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Works of Edwin Arlington Robinson

Page 7

by Edwin Arlington Robinson


  A vision answering a faith unshaken,

  An easy trust assumed of easy trials,

  A sick negation born of weak denials, 185

  A crazed abhorrence of an old condition,

  A blind attendance on a brief ambition, —

  Whatever stayed him or derided him,

  His way was even as ours;

  And we, with all our wounds and all our powers, 190

  Must each await alone at his own height

  Another darkness or another light;

  And there, of our poor self dominion reft,

  If inference and reason shun

  Hell, Heaven, and Oblivion, 195

  May thwarted will (perforce precarious,

  But for our conservation better thus)

  Have no misgiving left

  Of doing yet what here we leave undone?

  Or if unto the last of these we cleave, 200

  Believing or protesting we believe

  In such an idle and ephemeral

  Florescence of the diabolical, —

  If, robbed of two fond old enormities,

  Our being had no onward auguries, 205

  What then were this great love of ours to say

  For launching other lives to voyage again

  A little farther into time and pain,

  A little faster in a futile chase

  For a kingdom and a power and a Race 210

  That would have still in sight

  A manifest end of ashes and eternal night?

  Is this the music of the toys we shake

  So loud, — as if there might be no mistake

  Somewhere in our indomitable will? 215

  Are we no greater than the noise we make

  Along one blind atomic pilgrimage

  Whereon by crass chance billeted we go

  Because our brains and bones and cartilage

  Will have it so? 220

  If this we say, then let us all be still

  About our share in it, and live and die

  More quietly thereby.

  Where was he going, this man against the sky?

  You know not, nor do I. 225

  But this we know, if we know anything:

  That we may laugh and fight and sing

  And of our transience here make offering

  To an orient Word that will not be erased,

  Or, save in incommunicable gleams 230

  Too permanent for dreams,

  Be found or known.

  No tonic and ambitious irritant

  Of increase or of want

  Has made an otherwise insensate waste 235

  Of ages overthrown

  A ruthless, veiled, implacable foretaste

  Of other ages that are still to be

  Depleted and rewarded variously

  Because a few, by fate’s economy, 240

  Shall seem to move the world the way it goes;

  No soft evangel of equality,

  Safe-cradled in a communal repose

  That huddles into death and may at last

  Be covered well with equatorial snows — 245

  And all for what, the devil only knows —

  Will aggregate an inkling to confirm

  The credit of a sage or of a worm,

  Or tell us why one man in five

  Should have a care to stay alive 250

  While in his heart he feels no violence

  Laid on his humor and intelligence

  When infant Science makes a pleasant face

  And waves again that hollow toy, the Race;

  No planetary trap where souls are wrought 255

  For nothing but the sake of being caught

  And sent again to nothing will attune

  Itself to any key of any reason

  Why man should hunger through another season

  To find out why ‘twere better late than soon 260

  To go away and let the sun and moon

  And all the silly stars illuminate

  A place for creeping things,

  And those that root and trumpet and have wings,

  And herd and ruminate, 265

  Or dive and flash and poise in rivers and seas,

  Or by their loyal tails in lofty trees

  Hang screeching lewd victorious derision

  Of man’s immortal vision.

  Shall we, because Eternity records 270

  Too vast an answer for the time-born words

  We spell, whereof so many are dead that once

  In our capricious lexicons

  Were so alive and final, hear no more

  The Word itself, the living word 275

  That none alive has ever heard

  Or ever spelt,

  And few have ever felt

  Without the fears and old surrenderings

  And terrors that began 280

  When Death let fall a feather from his wings

  And humbled the first man?

  Because the weight of our humility,

  Wherefrom we gain

  A little wisdom and much pain, 285

  Falls here too sore and there too tedious,

  Are we in anguish or complacency,

  Not looking far enough ahead

  To see by what mad couriers we are led

  Along the roads of the ridiculous, 290

  To pity ourselves and laugh at faith

  And while we curse life bear it?

  And if we see the soul’s dead end in death,

  Are we to fear it?

  What folly is here that has not yet a name 295

  Unless we say outright that we are liars?

  What have we seen beyond our sunset fires

  That lights again the way by which we came?

  Why pay we such a price, and one we give

  So clamoringly, for each racked empty day 300

  That leads one more last human hope away,

  As quiet fiends would lead past our crazed eyes

  Our children to an unseen sacrifice?

  If after all that we have lived and thought,

  All comes to Nought, — 305

  If there be nothing after Now,

  And we be nothing anyhow,

  And we know that, — why live?

