The Secret Scripture

by Sebastian Barry

  My father’s happiness. It was a precious gift in itself, as perhaps my mother’s anxiety was a perpetual spanner thrown into her works. For my mother never made miniature legends of her life, and was singularly without stories, though I am sure there were things there to tell as good as my father’s. It is funny, but it strikes me that a person without anecdotes that they nurse while they live, and that survive them, are more likely to be utterly lost not only to history but the family following them. Of course this is the fate of most souls, reducing entire lives, no matter how vivid and wonderful, to those sad black names on withering family trees, with half a date dangling after and a question mark. My father’s happiness not only redeemed him, but drove him to stories, and keeps him even now alive in me, like a second more patient and more pleasing soul within my poor soul. Perhaps his happiness was curiously unfounded. But cannot a man make himself as happy as he can in the strange long 11

  reaches of a life? I think it is legitimate. After all the world is indeed beautiful and if we were any other creature than man we might be continuously happy in it.

  The principal room in our little house, while already of narrow dimensions, we shared with two large objects, viz. the aforementioned motorbike which had to be kept out of the rain. It lived in our living room a quiet life as one might say, my father being able from his chair idly to run a chamois leather over the chrome when he wished. The other object which I want to mention is the little cottage upright piano, which had been bequeathed him by a grateful widower, as my father had dug a hole for this man’s wife at no charge, because the circumstances of the bereaved family had been straitened. So one summer night, soon after the burial, the piano had arrived on a donkey and cart, and was carried in with smiles and embarrassed happiness by the widower and his two sons, and placed in our tiny room. The piano had possibly never been worth a great sum, but it had a most beautiful tone for all that, and had never been played before it reached us, in as much as one could surmise that history from the state of the keys, which were pristine. There were scenes painted on the side panels, of places which were not Sligo as such, most likely being scenes of an imaginary Italy or the like, but might have been all the same, being of mountains and rivers, with shepherds and shepherdesses standing about with their patient sheep. My father, having grown up in his own father’s ministry, was able to play this lovely instrument, and his delight as I have said was in the old operettas of the previous century. He considered Balfe a genius. As there was room for me beside him on the stool I soon by grace of my love for him and my own great joy in his ability began to pick up the rudiments of playing, and 12

  slowly progressed to some real accomplishment, without in any way feeling it was an effort or a trial.

  Then I could play for him as he stood out in the centre of the floor, such as it was, with his hand idly perchance on the seat of his motorbike, the other hand in his jacket like an Irish Napoleon, and sing with utmost perfection, or so it seemed to me, ‘Marble Halls’, or the other gems of his repertoire – and, for that matter, those little songs called Neapolitan, which of course were not as I thought in memory of Napoleon, but songs invented in the streets of Naples – songs now in exile in Sligo! His voice entered my head as a sort of honey, that lingered there potently, buzzingly, banishing all the fears of childhood. As the voice rose up, so did all of him, arms, whiskers, one foot swinging a little over the old carpet with its pattern of repeating dogs, his eyes brimming with a strange merriment. Even Napoleon might not have scorned him as a man of elevated qualities. At such moments he exhibited a most beautiful timbre in the quieter passages of songs that to this day I have never heard outmatched. Many fine singers made their way to Sligo when I was a young woman and sang in the halls under the rain, and for a few of the more popular sort I even played piano accompaniment, chopping out the notes and chords for them, more of a hindrance than a help to them perhaps. But none seemed to me to equal the strange privacy of my father’s voice.

  And a man who can make himself merry in the face of those coming disasters that assailed him, as disasters do so many, without grace or favour, is a true hero.

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  chapter two

  Dr Grene’s Commonplace Book

  ( Senior Psychiatrist, Roscommon Regional Mental Hospital) This building is in a terrible condition, how terrible we were not completely aware until the surveyor’s report. The three brave men who climbed into the ancient roof report many timbers on the verge of collapse, as if the very head and crown of the institution were mirroring the condition of many of the poor inmates beneath. For inmates I should write patients. But as the place was constructed in the late eighteenth century as a charitable institution for the ‘healthful asylum and superior correction of wounded seats of thought’ the word inmate does always spring to mind. How healthful and how superior can only now be guessed. Actually in the mid nineteenth century there was a period of great enlightenment in the asylums, under the revolutionary ideas of various doctors, when strait jackets were used sparingly, a good diet was deemed wise, and plenty of exercise and stimulation of thought. Which was a great advance on the practice of Bedlam with its roaring beasts in chains on the floors. Somehow it all got worse again afterwards, and no sensitive person would choose to be the historian of the Irish asylums in the first part of the last century, with its clitoridectomies, immersions, and injections. The last century being

