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Philo Vance 12 Novels Complete Bundle

Page 84

by S. S. Van Dine


  Heath grunted disdainfully.

  "Well, anyhow, if you're as good at it as you are at discovering crooks, you'll probably get a conviction." It was the first compliment I had ever heard pass his lips, and it attested not only to his deep-seated admiration for Vance, but also to his own troubled and uncertain state of mind.

  Markham sensed the Sergeant's mental insecurity, and asked somewhat abruptly: "Just what seems to be the difficulty in the present case?"

  "I didn't say there was any difficulty, sir," Heath replied. "It looks as though we had the bird who did it dead to rights. But I ain't satisfied, and--oh, hell! Mr. Markham . . . it ain't natural; it don't make sense."

  "I think I understand what you mean." Markham regarded the Sergeant appraisingly. "You're inclined to think that Sperling's guilty?"

  "Sure, he's guilty," declared Heath with overemphasis. "But that's not what's worrying me. To tell you the truth, I don't like the name of this guy who was croaked--especially as he was croaked with a bow and arrow. . . ." He hesitated, a bit shamefaced. "Don't it strike you as peculiar, sir?"

  Markham nodded perplexedly.

  "I see that you, too, remember your nursery rhymes," he said, and turned away.

  Vance fixed a waggish look on Heath.

  "You referred to Mr. Sperling just now as a 'bird,' Sergeant. The designation was most apt. Sperling, d' ye see, means 'sparrow' in German. And it was a sparrow, you recall, who killed Cock Robin with an arrow. . . . A fascinatin' situation--eh, what?"

  The Sergeant's eyes bulged slightly, and his lips fell apart. He stared at Vance with almost ludicrous bewilderment.

  "I said this here business was fishy!"

  "I'd say, rather, it was avian, don't y' know."

  "You would call it something nobody'd understand," Heath retorted truculently. It was his wont to become bellicose when confronted with the inexplicable.

  Markham intervened diplomatically.

  "Let's have the details of the case, Sergeant. I take it you've questioned the occupants of the house."

  "Only in a general way, sir." Heath flung one leg over the corner of the centre-table and relit his dead cigar. "I've been waiting for you to show up. I knew you were acquainted with the old gentleman up-stairs; so I just did the routine things. I put a man out in the alley to see that nobody touches the body till Doc Doremus arrives,* he'll be here when he finishes lunch.--I phoned the finger-print men before I left the office, and they oughta be on the job any minute now; though I don't see what good they can do. . . ."

  * Heath was referring to Doctor Emanuel Doremus, the Chief Medical Examiner of New York.

  "What about the bow that fired the arrow?" put in Vance.

  "That was our one best bet; but old Mr. Dillard said he picked it up from the alley and brought it in the house. He probably gummed up any prints it mighta had."

  "What have you done about Sperling?" asked Markham.

  "I got his address--he lives in a country house up Westchester way--and sent a coupla men to bring him here as soon as they could lay hands on him. Then I talked to the two servants--the old fellow that let you in, and his daughter, a middle-aged woman who does the cooking. But neither of 'em seemed to know anything, or else they're acting dumb.--After that I tried to question the young lady of the house." The Sergeant raised his hands in a gesture of irritated despair. "But she was all broke up and crying; so I thought I'd let you have the pleasure of interviewing her.--Snitkin and Burke"--he jerked his thumb toward the two detectives by the front window--"went over the basement and the alley and back yard trying to pick up something; but drew a blank.--And that's all I know so far. As soon as Doremus and the finger-print men get here, and after I've had a heart-to-heart talk with Sperling, then I'll get the ball to rolling and clean up the works."

  Vance heaved an audible sigh.

  "You're so sanguine, Sergeant! Don't be disappointed if your ball turns out to be a parallelopiped that won't roll. There's something deuced oddish about this nursery extravaganza; and, unless all the omens deceive me, you'll be playing blind-man's-buff for a long time to come."

  "Yeh?" Heath gave Vance a look of despondent shrewdness. It was evident he was more or less of the same opinion.

