The Secret Scripture

by Sebastian Barry

  tea, and being polite, and it might have been the start of a good life, I don’t know.

  I suppose I might have got the job in the usual way, seen a notice in the window, gone in and somehow made it known that, unpromising as I looked, I was a Presbyterian, and so suited to the job (openhearted as the Quaker owners were, there were no Catholic girls employed there, unless it was Chrissie, who had been a Catholic, but was raised in the Charter School as a Protestant). But it came about in a different way. After my father died, my mother, already a silent person, probably in the terms of this institution declined even further. One morning waking at home I had gone down to make her her tea, and coming back up found no one in her bed. It was a terrible shock, and I ran downstairs calling her, and looking everywhere, out in the street, everywhere. Then I happened to look out the scullery window and saw her, curled up like a sheepdog under my father’s mouldering motorbike. Oh yes, I brought her back and tucked her up in bed, the sheets I am ashamed to admit grey from her lying there unwashed. I was so saddened and upset, I walked out of Sligo that day and all the way to Rosses Point, where the nicest beach was, thinking I might wander about the golf course there, with little lakes of lonely birds, and beautiful sudden views of distant mansions by the water, as if they had gone down to the water’s edge to drink (of course it was the salt sea, but at any rate). And I did walk there, coming along first by the cottages of the Rosses, with Coney island across the flow of the Garravoge, and the wonderful, calming figure of the Metal Man, in his old blue iron clothes, and his black hat, pointing eternally into the deep water, to tell the ships coming up where to go. He was a statue on a rock, but so wonderful a method to indicate deep water surely had never been devised before or since. I was told once his brother is in a little park in Dalkey by the sea in Dublin, doing what task I do not know.

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  Beyond Coney and the Metal Man of course lies the country of Strandhill, the lesser beach, which was the scene of my own suffering later.

  When I got to the strand at Rosses Point, there was that fierce little wind blowing, and although there was a number of black cars parked behind the dunes, the owners must have been sitting in them, because there was no one out on the broad strand itself. Only those buffeting cohorts of the wind. But in the distance there was one figure, a woman in a billowing white dress as I soon saw, pushing in a haphazard way a big black perambulator. As I got nearer to her I heard her calling, her words dimming and then growing just as the wind wished. Finally I reached her, and even in the chill weather of that Irish June, she was sweating.

  ‘Oh, my dear, my dear,’ she said, looking very like the rabbit in Alice in Wonderland, ‘I cannot find her, I cannot find her.’

  ‘Who can’t you find, ma’am?’ I said, deciding by her accent that she must be a toff of some kind, and likely needing to be called ma’am.

  ‘My daughter, my little daughter,’ she said, with a strange screaming tone. ‘I fell asleep in the dune, in a lovely suntrap, and my little one playing about just beside me, but when I woke, she was gone. She is only two years old. Oh, my Lord, my Lord.’

  ‘She is not in the pram?’ I said, on an inspiration.

  ‘No, she is not, she is walking. Her brother is in the pram, soundly sleeping! My daughter Winnie is walking. Winnie, Winnie!’

  And she seemed suddenly to run quite away from me, as if giving up all thought I might be able to help, after my great ignorance on the topic of the perambulator.

  ‘I will help you search,’ I said, ‘I will help you.’ And I actually gripped her arm for a moment. It was thin under the white linen. She stopped and looked at me. Peered at me with eyes of weeping green.

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  Then I ran over to the dunes and took the old high path among them as I had done with my father a dozen times. The path went rushing down and up, and after a while I was back near the cars. The tide was beginning to tip against the long boots of stone the shore was there. On complete instinct I rushed towards the water, because I remembered a cave that I knew, the sort of strange deep cave that any child would love. My father told me that in the cave was found the oldest remnant of human life in Ireland, and that some of the first people, no doubt heroic, brave and terrified all at the same time, alone in a land of great forests and marshes, had sheltered there. I came into the murk of the cave and was well rewarded for my instincts. There was a little crouched figure there, digging in the dry sand, her bottom wet as a puddle, the rest of her happy as Larry. I scooped her up, and even that did not frighten her, she maybe thinking me a creature part of her own fantasy. As I came back out into the open air, I saw the mother far off in the distance, searching among the similar rocks at the other end of the strand. It was a sort of picture of utter futility and wrongness, motherhood doomed to failure. How I wished suddenly for my own mother to seek for me so fiercely, so sweatingly, to find me again on the lost strand of the world, to rescue me, to recruit others for my rescue, to bring me again to her breast, as that distant mother so obviously ached to do with the happy creature in my arms.

