The Tale of Genji- A Visual Companion
Page 35
hiki
hisashi
amagatsu
hita
amayo no shinasadame
hō
ato
hototogisu
ausaka
hyōe no kami
ayamegusa
in
ayu
irogonomi
azari
ishibushi
bachi
iyashiki azumagoe
biwa
izumi
bosatsu
jijū
bugaku
jinkō
Butsumyō kyō
kabazakura
byōbu
kaburaya
chigo
kaede
dadaiko
kakezukuri
daijō tennō
kakidatsu
eboshi
kaimami
en
kana
engie
kanmuri
ennaru
karabitsu
fujibakama
kara neko
fujigoromo
kari
fumi
kariginu
fumu
kashiwa
geki
kasuga
gofun
kawa kajika
gohei
kemari
gokuraku jōdo
kesa
gyōkō
kin (Chinese koto)
hachidai ryūo
kinuta
hagi
konruri
haku ruri
koto
hamori no kami
koto no ne
hichiriki
kurobō
242 | The Tale of Genji
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kuruma no arasoi
shō
kuwau
shōgon
magaki
Shōsōin
Makura no sōshi
sokutai
manmaku
sō no koto
mayumi no ki
sudare
mogi
Sue no matsuyama
moya
sumire
naidaijin
susuki
nakazora
tachibana
na ni tatsu Sue
tachibana no ka
nayotake
tai no ya
nazurau
tango no sechie
nonomiya
tatejitomi
nōshi
Tō no Chūjō
nyūdō no miya
torii
oikake
Toyo no Akari
ominaeshi
tsujigahana
ooshi
tsukushi
osoroshiki
tsuridono
rindō
tsuyukusa
Rokujōin
ubasoku
Ryōō
uchide
ryōtō
ukifushi
ryū
ushi
saibara
uta-e
Sai’in
utsukushiu mono
Saishō no chūjō
waka
sakaki
wakakusa
Sanbōe
warabi
sange
yamabuki
sanmaidō
yama no kakehashi
sawarabi
yama no mikado
Seigaiha
yarimizu
shaku
yokobue
shika
yuki fukaki
shimo-nageshi
zekku
shinden
zuryō
Glossary | 243
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The Album: Works Cited and Consulted
1 Kiritsubo
12 Suma
Okada, H. Richard. “Narrating the Private: Kiritsubo.”
Akiyama Ken, et al. Suma. Vol. 12 of Shūkan emaki de
In Figures of Resistance: Language, Poetry, and Narrating
tanoshimu Genji monogatari gojūshijō. Shūkan Asahi
in The Tale of Genji and Other Mid-Heian Texts, 183–96.
Hyakka. Tokyo: Asahi Shinbun Shuppan, 2011.
Post-contemporary Interventions. Durham, NC: Duke
Murai Shōsuke, et al., eds. Nichi-Min kankeishi kenkyū
University Press, 1991.
nyūmon: Ajia no naka no kenminsen. Tokyo: Bensei
Tamagami Takuya. Genji monogatari hyōshaku. Vol. 1.
Shuppan, 2015.
Tokyo: Kadokawa Shoten, 1964.
13 Akashi
2 Hahakigi
Okada, H. Richard. “The Akashi Intertexts.” In Figures of
Noguchi Takeshi. “Hahakigi.” In Chino Kaori et al., eds.
Resistance: Language, Poetry, and Narrating in The Tale of
“Tokushū Genji monogatari gajō (Hābādo Daigaku
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Bijutsukan zō).” Kokka no. 1222 (1997): 39.
Duke University Press, 1991.
Ōtsu Naoko. “Kii no Kami tei no suiryū — Genji
Shirane, Haruo. “History, Myth, and Women’s Literature:
monogatari naka no hina no josei henreki no shihatsu
The Akashi Lady.” In The Bridge of Dreams: A Poetics
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of The Tale of Genji, 73–87. Stanford, CA: Stanford
University Press, 1987.
4 Yūgao
15 Yomogiu
Abe Akio, et al. Genji monogatari, vol. 1, p. 180. Shinpen
Nihon noten bungaku zenshū 20. Tokyo: Shōgakkan,
Abe Akio, et al. Genji monogatari, vol. 2, p. 337. Shinpen
1994.
Nihon koten bungaku zenshū 21. Tokyo: Shōgakkan,
Goff , Janet Emily. Noh Drama and The Tale of Genji: The
1995.
