loving thee and thy dear Son, who is Lord of all! Amen!” Thus praying, she locked the door and turned thoughtfully to her repose, leaving the monk pacing up and down in the moonlit garden.