  "Don't let Mr. Vance dishearten you, Sergeant," Markham rallied him. "He's permitting his imagination to run away with him." Then with an impatient gesture he turned toward the door. "Let's look over the ground before the others arrive. Later I'll have a talk with Professor Dillard and the other members of the household. And, by the way, Sergeant, you didn't mention Mr. Arnesson. Isn't he at home?"

  "He's at the university; but he's expected to return soon."

  Markham nodded and followed the Sergeant into the main hall. As we passed down the heavily-carpeted passage to the rear, there was a sound on the staircase, and a clear but somewhat tremulous woman's voice spoke from the semi-darkness above.

  "Is that you, Mr. Markham? Uncle thought he recognized your voice. He's waiting for you in the library."

  "I'll join your uncle in a very few minutes, Miss Dillard." Markham's tone was paternal and sympathetic. "And please wait with him, for I want to see you, too."

  With a murmured acquiescence, the girl disappeared round the head of the stairs.

  We moved on to the rear door of the lower hall. Beyond was a narrow passageway terminating in a flight of wooden steps which led to the basement. At the foot of these steps we came into a large, low-ceilinged room with a door giving directly upon the areaway at the west side of the house. This door was slightly ajar, and in the opening stood the man from the Homicide Bureau whom Heath had set to guard the body.

  The room had obviously once been a basement storage; but it had been altered and redecorated, and now served as a sort of club-room. The cement floor was covered with fibre rugs, and one entire wall was painted with a panorama of archers throughout the ages. In an oblong panel on the left was a huge illustrated reproduction of an archery range labelled "Ayme for Finsburie Archers--London 1594," showing Bloody House Ridge in one corner, Westminster Hall in the centre, and Welsh Hall in the foreground. There were a piano and a phonograph in the room; numerous comfortable wicker chairs; a varicolored divan; an enormous wicker centre-table littered with all manner of sports magazines; and a small bookcase filled with works on archery. Several targets rested in one corner, their gold discs and concentric chromatic rings making brilliant splashes of color in the sunlight which flooded in from the two rear windows. One wall space near the door was hung with long bows of varying sizes and weights; and near them was a large old-fashioned tool-chest. Above it was suspended a small cupboard, or ascham, strewn with various odds and ends of tackle, such as bracers, shooting-gloves, piles, points of aim, and bow strings. A large oak panel between the door and the west window contained a display of one of the most interesting and varied collections of arrows I had ever seen.

  This panel attracted Vance particularly, and adjusting his monocle carefully, he strolled over to it.

  "Hunting and war arrows," he remarked. "Most inveiglin'. . . . Ah! One of the trophies seems to have disappeared. Taken down with considerable haste, too. The little brass brad that held it in place is shockingly bent."

  On the floor stood several quivers filled with target arrows. He leaned over and, withdrawing one, extended it to Markham.

  "This frail shaft may not look as if it would penetrate the human breast; but target arrows will drive entirely through a deer at eighty yards. . . . Why, then, the missing hunting arrow from the panel? An interestin' point."

  Markham frowned and compressed his lips; and I realized that he had been clinging to the forlorn hope that the tragedy might have been an accident. He tossed the arrow hopelessly on a chair, and walked toward the outer door.

  "Let's take a look at the body and the lie of the land," he said gruffly.

  As we emerged into the warm spring sunlight a sense of isolation came over me. The narrow paved areaway in which we stood seemed like a canyon be
tween steep stone walls. It was four or five feet below the street level, which was reached by a short flight of steps leading to the gate in the wall. The blank, windowless rear wall of the apartment house opposite extended upwards for 150 feet; and the Dillard house itself, though only four stories high, was the equivalent of six stories gauged by the architectural measurements of to-day. Though we were standing out of doors in the heart of New York, no one could see us except from the few side windows of the Dillard house and from a single bay window of the house on 76th Street, whose rear yard adjoined that of the Dillard grounds.

  This other house, we were soon to learn, was owned by a Mrs. Drukker; and it was destined to play a vital and tragic part in the solution of Robin's murder. Several tall willow trees acted as a mask to its rear windows; and only the bay window at the side of the house had an unobstructed view of that part of the areaway in which we stood.

