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Anatomies: A Cultural History of the Human Body

Page 35

by Hugh Aldersey-Williams

ribs 55, 58–9

  Richardson, Ruth 72, 78

  right/left-handedness 197–200

  right–left asymmetry 197–202

  Rimbaud, Arthur 176

  robots 249–50, 251

  Roe, John Orlando 90–91

  Roggman, Lori 100

  Roman numerals 194

  Röntgen, Anna 49

  Röntgen, Wilhelm 49

  Royal College of Surgeons 21, 62, 77, 109

  rubber-hand illusion 173

  Rubens, Peter Paul 45

  Rusalka 94

  Ruskin, John 179, 231

  Rysbrack, Jan 114

  Sacred Heart 132

  sacrum 53

  Sagan, Carl 205, 206, 207

  Saint-Saëns, Camille: Danse Macabre 51

  Saint-Simon, Henri de 23

  Salzman, Linda 205

  Samson 94

  Sarum Primer 130

  Schama, Simon 188

  Scharfe, Henrik 250

  Schupbach, William 187

  Scientific American 205

  self-flagellation 239

  self-identity see identity

  Sellars, Nina 47

  SENS (Strategies for Engineered Negligible Senescence) 256–7, 258

  senses

  hearing 157–8, 169

  overlapping of 172–7

  sight 167–9, 172–4

  smell 169, 172, 174–5, 183

  synaesthesia 175–7

  taste 169, 172, 173, 174–5, 183–4

  touch 169, 173–4, 176–7

  sex 204–14

  bisexuals 212

  chromosomes 209–10

  and cultural self-definition 212–13

  embryonic development 210

  ‘G spot’ 82

  homosexuals 145, 212

  hormones see hormones

  intersexuality 210–11

  and nudity 203–7 see also nudity

  organs xxii, 80, 81–2, 200, 203–7, 210, 212–13, 253–5

  psychological view of 211

  sex-change operations/gender reassignment 207–9, 214

  sexual identity 208–14

  sexual spectrum 211–12

  see also gender

  Sforza, Francesco 21

  Shakespeare, William 39, 40, 41, 42–4, 93

  Hamlet 40–41, 42

  Henry IV, Part I 43

  King Lear 6, 40, 41

  Macbeth 41, 43

  The Merchant of Venice 38–9, 40

  The Merry Wives of Windsor 41, 44

  Richard II 146

  Romeo and Juliet 144

  Twelfth Night 144

  shapes of organs 131–6

  Sharp, Lesley 137–8

  Shelley, Mary: Frankenstein 71, 243, 250

  Shelley, Percy Bysshe: ‘Ozymandias’ 224

  Shelton, Don 76, 77

  Shepherd, John 104

  Shorter, Edward: A History of Women’s Bodies 144

  Shrek films 244

  Shuar people, upper Amazon 85–6

  Sibelius, Jean 175

  sight 167–9, 172–4

  Simblet, Sarah 9–11, 14

  skeleton 7, 9, 10, 42, 49–62, 66–7, 81

  skin 41, 86, 110, 164, 226–39

  bare see nudity

  blushing 228–9, 233

  branding 237

  diseases 234

  and race 237

  tattooing 237–9

  tone 226–7

  skull 51, 54

  phrenology 116–18, 119

  Raphael’s 116–17

  smell, sense of 169, 172, 174–5, 183

  Smith, Horace 224

  Snell, Hannah 214

  Sondheim, Stephen: Sweeney Todd 244

  soul xxiv, 20, 21, 37, 69, 71, 108, 234, 264

  body as prison of the soul 264

  and brain/pineal gland 119, 168–9

  and eyes 170

  and head 84, 85, 86

  sound frequency recognition 157–8

  Spears, Britney 94

  Spence, Charles 172–3, 175, 176

  Spenser, Edmund: The Faerie Queene 22

  sperm 210, 259

  Spinoza, Baruch 20

  spirit 69

  sport 198–9, 220, 223

  Spurzheim, Johann Kaspar 116

  stapes 54

  Stark, William 117

  Stelarc 47, 164

  stem cells 48

  Sterne, Laurence: Tristram Shandy 89, 91

  stomach 178–86, 200

  Stösslová, Kamila 261

  Strategies for Engineered Negligible Senescence (SENS) 256–7, 258

  striptease 207, 230–31