  ‘Twere sure but weaklings’ vain distress

  To suffer dungeons where so many doors 310

  Will open on the cold eternal shores

  That look sheer down

  To the dark tideless floods of Nothingness

  Where all who know may drown.

  The Children of the Night

  TO THE MEMORY OF MY FATHER AND MOTHER

  John Evereldown

  “WHERE are you going to-night, to-night, —

  Where are you going, John Evereldown?

  There’s never the sign of a star in sight,

  Nor a lamp that’s nearer than Tilbury Town.

  Why do you stare as a dead man might? 5

  Where are you pointing away from the light?

  And where are you going to-night, to-night, —

  Where are you going, John Evereldown?”

  “Right through the forest, where none can see,

  There’s where I’m going, to Tilbury Town. 10

  The men are asleep, — or awake, may be, —

  But the women are calling John Evereldown.

  Ever and ever they call for me,

  And while they call can a man be free?

  So right through the forest, where none can see, 15

  There’s where I’m going, to Tilbury Town.”

  “But why are you going so late, so late, —

  Why are you going, John Evereldown?

  Though the road be smooth and the way be straight,

  There are two long leagues to Tilbury Town. 20

  Come in by the fire, old man, and wait!

  Why do you chatter out there by the gate?

  And why are you going so late, so late, —

  Why are you going, John Evere
ldown?”

  “I follow the women wherever they call, — 25

  That’s why I’m going to Tilbury Town.

  God knows if I pray to be done with it all,

  But God is no friend to John Evereldown.

  So the clouds may come and the rain may fall,

  The shadows may creep and the dead men crawl, — 30

  But I follow the women wherever they call,

  And that’s why I’m going to Tilbury Town.”

  Luke Havergal

  GO to the western gate, Luke Havergal,

  There where the vines cling crimson on the wall,

  And in the twilight wait for what will come.

  The leaves will whisper there of her, and some,

  Like flying words, will strike you as they fall; 5

  But go, and if you listen she will call.

  Go to the western gate, Luke Havergal —

  Luke Havergal.

  No, there is not a dawn in eastern skies

  To rift the fiery night that’s in your eyes; 10

  But there, where western glooms are gathering,

  The dark will end the dark, if anything:

  God slays Himself with every leaf that flies,

  And hell is more than half of paradise.

  No, there is not a dawn in eastern skies — 15

  In eastern skies.

  Out of a grave I come to tell you this,

  Out of a grave I come to quench the kiss

  That flames upon your forehead with a glow

  That blinds you to the way that you must go. 20

  Yes, there is yet one way to where she is,

  Bitter, but one that faith may never miss.

  Out of a grave I come to tell you this —

  To tell you this.

  There is the western gate, Luke Havergal, 25

  There are the crimson leaves upon the wall.

  Go, for the winds are tearing them away, —

  Nor think to riddle the dead words they say,

  Nor any more to feel them as they fall;

  But go, and if you trust her she will call. 30

  There is the western gate, Luke Havergal —

  Luke Havergal.

  Three Quatrains

  I

  AS long as Fame’s imperious music rings

  Will poets mock it with crowned words august;

  And haggard men will clamber to be kings

  As long as Glory weighs itself in dust.

  II

  Drink to the splendor of the unfulfilled, 5

  Nor shudder for the revels that are done:

  The wines that flushed Lucullus are all spilled,

  The strings that Nero fingered are all gone.

  III

  We cannot crown ourselves with everything,

  Nor can we coax the Fates for us to quarrel: 10

  No matter what we are, or what we sing,

  Time finds a withered leaf in every laurel.

  An Old Story

  STRANGE that I did not know him then,

  That friend of mine!

  I did not even show him then

  One friendly sign;

  But cursed him for the ways he had 5

  To make me see

  My envy of the praise he had

  For praising me.

  I would have rid the earth of him

  Once, in my pride.… 10

  I never knew the worth of him

  Until he died.

  Ballade by the Fire

  SLOWLY I smoke and hug my knee,

  The while a witless masquerade

  Of things that only children see

  Floats in a mist of light and shade:

  They pass, a flimsy cavalcade, 5

  And with a weak, remindful glow,

  The falling embers break and fade,

  As one by one the phantoms go.

  Then, with a melancholy glee

  To think where once my fancy strayed, 10

  I muse on what the years may be

  Whose coming tales are all unsaid,

  Till tongs and shovel, snugly laid

  Within their shadowed niches, grow

  By grim degrees to pick and spade, 15

  As one by one the phantoms go.