  I noticed that Vance had his eye on this bay window, and as he studied it I saw a flicker of interest cross his face. It was not until much later that afternoon that I was able to guess what had caught and held his attention.

  The archery range extended from the wall of the Dillard lot on 75th Street all the way to a similar street wall of the Drukker lot on 76th Street, where a butt of hay bales had been erected on a shallow bed of sand. The distance between the two walls was 200 feet, which, as I learned later, made possible a sixty-yard range, thus permitting target practice for all the standard archery events, with the one exception of the York Round for men.

  The Dillard lot was 135 feet deep, the depth of the Drukker lot therefore being sixty-five feet. A section of the tall ironwork fence that separated the two rear yards had been removed where it had once transected the space now used for the archery range. At the further end of the range, backing against the western line of the Drukker property, was another tall apartment house occupying the corner of 76th Street and Riverside Drive. Between these two gigantic buildings ran a narrow alleyway, the range end of which was closed with a high board fence in which had been set a small door with a lock.

  For purposes of clarity I am incorporating in this record a diagram of the entire scene; for the arrangement of the various topographical and architectural details had a very important bearing on the solution of the crime. I would call attention particularly to the following points:--first, to the little second-story balcony at the rear of the Dillard house, which projects slightly over the archery range; secondly, to the bay window (on the second floor) of the Drukker house, whose southern angle has a view of the entire archery range toward 75th Street; and thirdly, to the alleyway between the two apartment houses, which leads from Riverside Drive into the Dillard rear yard.

  The body of Robin lay almost directly outside of the archery-room door. It was on its back, the arms extended, the legs slightly drawn up, the head pointing toward the 76th-Street end of the range. Robin had been a man of perhaps thirty-five, of medium height, and with an incipient corpulency. There was a rotund puffiness to his face, which was smooth-shaven except for a narrow blond moustache. He was clothed in a two-piece sport suit of light gray flannel, a pale-blue silk shirt, and tan Oxfords with thick rubber soles. His hat--a pearl-colored felt fedora--was lying near his feet.

  Beside the body was a large pool of coagulated blood which had formed in the shape of a huge pointing hand. But the thing which held us all in a spell of fascinated horror was the slender shaft that extended vertically from the left side of the dead man's breast. The arrow protruded perhaps twenty inches, and where it had entered the body there was the large dark stain of the hemorrhage. What made this strange murder seem even more incongruous were the beautifully fletched feathers on the arrow. They had been dyed a bright red; and about the shaftment were two stripes of turquoise blue--giving the arrow a gala appearance. I had a feeling of unreality about the tragedy, as though I were witnessing a scene in a sylvan play for children.

  Vance stood looking down at the body with half-closed eyes, his hands in his coat pockets. Despite the apparent indolence of his attitude I could tell that he was keenly alert, and that his mind was busy co-ordinating the factors of the scene before him.

  "Dashed queer, that arrow," he commented. "Designed for big game; . . . undoubtedly belongs to that ethnological exhibit we just saw. And a clean hit--directly into the vital spot, between the ribs and without the slightest deflection. Extr'ordin'ry! . . . I say, Markham; such marksmanship isn't human. A chance shot might have done it; but the slayer of this johnny wasn't leaving anything to chance. That powerful hunting arrow, which was obviously wrenched from the panel inside, shows premeditation and design--" Suddenly he bent over the body. "Ah! Very interestin'. The nock of the arrow is broken down,--I doubt if it would even hold a taut string." He turned to Heath. "Tell me, Sergeant: where did Professor Dillard find the bow?--not far from that club-room window, what?"

  Heath gave a start.

  "Right outside the window, in fact, Mr. Vance. It's in on the piano now, waiting for the finger-print men."

  "The professor's sign-manual is all they'll find, I'm afraid." Vance opened his case and selected another cigarette. "And I'm rather inclined to believe that the arrow itself is innocent of prints."

  Heath was scrutinizing Vance inquisitively.

  "What made you think the bow was found near the window, Mr. Vance?" he asked.

