Goldwyn

by A. Scott Berg

  SUCCESS OF KAYE MUSICALS: SG to Arthur Dent, Apr. 4, 1944; Frank Quinn, “Up in Arms,” New York Daily Mirror, c. Aug. 2, 1944; Pat Duggan to SG (IOC), Dec. 23, 1943.

  SGJ COMES OF AGE: SGJ to ASB (I), Oct. 31, 1983, Mar. 26, 1988; SG to SGJ, May 5, 1943; SG to SGJ, Mar. II, Apr. 29, 1943; SGJ to SG, n.d. (c. Mar. 18, May 1, 15, 1943); SG to SGJ, Mar. 22, May 18, 27, 1943; SGJ to SG, June 30, 1943; SG to SGJ, July 6, 30, Aug. 19, 23, Sept. 30, Dec. 23, 30, 1943; SG to RGC, Oct. 30, 1943; Dean George Ferguson, Jr., to SG, Jan. 12, 1944; SG to SGJ, Feb. 10, 1944; SGJ to SG, Mar. 16, 1944, and n.d. (c. Apr. 20, 1944); SG to SGJ, Apr. 25, 1944; SGJ to SG, n.d. (c. May 20, 1944) and June 8, 1944; SG to SGJ, July 5, 1944.

  18 BEST YEARS

  GERMINATION OF BEST YEARS: “The Way Home,” Time, Aug. 7, 1944, pp. 15—16; SG, “An Open Letter to Darryl F. Zanuck,” n.d., in Daily Variety and Hollywood Reporter, Aug. 8, 1944; FG is quoted in Wagner, You Must Remember, p. 109; SG to Kay Brown (IOC), Aug. 5, 1944; SG to George Slaff in preparation for Jack Smith’s June 1959 interviews in Los Angeles Times; William S. Cunningham, “Big Producers Men of Brain and Vision, Columbus, Ohio, Citizen, Jan. 15, 1936, p. 21; SGJ to ASB (I), Oct. 26, 1983; SG to SGJ, Sept. 8, 1944; SG to Irene Lee, Sept. 29, 1942; Miriam Howell to SG (T), Nov. 2, 1944; Documentary Unit of CBS, ”The Hollywood Picture“ (unpublished script), Nov. 3, 1948; Pat Duggan to Al Evens (IOC), Dec. 12, 1944; Maurice ”Red“ Kann to SG, Sept. 7, 1944; SG to Maurice Kann, Sept. 14, 1944.

  EISENHOWER FILM: Milton Eisenhower to Jules Levey and Leo Morrison, Nov. 22, 1944; Milton Eisenhower to SG, July 13, 1945; SG to Jules Levey, June 20, 1945; Jules Levey to SG, June 21, 1945; SG to Milton Eisenhower (T), July 13, 1945; Dwight D. Eisenhower to SG, July 22, 1945; SG to Dwight D. Eisenhower, Aug. 8, 1944; SGJ to ASB (I), Nov. 3, 1983.

  DIFFICULTY FINDING STORIES: SG to Irene Lee (IOC), Jan. 5, 1943; SG to Kay Brown (IOC), Dec. 16, 1943; SG on buying best-sellers for the screen, (UN) for interview with Edwin Schallert, July 14, 1947; Hollywood Reporter, Jan. 23, 1941, p. 1; Olive Higgins Prouty to SG, Oct. 15, 1941; SG to Mrs. Lewis Prouty, Oct. 21, 1941; SG to Pat Duggan (IOC), June 19, 1943; SG referred to the “new stars” in a letter to Lester Markel of the New York Times, Jan. 16, 1945; Pat Duggan to SG (IOC), May 21, 1943; SG to Miriam Howell (IOC), Dec. 27, 1944.

  EARTH AND HIGH HEAVEN: SG to Jack Warner, Nov. 9, 1943; Rabbi Edgar Magnin to ASB (I), May 27, 1983; SG to SGJ, Apr. 4, 1945.