  But I set off nonetheless across the sand, sprinkled with those myriad razor shells, the wind ruckling up the inch of water everywhere. When I was halfway across I think the mother got a sense of me coming, her face vaguely turning to me. Even at that distance I got an immense impression of some mystery, the enormous panic of that figure, and what was almost the flame of relief leaping from it as she thought, she hoped, she spied me with her daughter in my arms. On I sped, splashety-splash across the intervening acre of sand. Now she 131

  was galloping towards me, still pushing the huge pram, and at length we were only yards apart, the mother joyfully hooting, that’s what it sounded like, the pram nearly crashed into me, and the child wrenched from my arms, and only now crying, caterwauling, roaring. And it was as if I had returned the child to her from the dead, especially when I told the mother about the cave, and the advancing sea.

  ‘I cannot describe to you, I cannot,’ she said, ‘the feeling of utter wretchedness when I could not see her. My head was screaming like with a thousand of these gulls. My chest was as full of pain as if you had poured hot oil into me. The whole strand was screaming back at me in its emptiness. My dear girl, my dear girl, my dear girl.’

  This last was actually to me, though she held the other ‘dear girl’ in her grip, and gripped my own arm now.

  ‘I thank you, I thank you, dear, dear girl.’

  And that was Mrs Prunty, the wife of the owner of the Café

  Cairo. It did not take long for her to know my story, carefully told by me in a guise I hoped was suitable, on the drive back to Sligo in her big black car. And it was her joy to suggest I might come to the Café Cairo to work, as my schooling was finished, my father deceased, and my mother ‘unwell’ as I put it, at home.

  I don’t remember the especial moment when Tom first came into the café, but I have a vivid memory of him as if contained in a sort of photograph, gold trim around the edges, like one of those still pictures outside the cinema in Sligo, of his aura and sense of infinite wellbeing, a short, thickset, almost fat man in a sturdy and neat suit, so unlike his brother Jack, whose suits were tailoring of a higher order, and whose coat was so infinitely fine it had a soft leather collar like a film star’s. They both wore extravagantly expensive hats, though they were the sons of the 132

  tailor of Sligo Lunatic Asylum, and maybe that accounted for the more brutal cut of Tom’s suit – certainly not his brother’s. But the fact was the father was also the bandleader of Sligo’s principal danceband, Tom McNulty’s Orchestra, and that meant they had more shekels than most in those predominantly shekel-less times. His father, another small man seen about the place in a straw boater in that blistering summer, and a striped jacket the like of which you would see only at the races on a Wednesday the back of the town, was called Old Tom, and Tom himself was Young Tom, a thing especially useful since he also played in that famous band, if only famous among the dunes of Strandhill
and in the dreams of the Sligo people. I must have been two years and more already in the Café

  Cairo when I first became aware of these McNulty brothers. Those first years there as a simple waitress were simple happy years, myself and lonesome Chrissie being fast friends and a bulwark to each other against the world. She was a petite, neat, nice person, Chrissie, for such souls do exist. It is not all knives and axes. Moreover Mrs Prunty though rarely seen was always felt by me as a secret presence behind the steaming boilers, and the beautiful many-ledged cake holders, and the river of silver knives and spoons, and those lovely forks used only for delicate cakes. Somewhere behind all that, and the elaborate carved doors, and the touches of an Egypt no one had ever seen, I was sure Mrs Prunty moved, like a Quaker angel, speaking well of me. So I imagined anyhow. I earned the few shillings, and fed and washed my mother, haunted the picture house many many evenings, saw a thousand films, newsreels, and all the rest, wonders beyond the wonders of the finest, most extravagant dreams. And somehow in those times I was content with that, rebuffed all offers to go ‘steady’ with anyone, dance with anyone in particular more than once or twice. We blew out, a crowd of young girls from the town, to Tom McNulty’s dancehall by the sea, like a torrent of roses along the bleak roads, sometimes 133

  spilling in tremendous gaiety and simplicity out onto the strand itself, where the road came down from the village of upper Strandhill, and the bollards one after the other on the very sand itself showed the lowtide way to Coney. Maybe you would rather call us gulls, elegant white birds dipping and calling, we were always inland as it were – as if there was always a storm at sea. Oh, it is girls of seventeen and eighteen know how to live life, and love the living of it, if we are let. No one had seen Egypt I say, but of course Jack had been a sailor in the British Merchant Navy as a lad, and had already travelled to every port of the earth – but of course I didn’t know all that. The epic story of Jack – a little epic, an ordinary epic, a local epic, but epic for all that – was unknown to me. All I saw, or began to see, was two spick-and-span brothers coming in for their cups of tea, any Chinese leaf for Tom, and Earl Grey by preference for Jack.