  ‘my’ century, since I was fifty-five when it turned, and it is difficult wholly to give one’s heart and attention to a new century at that age. Or so I found. And find. Nearly sixty-five now, alas. With the building showing its age so forcefully, we will be obliged to leave it. The department says the new building will start almost immediately, which may be true or may be cant of 14

  a sort. But how can we go till we are assured of a new building, and indeed, more philosophically, how can we prise many of the patients out of here, when their very DNA has probably melded with the mortar of the building? There are those fifty ancient women in the central block, so old that age has become something eternal, continuous, so bedridden and encrusted with sores that to move them would be a sort of violation. I suppose I am resisting the thought of going in my mind, the way any sensible person does when a move is mooted. No doubt we will manage with all the usual mayhem and trauma. Similarly the attendants and nurses have become as much part of the building as the bats in the roof and the rats in the cellars. Which are both legion I understand, though I am thankful to say I have only seen rats the one time, when the east wing went on fire, and I saw the dark black shapes running from the lower doors, out into the farmer’s corn meadows beyond the hedges. The light from the fires threw a glare of a weird marmalade colour into their backs as they fled. I am sure when they heard the firemen give the all clear, they snuck back in in the new darkness.

  So, we are to go sometime. I am obliged therefore under the new laws to assess whatever of the patients can be put back into the community (whatever that is, O Lord), and exactly what category of patient each other patient is. Many of them will be shocked even by new decor, modern plaster walls, good insulation and heating. The very moaning of the wind in the corridors, even on still days – how is that? possibly a vacuum created by heat and cold in different areas of the hospital – will be missed as the tiny background music of their dreams and ‘madnesses’. I am sure. Those poor old boys in black suits made by the hospital tailor long ago, who are not so much mad as homeless and ancient, and who live along the rooms of the oldest west wing, like soldiers of some forgotten Peninsular or Indian War, will not know themselves outside this lost ground of Roscommon.

  15

  Which necessity will also bring me to a task long avoided, which is to establish what circumstances brought in some of the patients, and whether indeed, as was tragically true in some cases, they were sectioned for social rather than medical reasons. Because I am not so great a fool as to think that all the

  ‘lunatics’ in here are mad, or ever w
ere, or were before they came here and learned a sort of viral madness. These people are perceived by the all-knowing public at large, or let us say public opinion as it is mirrored in the newspapers, as deserving of ‘freedom’ and ‘release’. Which may be very true, but creatures so long kennelled and confined find freedom and release very problematic attainments, like those eastern European countries after communism. And similarly there is a weird reluctance in me to see anyone go. Why is that? The anxiety of the zoo keeper? Can my polar bears do as well at the pole? I suppose this is a reductive thought. Well, we will see. In particular I will have to approach my old friend Mrs McNulty, who is not only the oldest person in this place, but in Roscommon itself, perhaps even Ireland. She was old when I got here thirty years ago, although at that time with the energy of, I don’t know what, a force of nature. She is a formidable person and though long periods have gone by when I have not seen her, or only tangentially, I am always aware of her, and try to ask after her. I am afraid she is rather a touchstone for me. She has been a fixture, and not only represents the institution, but also, in a curious way, my own history, my own life. ‘The star to every wandering bark,’ as Shakespeare has it. My marriage troubles with poor Bet, my spirits lowering, plummeting, betimes, my feeling of not getting on, my this, my that – my companionable stupidity, I suppose. While things have ineluctably changed, she has remained the same, if grown of course weaker and slighter as the years go on. Is she a hundred now? She used to play the piano down in the recreation room, really very expert songs, jazz tunes of the twenties and thirties. 16

  I don’t know how she knew them. But she used to sit there, with her long silver hair flowing freely down her back, in one of those awful hospital gowns, but looking like a queen, and though she was seventy then, very striking in the face. Really quite beautiful still, and God knows what she must have looked like when she was young. Extraordinary, a sort of manifestation of something unusual and maybe alien in this provincial world. When a mild rheumatism – she wouldn’t allow the word, she called it ‘a reluctance’ in her fingers – set in in later years, she stopped playing the piano. She might have played almost as well, but almost as well didn’t suit her. So we lost the sound of Mrs McNulty playing jazz.

  As a matter of record, that piano, assailed by woodworm, was later thrown out on a skip with an enormous unmusical clang. So now I will have to go in and tackle her about this and that. I am unaccountably nervous about it. Why should I be nervous? I think it is because she is so senior to me, and if given to great silences, an extremely agreeable presence, like the company of an older colleague that one reveres. I think that is it. Maybe it is because I have a suspicion she likes me, just as much as I like her. Though why she does I don’t know. I have harboured a curiosity about her, but I have never delved into her life, though perhaps as a professional psychiatrist that should be a black mark against me. Nevertheless, there it is, she likes me. Yet I would not trouble that liking, the condition of it I mean, for the world. So I must tread carefully.