  PROGRESS ON GLORY FOR ME (BEST YEARS OF OUR LIVES): MacKinlay Kantor to SG, Oct. 6, 1944; Pat Duggan to SG (IOC), Oct. 24, Dec. 14, 1944; MacKinlay Kantor, Glory for Me (New York: Coward-McCann, 1945), pp. 3, 13, 42, 194, 268; Miriam Howell to SG (T), Apr. 4, 1945; Pat Duggan to SG (IOC), May 31, June 15, 1945.

  SG AND HIS IMAGE: Kanin, Hollywood, pp. 342—48; Anthony Haden-Guest (UN of interview with Benjamin Sonnenberg), n.d.; Benjamin Sonnenberg to SG, Feb. 11, Sept. 8, 1944; Muriel Stafford, “Your Handwriting and You,” New York Sunday Mirror Magazine, Jan. 9, 1944, PP. 19; Averell Harriman to ASB (I), May 3, 1982; Billy Wilder to ASB (I), July 8, 1983; Walter Winchell, Los Angeles Evening HeraldExpress, Oct. 19, 1943; Myrna Loy to ASB (I), Mar. 30, 1983; Hilde Berl Halpern to ASB (I), Sept. 7, 1980; FG validates the “Include me out” epitaph story in Wagner, You Must Remember, p. 107.

  SG’S DAY: SGJ to ASB (I), Dec. 1, 1983; SG to T. Hodgkinson, Oct. 6, 1950; FG to T. Hodgkinson, July 18, 1944; SG to T. Hodgkinson (T), Feb. 9, 1944; T. Hodgkinson to Helen Kirk (secretary to SG), Oct. 18, 1932; SG’s secretary (prob. Francis Inglis), “Instructions and Suggestions,” n.d. (c. 1951); Wagner, You Must Remember, p. 111; Josephine Berger to ASB (I), May 17, 1980; William Dozier to ASB (I), Mar. 11, 1984; GC to ASB (I), Sept. 11, 1979; Leonora Hornblow, unpub. diary entry, April 4, 1944 (sent to ASB, July 24, 1984).

  SG’S SOCIAL AND POLITICAL CONNECTIONS: “Donations—1945”; ”Mr. Goldwyn’s Bets,“ July 5, 1944; SG to SGJ, Mar. 30, 1944; Edwin W. Pauley to Franklin D. Roosevelt (M), Nov. 5, 1944; SG to Edwin Pauley, Nov. 11, 1944; Pat Duggan to SG (IOC), Nov. 8, 1944; Robert Hannegan to SG, Nov. 10, 1944; Franklin D. Roosevelt to SG, Dec. 1, 1944; SG to Franklin D. Roosevelt, Jan, 18, 1945; SG to Edwin Pauley, Nov. 3, 1944.

  SG’S TRIP TO ENGLAND: “US AAF Air Transport Command,” Feb. 17, 1945; SG to William Paley, Apr. 24, 1945; Ministry of Information, “Program of Visits by Mr. SG,” for Feb. 23, 28, 1945, Mar. 1, 1945; Guy Ramsey, “Sam Would Sign on Churchill as Star,” London Daily Mail, Feb. 27, 1945; “U.S. Film Chief Wants to Show the World Coventry’s Blitz Scars,” Birmingham, Eng., Evening Dispatch, Feb. 28, 1945; “Sam Without Goldwynisms,” Nottingham Journal, Feb. 27, 1945; “Mr. Goldwyn Looks at Oxford,” Oxford Mail, Mar. 2, 1945; Sir Max Aitken to ASB (I), Sept. 5, 1980; SG to Leo T. Crowley, administrator, Federal Economic Administration, Mar. 12, 1945.

