Supernatural Horror Short Stories

by Flame Tree Studio

  “What of Titus Sulla?” he asked, again holding the flask to the legionary’s lips; in that moment the dying Roman seemed to him almost like a brother.

  “Even as the Tower shuddered we heard a fearful scream from the governor’s chamber,” muttered the soldier. “We rushed there – as we broke down the door we heard his shrieks – they seemed to recede – into the bowels of the earth! We rushed in; the chamber was empty. His bloodstained sword lay on the floor; in the stone flags of the floor a black hole gaped. Then – the – towers – reeled – the – roof – broke; – through – a – storm – of – crashing – walls – I – crawled –”

  A strong convulsion shook the broken figure.

  “Lay me down, friend,” whispered the Roman. “I die.”

  He had ceased to breathe before Bran could comply. The Pict rose, mechanically cleansing his hands. He hastened from the spot, and as he galloped over the darkened fens, the weight of the accursed Black Stone under his cloak was as the weight of a foul nightmare on a mortal breast.

  As he approached the Ring, he saw an eery glow within, so that the gaunt stones stood etched like the ribs of a skeleton in which a witch-fire burns. The stallion snorted and reared as Bran tied him to one of the menhirs. Carrying the Stone he strode into the grisly circle and saw Atla standing beside the altar, one hand on her hip, her sinuous body swaying in a serpentine manner. The altar glowed all over with ghastly light and Bran knew someone, probably Atla, had rubbed it with phosphorus from some dank swamp or quagmire.

  He strode forward and whipping his cloak from about the Stone, flung the accursed thing on to the altar.

  “I have fulfilled my part of the contract,” he growled.

  “And They, theirs,” she retorted. “Look! – They come!”

  He wheeled, his hand instinctively dropping to his sword. Outside the Ring the great stallion screamed savagely and reared against his tether. The night wind moaned through the waving grass and an abhorrent soft hissing mingled with it. Between the menhirs flowed a dark tide of shadows, unstable and chaotic. The Ring filled with glittering eyes which hovered beyond the dim illusive circle of illumination cast by the phosphorescent altar. Somewhere in the darkness a human voice tittered and gibbered idiotically. Bran stiffened, the shadows of a horror clawing at his soul.

  He strained his eyes, trying to make out the shapes of those who ringed him. But he glimpsed only billowing masses of shadow which heaved and writhed and squirmed with almost fluid consistency.

  “Let them make good their bargain!” he exclaimed angrily.

  “Then see, oh king!” cried Atla in a voice of piercing mockery.

  There was a stir, a seething in the writhing shadows, and from the darkness crept, like a four-legged animal, a human shape that fell down and groveled at Bran’s feet and writhed and mowed, and lifting a death’s-head, howled like a dying dog. In the ghastly light, Bran, soul-shaken, saw the blank glassy eyes, the bloodless features, the loose, writhing, froth-covered lips of sheer lunacy – gods, was this Titus Sulla, the proud lord of life and death in Eboracum’s proud city?

  Bran bared his sword.

  “I had thought to give this stroke in vengeance,” he said somberly. “I give it in mercy – Vale Cosar!”

  The steel flashed in the eery light and Sulla’s head rolled to the foot of the glowing altar, where it lay staring up at the shadowed sky.

  “They harmed him not!” Atla’s hateful laugh slashed the sick silence. “It was what he saw and came to know that broke his brain! Like all his heavy-footed race, he knew nothing of the secrets of this ancient land. This night he has been dragged through the deepest pits of Hell, where even you might have blenched!”

  “Well for the Romans that they know not the secrets of this accursed land!” Bran roared, maddened, “with its monster-haunted meres, its foul witch-women, and its lost caverns and subterranean realms where spawn in the darkness shapes of Hell!”

  “Are they more foul than a mortal who seeks their aid?” cried Atla with a shriek of fearful mirth. “Give them their Black Stone!”

  A cataclysmic loathing shook Bran’s soul with red fury.

