Works of E F Benson

by E. F. Benson

  At that, for half a second, the horror of the dream took hold of me again. But it quickly passed, and again I felt nothing more than the most intense curiosity. It was not very long before it was amply satisfied.

  John turned to me.

  “Right up at the top of the house,” he said, “but I think you’ll be comfortable. We’re absolutely full up. Would you like to go and see it now? By Jove, I believe that you are right, and that we are going to have a thunderstorm. How dark it has become.”

  I got up and followed him. We passed through the hall, and up the perfectly familiar staircase. Then he opened the door, and I went in. And at that moment sheer unreasoning terror again possessed me. I did not know what I feared: I simply feared. Then like a sudden recollection, when one remembers a name which has long escaped the memory, I knew what I feared. I feared Mrs. Stone, whose grave with the sinister inscription, “In evil memory,” I had so often seen in my dream, just beyond the lawn which lay below my window. And then once more the fear passed so completely that I wondered what there was to fear, and I found myself, sober and quiet and sane, in the room in the tower, the name of which I had so often heard in my dream, and the scene of which was so familiar.

  I looked around it with a certain sense of proprietorship, and found that nothing had been changed from the dreaming nights in which I knew it so well. Just to the left of the door was the bed, lengthways along the wall, with the head of it in the angle. In a line with it was the fireplace and a small bookcase; opposite the door the outer wall was pierced by two lattice-paned windows, between which stood the dressing-table, while ranged along the fourth wall was the washing-stand and a big cupboard. My luggage had already been unpacked, for the furniture of dressing and undressing lay orderly on the wash-stand and toilet-table, while my dinner clothes were spread out on the coverlet of the bed. And then, with a sudden start of unexplained dismay, I saw that there were two rather conspicuous objects which I had not seen before in my dreams: one a life-sized oil painting of Mrs. Stone, the other a black-and-white sketch of Jack Stone, representing him as he had appeared to me only a week before in the last of the series of these repeated dreams, a rather secret and evil-looking man of about thirty. His picture hung between the windows, looking straight across the room to the other portrait, which hung at the side of the bed. At that I looked next, and as I looked I felt once more the horror of nightmare seize me.

  It represented Mrs. Stone as I had seen her last in my dreams: old and withered and white-haired. But in spite of the evident feebleness of body, a dreadful exuberance and vitality shone through the envelope of flesh, an exuberance wholly malign, a vitality that foamed and frothed with unimaginable evil. Evil beamed from the narrow, leering eyes; it laughed in the demon-like mouth. The whole face was instinct with some secret and appalling mirth; the hands, clasped together on the knee, seemed shaking with suppressed and nameless glee. Then I saw also that it was signed in the left-hand bottom corner, and wondering who the artist could be, I looked more closely, and read the inscription, “Julia Stone by Julia Stone.”

  There came a tap at the door, and John Clinton entered.

  “Got everything you want?” he asked.

  “Rather more than I want,” said I, pointing to the picture.

  He laughed.

  “Hard-featured old lady,” he said. “By herself, too, I remember. Anyhow she can’t have flattered herself much.”

  “But don’t you see?” said I. “It’s scarcely a human face at all. It’s the face of some witch, of some devil.”

  He looked at it more closely.

  “Yes; it isn’t very pleasant,” he said. “Scarcely a bedside manner, eh? Yes; I can imagine getting the nightmare if I went to sleep with that close by my bed. I’ll have it taken down if you like.”

  “I really wish you would,” I said. He rang the bell, and with the help of a servant we detached the picture and carried it out onto the landing, and put it with its face to the wall.

  “By Jove, the old lady is a weight,” said John, mopping his forehead. “I wonder if she had something on her mind.”

  The extraordinary weight of the picture had struck me too. I was about to reply, when I caught sight of my own hand. There was blood on it, in considerable quantities, covering the whole palm.

  “I’ve cut myself somehow,” said I.

  John gave a little startled exclamation.

  “Why, I have too,” he said.