  THE “LULL” OF 1945: Elsa Maxwell to SG and FG (T), Aug. 14, 1944; SG to Jan Masaryk, May 4, 1945; A. H. Evens to Goldie Arthur (IOC), Dec. 23, 1944; SG to Edwin J. Pauley, May 3, 1934; SG to Mrs. Franklin D. Roosevelt (T), Apr. 12, 1945; SG to Harry Truman (T), Apr. 12, 1945; SG to SGJ, May 7, 1945; SG to SGJ, Apr. 16, 1945; SG to SGJ, Apr. 24, 1945; SG to SGJ, May 7, 1945; SG to FG, Apr. 23, 1946; John C. Flinn to SG (T), May 2, 1945; “Policy for payment of payroll—‘V’ Day,” Aug. 22, 1945; SGJ to SG, Aug. 3, 1945; SG to SGJ, July 31, 1945; SG to SGJ, Aug. 31, Sept. 12, 1945; Col. Clarence E. Lovejoy to SG, Dec. 4, 1945; SGJ to ASB (I), Oct. 26, 1983; David Niven, Moon, p. 273, and Bring on the Empty Horses (New York: G. P. Putnam’s Sons, 1975), p. 134; SG to David Niven (T), Jan. 15, 1941; Agee, Film, pp. 88—9; WW to ASB (I), Jan. 8, 1981; LH to ASB (I), Nov. 15, 1981.

  SIGNING WW AND SHERWOOD TO GLORY FOR ME (BEST YEARS): Marvin Ezzell to WW, Aug. 25, 1943, Oct. 23, 1945; WW to ASB (I), Apr. 1, 1980; Pat Duggan to SG (IOC), June 15, 1945; Robert Sherwood to SG, Aug. 27, 1945; SG to Robert Sherwood (T), Sept. 4, 1945.

  SG VISITS GLOVERSVILLE: FG, “Dear Sam: Do You Remember?”; “Goldwyn, One Time Glove Salesman, Now Cinema Great, Visits Home City,” Gloversville Leader-Republican, Oct. 31, 1945; Arthur and Ruth Galinsky to ASB (I), June 9, 1984; Anthony Kaiser to ASB (I), June 8, 1984; Vern Steele to SG, Aug. 1, 1947; SG to Jacob Libglid, Aug. 8, 1947; Vern Steele to SG, Aug. 14, 1947.

  MAKING BEST YEARS OF OUR LIVES: SG to John Mason Brown, June 27, 1957; SG to WW, May 29, 1946; Griffith, Goldwyn, pp. 37—41; Pat Duggan to SG, Nov. 21, 1945; SG to Pat Duggan (T), Nov. 28, 1945; Pat Duggan to SG (T), Nov. 28, 1945; SG to Leland Hayward (T), Nov. 29, 1945; Leland Hayward to SG (T), Nov. 29, 1945; Myrna Loy to ASB (I), Mar. 30, 1983; Robert Sherwood, The Best Years of Our Lives (screenplay), Apr. 9, 1946, pp. 28—9, 33, 173—74, 195—96, 201, 206; Harold Russell to Ben Washer, Nov. 26, 1945; WW, “Introduction,” to Harold Russell (with Dan Ferullo), The Best Years of My Life (Middlebury, Vt.: Paul S. Eriksson Publisher, 1981), p. 10; Lester Koenig, “Gregg Toland, Film-Maker,” Screen Writer, Doc. 1947, pp. 27—33; Irene Sharaff to ASB (I), Feb. 10, 1984; Irving Sindler, “The Best Years of My Life” (unpub. MS.); Russell, Best Years, pp. 37—49; WW to ASB (I), July 24, 1981; Dana Andrews to ASB (I), June 24, 1980; Virginia Mayo to ASB (I), May 27, 1980; Bernard Herrmann to SG, July 30, 1945; Hugo Friedhofer is quoted in Thomas, Music, p. 153; WW to Robert Sherwood (T), June 6, 1946 (repeated in T from SG to FG on same date); dictates from the Breen Office are quoted in Documentary Unit of CBS, “The Hollywood Picture” (unpub. script), Nov. 3, 1948; Hecht, A Child, p. 469.

