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Photographs of Claudia

Page 8

by KG MacGregor


  word. “Solid. She’s got the best fundamentals of anyone around

  when it comes to shooting people.”

  Claudia plucked a mushroom off the tray and nodded. “I

  don’t know the first thing about photography, but even I can tell

  Leo’s work is good.”

  “And that’s exactly what it is—work,” Leo said. “I can’t afford

  the luxury of trying to turn everything I do into a work of art.

  My clients don’t want to sit for two hours while I make a million

  adjustments to get it just right.”

  “But you don’t have to choose one or the other,” Maria said.

  “All you’d be doing is adding to your skill set. You know as well

  as I do that once you start using new techniques or equipment,

  it gets easier, and before you know it you’re incorporating those

  things naturally. You’ve always wanted to take that next step,

  Leo. Magazine shoots and high-end clients don’t hire out of the

  Yellow Pages. You’re going to have to break out and distinguish

  yourself.”

  They’d had this conversation before, and Leo always agreed

  with each of Maria’s assertions. Still, the impracticality of clearing

  her schedule for ten days so she could go to Santa Fe precluded

  actually following through. “Why do they always hold this

  workshop in June? That’s my busiest month for weddings.”

  Maria put a hand on her hip and glared. “Look, kiddo.

  Everything worthwhile takes sacrifice. What’s a few thousand

  dollars up front compared to how you’re going to spend the rest

  of your life? Bite the bullet now so you can start doing what you

  want. It’ll be worth it.”

  “I think Maria’s right,” Claudia offered. “Remember what we

  were talking about the other day on the wharf? Maybe it’s time

  to make your dreams happen.”

  They were both right, of course. If Leo was ever to build her

  business into the kind of career she truly wanted, she needed to

  get off her butt and lay the groundwork. She mentally calculated

  the cost of the workshop along with the impact on her studio’s

  bottom line. It was a major commitment, but she was emboldened

  by their encouragement. “What would I have to do to apply?”

  “Now you’re talking. Come upstairs. I’ll give you the papers.

  They’ll want a small body of work—I think it was only six

  portraits. You have to demonstrate mastery of the basics. You can

  do that with your eyes closed.”

  “Can I just send them samples?”

  “No, they want to see everything with the same model so

  they can compare. You need head shots, body shots, all kinds of

  different lighting…that sort of thing. I did it in three or four

  sessions.”

  The idea lost steam when Leo added the cost of a model to

  her estimate. “I’d have to hire a model. That’s another thousand

  dollars. I may have to save up until next year.”

  “You don’t have to use pretty people. Get Patty to do it.”

  Maria slapped a hand over her mouth as Claudia and Leo burst

  out laughing. “I didn’t mean it that way. What I meant is you can

  get a friend to do it as long as you have a release. It’s only about

  technique.”

  Patty was probably the only friend she had who would sit

  for four sessions for free—except it wouldn’t be free because she

  would probably want a date in return. “Maybe I could put up a

  sign at the college. I’m sure someone there could use a few extra

  bucks.”

  “What kind of modeling are we talking about?” Claudia

  asked as they climbed the plank staircase to Maria’s office on the

  second-floor landing.

  Maria stopped abruptly on the top floor and spun around.

  “There you go, Leo. Claudia can model for you.”

  Leo had taken Claudia’s question as curiosity rather than an

  offer to pose. “Claudia has enough to do. Sandy’s working her to

  death.”

  “No, seriously,” Claudia said. “Is it something anybody can

  do, or do you need a certain kind of look?”

  “I’m sure you’d be a great model,” Leo said. “But three or

  four sessions in studio is way too much to ask of somebody who’s

  trying to get through college and plan a wedding.”

  “I’m not planning a wedding. I told you that’s my mom’s

  obsession. All I have to do is pick a date and show up. If you’re

  willing to do it after school or on the weekends, I can help. You’re

  not talking nude, are you?”

  Maria chuckled. “No, so don’t believe Leo if she tries to talk

  you out of your clothes.”

  “I wouldn’t do something like that.” Leo was aghast until she

  saw Maria’s impish grin.

  “Don’t believe her, Claudia. We all say that, but then we

  convince our subjects to do it in the name of art.” Maria shuffled

  through some papers on her desk and located a brochure. “Yep,

  it’s still the same—six portraits, all black and white. These are the

  specs.” She handed it to Leo. “Due date is the end of January.”

  “I could probably put together a body of work by then.” She

  turned to Claudia, still mildly embarrassed by Maria’s joke. “She

  really is kidding about the nude part.”

  “Hey, ply me with tequila and there’s no telling what I’d

  do. This could be fun…unless you don’t think the pictures will

  turn out. I don’t want to hurt your chances of getting into the

  workshop.”