Art of Allusion in Fifteen Classical Plays. Princeton, NJ:
Misumi Yōichi. “Yomogiu maki no tanpenteki shuhō.”
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In Genji Monogatari to Tendai Jōdokyō, 35–69. Chūko
Phillips, Quitman E. “Yūgao.” In Chino Kaori et al., eds.
bungaku kenkyū sōsho 1. Tokyo: Wakakusa Shobō,
“Tokushū Genji monogatari gajō (Hābādo Daigaku
1996.
Bijutsukan zō).” Kokka 1222 (1997): 39.
Fukuda Toshiaki. “‘Yomogiu’ no maki ni mieru kanseki
no kentō.” In Suzuki Kazuo and Koyano Jun’ichi
6 Suetsumuhana
eds. Genji monogatari no kanshō to kiso chishiki, no. 36,
Yomogiu, Seikiya, 155–69. Tokyo: Shibundō, 2004.
Noguchi Takeshi. “Suetsumuhana.” In Chino Kaori et
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16 Sekiya
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Sakamoto Tomonobu. “Suetsumuhana to Utsusemi.”
10 Sakaki
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monogatari no kanshō to kiso chishiki, no. 36, Yomogiu,
Goff , Janet Emily. Noh Drama and The Tale of Genji: The
Seikiya, 207–22. Tokyo: Shibundō, 2004.
Art of Allusion in Fifteen Classical Plays. Princeton, NJ:
Princeton University Press, 1991.
17 Eawase
11 Hanachirusato
<
br /> Ii Haruki. “Suma no e-nikki kara e-awase no e-nikki e.”
Chūko bungaku 39 (1987): 41–52.
Cranston, Edwin A. A Waka Anthology, II, pt. A: Grasses of
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Remembrance, 142–43. Stanford, CA: Stanford University
“Tokushū Genji monogatari gajō (Hābādo Daigaku
Press, 2006.
Bijutsukan zō).” Kokka no. 1222 (1997): 43.
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18 Matsukaze
33 Fuji no uraba
Takada Hirohiko. “Hikaru Genji no fukkatsu — Matsukaze
Cranston, Edwin A. A Waka Anthology, vol. 2, pt. A: Grasses
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Press, 2006.
2003.
39 Yūgiri
19 Usugumo
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Suzuki Kazuo and Ii Haruki, eds. Genji monogatari
gi — yōjo to naru shidai.” In Suzuki Kazuo and Koyama
no kanshō to kiso chishiki, no. 23, Yūgiri, 159. Tokyo:
Toshihiko, eds. Genji monogatari no kanshō to kiso
Shibundō, 1998.
chishiki, no. 33, Asagao, Usugumo, 211–25. Tokyo:
Shibundō, 2004.
41 Maboroshi
Kamens, Edward, and Tamenori Minamoto. The Three
21 Otome
Jewels: A Study and Translation of Minamoto Tamenori’s
Shirane, Haruo. “Flowering Fortunes.” In The Bridge of
Sanbōe. Michigan Monograph Series in Japanese
Dreams: A Poetics of The Tale of Genji, 24–42. Stanford,
Studies 2. Ann Arbor, MI: Center for Japanese Studies,
CA: Stanford University Press, 1987.
University of Michigan, 1988.
22 Tamakazura
43 Kōbai
McCormick, Melissa. “Tamakazura.” In Chino Kaori et
Mostow, Joshua. “Kōbai.” In Chino Kaori et al., eds.
al., eds. “Tokushū Genji monogatari gajō (Hābādo
“Tokushū Genji monogatari gajō (Hābādo Daigaku
Daigaku Bijutsukan zō).” Kokka no. 1222 (1997): 44.
Bijutsukan zō).” Kokka no. 1222 (1997): 49.
Ryūsawa Aya. “Tōkyō Kokuritsu Hakubutsukan zō ‘Genji
monogatari sasshi hyōshi-e mohon’ ni tsuite.” Museum
45 Hashihime
643 (2013): 25–50.
Abe Akio, et al. Genji monogatari, vol. 5, 140–41. Shinpen
Nihon koten bungaku zenshū 24. Tokyo: Shōgakkan,
26 Tokonatsu
1994–98.
