A Garden of One’s Own

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by Tam King-fai


  Wings on your shoulders are not the same as shoes on your feet:

  When shoes grow worn, you can always ask your mother for another

  pair, but not so with wings. A feather broken is a feather lost, and there’s

  no way to replace it. What’s more, merely having wings does not alone

  O]IZIVMM PI WVM _QTT JM IJTM W Æa 1N aW] PI^M KIZMTM[[Ta ITTW_ML

  yourself to get fat, your wings may become too weak to pull you up.

  Now, that would be a problem, wouldn’t it? How ludicrous it would be

  NWZI[UITTXIQZWN _QVO[WNIQTIKIZZaQVOIÆIJJaJMTTa
  _W]TL KWUM NWZ XMWXTM W KITT W] W aW] ¹5a NZQMVL TM¼[ OW JIKS

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  Æ]\MZQVO QV PM IQZ IVL [MM PW_ PM [XZQVO KTW]L[ [MMU W R]UX W^MZ

  to support their shoulders as they set their eyes toward that glorious

  3

  A land measure that varies from place to place, but is generally regarded as the equivalent of one-sixth of an acre. The variance may indicate differences in

  productivity.

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  100

  A Garden of One’s Own

  place they came from. Then they would fade from your vision like mist

  wafting and drifting, leaving, just like the skylark, only a shower of

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  how regrettable, how humiliating! Take good care of your wings, my

  friend, before it is too late.

  * * * * * * *

 
  aggravating it is to be crawling about on earth all the time, to say

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  Head for the clouds, for the clouds! Which of us does not think about

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  IVLÆWIIZW]VL]XPMZMTWWSQVOI\PM_IaW]ZXTIVMZWTT[IJW]TQSM

  a tiny ball in the universe. Our gaze will wander from the land to the

  ocean and then from the ocean back to the land. Let us take a good

  look in mid-air—only then will we experience the joy of being human,

  the power of being human, the responsibility of being human. If this

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  away from it all, from it all!

  * * * * * * *

  When human beings first discovered stoneware, they already were

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  walls of the caves of primitive people has wings on its back. When they

  depicted themselves chasing other animals with bows and arrows, they

  also equipped themselves with wings on their backs. Cupid has a pair of

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  QV PM PQ[WZa WN ÆaQVO
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  These wings changed over the years, too, as one can see from Western

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  all the appearance of true wings. Gradually, the wings grew larger, their

  position more stable, and their feathers fuller. On the backs of angels

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  time, the human race had brought the concept of wings to reality, and

  4

  8*;PMTTMa¹
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  Xu Zhimo

  101

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  returns again and again, making it the greatest mission of human beings

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  of ideals, and the extremes of imagination; in doing so, we transform

  ourselves into gods. Poetry grows forth from wings, and philosophy

  circles in the air. To fly! Flying transcends everything, encompasses

  everything, sweeps aside everything, devours everything.

  * * * * * * *

  Try to climb up that peak over there. If you can’t make it all the way,

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  J]ZQML PMZM ¹
  ÆQOP 0M _QTT I[WVQ[P PM _PWTM _WZTL UISQVO PQU[MTN PM WJRMK WN

  all praise and bringing glory to the eternal resting place from which he

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  task of human beings to make wings? And could this pair of wings

  actually take off, carrying as they do the weight of civilization? All of

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  welded, crushed—will there ever be a day when this human-shaped bird

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  * * * * * * *

  All the while, that dark spot has been getting closer and is now above

  my head. It turns out to be a bird-shaped machine. Suddenly, it swerves

  to one side and a ball of light falls downward, and bang! explodes—

  UaLZMIUWN ÆaQVOQ[[PI\MZMLIVLINM_KTW]L[JZWSMVQVXQMKM[IZM

  added to the sky.5

  5

  The reference of this passage is unclear. One critic interprets it as the explosion of sunspots, although on a more literal level, a description of a bombing is a UWZM TQSMTa QVMZXZMIQWV 8MZPIX[ OQ^MV PM ÆQOP[ WN QUIOQVIQWV QV _PQKP

  the author is indulging, this passage should best be taken surrealistically. The main point, at any rate, is that the author is awakened from his reverie by the sound of an explosion.