  “Aye, take your cursed Stone!” he roared, snatching it from the altar and dashing it among the shadows with such savagery that bones snapped under its impact. A hurried babel of grisly tongues rose and the shadows heaved in turmoil. One segment of the mass detached itself for an instant and Bran cried out in fierce revulsion, though he caught only a fleeting glimpse of the thing, had only a brief impression of a broad strangely flattened head, pendulous writhing lips that bared curved pointed fangs, and a hideously misshapen, dwarfish body that seemed – mottled – all set off by those unwinking reptilian eyes. Gods! – the myths had prepared him for horror in human aspect, horror induced by bestial visage and stunted deformity – but this was the horror of nightmare and the night.

  “Go back to Hell and take your idol with you!” he yelled, brandishing his clenched fists to the skies, as the thick shadows receded, flowing back and away from him like the foul waters of some black flood. “Your ancestors were men, though strange and monstrous – but gods, ye have become in ghastly fact what my people called ye in scorn! Worms of the earth, back into your holes and burrows! Ye foul the air and leave on the clean earth the slime of the serpents ye have become! Gonar was right – there are shapes too foul to use even against Rome!”

  He sprang from the Ring as a man flees the touch of a coiling snake, and tore the stallion free. At his elbow Atla was shrieking with fearful laughter, all human attributes dropped from her like a cloak in the night.

  “King of Pictland!” she cried, “King of fools! Do you blench at so small a thing? Stay and let me show you real fruits of the pits! Ha! ha! ha! Run, fool, run! But you are stained with the taint – you have called them forth and they will remember! And in their own time they will come to you again!”

  He yelled a wordless curse and struck her savagely in the mouth with his open hand. She staggered, blood starting from her lips, but her fiendish laughter only rose higher.

  Bran leaped into the saddle, wild for the clean heather and the cold blue hills of the north where he could plunge his sword into clean slaughter and his sickened soul into the red maelstrom of battle, and forget the horror which lurked below the fens of the west. He gave the frantic stallion the rein, and rode through the night like a hunted ghost, until the hellish laughter of the howling were-woman died out in the darkness behind.

  The Mezzotint

  M.R. James

  Some time ago I believe I had the pleasure of telling you the story of an adventure which happened to a friend of mine by the name of Dennistoun, during his pursuit of objects of art for the museum at Cambridge.

  He did not publish his experiences very widely upon his return to England; but they could not fail to become known to a good many of his friends, and among others to the gentleman who at that time presided over an art museum at another University. It was to be expected that the story should make a considerable impression on the mind of a man whose vocation lay in lines similar to Dennistoun’s, and that he should be eager to catch at any explanation of the matter which tended to make it seem improbable that he should ever be called upon to deal with so agitating an emergency. It was, indeed, somewhat consoling to him to reflect that he was not expected to acquire ancient MSS. for his institution; that was the business of the Shelburnian Library. The authorities of that institution might, if they pleased, ransack obscure corners of the Continent for such matters. He was glad to be obliged at the moment to confine his attention to enlarging the already unsurpassed collection of English topographical drawings and engravings possessed by his museum. Yet, as it turned out, even a department so homely and familiar as this may have its dark corners, and to one of these Mr. Williams was unexpectedly introduced.

  Those who have taken even the most limited interest in the acquisition
of topographical pictures are aware that there is one London dealer whose aid is indispensable to their researches. Mr. J.W. Britnell publishes at short intervals very admirable catalogues of a large and constantly changing stock of engravings, plans, and old sketches of mansions, churches, and towns in England and Wales. These catalogues were, of course, the ABC of his subject to Mr. Williams: but as his museum already contained an enormous accumulation of topographical pictures, he was a regular, rather than a copious, buyer; and he rather looked to Mr. Britnell to fill up gaps in the rank and file of his collection than to supply him with rarities.

  Now, in February of last year there appeared upon Mr. Williams’s desk at the museum a catalogue from Mr. Britnell’s emporium, and accompanying it was a typewritten communication from the dealer himself. This latter ran as follows:

  Dear Sir,

  We beg to call your attention to No. 978 in our accompanying catalogue, which we shall be glad to send on approval.