  Roseanne’s Testimony of Herself

  How I would like to say that I loved my father so much that I could not have lived without him, but such an avowal would be proved false in time. Those that we love, those essential 17

  beings, are removed from us at the will of the Almighty, or the devils that usurp him. It is as if a huge lump of lead were lain over the soul, such deaths, and where that soul was previously weightless, now is a secret and ruinous burden at the very heart of us.

  When I was ten or so my father in a fit of educating enthusiasm brought me to the top of the long thin tower in the graveyard. It was one of those beautiful, lofty slim buildings made by monks in a time of danger and destruction. It stood in a nettled corner of the graveyard and was not much remarked on. When you had grown up in Sligo it was just there. But no doubt it was a treasure beyond compare, put up with only a murmur of mortar between the stones, each one remembering the curve of the tower, each one set in with perfect success by ancient masons. Of course it was a Catholic yard. My father had not got that job because of his religion, but because he was deeply liked in the town by all and sundry, and the Catholics did not mind their graves being dug by a

  Presbyterian, if it was a likeable one. Because in those days there was often much greater ease between the churches than we give credit for, and it is often forgotten that under the old penal laws in vanished days the dissenting churches were just as harried, as he often liked to point out. At any rate, there is seldom a difficulty with religion where there is friendship. And it was only later that this distinction in him made any difference. At any rate I know he was exceedingly liked by the parish priest, a little perky darting man called Father Gaunt who loomed so large later in my own story, if a small man can be said to loom large.

  Those were the days just after the first war, and maybe in those ditches of history as it were, minds turn to strange18 nesses, quirks of education such as he was bent on that day with me. Otherwise I cannot explain why a grown man would take his child to the top of an old tower with a bag of hammers and feathers.

  All of Sligo, river, churches, houses, radiated out from the foot of the tower, or so it seemed from the little window at the top. A passing bird might have seen two excited faces trying to peer out at the same time, myself heaping my weight onto my toes and bumping the underside of his chin.

  ‘Roseanne, dearest, I shaved already this morning, and you won’t shave me anyhow with the top of your golden head.’

  For it was true I had soft hair like gold – like the gold of those selfsame monks. Yellow as the gleams in old books.

  ‘Pappa,’ I said, ‘for the love of all things, drop the hammers and feathers and let’s see what’s what.’

  ‘Oh,’ he said, ‘I am weary from the climb, let’s just scope our eyes over Sligo before we attempt our experiment.’

  He had waited and chosen a windless day for his work. He wished to prove to me the ancient premise that all things fall at the same rate, in the realm of theory.

  ‘All things fall at the same rate,’ he had said, ‘in the realm of theory. And I will prove it to you. I will prove it to myself.’

  We had been sitting by the spitting anthracite of our fire.

  ‘All may fall at the same rate, as you say,’ my mother piped up from her corner. ‘But it’s the rare thing rises.’

  I do not think this was a cut at him, but just an observation. At any rate he looked over at her with the perfect neutrality she herself was mistress of and had taught him.

  It is strange to me writing this here in this darkened room, scratching it all out in blue biro ink, somehow to see them in my mind’s eye, or somewhere behind my eyes, in the darkened bowl of my head, still there, alive and talking, truly, as if their time was real time and mine was an illusion. And it touches my heart for the thousandth time how beautiful she is, how neat, agreeable 19

  and shining, with her Southampton accent like the pebbles on the beach there disturbed by the waves, rushing, shushing, a soft sound that sounds in my dreams. It is also true that when I was bold, when she worried that my path was veering from the path she wanted for me, even in small matters, she was wont to whip me. But in those times children were routinely hit. So now our two faces were jostling for position, framed by the ancient frame of the monks’ little look-see window. What vanished faces had peered out there, sweating in their robes, trying to see where the Vikings were that would come to kill them and take their books, their vessels, and their coins. No mason likes to leave a large window for Vikings, and that window spoke still of old nervousness and peril. At length it was clear that his experiment was impossible with both of us there. One or other of us would miss the outcome. So he sent me back down on my own by the dank stairway of stones, and I can still feel that wet wall under my hand, and the strange fright that grew in me to be separated from him. My little breast beating as if there was an uncomfortable pigeon trapped there.

  I came out from the tower and s
tood away from the base as he had bid me, for fear of the hammers falling and killing me dead. The tower looked enormous from there, it seemed to stretch up to the filthy grey clouds of that day. To heaven. Not a breeze stirred. The neglected graves of that section of the yard, the graves of men and women of some century where the people could only afford rough stones, and not a name writ upon them, seemed different now on my own, as if their poor skeletons might rise up against me, to devour me in their eternal hunger. Standing on the ground I was a child on a precipice, that was the feeling, like that scene in the old play King Lear where the king’s friend imagines he is falling down a beetling cliff, where there is no cliff, so that when you read it, you also think there is a cliff, and fall with the king’s friend. But 20