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Cry Back My Sea

Page 2

by Sarah Arvio


  O robin O rabbit O bat O tiny vole

  all flyers and burrowers come to us now

  through our heat ducts and tear ducts and chimneys

  come to us with your small-world intentions

  that place where only we know how to live

  where no one else knows what we say and do

  no one knows the crumbs or the flies we eat

  or the silly songs we hum as we sleep

  Aurora (or Ra)

  Oh Aurora Do I live to be adored

  or to be abhorred There’s the sun god Ra

  who might have adored me God of the day

  Adore adore and the word of gold: d’or

  I opened a Door and you came in

  one morning as a cold sun was rising

  O Roarer I woke to your dawn my day

  El Dorado my city in the south

  Though I love your old gold I covet

  some cold cash to warm me with

  How close are the words warm and warn

  And here is a warning Good morning

  O my Aura Anything may come

  O my dawn Am I a whore to fortune

  I whored my joy for the harder days

  but what I hoard is never joy enough

  I saw the dawn rising so gold and so red

  your golden wallet and how bright the light

  Gold aurora that warmed me in your love

  Cold aurora that warned me of your love

  Puck

  I said to my pontiff on the dark ice

  wearing on his finger the jewel of ice

  as I pondered the smoothness of the ice

  I said to my grand high puckety-puck

  pounding the ice on the dark pond

  I said to my pal my pale fire my polestar

  you tried to break me so you broke me

  if you break me again I’ll break again

  Is there a point you’re trying to make

  as black as ice on the winter pond

  I pander to your every pass and wish

  You knocked my head off when I tried to speak

  then knocked me again for being silent

  I said to my pal look what you’ve done

  you broke me once and you broke me again

  Is there a point you’re trying to make

  as bitter as winter and as ponderous

  darling Puck you pushed me far too far

  I slid and broke there on the other side

  on my finger your jewel of white ice

  the beauty of the darkness and the ice

  Bodhisattva

  The new news is I love you my nudist

  The new news is I love you my buddhist

  my naked body and budding pleasure

  in the weather of your presence

  Not whether your presence but how

  Oh love a new nodule of neurosis

  a posy of new roses proposing

  a new era for us nobis pacem

  O my bodhisattva of new roses

  you’ve saved me from my no-love neurosis

  You’ve saved my old body from the fatwa

  Let’s lie down in a bed of roses

  a pocketful that rings around the rosy

  If this is the end of the world my love

  let’s fall down in bed and die

  Let’s give a new nod to nothing

  Let’s give a rosebud to nothing at all

  How I love the new roses of nothing

  O my bodhisattva of nothing

  boding I hope no news but this

  For our bodies and souls I hope nothing

  but the weather of us in our peace

  Algarve

  I won’t go with Jason for the fleece

  for all the algae washing on the beach

  gray and silver green and silver gray

  all the plastic bottles and old twine

  beaching up onto a bed of sand

  But there’s something rhythmic in the art

  an algorithm for an argonaut

  an I’ll-go rhythm or I’ll-go-not

  I said I’ll go with you anywhere

  and I’ll come there too if you are there

  for where is anywhere if you are there

  the washing of the waves along the beach

  all the plant life of the ancient sea

  the dune flowers silver gray and blue

  These are the ornaments of what I mean

  the organza of a revelation

  the orgasm of a something-rhythm

  in the gauzy morning near the sea

  Our good bad all garbled algebra

  which is the “binding of the broken parts”

  which was the offering of Al-Jabr

  ergo I’ll go elsewhere if you are there

  Sides (or Sidereal)