  Yours faithfully,

  J.W. Britnell.

  To turn to No. 978 in the accompanying catalogue was with Mr. Williams (as he observed to himself) the work of a moment, and in the place indicated he found the following entry:

  978. – Unknown. Interesting mezzotint: View of a manor-house, early part of the century. 15 by 10 inches; black frame. £2 2s.

  It was not specially exciting, and the price seemed high. However, as Mr. Britnell, who knew his business and his customer, seemed to set store by it, Mr. Williams wrote a postcard asking for the article to be sent on approval, along with some other engravings and sketches which appeared in the same catalogue. And so he passed without much excitement of anticipation to the ordinary labours of the day.

  A parcel of any kind always arrives a day later than you expect it, and that of Mr. Britnell proved, as I believe the right phrase goes, no exception to the rule. It was delivered at the museum by the afternoon post of Saturday, after Mr. Williams had left his work, and it was accordingly brought round to his rooms in college by the attendant, in order that he might not have to wait over Sunday before looking through it and returning such of the contents as he did not propose to keep. And here he found it when he came in to tea, with a friend.

  The only item with which I am concerned was the rather large, black-framed mezzotint of which I have already quoted the short description given in Mr. Britnell’s catalogue. Some more details of it will have to be given, though I cannot hope to put before you the look of the picture as clearly as it is present to my own eye. Very nearly the exact duplicate of it may be seen in a good many old inn parlours, or in the passages of undisturbed country mansions at the present moment. It was a rather indifferent mezzotint, and an indifferent mezzotint is, perhaps, the worst form of engraving known. It presented a full-face view of a not very large manor-house of the last century, with three rows of plain sashed windows with rusticated masonry about them, a parapet with balls or vases at the angles, and a small portico in the centre. On either side were trees, and in front a considerable expanse of lawn. The legend A.W.F. sculpsit was engraved on the narrow margin; and there was no further inscription. The whole thing gave the impression that it was the work of an amateur. What in the world Mr. Britnell could mean by affixing the price of £2 2s. to such an object was more than Mr. Williams could imagine. He turned it over with a good deal of contempt; upon the back was a paper label, the left-hand half of which had been torn off. All that remained were the ends of two lines of writing; the first had the letters – ngley Hall; the second – ssex.

  It would, perhaps, be just worth while to identify the place represented, which he could easily do with the help of a gazetteer, and then he would send it back to Mr. Britnell, with some remarks reflecting upon the judgement of that gentleman.

  He lighted the candles, for it was now dark, made the tea, and supplied the friend with whom he had been playing golf (for I believe the authorities of the University I write of indulge in that pursuit by way of relaxation); and tea was taken to the accompaniment of a discussion which golfing persons can imagine for themselves, but which the conscientious writer has no right to inflict upon any non-golfing persons.

  The conclusion arrived at was that certain strokes might have been better, and that in certain emergencies neither player had experienced that amount of luck which a human being has a right to expect. It was now that the friend – let us call him Professor Binks – took up the framed engraving and said:

  “What’s this place, Williams?”

  “Just what I am going to try to find out,” said Williams, going to the shelf for a gazetteer. “Look at the back. Somethingley Hall, either in Sussex or Essex. Half the name’s gone, you see. You don’t happen to know it, I suppose?”

  “It’s from that man Britnell, I suppose, isn’t it?” said Binks. “Is it for the museum?”

  “Well, I think I should buy it if the price was five shillings,” said Williams; “but for some unearthly reason he wants two guineas for it. I can’t conceive why. It’s a wretched engraving, and there aren’t even any figures to give it life.”

  “It’s not worth two guineas, I should think,” said Binks; “but I don’t think it’s so badly done. The moonlight seems rather good to me; and I should have thought there were figures, or at least a figure, just on the edge in front.”

  “Let’s look,” said Williams. “Well, it’s true the light is rather cleverly given. Where’s your figure? Oh, yes! Just the head, in the very front of the picture.”