  “No way,” Maria said. “You’re more interesting to look at

  than most of the models I’ve used. Isn’t that right, Leo?”

  Leo nodded her agreement. She had hired only a handful of

  models, mostly for industrial shoots. Since the goal had been to

  show off products and services, she had chosen ordinary-looking

  people who would disappear into the background. Claudia was

  anything but ordinary.

  Chapter 10

  Claudia picked up her pace to follow Leo through the studio

  to the back stairs. When Leo had called to ask about getting

  together to schedule their sessions, she had offered to stop by

  on her way home from school. As it turned out, this was Leo’s

  busiest time of day and they had only an hour before her next

  appointment. “Are you sure we have enough time for this? I can

  try to stop by tomorrow.”

  “Tomorrow’s worse. I’m jammed from three o’clock till

  nine.”

  In the den upstairs, papers were strewn all over the sofa

  with Madeline curled in the center like a paperweight. A large

  plastic bowl on the floor held popcorn remnants. It was a homey

  setting, not at all the formal and pristine atmosphere Claudia was

  accustomed to at her mother’s home, where the most important

  thing was making the right impression on visitors. Heaven forbid

  a living room ever looked as if someone lived there.

  “Come here, little girl,” Leo said, scooping up the calico and

  boosting her atop the entertainment center. “Thanks for all your

  help. We’ll take it from here.”

  “Your furry assistant is adorable. Looks like she’s gotten over
r />   being bashful. She was hiding up there the last time I was here.”

  Claudia thought Madeline was a lot like her mistress—shy at

  first, but more comfortable after she got used to people. She was

  mildly disappointed when it struck her that Leo seemed more

  relaxed today not because they were closer, but because she was

  in work mode.

  Leo paged through her planner, which was dotted with

  appointments. “I do a lot of portrait appointments around five

  or six because that’s when people get off work, so the only time

  I have during the week is probably too late for you. And it looks

  like I have weddings every Saturday between now and New Year’s

  except the week after Thanksgiving.”

  “Wow, I thought you said June was your busy month.”

  “That’s because in June people get married every day of

  the week instead of just Saturday. By the end of the month I’m

  whispering all the words before they do.”

  “Careful. You could accidentally get married that way.” She

  grinned as Madeline descended from her perch to settle in Leo’s

  lap. “Somebody loves her mom.”

  “More like somebody wants to be the center of attention.”

  “As she should be. Did she wander up to your back door one

  day and demand dinner?”

  “No, she was a birthday gift from Patty. I never wanted a cat,

  but damned if I didn’t get used to her. Took her about two days

  to wrap me around her paw. Now I get lonesome if she goes into

  the other room.”

  “Sounds like you’re good for each other.” Claudia couldn’t

  resist reaching out to scratch Madeline under her chin. “I think

  this little project is going to give all three of us something to

  do.”Leo checked her watch and visibly relaxed, propping her feet

  on the coffee table. “That’s the irony. I already have plenty to do,

  but Maria’s right. I need to take things up a notch if I want to

  compete for the high-end work.”

  Claudia placed her feet alongside Leo’s, noting the contrast

  between her size sixes and Leo’s probable nines. “Tell me what

  high-end means. What would you like to see yourself doing…

  let’s say five years from now?”

  Madeline rippled with pleasure as Leo stroked her from head

  to tail. It was obvious the two adored one another.

  “Five years? Not school photos, that’s for sure. No offense,

  but I’d like to do something a little more creative. I suppose if I

  had my dream job, I’d still have my studio but I wouldn’t have

  to say yes to everybody just to keep my head above water. The

  only way for that to happen is for my work to get noticed by

  the people who appreciate quality and are willing to pay for it.

  That means the pros, like media relations people, ad agencies

  and photo editors for magazines. I want my name at the top of

  their lists.”

  She envied how clearly Leo articulated her professional

  objectives. Compared to goals like that, her teaching career

  probably seemed amorphous. “How will going to Santa Fe help

  you get there?”

  “I could see a difference in Maria’s work right away. Most

  of her stuff was outdoors in natural light. Now she’s just as

  comfortable doing studio lights.”

  “But you already know how to do that.”

  “There’s always more to learn. Besides, this sort of workshop

  isn’t only about technique. It’s also about making the contacts

  I need in order to get the jobs I want. That’s how this business

  works.”

  “Sounds like Mike’s dad. He always hired people inside his

  network of cronies, so naturally Mike wants to do the same thing

  now that he’s calling the shots in Taiwan. The only problem is that

  Mike has a different circle of friends, so all of Big Jim’s buddies

  are on the outside looking in. You should hear them fight about

  it.” She shuddered at the memory of their last confrontation

  when Big Jim had pulled rank on the Asia project. Mike had

  stewed quietly through dinner, but erupted in a rage once he

  and Claudia were alone. It had taken her two hours to calm him

  down.

