MRS3 The Velvet Hand
by Hulbert Footner
Madame Rosika Storey is a detective living near Gramercy Park, NY, created in the mid-1920s by Canadian born Hulbert Footner. Storey's secretary, companion and gushing admirer, Bella Brickley narrates through five novels and thirty short stories as her hero solves crimes and straightens out people's problems. The Encyclopedia of Mystery and Detection calls her, "a stunningly beautiful young woman who describes herself as 'a practical psychologist--specializing in the feminine."
Mike Grost wrote: "Hulbert Footner's tales of Madame Rosika Storey have a period charm. They tend not to be overwhelmingly brilliant as puzzle plots. Footner's tales, from the 1920's and 30's seem oddly old-fashioned for their era. His detective technique would have seemed familiar to Émile Gaboriau in the 1860's: footprints, rooms searched for hidden clues, an obvious suspect and a hidden suspect, mild sorts of financial skullduggery lurking in the background. Footner was good at describing every sort of romantic attraction. He was alert to the emotional feelings of his characters. His characters are oddly, rawly sexual for their eras: one is especially startled by the gigolos in "Wolves of Monte Carlo", but Footner liked to include really handsome, seductive young men in many of his tales. Footner is perhaps a bit influenced by the Jazz Age tradition of F. Scott Fitzgerald, and its emphasis on both romance and sexuality. Madame Rosika in Madame Storey is somewhat unusual as a great detective of the era who happens to be a woman. She works as a paid professional, uses her brains, is universally respected for her skill, and basically plays the same role in her world that Hercule Poirot does in his."
Mike Grost wrote: "Hulbert Footner's tales of Madame Rosika Storey have a period charm. They tend not to be overwhelmingly brilliant as puzzle plots. Footner's tales, from the 1920's and 30's seem oddly old-fashioned for their era. His detective technique would have seemed familiar to Émile Gaboriau in the 1860's: footprints, rooms searched for hidden clues, an obvious suspect and a hidden suspect, mild sorts of financial skullduggery lurking in the background. Footner was good at describing every sort of romantic attraction. He was alert to the emotional feelings of his characters. His characters are oddly, rawly sexual for their eras: one is especially startled by the gigolos in "Wolves of Monte Carlo", but Footner liked to include really handsome, seductive young men in many of his tales. Footner is perhaps a bit influenced by the Jazz Age tradition of F. Scott Fitzgerald, and its emphasis on both romance and sexuality. Madame Rosika in Madame Storey is somewhat unusual as a great detective of the era who happens to be a woman. She works as a paid professional, uses her brains, is universally respected for her skill, and basically plays the same role in her world that Hercule Poirot does in his."