  And indeed there was – hardly more than a black blot on the extreme edge of the engraving – the head of a man or woman, a good deal muffled up, the back turned to the spectator, and looking towards the house.

  Williams had not noticed it before.

  “Still,” he said, “though it’s a cleverer thing than I thought, I can’t spend two guineas of museum money on a picture of a place I don’t know.”

  Professor Binks had his work to do, and soon went; and very nearly up to Hall time Williams was engaged in a vain attempt to identify the subject of his picture. “If the vowel before the ng had only been left, it would have been easy enough,” he thought; “but as it is, the name may be anything from Guestingley to Langley, and there are many more names ending like this than I thought; and this rotten book has no index of terminations.”

  Hall in Mr. Williams’s college was at seven. It need not be dwelt upon; the less so as he met there colleagues who had been playing golf during the afternoon, and words with which we have no concern were freely bandied across the table – merely golfing words, I would hasten to explain.

  I suppose an hour or more to have been spent in what is called common-room after dinner. Later in the evening some few retired to Williams’s rooms, and I have little doubt that whist was played and tobacco smoked. During a lull in these operations Williams picked up the mezzotint from the table without looking at it, and handed it to a person mildly interested in art, telling him where it had come from, and the other particulars which we already know.

  The gentleman took it carelessly, looked at it, then said, in a tone of some interest:

  “It’s really a very good piece of work, Williams; it has quite a feeling of the romantic period. The light is admirably managed, it seems to me, and the figure, though it’s rather too grotesque, is somehow very impressive.”

  “Yes, isn’t it?” said Williams, who was just then busy giving whisky and soda to others of the company, and was unable to come across the room to look at the view again.

  It was by this time rather late in the evening, and the visitors were on the move. After they went Williams was obliged to write a letter or two and clear up some odd bits of work. At last, some time past midnight, he was disposed to turn in, and he put out his lamp after lighting his bedroom candle. The picture lay face upwards on the table where the last man who looked at it had put it, and it caught his eye as he turned the lamp down. What he sa
w made him very nearly drop the candle on the floor, and he declares now if he had been left in the dark at that moment he would have had a fit. But, as that did not happen, he was able to put down the light on the table and take a good look at the picture. It was indubitable – rankly impossible, no doubt, but absolutely certain. In the middle of the lawn in front of the unknown house there was a figure where no figure had been at five o’clock that afternoon. It was crawling on all fours towards the house, and it was muffled in a strange black garment with a white cross on the back.

  I do not know what is the ideal course to pursue in a situation of this kind, I can only tell you what Mr. Williams did. He took the picture by one corner and carried it across the passage to a second set of rooms which he possessed. There he locked it up in a drawer, sported the doors of both sets of rooms, and retired to bed; but first he wrote out and signed an account of the extraordinary change which the picture had undergone since it had come into his possession.

  Sleep visited him rather late; but it was consoling to reflect that the behaviour of the picture did not depend upon his own unsupported testimony. Evidently the man who had looked at it the night before had seen something of the same kind as he had, otherwise he might have been tempted to think that something gravely wrong was happening either to his eyes or his mind. This possibility being fortunately precluded, two matters awaited him on the morrow. He must take stock of the picture very carefully, and call in a witness for the purpose, and he must make a determined effort to ascertain what house it was that was represented. He would therefore ask his neighbour Nisbet to breakfast with him, and he would subsequently spend a morning over the gazetteer.

  Nisbet was disengaged, and arrived about 9.20. His host was not quite dressed, I am sorry to say, even at this late hour. During breakfast nothing was said about the mezzotint by Williams, save that he had a picture on which he wished for Nisbet’s opinion. But those who are familiar with University life can picture for themselves the wide and delightful range of subjects over which the conversation of two Fellows of Canterbury College is likely to extend during a Sunday morning breakfast. Hardly a topic was left unchallenged, from golf to lawn-tennis. Yet I am bound to say that Williams was rather distraught; for his interest naturally centred in that very strange picture which was now reposing, face downwards, in the drawer in the room opposite.