Takeuchi Masahiko. “Nie toshite tatematsurareru sakana,
Washburn, Dennis C. The Tale of Genji, p. 942, n. 13. 1st ed.
Nishikawa no ayu.” In Akiyama Ken, et al. Tokonatsu,
New York: W. W. Norton, 2015.
11. Vol. 26 of Shūkan emaki de tanoshimu Genji
monogatari gojūshijō. Shūkan Asahi Hyakka. Tokyo:
46 Shiigamoto
Asahi Shinbun Shuppan, 2011.
Katagiri Yayoi. “Shiigamoto.” In Chino Kaori et al., eds.
“Tokushū Genji monogatari gajō (Hābādo Daigaku
29 Miyuki
Bijutsukan zō).” Kokka no. 1222 (1997): 50.
Katō Shizuko. “Ōharano miyuki no junkyō to
monogatarika.” In Suzuki Kazuo et al., eds. Genji
51 Ukifune
monogatari no kanshō to kiso chishiki, no. 30 Miyuki,
Allen, Laura. “Ukifune.” In Chino Kaori et al., eds.
Fujibakama, 235–46. Tokyo: Shibundō, 2003.
“Tokushū Genji monogatari gajō (Hābādo Daigaku
Bijutsukan zō).” Kokka no. 1222 (1997): 51.
32 Umegae
Inamoto Mariko. “Genji-e ni egakareta kaori no sekai.”
In Akiyama Ken, et al. Umegae, 24. Vol. 32 of Shūkan
emaki de tanoshimu Genji monogatari gojūshijō. Shūkan
Asahi Hyakka. Tokyo: Asahi Shinbun Shuppan, 2012.
The Album: Works Cited and Consulted | 245
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Bibliography
The Tale of Genji annotated text in Japanese consulted
Select reference series on the entire tale and compendia
and cited
of illustrations
Abe Akio, et al. Genji monogatari. 6 vols. Shinpen Nihon
Akiyama Ken, et al. Shūkan emaki de tanoshimu Genji
koten bungaku zenshū, 20–25. Tokyo: Shōgakkan,
monogatari gojūshijō. 60 vols. Shūkan Asahi Hyakka.
1994–98.
Tokyo: Asahi Shinbun Shuppan, 2011.
Page numbers in this Genji edition corresponding to the
Sano Midori. Genjie shūsei. Tokyo: Geika Shoin, 2011.
album’s chapter excerpts: Vol. 1: Ch. 1, 44–45; Ch. 2, 104;
Sieff ert, René, and Estelle Leggeri-Bauer. Le Dit Du Genji.
Ch. 3, 119; Ch. 4, 158; Ch. 5, 208; Ch. 6, 296; Ch. 7, 314–15;
Paris: D. De Selliers, 2008.
Ch. 8, 366. Vol. 2: Ch. 9, 24; Ch. 10, 87; Ch. 11, 156; Ch.
Suzuki Kazuo, Kansaku Kōichi, et al. Genji monogatari no
12, 205; Ch. 13, 255; Ch. 14, 305; Ch. 15, 348; Ch. 16, 360;
kanshō to kiso chishiki. 43 vols. Koku bungaku kaishaku
Ch. 17, 382; Ch. 18, 419; Ch. 19, 434; Ch. 20, 490–91. Vol.
to kanshō bessatsu. Tokyo: Shibundō, 1998–2005.
3: Ch. 21, 82; Ch. 22, 116; Ch. 23, 150; Ch. 24, 167; Ch. 25,
Taguchi Eiichi, and Akiyama Ken. Gōka “Genji-e” no sekai
209; Ch. 26, 223; Ch. 27, 257; Ch. 28, 265; Ch. 29, 293; Ch.
Genji Monogatari. Tokyo: Gakushū Kenkyūsha, 1988.
30, 332; Ch. 31, 365; Ch. 32, 406; Ch. 33, 438. Vol. 4: Ch. 34,
Tamagami Takuya. Genji monogatari hyōshaku. 14 vols.
140; Ch. 35, 245; Ch. 36, 338; Ch. 37, 351; Ch. 38, 385; Ch.
Tokyo: Kadokawa Shoten, 1964–69.
39, 448; Ch. 40, 497; Ch. 41, 549. Vol. 5: Ch. 42, 34; Ch. 43,
49; Ch. 44, 80; Ch. 45, 139; Ch. 46, 212; Ch. 47, 293; Ch.