  You decide please what side you’re on

  the sidereal or the earthen side

  or any other side that sounds like love

  or sounds like a sound of turning in bed

  toward your side or my side toward me as

  I sleep or don’t sleep turning toward you

  and touching the star side or earth side

  along the slope of your shoulder or hip

  sidling in and breathing through my nose

  turning my face to the side inside your heat

  sleeping like that beside your whole world

  both sides the inner and the outer side

  both sides the stellar and the earthy side

  This is the insidious unreal thing

  this is the side you really can’t decide

  the stuff in your starstruck or dirty dream

  speaking from the sidelines during the night

  talking roughly to me during your dream

  Oh dirt dirt Life turn back to my side

  this is real the side of the real our bed

  please turn toward me real in the night

  Wreck

  When life is a wreck

  with reams of remorse

  and thousands of replies

  can all the roses and wintergreen and heart

  Oh reckless heart

  heartwrack

  Is it realizable to start again

  with our faces wearing their young green hope

  A white rose on the bedstand

  white curtains ruffling

  and the riffling trees

  I turn to you and say this: ruffle me

  What is this ruffle? an inner stir

  stirring through my life

  as if it were

  my life

  It may be something else

  for no one knows

  where any stir comes from

  or any riff

  where any love comes from

  or how it comes

  Wrecked heart

  wracked heart

  All the roses and wintergreen and heart

  Crow

  My only hate my only love

  you like

  to chant

  chant cant chant cant

  Oh my clarion of a summer day

  carrion squawk of your old heart

  I never cared you carry on

  under the blue sky of a summer day

  A hell of a day a sigh for a day

  halcyon cyanide day

  lying in a field on a summer day

  calamitous calm gaze

  Your can’t do and nothing else can do

  while I cavil I do I do

  You collapse

  in
my lap

  Oh my lapsed love

  you old cuckoo you

  Rook me of my heart

  oh crooked heart

  Oh crackpot heart

  oh my clochard my wanton clock

  I do not want your do-not-care

  I excoriate your do-not-care

  I core out your heart

  curse you old crow

  I know that you care

  Peas

  I sat in a field full of peas and fed

  once long ago

  hulling the fresh green peas

  and eating them raw

  from the palm of my hand

  Each a green

  explosion

  a kind of green dream

  in the peaceful field before my life was lived

  fielding the future

  as I grazed the peas

  I can hear myself saying

  please oh please

  pleading for something I didn’t yet know

  Had I known

  I might have said

  Give me some fresh green peas

  give me a handful of peace

  Let me graze

  in the grace of the field

  Peace peace!

  would you hold yours please

  Did I say peace and grace

  I ask is the peaceable possible

  Fey

  I’m fey

  no one says this anymore

  or this feckless

  falling into a faint

  phantom

  my phantom life

  the rag of fantasy

  the drag

  as I feinted

  not meaning to lie

  I feel the lure of failure

  the feeling

  that all has failed or will fail

  not the allure

  maiden fair maiden

  no one says this

  when the word

  won’t come through

  not the word

  or the hope

  and no one says why

  fie! No one says this

  fo-fum

  or this

  my life is fallow

  that feeling

  do you have it sometimes

  my life has fallen

  fallow

  it doesn’t follow

  that the next phase is up

  I fell into a foul temper

  no one says this

  a sick faint

  sycophantic

  the figment not the allure

  Rimbaud (or Desert Love)