  Simultaneously the footman took out his handkerchief and wiped his hand with it. I saw that there was blood also on his handkerchief.

  John and I went back into the tower room and washed the blood off; but neither on his hand nor on mine was there the slightest trace of a scratch or cut. It seemed to me that, having ascertained this, we both, by a sort of tacit consent, did not allude to it again. Something in my case had dimly occurred to me that I did not wish to think about. It was but a conjecture, but I fancied that I knew the same thing had occurred to him.

  The heat and oppression of the air, for the storm we had expected was still undischarged, increased very much after dinner, and for some time most of the party, among whom were John Clinton and myself, sat outside on the path bounding the lawn, where we had had tea. The night was absolutely dark, and no twinkle of star or moon ray could penetrate the pall of cloud that overset the sky. By degrees our assembly thinned, the women went up to bed, men dispersed to the smoking or billiard room, and by eleven o’clock my host and I were the only two left. All the evening I thought that he had something on his mind, and as soon as we were alone he spoke.

  “The man who helped us with the picture had blood on his hand, too, did you notice?” he said.

  “I asked him just now if he had cut himself, and he said he supposed he had, but that he could find no mark of it. Now where did that blood come from?”

  By dint of telling myself that I was not going to think about it, I had succeeded in not doing so, and I did not want, especially just at bedtime, to be reminded of it.

  “I don’t know,” said I, “and I don’t really care so long as the picture of Mrs. Stone is not by my bed.”

  He got up.

  “But it’s odd,” he said. “Ha! Now you’ll see another odd thing.”

  A dog of his, an Irish terrier by breed, had come out of the house as we talked. The door behind us into the hall was open, and a bright oblong of light shone across the lawn to the iron gate which led on to the rough grass outside, where the walnut tree stood. I saw that the dog had all his hackles up, bristling with rage and fright; his lips were curled back from his teeth, as if he was ready to spring at something, and he was growling to himself. He took not the slightest notice of his master or me, but stiffly and tensely walked across the grass to the iron gate. There he stood for a moment, looking through the bars and still growling. Then of a sudden his courage seemed to desert him: he gave one long howl, and scuttled back to the house with a curious crouching sort of movement.

  “He does that half-a-dozen times a day.” said John. “He sees something which he both hates and fears.”

  I walked to the gate and looked over it. Something was moving on the grass outside, and soon a sound which I could not instantly identify came to my ears. Then I remembered what it was: it was the purring of a cat. I lit a match, and saw the purrer, a big blue Persian, walking round and round in a little circle just outside the gate, stepping high and ecstatically, with tail carried aloft like a banner. Its eyes were bright and shining, and every now and then it put its head down and sniffed at the grass.

  I laughed.

  “The end of that mystery, I am afraid.” I said. “Here’s a large cat having Walpurgis night all alone.”

  “Yes, that’s Darius,” said John. “He spends half the day and all night there. But that’s not the end of the dog mystery, for Toby and he are the best of friends, but the beginning of the cat mystery. What’s the cat doing there? And why is Darius pleased, while Toby is terror-stricken?”

 
; At that moment I remembered the rather horrible detail of my dreams when I saw through the gate, just where the cat was now, the white tombstone with the sinister inscription. But before I could answer the rain began, as suddenly and heavily as if a tap had been turned on, and simultaneously the big cat squeezed through the bars of the gate, and came leaping across the lawn to the house for shelter. Then it sat in the doorway, looking out eagerly into the dark. It spat and struck at John with its paw, as he pushed it in, in order to close the door.

  Somehow, with the portrait of Julia Stone in the passage outside, the room in the tower had absolutely no alarm for me, and as I went to bed, feeling very sleepy and heavy, I had nothing more than interest for the curious incident about our bleeding hands, and the conduct of the cat and dog. The last thing I looked at before I put out my light was the square empty space by my bed where the portrait had been. Here the paper was of its original full tint of dark red: over the rest of the walls it had faded. Then I blew out my candle and instantly fell asleep.