Research publications on the 1510 Genji Album
48, 346; Ch. 49, 391. Vol. 6: Ch. 50, 60; Ch. 51, 151; Ch. 52,
Chino Kaori, lkeda Shinobu, and Kamei Wakana. “Tokushū
248; Ch. 53, 355; Ch. 54, 382.
Genji monogatari gajō (Hābādo Daigaku Bijutsukan
zō).” Kokka no. 1222 (1997). Special issue on the Harvard
English translations consulted
Genji Album.
Cranston, Edwin A. A Waka Anthology, Volume Two: Grasses
Cranston, Fumiko E. “Hābādo Daigaku Bijutsukan zō
of Remembrance, Parts A and B. Stanford, CA: Stanford
‘Genji monogatari gajō’ kotobagaki shakumon.” Kokka
University Press, 2006. Part B contains the translations
no. 1222 (1997): 54–57.
of all 795 waka in The Tale of Genji introduced with
Eremin, Katherine, Jens Stenger, and Melanie Li Green.
informative headnotes.
“Raman Spectroscopy of Japanese Artists’ Materials:
&
nbsp; Tyler, Royall. The Tale of Genji. New York: Viking, 2001.
The Tale of Genji by Tosa Mitsunobu.” Journal of Raman
Washburn, Dennis C. The Tale of Genji. 1st ed. New York:
Spectroscopy 37 (2006): 1119–24.
W. W. Norton, 2015.
Kasashima Tadayuki. “Hābādo Daigaku Bijutsukan zō
‘Genji monogatari gajō’ kotobagaki no shofū to seisaku
nendai.” Kokka no. 1222 (1997): 53.
Kitagawa, Anne Rose. “Behind the Scenes of Harvard’s
Tale of Genji Album.” Apollo 154, no. 477 (2001): 38–35.
McCormick, Melissa. “Genji Goes West: The 1510 Genji
Album and the Visualization of Court and Capital.” Art
Bulletin 85, no. 1 (2003): 54–85.
— — — . “Hābādo Bijutsukan zō ‘Genji monogatari gajō’ to
‘Sanetaka kōki’ shosai no ‘Genji-e shikishi.’” Kokka no.
1241 (1999): 27–28.
Oka Bokkōdō. Shūfuku. Vol. 6. Kyoto: Oka Bokkōdō, 2000.
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Index
“absent presence,” 43, 50, 114, 115, 138, 166–67, 191, 195; Buddhist
Asagao Princess or Kamo Priestess ( Genji character), 58; and
“emptiness,” 207; and deference to the Emperor, 138; scent
f ragrance, 150; gifts to the Akashi girl, 150–51; lineage of,
and, 198; sound and, 75
102, 150; rejection of Genji and of marriage, 103, 150, 195
acolytes, young boys (chigo), 35, 195
“the ascetic” (azari), 214
adoption, 98–99, 154, 183
At the Foot of the Oak Tree (Shiigamoto, Genji), 204–7
“adorable things” (utsukushiu mono), 98
audience for Genji and paratexts, 1, 3–5, 15–16, 18n4, 19n14,
Agemaki (A Bowknot Tied in Maiden’s Loops, Genji), 208–11
21n52, 21n55, 47
aging, 82, 102–3, 123, 187
auditory landscape, 38, 75, 107, 178–79; birdsong, 66, 114,
Akashi Empress, ( Genji character a.k.a Akashi girl and Akashi
151; emphasis on sound, 174–75; musical instruments or
Consort), 74, 94–95; coming of age, 150–51; and death of
performances, 70, 95, 175, 210
Murasaki, 183; and Genji’s rise to power, 98; Imperial
autumn: and depictions of the moon, 17, 74–75, 174, 203; fl owers
marriage of, 154–55, 162; matriline of, 74; as mother of
of, 75, 179, 218; foliage of, 50, 210; motifs of, 178; Tanabata
Crown Prince, 162; Murasaki’s adoption of, 98–99, 106,
festival, 211; Umetsubo Empress associated with, 106
114–15, 150, 154, 162, 170–71, 183; prophecy concerning,
An Autumn Tempest (Nowaki, Genji), 12, 132–35
78–79, 98, 150
Azumaya (A Hut in the Eastern Provinces, Genji), 220–23
Akashi Lady ( Genji character): as “absent presence,” 114–15;