Collected Works of Frances Trollope

by Frances Milton Trollope

  Having fully examined the church and its medley of old and new treasures, we called a council as to the possibility of finding time for descending to the crypts: but most of the party agreeing in opinion that we ought not to lose the opportunity of visiting what a wit amongst us happily enough designated “le Palais Royal de la Mort,” we ordered the iron gates to be unbarred for us, and proceeded with some solemnity of feeling into the pompous tomb. And here the unfortunate result of that bold spirit of change which holds nothing sacred is still more disagreeably obvious than in the church. All the royal monuments of France that could be collected are assembled in this magnificent vault, but with such incongruity of dates belonging to different parts of the same structure, as almost wholly to destroy the imposing effect of this gorgeous grave.

  But if the spectator would seek farther than his eye can carry him, and inquire where the mortal relics of each sculptured monarch lie, the answer he will receive must make him believe that the royal dust of France has been scattered to the four winds of heaven. Nothing I have heard has sounded more strangely to me than the naïveté with which our guide informed us that, among all this multitude of regal tombs, there was not one which contained a single vestige of the mortal remains of those they commemorate.

  For the love of good taste and consistency, these guardians of the royal sepulchre of France should be taught a more poetical lesson. It is inconceivable how, as he spoke, the solemn memorials of the illustrious dead, near which my foot had passed cautiously and my voice been mute, seemed suddenly converted into something little more sacred than the show furnishing of a stone-mason’s shop. The bathos was perfect.

  I could not but remember with a feeling of national pride the contrast to this presented by Westminster Abbey and St. George’s Chapel. The monuments of these two royal fanes form a series as interesting in the history of art as of our royal line, and no painful consciousness of desecration mixes itself with the solemn reverence with which we contemplate the honoured tombs.

  The most interesting object in the crypts of St. Denis, and which comes upon the moral feeling with a force increased rather than diminished by the incongruities which surround it, is the door of the vault prepared by Napoleon for himself. It is inscribed,

  ICI REPOSENT

  LES DÉPOUILLES MORTELLES

  DE

  This inscription still remains, as well as the massive brazen gates with their triple locks, which were designed to close the tomb. These rich portals are not suspended on hinges, but rest against a wall of solid masonry, over which the above inscription is seen. The imperial vault thus chosen by the living despot as the sanctuary for bones which it was our fortune to dispose of elsewhere is greatly distinguished by its situation, being exactly under the high altar, and in the centre of the crypts, which follow the beautiful curve of the Lady Chapel above. It now contains the bodies of Louis Dix-huit and the Duc de Berri, and is completely bricked up.

  In another vault, at one end of the circular crypts, and perfectly excluded from the light of day, but made visible by a single feeble lamp, are two coffins enclosing the remains of the two last defunct princes of the blood royal; but I forget their names. When I inquired of our conductor why these two coffins were thus exposed to view, he replied, with the air of a person giving information respecting what was as unchangeable as the laws of the Medes and Persians, “C’est toujours ainsi;” adding, “When another royal corpse is interred, the one of these two which was the first deposited will be removed, to be placed beneath its monument; but two must ever remain thus.”

  “Always” and “ever” are words which can seldom be used discreetly without some reservation; but respecting anything connected with the political state of France, I should think they had better never be used at all.

  We returned to the carriages and pursued our pretty drive. The latter part of the route is very beautiful, and we all walked up one long steep hill, as much, or more perhaps, to enjoy the glorious view, and the fresh delicious air, as to assist the horses.

  Arrived at the famous Cheval Blanc at Montmorency, (a sign painted, as the tradition says, by no less a hand than that of Gérard, who, in a youthful pilgrimage with his friend Isabey to this region consecrated to romance, found himself with no other means of defraying their bill than by painting a sign for his host,) we quitted our wearied and wearisome citadines, and began to seek, amidst the multitude of horses and donkeys which stood saddled and bridled around the door of the inn, for twenty well-conditioned beasts, besides a sumpter-mule or two, to carry us and our provender to the forest.

  And, oh! the tumult and the din that accompanied this selection! Multitudes of old women and ragamuffin boys assailed us on all sides.— “Tenez, madame; voilà mon âne! y a-t-il une autre bête comme la mienne?...” “Non, non, non, belles dames! Ne le croyez pas; c’est la mienne qu’il vous faut...” “Et vous, monsieur — c’est un cheval qui vous manque, n’est-ce pas? en voilà un superbe....”

  The multitude of hoarse old voices, and shrill young ones, joined to our own noisy mirth, produced a din that brought out half the population of Montmorency to stare at us: but at length we were mounted — and, what was of infinitely more consequence, and infinitely more difficulty also, our hampers and baskets were mounted too.

  But before we could think of the greenwood tree, and the gay repast to be spread under it, we had a pilgrimage to make to the shrine which has given the region all its fame. Hitherto we had thought only of its beauty, — who does not know the lovely scenery of Montmorency? — even without the name of Rousseau to give a fanciful interest to every path around it, there is enough in its hills and dales, its forest and its fields, to cheer the spirits and enchant the eye.