  Sweet, Matthew: Inventing the Victorians 231

  Swift, Jonathan: Gulliver’s Travels 29, 260

  Sylvia, Claire 138

  symmetry 12

  and asymmetry 100, 197–8, 200–202, 238

  and beauty 24, 100, 102

  synaesthesia 175–7

  synthetic biology 263

  taboos

  blood 40, 47, 142, 144

  foot 219

  Tallis, Raymond 191, 195

  Tarantino, Quentin: Reservoir Dogs 157

  taste, sense of 169, 172, 173, 174–5, 181, 183–4

  tattooing 237–9

  Technology Review 258–9

  teeth 76

  tendons 10, 188–9

  Achilles tendon 58

  in art and drawings 3, 5, 66, 188, 189

  testicles 80, 200

  transplants 253–5

  testosterone 197, 210, 211–12

  Thatcher illusion 233

  thigh bone 54

  Thomas, Sonya 186

  Thompson, D’Arcy: On Growth and Form 134

  Thompson, Peter 233

  Thomson, Arthur: Handbook of Anatomy for Art Students 231

  Thoreau, Henry David 128

  quotation 127

  thumbs 28, 91, 192, 194, 195–6

  thumb sucking in the womb 197

  Tiffin, Helen 181

  tissue

  grafted 163, 164

  muscle 12, 59, 62, 182

  ‘printing’ of 139–40

  xenotransplantation 239, 251, 252–5

  Tissue Culture & Art 164

  Totentanz 51

  touch 169, 173–4, 176–7

  transhumanism 256, 264

  transplants

  face 109–11

  heart 137, 252–3

  kidney 136–7

  organ 136–9, 251, 252–5

  testicle 253–5

  xenotransplantation 239, 251, 252–5

  transsexuals 207–9

  transubstantiation 143

  Trent, Council of 203

  trichophobia 94–5

  tsantsas 85–6

  Tulp, Nicolaes 1, 7–8, 11

  Rembrandt’s painting of 1, 2–3, 187–8, 188, 189–90

  Turner, Bryan 20

  ulna 59

  Uncanny Valley 249–50

  units of measure 28–9

  ureters xvi

  uterus 12, 70, 75, 81, 143, 209

  V sign 194

  Vacanti, Charles 163

  vagina 208, 213

  artistic omission of 205, 206–7

  van Dyck, Antoon, later Sir Anthony 158–9

  van Eyck, Jan: Madonna with Canon van der Paele 154, 162

  van Gogh, Vincent Willem 161, 162

  Self-Portrait with a Bandaged Ear 161

  Vasari, Giorgio 22

  veins 21, 69, 71, 73, 129, 142, 166, 195

  Vermeer, Johannes: Girl with a Pearl Earring 1, 153

  Vesalius, Andreas 14, 65–70, 81

  De Humani Corporis Fabrica 4–5, 41, 65–8, 69–70

  portrait 64–5, 66

  Victoria, Queen 79

  Vishnu 216

  Visible Human Project 34–7

  vision 167–9, 172–4

  visual cortex 119

  vitreous humour 169–70

  Vitruvius 24–6, 28

  vivisection 71–2, 73 />
  Voltaire, head 118

  Voronoff, Serge 253–5, 256

  vulva xxii

  Wagner, Richard 175, 176

  Walbiri people, central Australia 144

  Waldby, Catherine 37

  walking 57–8, 218

  Walpole, Horace, 4th Earl of Orford 155, 214

  War of Jenkins’ Ear 159–60

  Warner, Marina 23, 213

  warts 154–5

  Washington, George 150–51

  Washington, Martha 150

  Webb, Steve 218

  Wellington Monument, London 203–4

  Wells, Samuel 90

  werewolves 252

  Wesel, Andries van see Vesalius, Andreas

  Westmacott, Richard 204

  White, Crawford 167

  Wildegans, Rita 161

  Willemot, Jacques 153

  William the Conqueror 44–5

  Williams, Bernard 261

  Wilson, Glenn 197

  Wilson, James 75

  Witelson, Sandra 113–14

  Wittgenstein, Ludwig 37, 199

  Wolff, Charlotte 198

  Wolpert, Lewis 201, 259

  Wood, Gary 121, 122–3

  Woolner, Thomas 228–9

  X-rays 49–50, 50, 52–3, 118

  X, Duncan 238

  xenotransplantation 239, 251, 252–5

  yellow bile 151