  RELEASE OF BEST YEARS: Daniel Mandell to ASB (I), May 5, 1980; “‘The Best Years of Our Lives’—ist Preview” (tally sheet), Oct. 17, 1946; Leonard Lyons, New York Post, May 16, 1965; WW to ASB (I), Apr. 1, 1980; Benjamin Sonnenberg (UN) of interview by Anthony Haden-Guest, n.d.; William Hebert to SG (IOC), Nov. 16, 1946; Lynn Farnol to SG (IOC), June 27, Oct. 14, 1946; Harry Tugend story, as retold by WW to ASB (I), Jan. 8, 1981; James Agee, “What Hollywood Can Do,” The Nation, Dec. 7, 14, 1946, in Agee, Film, pp. 229—33; Omar Bradley to SG, Dec. 5, 1946; Bill Mauldin to SG, Jan. 3, 1946; James Forrestal to SG, Dec. 13, 1946; RGC to SG (T), Nov. 21, 1946;
SG to RGC, Nov. 25, 1946; SG to David Golding, Nov. 9, 1946; Frances (Inglis) to SG, note, Oct. 25, 1948.

  SECRET LIFE OF WALTER MITTY: Robert Nathan to ASB (I), Mar. 27, 1982; SG to Miriam Howell (IOC), May 9, 1946; “Goldwyn vs. Thurber,” Life, Aug. 18, 1947, pp. 19—22; Irving Sindler to ASB (I), June 12, 1980; Sylvia Fine Kaye to ASB (I), Oct. 7, 1983; George Slaff to ASB (I), Feb. 25, 1984; Benjamin Sonnenberg to SG, Aug. 21, 1947; Robert Sherwood to SG (T), July 11, 1947; JAM to SG (IOC), June 28, 1946; SG to James Thurber, July 31, 1946.

  THE BISHOP’S WIFE: SG quoted in Roger Buccerfield, “Sam Goldwyn,” Life, Oct. 27, 1947, p. 127; William Hebert to Roger Butterfield, Sept. 30, 1947; WW to ASB (I), Jan. 8, 1981; Robert Sherwood to SG (T), Oct. 21, 1946; David Niven to SG, July 20, Sept. 14, 1945, Leland Hayward to SG, July 18, 1946; Goldie Arthur is quoted in Marx, Goldwyn, p. 323; Cary Grant’s reservations appear in Pat Duggan to SG (T), Jan. 2, 1947; Sharaff, Broadway, p. 68; Sherwood spoke of SG’s yearning for WW to SGJ, who retold ASB (I), May 11, 1984; Henry Koster to ASB (I), July 12, 1983; “‘Bishop’s Wife’—Preview Cards,” Sept. 16, 1947; Billy Wilder to ASB (I), July 8, 1983.

  ACADEMY AWARDS, 1946: “20th Annual Awards—Instructions to Academy Award Nominees,” Mar. 20, 1948, included a diagram of the set, which had been used the year before; Virginia Mayo to ASB (I), May 23, 1980; Russell, Bert Years, p. 47; WW to ASB (I), Jan. 8, 1981; FG, “Dear Sam: Do You Remember?,” p. 88; SGJ to ASB (I), Nov. 3, 1983.

  19 THE PLAGUE

  BEST YEARS AFTERGLOW: Darryl F. Zanuck to SG (T), Mar. 14, 1947; Ann and Jack Warner to SG (T), Mar. 14, 1947; David O. Selznick to SG (T), Mar. 14, 1947; JS to SG (T), Mar. 14, 1947; Lawrence A. Weingarten to SG, Mar. 14, 1947; Norma Shearer to SG (T), Mar. 14, 1947; Mack Sennett to SG (T), Mar. 14, 1947; SGJ to SG (T), Mar. 14, 1947; “A Picture About the Real America,” Los Angeles Times, Mar. 15, 1947. sec. II, p. 4; B. C. Forbes, “Today’s 50 Foremost Business Leaders,” Forbes, Nov. 15, 1947, pp. 37—48, 150, 152, 154; Butterfield, “Sam Goldwyn,” pp. 126—42; Jennifer Howard Coleman to ASB (I), Sept. 24, 1984; Roger Butterfield to SG, June 9, 1947.