  you must walk your thousand miles

  Rimbaud walked till his eyes turned white

  his mother was a wretch

  therefore he walked his thousand miles

  boys with wretch mothers must walk their miles

  oh love you need your desert eyes

  white searing desert eyes

  served but not deserved

  through the white desert for many days

  in a white sandstorm

  watching the sand bodies roll and turn

  in the white desertifying desert wind

  desertification occurs

  after the dereliction after the derision

  dear love your derelict desire

  corpus delicti

  you must walk your white miles

  carrying the body of your offense

  Silk Road

  May I relax

  from the long longing

  I have long had

  in the seat of myself

  now late in my life

  in the seat of my love

  sagging there

  in the soft couch of himself

  late late at night

  lipping lisped kisses

  into his cheeks and his neck

  and saying

  whatever silliness

  sallies from myself

  as long as it is soft

  and silly and silky

  Far down the Silk Road

  we have come and gone

  across the Bering Strait

  and through the unbearable

  sailing on the couchboats

  with their square sails

  on round pegs

  across all the continents

  of fury and drink

  and sickness and dismay

  gusting on and on

  in the cheeks of our need

  with the wind slacking

  and our faces slack

  sagging there

  in the couch of ourselves

  a whisker in a kiss

  a kisser in a wish

  where all that we say

  is couched in a whimsy

  snapping our fingers

  to the sound of a gust

  Shah

  Pasha pasha you came into my life

  and I painted you with my passion

  I couldn’t make the passion go away

  though I wanted to Oh shah my hummingbird

  humming something a human wants to hear

  something like those words that have no sound

  pushing through the passion with a shout

  Push push here you are doing it again

  some color in the pit of it

  something sham in the pith of it

  something like shame in the myth of it

  or a puzzle deep in the paint of it

  Something pithy and pained in the human bird

  as though the words weren’t made to say aloud

  You paint me with pain this is what I know

  and the shame is where it’s pushing from

  Pshaw let the bird hum and the hum hum

  some human and humiliating thing

  Oh passion have patience—do a pas de chat—

  tell me your story shah show me your heart

  Ether

  In the ethereal fields

  the real other realms

  where what is real is air

  where air is what we are

  your elbows my elbows

  the four humors

  the four funny bones

  where what we are we are

  a rumor of humors

  bodily or bellylaugh

  where we laugh and laugh

  at what we always are

  down on all fours

  laughing in our hats

  your more and my more

  all that we were and are

  calisthenics of the heart

  athletics of the soul

  aesthete of ether

  either or the other

  of what we were and are

  Kissing Her (or Morning Glory)

  You’re angry as a dog

  or an angora cat

  An anguilla with gills

  all eels do have gills

  You’re angry as an eel

  you do not feel your heart

  you only pump your gills

  I’m surprised that eels bark

  sometimes mew like cats

  right before the hiss

  And hiss rhymes with kiss

  short for Kissinger

  who was instrumental

  in the making of a war

  the history and hisses

  of a gala glorious war

  While you were kissing me

  the day was such a glory

  Trinkets

  First you gave me the jewels

  and then you gave me the scars

 
Why did you want to twist my wrist

  right where the bracelet turns

  Why did you want to wring my finger

  where the ring might have fit

  All I have now are the jewels and scars

  on the scarp of my life

  I’m up or down though I don’t know which

  I know that I’m injured and scared

  I’ve got them now in a burnished heap

  gaudy old glamorous trinkets

  with stones and gems from inside the rock

  and an old glug of memory to drink

  And will there be more glamor

  and will there be more drink

  in my brace of garments

  as I scuff up and downtown

  carping and glowing

  There’s not much to give or say

  I’ll have some glug and get some sleep

  and some life love as deep as a drink

  not my life’s love but love for my life

  I will drink it even if you can’t

  Sinbad (or Symbiotic)

  I’m agog in the synagogue of love

  and the sin is I don’t know my Sinbad

  Is he Gog or Bes or the seven dwarves

  He has been an assault on my senses

  a leap and a slam and a somersault

  It was in summer that we fell in love

  Love and hate he can’t get them straight

  we should be sailing home in a schooner

  He needs some synergy between his selves

  instead there’s ergonomic confusion

  He was erotic and he was erratic

  he was scintillating and then savage

  It’s a symbiotic thing my bio and his

  I’ll need an antibiotic to fight him

  That’s a symbol for a powerful drug

  No I think I’ll need a synecdoche

  I’ll need a singer in my synagogue

  The sin is I’ve already left the dock

  and I think I’ll need the seven voyages

  Szymborska could write this better than me

  I’m banging on my cymbals and crying out

  Saudade saudade is what’s coming for me

  I have to go now—though how I don’t know

  Body

  part bone &

  part bomb

  yours is all sore

  & ready

  not a tin can

  or a cocktail

  yours is atomic

 

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