  But then, what though the mystic Three

  Around me ply their merry trade? —

  And Charon soon may carry me

  Across the gloomy Stygian glade? — 20

  Be up, my soul; nor be afraid

  Of what some unborn year may show;

  But mind your human debts are paid,

  As one by one the phantoms go.

  ENVOY

  Life is the game that must be played: 25

  This truth at least, good friends, we know;

  So live and laugh, nor be dismayed

  As one by one the phantoms go.

  Ballade of Broken Flutes

  (To A. T. Schumann)

  IN dreams I crossed a barren land,

  A land of ruin, far away;

  Around me hung on every hand

  A deathful stillness of decay;

  And silent, as in bleak dismay 5

  That song should thus forsaken be,

  On that forgotten ground there lay

  The broken flutes of Arcady.

  The forest that was all so grand

  When pipes and tabors had their sway 10

  Stood leafless now, a ghostly band

  Of skeletons in cold array.

  A lonely surge of ancient spray

  Told of an unforgetful sea,

  But iron blows had hushed for aye 15

  The broken flutes of Arcady.

  No more by summer breezes fanned,

  The place was desolate and gray;

  But still my dream was to command

  New life into that shrunken clay. 20

  I tried it. And you scan to-day,

  With uncommiserating glee,

  The songs of one who strove to play

  The broken flutes of Arcady.

  ENVOY

  So, Rock, I join the common fray, 25

  To fight where Mammon may decree;

  And leave, to crumble as they may,

  The broken flutes of Arcady.

  Her Eyes

  UP from the street and the crowds that went,

  Morning and midnight, to and fro,

  Still was the room where his days he spent,

  And the stars were bleak, and the nights were slow.

  Year after year, with his dream shut fast, 5

  He suffered and strove till his eyes were dim,

  For the love that his brushes had earned at last,

  And the whole world rang with the praise of him.

  But he cloaked his triumph, and searched, instead,

  Till his cheeks were sere and his hairs were gray. 10

  “There are women enough, God knows,” he said …

  “There are stars enough — when the sun’s away.”

  Then he went back to the same still room

  That had held his dream in the long ago,

  When he buried his days in a nameless tomb, 15

  And the stars were bleak, and the nights were slow.

  And a passionate humor seized him there —

  Seized him and held him until there grew

  Like life on his canvas, glowing and fair,

  A perilous face — and an angel’s too. 20

  Angel and maiden, and all in one, —

  All but the eyes. They were there, but yet

  They seemed somehow like a soul half done.

  What was the matter? Did God forget? …

  But he wrought them at last with a skill so sure 25

  That her eyes were the eyes of a deathless woman, —

  With a gleam of heaven to make them pure,

  And a glimmer of hell to make them human.

  God never forgets. — And he worships her

  There in that same still room of his, 30

&
nbsp; For his wife, and his constant arbiter

  Of the world that was and the world that is.

  And he wonders yet what her love could be

  To punish him after that strife so grim;

  But the longer he lives with her eyes to see, 35

  The plainer it all comes back to him.

  Two Men

  THERE be two men of all mankind

  That I should like to know about;

  But search and question where I will,

  I cannot ever find them out.

  Melchizedek, he praised the Lord, 5

  And gave some wine to Abraham;

  But who can tell what else he did

  Must be more learned than I am.

  Ucalegon, he lost his house

  When Agamemnon came to Troy; 10

  But who can tell me who he was —

  I’ll pray the gods to give him joy.

  There be two men of all mankind

  That I’m forever thinking on:

  They chase me everywhere I go, — 15

  Melchizedek, Ucalegon.

  Villanelle of Change

  SINCE Persia fell at Marathon,

  The yellow years have gathered fast:

  Long centuries have come and gone.

  And yet (they say) the place will don

  A phantom fury of the past, 5

  Since Persia fell at Marathon;

  And as of old, when Helicon

  Trembled and swayed with rapture vast

  (Long centuries have come and gone),

  This ancient plain, when night comes on, 10

  Shakes to a ghostly battle-blast,

  Since Persia fell at Marathon.

  But into soundless Acheron

  The glory of Greek shame was cast:

  Long centuries have come and gone, 15

  The suns of Hellas have all shone,

  The first has fallen to the last: —

  Since Persia fell at Marathon,

  Long centuries have come and gone.

  The House on the Hill

 

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