  BEST OF TIMES, WORST OF TIMES: SGJ to ASB (I), Dec. 1, 1983; Dore Schary, Heyday: An Autobiography (Boston: Little, Brown, 1979), p. 150; Butterfield, “Sam Goldwyn,” p. 142; “Continuing Audit of Marquee Values” (Hollywood: Audience Research, Inc., Dec. 1946), pp. 2, 5; Garbo’s inability to get financing was told by Roddy McDowall to ASB (I), Feb. 8, 1988; SG to Harry S. Truman, June 12, 1947; SG to Variety (statement for advertisement), Aug. 11, 1947; Irving Bernstein, Hollywood at the Crossroads: An Economic Study of the Motion Picture Industry (Hollywood: Hollywood AFL Film Council, 1957), pp. 17—18, 23—24, 31—2; “Goldwyn Slashes His Top Salaries,” New York Times, Feb. II, 1948, sec. II, p. 2; Beverly Jones (of Audience Research, Inc.) to William Hebert, Oct. 29, 1947; SG, “Hollywood in the Television Age,” Hollywood Quarterly (Winter 1949/1950), quoted in Mast, The Movies, pp. 634—39.

  HOLLYWOOD BLACKLIST: Credo of Motion Picture Alliance and Hearst editorial were reprinted in Red Kann, “On the March,” Motion Picture Herald, Feb. 19, 1944, p. 26; Walter Goodman, The Committee (New York: Farrar, Straus & Giroux, 1964), pp. 173—74; Rabbi Edgar Magnin to ASB (I), May 27, 1983; J. Edgar Hoover quoted in Eric Johnston, statement before committee on Un-American Activities, Mar. 27, 1947; Rupert Hughes, in Variety, May 16, 1947, p. 3; Lelia Rogers, in Robert Vaughan, Only Victims (New York: G. P. Putnam’s Sons, 1972), pp. 75—117; Larry Ceplair and Steven Englund, The Inquijition in Hollywood: Politics in the Film Community, 1930—1960 (Garden City, N.Y.: Anchor Press/Doubleday, 1980), pp. 255, 258—71, 275—98; Victor S. Navasky, Naming Names (New York: Viking Press, 1980), pp. 78—85; Martin Gang to ASB (I), Mar. 6, 1984; Editorial, Screen Writer, Sept. 1947, pp. 34—5; SG to Paul V. McNutt (T), Oct. 29, 1947; SG to J. Parnell Thomas (T), Oct. 29, 1947; WW to ASB (I), Apr. 1, 1980; Committee for the First Amendment petition quoted in Lauren Bacall, By Myself (New York: Alfred A. Knopf, 1979), p. 174; Ring Lardner, Jr., The Lardners: My Family Remembered (New York: Harper & Row, 1976), pp. 319—22; the opening statements of the Hollywood Ten appear in Vaughan, Victims, pp. 315—34; Will Lissner, “Goldwyn Is Eager for Inquiry Call,” New York Times, Oct. 30, 1947, p. 4; SG, press release, Oct. 30, 1947; RGC to SG, “Thursday” (prob. Oct. 30, 1947); SG to RGC, Nov. 13, 1947; SG’s comments to Truman appear in teletype copy, Nov. 14, 1947; C. E. Blomquist (irate patron) to Orpheum Theater, Nov. 19, 1947; SG to C. E. Blomquist, Nov. 28, 1947; LH, Three, pp. 636—39; SG, draft of statement, Nov. 23, 1947; Schary, Heyday, pp. 164—66, 369—70 (Waldorf Conference statement).