  My awaking was equally instantaneous, and I sat bolt upright in bed under the impression that some bright light had been flashed in my face, though it was now absolutely pitch dark. I knew exactly where I was, in the room which I had dreaded in dreams, but no horror that I ever felt when asleep approached the fear that now invaded and froze my brain. Immediately after a peal of thunder crackled just above the house, but the probability that it was only a flash of lightning which awoke me gave no reassurance to my galloping heart. Something I knew was in the room with me, and instinctively I put out my right hand, which was nearest the wall, to keep it away. And my hand touched the edge of a picture-frame hanging close to me.

  I sprang out of bed, upsetting the small table that stood by it, and I heard my watch, candle, and matches clatter onto the floor. But for the moment there was no need of light, for a blinding flash leaped out of the clouds, and showed me that by my bed again hung the picture of Mrs. Stone. And instantly the room went into blackness again. But in that flash I saw another thing also, namely a figure that leaned over the end of my bed, watching me. It was dressed in some close-clinging white garment, spotted and stained with mold, and the face was that of the portrait.

  Overhead the thunder cracked and roared, and when it ceased and the deathly stillness succeeded, I heard the rustle of movement coming nearer me, and, more horrible yet, perceived an odor of corruption and decay. And then a hand was laid on the side of my neck, and close beside my ear I heard quick-taken, eager breathing. Yet I knew that this thing, though it could be perceived by touch, by smell, by eye and by ear, was still not of this earth, but something that had passed out of the body and had power to make itself manifest. Then a voice, already familiar to me, spoke.

  “I knew you would come to the room in the tower,” it said. “I have been long waiting for you. At last you have come. Tonight I shall feast; before long we will feast together.”

  And the quick breathing came closer to me; I could feel it on my neck.

  At that the terror, which I think had paralyzed me for the moment, gave way to the wild instinct of self-preservation. I hit wildly with both arms, kicking out at the same moment, and heard a little animal-squeal, and something soft dropped with a thud beside me. I took a couple of steps forward, nearly tripping up over whatever it was that lay there, and by the merest good-luck found the handle of the door. In another second I ran out on the landing, and had banged the door behind me. Almost at the same moment I heard a door open somewhere below, and John Clinton, candle in hand, came running upstairs.

  “What is it?” he said. “I sleep just below you, and heard a noise as if — Good heavens, there’s blood on your shoulder.”

  I stood there, so he told me afterwards, swaying from side to side, white as a sheet, with the mark on my shoulder as if a hand covered with blood had been laid there.

  “It’s in there,” I said, pointing. “She, you know. The portrait is in there, too, hanging up on the place we took it from.”

  At that he laughed.

  “My dear fellow, this is mere nightmare,” he said.

  He pushed by me, and opened the door, I standing there simply inert with terror, unable to stop him, unable to move.

  “Phew! What an awful smell,” he said.

  Then there was silence; he had passed out of my sight behind the open door. Next moment he came out again, as white as myself, and instantly shut it.

  “Yes, the portrait’s there,” he said, “and on the floor is a thing — a thing spotted with earth, like what they bury people in. Come away, quick, come away.”

  How I got downstairs I hardly know. An awful shuddering and nausea of the spirit rather than of the flesh had seized me, and more than once he had to place my feet upon the steps, while every now and then he cast glances of terror and apprehension up the stairs. But in time we came to his dressing-room on the floor below, and there I told him what I have here described.

  The sequel can be made short; indeed, some of my readers have perhaps already guessed what it was, if they remember that inexplicable affair of the churchyard at West Fawley, some eight years ago, where an attempt was made three times to bury the body of a certain woman who had committed suicide. On each occasion the coffin was found in the course of a few days again protruding from the ground. After the third attempt, in order that the thing should not be talked about, the body was buried elsewhere in unconsecrated ground. Where it was buried was just outside the iron gate of the garden belonging to the house where this woman had lived. She had committed suicide in a room at the top of the tower in that house. Her name was Julia Stone.

  Subsequently the body was again secretly dug up, and the coffin was found to be full of blood.

