Let It Be Morning

In his debut, Dancing Arabs, Sayed Kashua established himself as one of the most daring voices of the Middle East. In his searing new novel, a young Arab journalist returns to his hometown — an Arab village within Israel — where his already vexed sense of belonging is forced to crisis when the village becomes a pawn in the never-ending power struggle that is the Middle East. Hoping to reclaim the simplicity of life among kin, the prodigal son returns home to find that nothing is as he remembers: everything is smaller, the people are petty and provincial. But when Israeli tanks surround the village without warning or explanation, everyone inside is cut off from the outside world. As the situation grows increasingly dire, the village devolves into a Darwinian jungle, where paranoia quickly takes hold and threatens the community's fragile equilibrium. With the enduring moral and literary power of Camus and Orwell, Let It Be Morning offers an intimate, eye-opening portrait of the conflicted allegiances of the Israeli Arabs, proving once again that Sayed Kashua is a fearless, prophetic observer of a political and human quagmire that offers no easy answers. **From Publishers WeeklyKashua's second novel (after Dancing Arabs) illuminates the lives of Israel's Arab minority. An unnamed Israeli Arab journalist returns from Tel Aviv to his home village with his wife and infant daughter, in search of cheaper living. There, residents flip anxiously between Hebrew news and al-Jazeera to make sense of daily life, and high school students wear both the latest Western clothes and veils in increasing numbers. The journalist's cosmopolitan wife hates their parochial hometown, and when the protagonist finds himself eased out of his position at a prominent Jewish newspaper (surmising that "the privilege of criticizing government policy was an exclusively Jewish prerogative"), he has to hide his unemployment from her. Then one morning, the journalist finds that the Israelis have cordoned the town, cutting off all communication with the outside world. The town is plagued by infighting, mutual suspicion and rekindled feuds, revealing fault lines in the Arab community. Kashua is a journalist for the Israeli daily Ha'aretz, and he writes about the Israeli Arabs' balancing act with knowledge and passion. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From School Library JournalAdult/High School–A young Arab-Israeli journalist moves from Tel Aviv back to his childhood village with his wife and baby daughter just in time to be caught up in a series of harrowing, dramatic events. In response to Israels military presence in the village, neighbors and relatives find themselves fighting one another in order to survive. The first-person narrative gives this novel the sort of immediacy often found in YA fiction; although the narrator is nearly 30, the short chapters and fast pace, combined with the memories of youth that his return home elicits, make for an easy fit for older teens with an interest in other cultures or current events. Some words or concepts are not explicitly defined, but are made clear in context. A real strength here is the unusual perspective; the novel relates the experience of those caught in the middle, the Arab-Israelis who are citizens but are separated from many of their countrymen by faith and heritage. The unspoken answer to the unnamed protagonists query about his own village: Who are they anyhow? is hinted at in the unsettling conclusion. A natural choice for teens who have discovered Albert Camus The Stranger.–Jenny Gasset, Orange County Public Library, CA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.