  The dark story of their brother Eneas I never knew till long after, if I ever really knew it. Just a scrap of it, a few pages torn from his raggedy book. Can you love a man you only knew – in the Biblical sense – for a night? I do not know. But there was love there, gentle, fierce, proper love. God forgive me.

  Dr Grene’s Commonplace Book

  Mirabile dictu (my having to read Virgil at school did me some good at least, in that it has left me with that phrase), some further documentation has arrived from Sligo Mental Hospital. It is the top copy of the old deposition and their storage arrangements must be better than ours by some measure, because the 134

  sheets are quite intact. I must say her story as itemised in the document interested me greatly, offering a sort of landscape to put behind the figure I know in the bed. A sort of human vista of troubles and events, like in a painting by da Vinci or the like, the Mona Lisa itself, with its castle and hills (as I remember it

  – perhaps there is no castle). As she herself continues unforthcoming, I had also a great frisson of entry to read it, as if I were getting the answers I sought from her, but of this I must be very wary. The written word assumes authority but it may not have it. I must not necessarily let her silence be filled with this, although it is a great temptation, because it is a shortcut, or a way around. The sheets amount to some seventeen closely typed pages and would seem to be offering an account of the events that led up to her, I was going to say incarceration, but I mean of course her sectioning. It is in two parts, the first detailing her earlier life up to her marriage, then the reasons for the annulment of that marriage, if that is the right term of the day. It seems this was followed by a period of tremendous disarray in her life, tremendous, really rather terrible and pitiable. This is all long long ago, in the savage fairytale of life in Ireland in the twenties and thirties, mostly, though the period of her greatest difficulty seems to have occurred actually during the years of the emergency, as de Valera referred to the Second World War.

  I do not in all truth and sincerity know how much of it I can present to her. Somehow I doubt, by her reaction the other day, if she will be open to its revelations, which may or may not be revelations to her. If it represents the truth, it is a dreadful and burdening truth. In a place like this we must not concern ourselves too much with moral judgement or even legal judgement. We are like prison chaplains in here, dealing with the remnant human person after the civic powers have had their say. We are trying to ready, to steady the person for what? The axe, the guillotine of sanity? For the long watches of the 135

  sentence of living death that being here really is? The document I was interested if not a little horrified to see was signed by a Fr Aloysius Mary Gaunt, which was a name that rang a bell. I puzzled it over until I suddenly realised who that was, the man who became auxiliary bishop of Dublin in the fifties and sixties, taking from the hemming and hawing of the Irish constitution a clear statement of his powers of moral domination over the city, as did most of his brother clerics. A man who in his every utterance seemed to long for the banishment of women behind the front doors of their homes, and the elevation of manhood into a condition of sublime chastity and sporting prowess. There is something humorous about it now, there was nothing humorous about it then.

  This Fr Gaunt as a young curate in Sligo seemed to be very intimate with Roseanne Clear’s circumstances. She was it seems the child of a police sergeant in the Royal Irish Constabulary (which I already knew from the damaged section I had found here). De Valera, as a young leader during the war of independence, had declared that any member of the police could be shot if they in any way obstructed the aims of the revolutionary movement. So such individuals, though Irish and for the most part Catholic (Roseanne’s father was Presbyterian), and their families lived under constant threat and in real danger. It is all very understandable in a revolutionary period, but I wonder if Roseanne at the age of twelve or so could have seen that. In her eyes what happened must have been genuinely tragic, genuinely bewildering and awful. I have just looked at my watch and it is seven fifty, the very latest moment I can leave it, to make my rounds at ten past eight. I must flee.

  A note to myself: the builders say six weeks and the new building will be completed. This is from the horse’s mouth, because I was on site myself, asking them, like a veritable spy, the other day. But enough –

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  chapter thirteen

  Roseanne’s Testimony of Herself

  Curious to relate, it was not in the Café Cairo that I ‘met’ Tom, but in quite another place. It was the sea itself.