  "It seemed the logical place for it, in view of the position of Mr. Robin's body, don't y' know."

  "Shot from close range, you mean?"

  Vance shook his head.

  "No, Sergeant. I was referring to the fact that the deceased's feet are pointing toward the basement door, and that, though his arms are extended, his legs are drawn up. Is that the way you'd say a man would fall who'd been shot through the heart?"

  Heath considered the point.

  "No-o," he admitted. "He'd likely be more crumpled up; or, if he did fall over back, his legs would be straight out and his arms drawn in."

  "Quite.--And regard his hat. If he had fallen backwards it would be behind him, not at his feet."

  "See here, Vance," Markham demanded sharply; "what's in your mind?"

  "Oh, numberless things. But they all boil down to the wholly irrational notion that this defunct gentleman wasn't shot with a bow and arrow at all."

  "Then why, in God's name--"

  "Exactly! Why the utter insanity of the elaborate stage-setting?--My word, Markham! This business is ghastly."

  As Vance spoke the basement door opened, and Doctor Doremus, shepherded by Detective Burke, stepped jauntily into the areaway. He greeted us breezily and shook hands all round. Then he fixed a fretful eye on Heath.

  "By Gad, Sergeant!" he complained, pulling his hat down to an even more rakish angle. "I only spend three hours out of the twenty-four eating my meals; and you invariably choose those three hours to worry me with your confounded bodies. You're ruining my digestion." He looked about him petulantly and, on seeing Robin, whistled softly. "For Gad's sake! A nice fancy murder you picked out for me this time!"

  He knelt down and began running his practised fingers over the body.

  Markham stood for a moment looking on, but presently he turned to Heath.

  "While the doctor's busy with his examination, Sergeant, I'll go up-stairs and have a chat with Professor Dillard." Then he addressed himself to Doremus. "Let me see you before you go, doctor."

  "Oh, sure." Doremus did not so much as look up. He had turned the body on one side, and was feeling the base of the skull.

  CHAPTER III

  A PROPHECY RECALLED

  (Saturday, April 2; 1.30 p.m.)

  When we reached the main hall Captain Dubois and Detective Bellamy, the finger-print experts from Headquarters, were just arriving. Detective Snitkin, who had evidently been watching for them, led them at once toward the basement stairs, and Markham, Vance and I went up to the second floor.

  The library was a large, luxurious room at least twenty feet deep, occupying the entire
width of the building. Two sides of it were lined to the ceiling with great embayed bookcases; and in the centre of the west wall rose a massive bronze Empire fireplace. By the door stood an elaborate Jacobean side-board, and opposite, near the windows which faced on 75th Street, was an enormous carved table-desk, strewn with papers and pamphlets. There were many interesting objets-d'art in the room; and two diagrammatic Dürers looked down on us from the tapestried panels beside the mantel. All the chairs were spacious and covered with dark leather.

  Professor Dillard sat before the desk, one foot resting on a small tufted ottoman; and in a corner near the windows, huddled in a sprawling armchair, was his niece, a vigorous, severely tailored girl with strong, chiselled features of classic cast. The old professor did not rise to greet us, and made no apology for the omission. He appeared to take it for granted that we were aware of his disability. The introductions were perfunctory, though Markham gave a brief explanation of Vance's and my presence there.

  "I regret, Markham," the professor said, when we had settled ourselves, "that a tragedy should be the reason for this meeting; but it's always good to see you.--I suppose you will want to cross-examine Belle and me. Well, ask anything you care to."

  Professor Bertrand Dillard was a man in his sixties, slightly stooped from a sedentary studious life: clean-shaven, and with a marked brachycephalic head surmounted with thick white hair combed pompadour. His eyes, though small, were remarkably intense and penetrating; and the wrinkles about his mouth held that grim pursed expression which often comes with years of concentration on difficult problems. His features were those of the dreamer and scientist; and, as the world knows, this man's wild dreams of space and time and motion had been actualized into a new foundation of scientific fact. Even now his face reflected an introspective abstraction, as if the death of Robin were but an intrusion upon the inner drama of his thoughts.

 

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