  A day stolen from the dissipation, the dust, and the noise of a great city, is always delightful; but when it is enjoyed in the very fullest green perfection of the last days of May, when every new-born leaf and blossom is fully expanded to the delicious breeze, and not one yet fallen before it, the enjoyment is perfect. It is like seeing a new piece while the dresses and decorations are all fresh; and never can the mind be in a state to taste with less of pain, and more of pleasure, the thoughts suggested by such a scene as the Hermitage. I have, however, no intention of indulging myself in a burst of tender feeling over the melancholy memory of Rousseau, or of enthusiastic gratitude at the recollection of Grétry, though both are strongly brought before the mind’s eye by the various memorials of each so carefully treasured in the little parlour in which they passed so many hours: yet it is impossible to look at the little rude table on which the first and greatest of these gifted men scribbled the “Héloïse,” or on the broken and untuneable keys of the spinette with which the eloquent visionary so often soothed his sadness and solitude, without some feeling tant soit peu approaching to the sentimental.

  Before the window of this small gloomy room, which opens upon the garden, is a rose-tree planted by the hand of Rousseau, which has furnished, as they told us, cuttings enough to produce a forest of roses. The house is as dark and dull as may be; but the garden is pretty, and there is something of fanciful in its arrangement which makes me think it must be as he left it.

  The records of Grétry would have produced more effect if seen elsewhere, — at least I thought so; — yet the sweet notes of “O Richard! O mon roi!” seemed to be sounding in my ears, too, as I looked at his old spectacles, and several other little domestic relics that were inscribed with his name. But the “Rêveries du Promeneur Solitaire” are worth all the notes that Grétry ever wrote.

  A marble column stands in a shady corner of the garden, bearing an inscription which states that her highness the Duchesse de Berri had visited the Hermitage, and taken “le coeur de Grétry” under her august protection, which had been unjustly claimed by the Liégeois from his native France. What this means, or where her highness found the great composer’s heart, I could not learn.

  We took the objects of our expedition in most judicious order, fasting and fat
igue being decidedly favourable to melancholy; but, even with these aids, I cannot say that I discovered much propensity to the tender vein in the generality of our party. Sentiment is so completely out of fashion, that it would require a bold spirit to confess before twenty gay souls that you felt any touch of it. There was one young Italian, however, of the party whom I missed from the time we entered the precincts of the Hermitage; nor did I see him till some time after we were all mounted again, and in full chase for the well-known chesnut-trees which have thrown their shadow over so many al-fresco repasts. When he again joined us, he had a rose in his button-hole: I felt quite certain that it was plucked from the tree the sad philosopher had planted, and that he, at least, had done homage to his shade, whoever else had failed to do so.

  Whatever was felt at the Hermitage, however, was now left behind us, and a less larmoyante party never entered the Forest of Montmorency. When we reached the spot on which we had fixed by anticipation for our salle-à-manger, we descended from our various montures, which were immediately unsaddled and permitted to refresh themselves, tied together in very picturesque groups, while all the party set to work with that indescribable air of contented confusion and happy disorder which can only be found at a pic-nic. I have heard a great many very sensible remarks, and some of them really very hard to answer, upon the extreme absurdity of leaving every accommodation which is considered needful for the comfort of a Christian-like dinner, for the sole purpose of devouring this needful repast without one of them. What can be said in defence of such an act?... Nothing, — except perhaps that, for some unaccountable reason or other, no dinner throughout the year, however sumptuously served or delicately furnished, ever does appear to produce one half so much light-hearted enjoyment as the cold repast round which the guests crouch like so many gipsies, with the turf for their table and a tree for their canopy. It is very strange — but it is very true; and as long as men and women continue to experience this singular accession of good spirits and good humour from circumstances which might be reasonably expected to destroy both, nothing better can be done than to let them go on performing the same extraordinary feat as long as the fancy lasts.

  And so we sat upon the grass, caring little for what the wise might say of us, for an hour and a half at the very least. Our attendant old women and boys, seated at convenient distance, were eating as heartily and laughing as merrily as ourselves; whilst our beasts, seen through the openings of the thicket in which they were stabled, and their whimsical housings piled up together at the foot of an old thorn at its entrance, completed the composition of our gipsy festival.

  At length the signal was given to rise, and the obedient troop were on their feet in an instant. The horses and the asses were saddled forthwith: each one seized his and her own and mounted. A council was then called as to whither we should go. Sundry forest paths stretched away so invitingly in different directions, that it was difficult to decide which we should prefer. “Let us all meet two hours hence at the Cheval Blanc,” said some one of brighter wit than all the rest: whereupon we all set off, fancy-led, by twos and by threes, to put this interval of freedom and fresh air to the best account possible.