  It is along the strands of the world that the privilege of possessing children is most blatantly seen. What torment for the spinster and the childless man, to see the various sizes of little demons and angels ranged along the tide line. Like some species of migratory animal. The human animal began as a mere wriggling thing in the ancient seas, struggling out onto land with many regrets. That is what brings us so full of longing to the sea. I am not an entirely childless person.

  That story also belongs to the sea, or the strand anyway. My child. My child went to Nazareth, that’s what they told me. Or, that is what I heard them say. But I was not hearing anything very well, very properly, in that time. They might as well have said Wyoming.

  Strandhill’s beach is narrow, heaped, endangered, and the hill of sand itself seems to have drawn up its enormous knees to escape the goings on below. There is a long rough promenade where gigs, carts, sidecars, high traps and motorcars used to be parked, the occupants spilling out I am sure always with the same level of human anticipation, the kids barrelling away ahead, the fathers laughing, cursing, the mothers admonishing, panicking – all the to-do and turmoil of normal happiness. Kneelength bathing suits vying in eternity with those wondrous bikinis I have only seen in stray magazines. How
I would like to have sported one of them.

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  And at first no doubt just a few brave houses built on the marsh and acres of blown sand, scotch grass, the land rising and rising until eventually touching on the realm of Knocknarea, where Queen Maeve sleeps in her stony grave. From the top of Knocknarea you can see the beach at Strandhill, but the people are only pins, and anything the size of a child is just a dust mote in your eye.

  I have looked down from there, despairing and weeping. All that country was ‘my’ country later. Strandhill, Strandhill, the mad woman of Strandhill.

  At first, a few houses risked on that uncertain ground, then the old hotel, and then huts and more houses, and then, some time in the vanished twenties, Tom McNulty built the Plaza ballroom. A glorified corrugated-iron warehouse with a round roof, a square concrete front to the hall with an oddly modest door and a ticket window, the brightness of both beckoning, promising, oh, and a tumultuous whirlwind of dreams rising from the approaching crowd every Friday night, reaching no doubt as far as heaven, to comfort God in the doubts of his creation.

  That was Tom McNulty’s work, father and son, to put a ticket on those dreams. And I felt that dream in me with passionate completeness.

  To sit here, writing this, my hands as old as Methuselah’s. Look at these hands. No, no, you cannot. But the skin is thin as

  – did you ever see the shell of a razor fish? They are strewn all about Rosses Strand. Well, there is a filament of transparent stuff that covers those shells, like a drying varnish. It is strange stuff. That is my skin now. I fancy I can count my bones. The truth is my hands look like they have been buried a while and then dug up. They would give you a fright. I have not looked in a mirror for about fifteen years.

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  The first few feet of water at Strandhill were safe enough. In summer they were like a bath. The sea there made only the slightest effort at going in and out, it always seemed to me. Maybe the children peeing in the water had something to do with it, with the heat I mean. It was lovely though. Myself and Chrissie and the other girls from the Café Cairo . . . Mrs Prunty always tried to employ good girls for the café, but good girls that looked good, which is a different thing. I think we looked like young goddesses. Mary Thompson could have been a picture in a magazine, Winnie Jackson was a picture once, in the Sligo Champion. ‘Miss Winnie Jackson Enjoys the Fine Weather at Strandhill’. Her in her beautiful one-piece bathing suit sent down to her in a box from Arnott’s in Dublin, on the Dublin-to-Sligo train. There was style for you. She had a lovely plump bust and I think the lads felt only despair looking at her, that they would never even get talking to her. Our skins going all African in the steaming heat of August. Our faces bright red sometimes in the evenings, going home across the strand, burnt off of us, and lying in bed then in the town, hardly daring to let our shoulders touch the sheets. Happy. And then the skin calmed down the next morning, and longing to get away out to the beach again, and then again, and then again. Happy. Just straightforward ordinary girls we were. We liked to bring as much despair as we could to the lads. Who watched on the sidelines of our happiness like sharks, devouring our attributes with their eyes. Sometimes I’d get talking to a lad at the dance, lads didn’t say much, and when they did talk they didn’t say much worth hearing. But that was all right. There were all sorts at the dance, toffs from the town, and lads with trousers too short for them, showing their socks, or bare legs stuck into battered shoes. There were always a few donkeys tied up outside, and nags of one sort and another, and carts heeled up. The mountain spilled out its sons and daughters like a queer avalanche. Lovely humanity. 139