  WW later asked SG to hire one of the Hollywood Ten, but the producer refused, saying it would be “dishonorable” because he had, after all, signed the Waldorf Conference statement and had to stand behind his signature (WW to ASB [I], Apr. 1, 1980).

  FIGHTING “ACADEMY AWARD DISEASE”: SGJ to ASB (I), Dec. 1, 1983, Apr. 4, 1988; Hilde Berl Halpern to ASB (I), Sept. 7, 1980; Jeanne Race Woodbury to ASB (I), Apr. 6, 1988; SG to Fifth Avenue Bank, Mar. 24, 1948; Paul Rosenberg & Co. to SG (receipt), Dec. 3, 1951; René Haas of Arthur Lenars & Co. to SG, June 19, 1950; SG to J. M. Musgrave (IOC), April 19, 1954; Sam Salz, Inc., to SG (receipt), March 26, 1954; Lillian Ross, “Picture,” in Reporting (New York: Dodd, Mead, 1981), p. 249; Alfred Crown to ASB (I), March 28, 1984.

  A SONG IS BORN: McBride, Hawks, pp. 85—7; Time, Nov. 1, 1948, p. 92; William Hebert to SG (IOC), Aug. 29, 1947; Vera-Ellen to SG, June 27, 1947; Vera-Ellen to ASB (I), Feb. 2, 1981.

  ENCHANTMENT AND NIVEN’S DISENCHANTMENT: SG to David Niven, Jan. 5, 1948; Eleanor Perreau-Saussine to ASB, Nov. 18, 1980; Evelyn Keyes, Scarlett O‘Hara’s Younger Sister (Secaucus, N.J.: Lyle Stuart, 1977), p. 137; Butterfield, “Sam Goldwyn,” p. 139; “Tabulation of Preview Cards,” Oct. 14, 1948; “Preview Profile Report,” Oct. 23, 1948; SG to Julius Ochs Adler, Dec. 7, 1948; Beverly Jones (Audience Research, Inc.) to SG, Sept. 3 and Oct. 16, 1947; Niven, Moon, pp. 287—89; Pat Duggan to SG (IOC), May 21, 1945; Frances Inglis to Frank Toland, Oct. 12, 1948.

  SLUMP CONTINUES: Billy Wilder to ASB (I), July 8, 1983; SG to George Bernard Shaw, April 15, 1948; G. B. Shaw to SG, April 20, 1948; Pat Wallace to SG, Dec. 30, 1947; SG to Laurence Olivier, May 5, 1948; Farley Granger to ASB (I), June 13, 1984; Y. Frank Freeman is quoted in SG to JAM (IOC), Sept. 19, 1950; SG to Stanley Kramer (T), Apr. 7, 1949; SG called My Foolish Heart a “four handkerchief” movie in “Kup’s Column,” Chicago Sun-Times, Jan. 24, 1950, p. 27; John McCarten, The New Yorker, Jan. 28, 1950, p. 75; Robert Sherwood to SG, Oct. 28, 1949; Alice Young to FG (IOC), Aug. 7, 1951; David Unger to SG, Jan. 19, 1961; J. D. Salinger quoted in New York Times, Jan. 15, 1961, sec. VII—2, p. 38; 1950 box-office figures in SG, “Is Hollywood Through” (proofs), Collier’s, Sept. 21, 1951; grosses from Variety, Jan. 4, 1950, p. 59.

