The Scarlet Letters

With such classic works as The Rector of Justin and, more recently, Manhattan Monologues, Louis Auchincloss has long established himself as one of our "most useful and intelligent writers" (New York Observer). Now this American master offers his cleverest novel yet: a triumphant modern twist on the legendary Hawthorne tale, in which secrets, sin, and suspense collide among the fabulously rich.The year is 1953, and the coastal village of Glenville, on the opulent north shore of Long Island, is shaken by scandal. Ambrose Vollard, the managing partner of a prestigious Wall Street law firm, gets word of an alleged affair in his family. Most astonishing, the adulterer is Rodman Jessup, Vollard's son-in-law, junior partner, and most likely successor. Until now Jessup has been admired for his impeccable morals and high ideals, so what could explain his affair with a woman of fading charms? All is on the line for Jessup, who threatens to upset Glenville's carefully calibrated social order. As each family member learns of the affair, the story reveals layer upon layer of abiding loyalties and shameless double-crossing.Wise, rich, and exuberantly entertaining, The Scarlet Letters posts a seductive missive to anyone ever tempted by power, wealth, or passion.From Publishers WeeklyAuchincloss's latest novel takes place in familiar territory-the world of the privileged classes in 1950s New York-and acquires extra resonance from its mirroring of Hawthorne's famous tale of guilt and redemption. The story opens with a scandal: respected New York lawyer Ambrose Vollard is shocked by the flagrant adultery of his favored son-in-law and heir apparent, Rod Jessup. The author then explores Vollard's rise from ignored son to head of his beloved law firm; his marriage to Hetty, the intelligent daughter of a Boston preacher; his indulgence of his favorite daughter Lavinia; and her relationship to the somewhat puritanical Rod, who is troubled by ghosts of the past, personified in the more hedonistic Harry Hammersly, his best friend and colleague at Vollard's law firm. When Vinnie and Rod divorce and she quickly marries Harry, the story-the battle between a too-strict moralism and a cynical disregard for right and wrong-is only beginning. Auchincloss's writing, which can seem somewhat old-fashioned and burdened with authorial exegesis rather than demonstration of character, makes perfect sense in the context of this near-allegorical morality tale, and readers are rewarded with an embellishment of the simple dichotomies of Hawthorne's novel with an appropriately ambiguous ending. The 1950s context allows the scenes of spiritual, sexual and legal corruption to have an impact they might not in a modern setting, and while the author makes apparent the force of personal history justifying each character's actions, it is always clear who the good guys and bad guys really are. This is a satisfying and sometimes surprising story from a past master of New York tales.Copyright 2003 Reed Business Information, Inc. From BooklistAmbrose Vollard has a successful career as managing partner of a distinguished Wall Street law firm and a useful marriage to the practical daughter of an old Boston family. The only thing lacking is a son, until his favorite daughter, Vinnie, marries Rod Jessup. But adultery destroys Vinnie's marriage, and change in the form of both her husbands--the honorable Rod and the less honorable Harry--undermines the old ways at Vollard Kaye. There is a sameness to Auchincloss' elegant tales of the Manhattan brownstone set, especially true in this novel, which is a reworking and expansion of a clever story in his 2002 collection, Manhattan Monologues. Some of the names have been changed; Ambrose was previously called Arnold Dillard. Some passages have been transplanted from the story word for word. But Auchincloss now provides more backstory, especially about Arnold--Ambrose, rather, and also takes his tale further into the future. In giving himself more scope to flesh out characters and examine shifting mores, Auchincloss sacrifices some of the story's original punch, but his many loyal readers probably won't mind. Mary Ellen QuinnCopyright © American Library Association. All rights reserved