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  qr

  Yu Dafu

  Yu Dafu (1896–1945) received a traditional Chinese education from

  different schools in Hangzhou in his youth. After he was expelled

  from Hangzhou University for participating in a student movement,

  he went to Tokyo University to study economics. It is during this

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  befriended other Chinese intellectuals who were in Japan at the same

  time, including Guo Moro, Zhang Ziping, and Tian Han, with whom

  he founded the Creation Society, an important literary group in early

  twentieth-century China. When he returned to China, Yu served as

  the editor of the Society’s journal and became an active voice in the

  development of modern Chinese literature.

  Yu spent his time during the Second World War in various places in

  Southeast Asia. It is believed that the Japanese executed him toward the

  end of the war.

  ¹5a 0]UJTM ;PMTMZ NZWU ?QVL IVL :IQV" ) +PZWVQKTMº Q[ I XTIaN]T

  account of the process through which Yu acquired his home in

  Hangzhou. Its whimsical tone is a far cry from the somberness of his

  other works, which are better known for characters ridden with self
-

  doubt and angst.

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  104

  A Garden of One’s Own

  My Humble Shelter from Wind and Rain:

  A Chronicle (1936)

  The wish to own a house has been on my mind for a number of years.

  Although I understand fully that the desire to create is good, whereas

  the urge to possess is bad, when it comes to one’s own self-interest, I

  have always felt that possession of the minimum implements of life’s

  four major needs—clothing, food, lodging, and movement—should not

  be left unsecured. I don’t wish to be clothed in brocade and am quite

  content to eat the coarsest kind of food. But when it is a question of

  having a house for lodging and a rickshaw—or at least a pair of socks

  IVL[PWM[¸NWZUW^MUMV1NMMTI[QN WVMQ[VWM^MVY]ITQÅMLWPI^MI

  say on anything unless one is equipped with them. A friend of mine also

  once advised me that as soon as one is born into this world, one cannot

  do without a piece of land. When one is alive, one needs the space, if

  for no other reason than to hang around, sleep, or sit in it. Then, when

  one dies, one needs to have a hole dug some place for burial. That,

  of course, was the case before the introduction of cremation and the

  existence of public cemeteries.

  Thanks to my friends, after I moved to Hangzhou, I quite

  unexpectedly came into possession of a piece of land, and the problem

  of my burial was thus taken care of. As for living, however, I am

  still living in somebody else’s house. Last spring, I wrote in a short

  composition that I only wished to have a little place of my own. The

  essay was a light piece written for a particular occasion, and I did not

  expect anything to come of it. However, a response came soon after it

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  that would provide me with a shelter from wind and rain was thus

  eighty percent realized. People who didn’t know me thought that I must

  have grown rich; those who did said that I was taking a risk. Be it rich

  or risky, what had started as a mere joke had by twists and turns become

  a reality by autumn. The pounding began next to my present residence,

  and the construction of the house was underway. The whole thing may

  well be a result of my own folly,1 WZ WN Ua NZQMVL[¼ W^MZKWVÅLMVKM QV

  1

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  Yu Dafu

  105

  me. In any case, from now on, my tattered books, army cot, old night-

  stool, and other such things will not have to take after the wandering

  Confucius and travel from place to place. In these ways, there is

  something to be said for the desire to possess, after all!

  Since I came into this project with nothing but my bare hands, of

  course I knew better than to entertain unrealistic hopes. Initially, I only

  planned to use hay where tiles were called for, and mud for the wall. I

  MV^Q[QWVML Å^M ZWWU[ PI _MZM VMQPMZ WW JQO VWZ WW [UITT ITT TQVML

  up in a row, just so that my yearning for my own place of residence

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  WXMVML]XVM_XW[[QJQTQQM[5aZMTIQ^M[IQL¹?PMVaW]J]QTLIPW][M

  you should at least pick a good day, and check out the bearings of the

  site. There is a lot to be said for the ancient art of the I Ching 2 and

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  to relate to me a number of verifiable examples of the efficacy of

  geomancy, and the few friends present also gave their assent upon their

  honor. More interestingly, the person they recommended, a worker of

  miracles equipped with the power to divine heavenly wishes, was just

  like us—a graduate of a modern institution of higher education who

  had learned his ABCs and studied algebra and geometry.