  SIC TRANSIT GLORIA MUNDI: “Chaplin Should Be Taken at His Word and Barred From U.S.,” Los Angeles Herald-Express, April 15, 1947, reprinted in David Robinson, Chaplin: His Life and Art (New York: McGraw-Hill, 1985), p. 546; Iphigene Sulzberger recalls a night with the Goldwyns when the FBI questioned them about CC, in Susan Dryfoos, Iphigene (New York: Dodd, Mead, 1981), pp. 212—13; SG’s quip related by SGJ to ASB (I), Dec. 8, 1983; Alfred Crown to ASB, Mar. 28, 1984; Billy Wilder to ASB (I), July 8, 1983; Mrs. WW to ASB (I), Apr. 15, 1983; Balio, United Artists, p. 283; “Goldwyn Acquires UA Studio Lot,” Los Angeles Times, Apr. 21, 1955; Schary, Heyday, p. 172; SG, press release, Feb. 2, 1949; William Hebert, press release, Feb. 2, 1949; Dr. P. A. Lindstrom to SG, Feb. 15, 1949; George Slaff to ASB (I), Feb. 25, 1984; SGJ to ASB (I), Dec. 1, 1983; “Goldwyn Quitting Johnston Agency,” New York Times, Jan. 19, 1949, p. 34; William Hebert, press releases, Jan. 18, 19, 1949; SG, “Hollywood in the Television Era,” Hollywood Quarterly 4 (Winter 1949), pp. 145—51; Roy Durstine to SG, Feb. 26, 1949.

  OUR VERY OWN AND EDGE OF DOOM: Phyllis Kirk Bush to ASB (I), Sept. 26, 1984; SG to F. Hugh Herbert, Aug. 2, 1950, Farley Granger to ASB (I), June 13, 1984; FG to Sall
y Linden, Aug. 29, 1950; Paulina (Pola) Tygiers to ASB (I), Sept. 3, 1980; LH to ASB (I), Nov. 15, 1981; Walter Winchell, quoted in Jock Lawrence to SG (IOC), July 12, 1950; “‘Edge of Doom’—First Sneak Preview,” Feb. 22, 1950; “‘Edge of Doom’—Second Sneak Preview,” Feb. 23, 1950; SG to Charles Brackett, Aug. 21, 1950; Charles Brackett to SG, Aug. 21, 1950; SG to Ben Hecht (IOC), Aug. 17, 1950; “Quotes on ‘Edge of Doom,’” July 20, 1950; SG to Alfred Crown (IOC), Mar. 20, 1951; SGJ to ASB (I), May 21, 1988.

  SG’S DYNASTIC DREAMS; SGJ COMES HOME: SGJ to SG, April 28, 1946; SG to SGJ, May 9, July 16, Aug. 16, Oct. 1, 1946, April 7, 1947; SG to David MacDonald, Feb. 18, 1947; SG to SGJ, May 17, May 28, 1947; H. M. Bardt (v.p., Bank of America) to SG, Oct. 11, 1947; JAM to SG (IOC), Feb 14, 1949; SGJ to SG, n.d. (rec. May 5, 1948); SG to SGJ, May 5, 1948; SG to JAM (IOC), May 29, 1948; JAM to SG (IOC), Apr. 4, 1949; SG to JAM (IOC), Mar. 23, 1949; Mrs. Ira Gershwin to ASB (I), July 2, 1983; “SGJ Joins Goldwyn Productions as Associate Producer” (press release), Mar. 8, 1950; GC to ASB (I), Sept. 11, 1979; SG to John J. McCloy, July 14, 1950.

  KOREA AND I WANT YOU: SG, notes on “Dateline Korea,” July 15, 1950; Jock Lawrence, “Confidential—Korea Story Analysis,” July 26, 1950; SG, “To Jenny ... with Love,” This Week, Nov. 18, 1951, pp. 10, 18; Robert Sherwood to SG (T), Oct. 17, 1950; SG to Irwin Shaw (T), June 15, 1951; SG to Irwin Shaw (T), July 18, 1951; Sid Garfield to JAM (IOC), June 11, 1951; SG to William Paley, Sept. 20, 1950; “‘I Want You’—First Sneak Preview,” Oct. 25, 1951; “Highlights from General Donovan’s Statement,” March 6, 1951; SG to Gen. Dwight D. Eisenhower, Sept. 28, 1951; SG to John Shaw Billings, July 19, 1951; SG to Gen. Julius Adler, July 12, 1951; SGJ to ASB (I), Dec. 1, 1983.