  The Shootings Of Achnaleish

  The dining-room windows, both front and back, the one looking into Oakley Street, the other into a small back-yard with three sooty shrubs in it (known as the garden), were all open, so that the table stood in mid-stream of such air as there was. But in spite of this the heat was stifling, since, for once in a way, July had remembered that it was the duty of good little summers to be hot. Hot in consequence it had been: heat reverberated from the house-walls, it rose through the boot from the paving-stones, it poured down from a large superheated sun that walked the sky all day long in a benignant and golden manner. Dinner was over, but the small party of four who had eaten it still lingered.

  Mabel Armytage — it was she who had laid down the duty of good little summers — spoke first.

  “Oh, Jim, it sounds too heavenly,” she said. “It makes me feel cool to think of it. Just fancy, in a fortnight’s time we shall all four of us be there, in our own shooting-lodge—”

  “Farm-house,” said Jim.

  “Well, I didn’t suppose it was Balmoral, with our own coffee-coloured salmon river roaring down to join the waters of our own loch.”

  Jim lit a cigarette.

  “Mabel, you mustn’t think of shooting-lodges and salmon rivers and lochs,” he said. “It’s a farm-house, rather a big one, though I’m sure we shall find it hard enough to fit in. The salmon river you speak of is a big burn, no more, though it appears that salmon have been caught there.”

  “But when I saw it, it would have required as much cleverness on the part of a salmon to fit into it as it will require on our parts to fit into our farm-house. And the loch is a tarn.”

  Mabel snatched the “Guide to Highland Shootings” out of my hand with a rudeness that even a sister should not show her elder brother, and pointed a withering finger at her husband.

  “‘Achnaleish,’” she declaimed, “‘is situated in one of the grandest and most remote parts of Sutherlandshire. To be let from August 12 till the end of October, the lodge with shooting and fishing belonging. Proprietor supplies two keepers, fishing-gillie, boat on loch, and dogs. Tenant should secure about 500 head of grouse, and 500 head of mixed game, including partridge, black-game, woodcock, snipe, roe deer; also rabbits in very large number, espec
ially by ferreting. Large baskets of brown trout can be taken from the loch, and whenever the water is high sea-trout and occasional salmon. Lodge contains’ — I can’t go on; it’s too hot, and you know the rest. Rent only £350!”

  Jim listened patiently.

  “Well?” he said. “What then?”

  Mabel rose with dignity.

  “It is a shooting-lodge with a salmon river and a loch, just as I have said. Come, Madge, let’s go out. It is too hot to sit in the house.”

  “You’ll be calling Buxton ‘the major-domo’ next,” remarked Jim, as his wife passed him.

  I had picked up the “Guide to Highland Shootings” again which my sister had so unceremoniously plucked from me, and idly compared the rent and attractions of Achnaleish with other places that were to let.

  “Seems cheap, too,” I said. “Why, here’s another place, just the same sort of size and bag, for which they ask £500; here’s another at £550.”

  Jim helped himself to coffee.

  “Yes, it does seem cheap,” he said. “But, of course, it’s very remote; it took me a good three hours from Lairg, and I don’t suppose I was driving very noticeably below the legal limit. But it’s cheap, as you say.”

  Now, Madge (who is my wife) has her prejudices. One of them — an extremely expensive one — is that anything cheap has always some hidden and subtle drawback, which you discover when it is too late. And the drawback to cheap houses is drains or offices — the presence, so to speak, of the former, and the absence of the latter. So I hazarded these.

  “No, the drains are all right,” said Jim, “because I got the certificate of the inspector, and as for offices, really I think the servants’ parts are better than ours. No — why it’s so cheap, I can’t imagine.”

  “Perhaps the bag is overstated,” I suggested.

  Jim again shook his head.

  “No, that’s the funny thing about it,” he said. “The bag, I am sure, is understated. At least, I walked over the moor for a couple of hours, and the whole place is simply crawling with hares. Why, you could shoot five hundred hares alone on it.”