  Following my friend’s introduction and my conversion to the

  mystical arts, the original building plan was changed. The thatched

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  were originally arranged in a row like army barracks were now split up

  and put into two small houses with two rooms in one and three in the

  other. Connecting the two houses was a wall, from which a hole was

  carved out to serve as an entrance. Moreover, on the two sides on these

  two houses were added a number of small rooms whose functions were

  yet to be determined. These changes of course added considerable

  space to what I had originally planned, but at the same time, my debts

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  of my debt is Mr. Guo Xiangjing, who even now is giving me advice,

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  vacant. As a remedy, I suggest you build a south-facing archway, and on

  WXWN PIIKMUMV\MZZIKM7VTaPMV_QTTQ_WZSº

  By coincidence, what he said happened to touch upon a sore point

  2

  Often called Book of Changes in English, the I Ching is a treatise of mathematics and philosophy, often used for divination.

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  106

  A Garden of One’s Own

  in my subconscious: All along, I had hoped to build something of a

  tower at that empty corner, the name of which I had come up with

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  tower has not yet been built, the cottage that I hoped would provide me

  with a mere shed from wind and rain has now taken on a layer of red

  paint, while its walls are now made of cement. It has even begun to look

  like those houses in the poorest ghettoes in foreign countries. Although

  I do not know anything about geomancy, when I think about Mr. Guo’s

  recommendations on misty days or on mornings when the sunlight is not

  all that strong, I can see that there is nothing mysterious in his proposal

  that cannot stand the test of modern science. The reason that I have

  to consider the plan when the light is not strong is that, after all, I am

  still somewhat faint-hearted about the whole thing, and dare not appear

  so self-assured as to use the best materials for my humble abode. This

  consideration is not all that important, however; what is a bit troublesome is

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  IVL ?QVLº¸LWM[ VW LM[KZQJM PM ZMITQa IVaUWZM 5a JZW_ N]ZZW_ML

  in thought for a few days, and I came to realize that so-called mountain

  recluses probably do not actually live in the mountains; I also saw that

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  of the canine family. Things like this have been done before, and my
/>   harmless little lie surely will not bring down upon me the most severe

  punishment, the death sentence. Besides, there by the West Lake stand

  lofty mansions the size of the warehouses of big companies like Sincere

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  have never heard of anyone coming forward to intervene. Best not to

  think too much about it! I might as well hold to my original idea, keep

  the old name that I came up with, and call this house my humble shed.

  The placard bearing the name was written by Mr. Ma Junwu on my

  behalf. Taking advantage of his recent trip to Hangzhou, I imposed my

  request upon him, ignoring the searing pain he was suffering in his right

  hand at the time.

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  qr

  Su Xuelin

  Su Xuelin (1897–1999) was born to a late Qing bureaucrat who held

  the view that a virtuous woman should be uneducated. Thus, from very

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  to drown herself in a river if her wish were not granted, Su gained

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  First Normal School for Girls, then went on to Beijing Women’s Normal

  College in 1919, and concluded her formal education with three years

  of study at Institut Franco-Chinois de Lyon. She was called back to

  China by her mother and married the man that her family had arranged

  NWZPMZJMNWZM[PMPILIKPIVKMWÅVQ[PPMZ[KPWWTQVO

  Su began her career as a creative writer, and later became a literary

  scholar. In her late years as a teacher in Taiwan, she published studies

  of Chinese literature of various periods. She was known as a staunch

  critic of the Communist Party and its cultural icon, Lu Xun.

  As an essayist, Su is adept in manipulating the casualness of the essay

  NWZU¹1V5a5WUMV[WN ,MRMKQWVºISM[WVIXMZ[WVITWVM_QPPM

  reader; she suggests that an essay should be as spontaneous as a letter to

  a close friend or careless doodling of one’s reading notes. The subject

  matter is similarly pedestrian. Through contact with two ordinary

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  her past. This associational technique—beginning with a moment

  and ending with an account through memory—represents a common

 

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