  Leo chuckled. “My dad and I had only one fight in all the time

  we worked together. When we shot Sheila Harrison’s wedding.

  She was one of those snotty girls in high school I didn’t like very

  much. I said something to my dad about how she probably had

  to get married and I was going to frame all my photos with her

  belly in the middle. He let me have it. He said people would

  know us by our worst job, and that we had no right to judge the

  people who trusted us with their business. It was a lesson I never

  forgot.”

  “You were lucky to have such a wise man for a father. I feel

  the same way about my dad.”

  “Be sure to cherish every day with him.” Leo pressed her lips

  in a tight line and picked up her appointment book, her visage

  passing instantly from wistful to businesslike. “What do you think,

  Madeline? Can we get Claudia to come see us on Sundays?”

  Claudia pulled out her leather Coach planner and scanned

  it. “Sundays are good, as long as I can get home by eight for

  Mike’s call. That’s our regular time because it’s eight on Monday

  morning in Taiwan. Other than that, all I ever do are lesson plans,

  laundry and television. I’ll probably go home for Thanksgiving,

  but I should be around every Sunday until my internship finishes

  the third week in December.”

  Leo tapped the pages in her planner to count off the weeks.

  “That gives us five Sundays, but I don’t think I’ll need more than

  three. Just don’t get impatient with me when I start messing with

  lights and things. I wouldn’t think twice about doing that with a

  model, but I don’t like doing it to a friend.”

  Claudia smiled at hearing Leo call her a friend because Leo

  didn’t strike her as someone who threw the word around casually.

  “At least I’ll get to tell everyone I’m a former model.”

  “I don’t think they’ll be surprised.” Leo handed her a

  document. “Speaking of which, this is kind of a formality, but

  I need it in the file with the portfolio. It’s a model’s release.

  Basically it says I own the photos, but I’ve stipulated that I’ll

  use them only for the workshop. So you won’t have to worry

  about showing up one of these days in a gallery or one of Maria’s

  coffee-table books.”

  “That’s too bad. I was sort of hoping for something shocking

  that could get circulated through my mom’s bridge club. Double

  bonus if my future mother-in-law sees it and faints.”

  Leo led the way up the ladder to the attic and pulled the chain

  at the top to turn on the lights. She was bursting with excitement,

  not only at showing off her space, but in sharing her plans for it.

  “I owe you big time for asking to see the attic. I spent about six

  hours up here on Sunday cleaning things out and it gave me a

  great idea.”

  “Wow, look at all this space.” Claudia stepped onto the

&nb
sp; platform, where her eyes went immediately to the turret. “This

  is the room I can see from way down the street.”

  “That’s right. It’s the highest point in the house. And not

  only that”—she walked briskly across the plywood to the front

  window—“you can see the water from up here.”

  Claudia joined her and they looked out onto the lights at the

  wharf. “That’s beautiful. If this were my house, I’d be up here all

  the time.”

  “I was thinking we’d work up here, as long as you don’t mind

  climbing the ladder.”

  “Don’t you need your studio? What about all the lights?”

  “A couple of the shots call for natural light, which I don’t

  have in the dining room, but I do from this window. For the rest

  of it I can set up my portable kit. That’s what I use when I go out

  to shoot somewhere, like weddings or school pictures. Most of

  the time I leave those in the car, but I can just keep them up here

  instead. That way I can tweak things with Miss Murphy and be

  ready to go when you get here.”

  “Who’s Miss Murphy?”

  Leo took Claudia’s shoulders and pointed her toward a life-sized

  mannequin, which was already clad in the long white shirt she

  had worn to the Halloween party. “Meet your stand-in.”

  “I like her shirt, but she needs a sandwich,” Claudia said.

  “Why do you have a skinny mannequin in your attic?”

  “My dad did a catalog spread for one of the women’s apparel

  stores in Carmel. I was about twelve years old and my job was to

  dress Miss Murphy in all the outfits.”

  “The more you tell me about your dad, the more I think you

  two were quite a pair.”

  “We were. There’s so much of him left around this place.”

  “I bet there’s a lot of him left in you too.”

  Leo hadn’t talked about her father this much since the few

  months after he died. She still missed him, but talking with

  Claudia about how she’d grown up in the photography business

  had made her remember happier times. She pulled a squeaky toy

  from a cardboard box. “He used this when people brought their

  dogs in for portraits because it got them to look at the camera.

  And he would call me in to make faces at the babies so they’d

  laugh. No matter who it was, he always tried to make the portrait

 

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