  I was strongly tempted to set off directly for Eaubonne. Though I confess that Jean-Jacques’ descriptions (tant vantées!) of some of the scenes which occurred there between himself and his good friend Madame d’Houdetot, in which she rewards his tender passion by constant assurances of her own tender passion for Saint-Lambert, have always appeared to me the very reverse of the sublime and beautiful; yet still the place must be redolent of the man whose “Rêveries” have made its whole region classic ground: and go where I will, I always love to bring the genius of the place as near to me as possible. But my wishes were effectually checked by the old lady whose donkey carried me.

  “Oh! dame — il ne faut pas aller par là ... ce n’est pas là le beau point de vue; laissez-moi faire ... et vous verrez....”

  And then she enumerated so many charming points of forest scenery that ought to be visited by “tout le monde,” that I and my companions decided it would be our best course to permit the laisser faire she asked for; and accordingly we set off in the direction she chose. We had no cause to regret it, for she knew her business well, and, in truth, led us as beautiful a circuit as it was well possible to imagine. If I did not invoke Rousseau in his bosquet d’Eaubonne, or beside the “cascade dont,” as he says, “je lui avais donné l’idée, et qu’elle avait fait exécuter,” — (Rousseau had never seen Niagara, or he would not have talked of his Sophie’s having executed his idea of a cascade;) — though we did not seek him there, we certainly met him, at every step of our beautiful forest path, in the flowers and mosses whose study formed his best recreation at Montmorency. “Herboriser” is a word which, I think, with all possible respect for that modern strength of intellect that has fixed its stigma upon sentiment, Rousseau has in some sort consecrated. There is something so natural, so genuine, so delightfully true, in his expressions, when he describes the pleasure this occupation has given him, contrasted as it is with his sour and querulous philosophy, and still more perhaps with the eloquent but unrighteous bursts of ill-directed passion, that its impression on my mind is incomparably greater than any he has produced by other topics.

  “Brillantes fleurs, émail des prés!” ... is an exclamation a thousand times more touching, coming from the poor solitary J.J. at sixty-five, than any of the most passionate exclamations which he makes St. Preux utter; and for this reason the woods of Montmorency are more interesting from their connexion with him than any spot the neighbourhood of Vévay could offer.

  The view from the Rendezvous de Chasse is glorious. While pausing to enjoy it, our old woman began talking politics to us. She told us that she had lost two sons, who both died fighting beside “notre grand Empereur,” who was certainly “le plus grand homme de la terre; cependant, it was a great comfort for poor people to have bread for onze sous — and that was what King Louis-Philippe had done for them.”

  After our halt, we turned our heads again towards the town, and were peacefully pursuing our deliciously cool ride under the trees, when a holla! from behind stopped us. It proceeded from one of the boys of our cortége, who, mounted upon a horse that one of the party had used, was galloping and hollaing after us with all his might. The information he brought was extremely disagreeable: one of the gentlemen had been thrown from his horse and taken up for dead; and he had been sent, as he said, to collect the party together, to know what was to be done. The gentleman who was with our detachment immediately accompanied the boy to the spot; but as the unfortunate sufferer was quite a stranger to me, and was already surrounded by many of the party, I and my companion decided upon returning to Montmorency, there to await at Le Cheval Blanc the appearance of the rest. A medical man, we found, had been already sent for. When at length the whole party, with the exception of this unfortunate young man and a friend who remained with him, were assembled, we found, upon comparing notes together, that no less than four of our party had been unhorsed or undonkeyed in the course of the day; but happily three of these were accidents followed by no alarming results. The fourth was much more serious; but the report from the Montmorency surgeon, which we received before we left the town, assured us that no ultimate danger was to be apprehended.

  One circumstance attending this disagreeable contre-tems was very fortunate. The accident took place at the gates of a chateau, the owners of which, though only returned a few hours before from a tour in Italy, received the sufferer and his friend with the greatest kindness and hospitality. Thus, though only eighteen of us returned to Paris to recount the day’s adventures, we had at least the consolation of having a very interesting, and luckily not fatal, episode to narrate, in which a castle and most courteous knights and dames bore a part, while the wounded cavalier on whom their generous cares were bestowed had not only given signs of life, but had been pronounced, to the great joy of all the company, quite out of danger either of
life or limb.

  So ended our day at Montmorency, which, spite of our manifold disasters, was declared upon the whole to have been one of very great enjoyment.

  LETTER LXIII.

  George Sand.

  I have more than once mentioned to you my observations on the reception given in Paris to that terrible school of composition which derives its power from displaying, with strength that exaggerates the vices of our nature, all that is worst and vilest in the human heart. I have repeatedly dwelt upon the subject, because it is one which I have so often heard treated unfairly, or at least ignorantly, in England; and a love of truth and justice has therefore led me to assure you, with reiterated protestations, that neither these mischief-doing works nor their authors meet at all a better reception in Paris than they would in London.

  It is this same love of truth and justice which prompts me to separate from the pack one whom nature never intended should belong to it. The lady who writes under the signature of George Sand cannot be set aside by the sternest guardian of public morals without a sigh. With great — perhaps, at the present moment, with unequalled power of writing, Madame de D —— perpetually gives indications of a heart and mind which seem to prove that it was intended her place should be in a very different set from that with which she has chosen to mingle.