  Young, Louisa: The Book of the Heart 127, 131

  Zamość 21, 22

  Zeus 55

  Zuk, Patricia 48

  Zurr, Ionat 164

  More Praise for

  ANATOMIES

  “Surprising and enlightening. . . . Open to any page, and you are immediately drawn in.”

  —Laurence A. Marschall, Natural History

  “A magnificent exploration of the myths and mysteries of human anatomy. . . . [Aldersey-Williams] writes like a latter-day Montaigne.”

  —Thomas Wright, Telegraph (UK)

  “A fresh and fascinating treatise on the human body. . . . Whether Aldersey-Williams is writing about phrenology, tattooing, organ donations, genes, X-rays, or liposuction, he keeps us alert to the mysteries, quirks, and miracles of the flesh.”

  —Frederic and Mary Ann Brussat, Spirituality and Practice

  “Splendid, highly entertaining, chock-full of insights. . . . It inserts fascinating scientific snippets and anecdotes about our organs into the wider history of our changing understanding of our bodies.”

  —James McConnachie, Sunday Times (UK)

  “Enlightening and thoroughly engaging. . . . From the dissection laboratory to a live-model drawing class, Aldersey-Williams illuminates the contours of the human body from head to toe.”

  —Publishers Weekly

  “Aldersey-Williams moves from the lore of the body, skin and bones . . . to major areas like the stomach, brain, blood, head, face and sense organs, providing a rich repertoire of folklore, humor, literary and art references for each. . . . Lovely, lively.”

  —Kirkus Reviews

  “Engaging. . . . An elegant cultural history of the human anatomy. . . . Provocative.”

  —Library Journal

  “This book is crammed with curiosities. . . . Enjoyable and unpredictable.”

  —Booklist

  By the same author

  Periodic Tales

  British Design

  Panicology (with Simon Briscoe)

  Zoomorphic

  Findings

  The Most Beautiful Molecule

  World Design

  New American Design

  Copyright

  Copyright © 2013 by Hugh Aldersey-Williams

  First American Edition 2013

  First published in Great Britain in 2013 by Viking, an imprint of Penguin Books,

  under the title Anatomies: The Human Body, Its Parts and the Stories They Tell

  All rights reserved

  First published as a Norton paperback 2014

  For information about permission to reproduce selections from this book, write to

  Permissions, W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, NY 10110

  For information about special discounts for bulk purchases, please contact

  W. W. Norton Special Sales at specialsales@wwnorton.com or 800-233-4830

  Production manager: Devon Zahn

  The Library of Congress has cataloged the printed edition as follows:

  Aldersey-Williams, Hugh.

  Anatomies : a cultural history of the human body /

  Hugh Aldersey-Williams. — First American edition.

  pages cm

  Includes bibliographical references and index.

  ISBN 978-0-393-23988-1 (hardcover)

  1. Human body—Popular works. 2. Human physiology—Popular works.

  3. Human anatomy—Popular works. I. Title.

  QP 38.A 36 2013

  612–dc23

  2013002982

  ISBN 978-0-393-24047-4 (e-book)

  ISBN 978-0-393-34884-2 pbk.

  W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, N.Y. 10110

  www.wwnorton.com

  W. W. Norton & Company Ltd., Castle House, 75/76 Wells Street, London W1T 3QT

 

 

 


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