Delphi Complete Works of Henry Wadsworth Longfellow (Delphi Poets Series Book 13)
Page 10
IN his chamber, weak and dying,
Was the Norman baron lying;
Loud, without, the tempest thundered,
And the castle-turret shook.
In this fight was Death the gainer, 5
Spite of vassal and retainer,
And the lands his sires had plundered,
Written in the Doomsday Book.
By his bed a monk was seated,
Who in humble voice repeated 10
Many a prayer and pater-noster,
From the missal on his knee;
And, amid the tempest pealing,
Sounds of bells came faintly stealing,
Bells, that from the neighboring kloster 15
Rang for the Nativity.
In the hall, the serf and vassal
Held, that night, their Christmas wassail
Many a carol, old and saintly,
Sang the minstrels and the waits; 20
And so loud these Saxon gleemen
Sang to slaves the songs of freemen,
That the storm was heard but faintly,
Knocking at the castle-gates.
Till at length the lays they chanted 25
Reached the chamber terror-haunted,
Where the monk, with accents holy,
Whispered at the baron’s ear.
Tears upon his eyelids glistened,
As he paused awhile and listened, 30
And the dying baron slowly
Turned his weary head to hear.
“Wassail for the kingly stranger
Born and cradled in a manger!
King, like David, priest, like Aaron, 35
Christ is born to set us free!”
And the lightning showed the sainted
Figures on the casement painted,
And exclaimed the shuddering baron,
“Miserere, Domine!” 40
In that hour of deep contrition
He beheld, with clearer vision,
Through all outward show and fashion,
Justice, the Avenger, rise.
All the pomp of earth had vanished, 45
Falsehood and deceit were banished,
Reason spake more loud than passion,
And the truth wore no disguise.
Every vassal of his banner,
Every serf born to his manor, 50
All those wronged and wretched creatures,
By his hand were freed again.
And, as on the sacred missal
He recorded their dismissal,
Death relaxed his iron features, 55
And the monk replied, “Amen!”
Many centuries have been numbered
Since in death the baron slumbered
By the convent’s sculptured portal,
Mingling with the common dust: 60
But the good deed, through the ages
Living in historic pages,
Brighter grows and gleams immortal,
Unconsumed by moth or rust.
Rain in Summer
HOW beautiful is the rain!
After the dust and heat,
In the broad and fiery street,
In the narrow lane,
How beautiful is the rain! 5
How it clatters along the roofs,
Like the tramp of hoofs!
How it gushes and struggles out
From the throat of the overflowing spout!
Across the window-pane 10
It pours and pours;
And swift and wide,
With a muddy tide,
Like a river down the gutter roars
The rain, the welcome rain! 15
The sick man from his chamber looks
At the twisted brooks;
He can feel the cool
Breath of each little pool;
His fevered brain 20
Grows calm again,
And he breathes a blessing on the rain.
From the neighboring school
Come the boys,
With more than their wonted noise 25
And commotion;
And down the wet streets
Sail their mimic fleets,
Till the treacherous pool
Ingulfs them in its whirling 30
And turbulent ocean.
In the country, on every side,
Where far and wide,
Like a leopard’s tawny and spotted hide,
Stretches the plain, 35
To the dry grass and the drier grain
How welcome is the rain!
In the furrowed land
The toilsome and patient oxen stand;
Lifting the yoke-encumbered head, 40
With their dilated nostrils spread,
They silently inhale
The clover-scented gale,
And the vapors that arise
From the well-watered and smoking soil. 45
For this rest in the furrow after toil
Their large and lustrous eyes
Seem to thank the Lord,
More than man’s spoken word.
Near at hand, 50
From under the sheltering trees,
The farmer sees
His pastures, and his fields of grain,
As they bend their tops
To the numberless beating drops 55
Of the incessant rain.
He counts it as no sin
That he sees therein
Only his own thrift and gain.
These, and far more than these, 60
The Poet sees!
He can behold
Aquarius old
Walking the fenceless fields of air;
And from each ample fold 65
Of the clouds about him rolled
Scattering everywhere
The showery rain,
As the farmer scatters his grain.
He can behold 70
Things manifold
That have not yet been wholly told, —
Have not been wholly sung nor said.
For his thought, that never stops,
Follows the water-drops 75
Down to the graves of the dead,
Down through chasms and gulfs profound,
To the dreary fountain-head
Of lakes and rivers under ground;
And sees them, when the rain is done, 80
On the bridge of colors seven
Climbing up once more to heaven,
Opposite the setting sun.
Thus the Seer,
With vision clear, 85
Sees forms appear and disappear,
In the perpetual round of strange,
Mysterious change
From birth to death, from death to birth,
From earth to heaven, from heaven to earth; 90
Till glimpses more sublime
Of things unseen before,
Unto his wondering eyes reveal
The Universe, as an immeasurable wheel
Turning forevermore 95
In the rapid and rushing river of Time.
To a Child
This poem was begun October 2, 1845, and on the 13th of the next month Mr. Longfellow noted in his diary: “Walked in the garden and tried to finish the Ode to a Child; but could not find the exact expressions I wanted, to round and complete the whole.” After the publication of the volume containing it, he wrote: “The poem To a Child and The Old Clock on the Stairs seem to be the favorites. This is the best answer to my assailants.” Possibly the charge was made then as frequently afterward that his poetry was an echo of foreign scenes. It is at any rate noticeable that in this poem he first strongly expressed that domestic sentiment which was to be so conspicuous in his after work. It will be remembered that he was married to Miss Appleton in July, 1843, and his second child was born at the time when he was writing this ode. Five years later he made the following entry in his diary: “Some years ago, writing an Ode to a Child, I spoke of
The buried treasures of the mi
ser, Time.
What was my astonishment to-day, in reading for the first time in my life Wordsworth’s beautiful ode On the Power of Sound, to read
All treasures hoarded by the miser, Time.”
DEAR child! how radiant on thy mother’s knee,
With merry-making eyes and jocund smiles,
Thou gazest at the painted tiles,
Whose figures grace,
With many a grotesque form and face, 5
The ancient chimney of thy nursery!
The lady with the gay macaw,
The dancing girl, the grave bashaw
With bearded lip and chin;
And, leaning idly o’er his gate, 10
Beneath the imperial fan of state,
The Chinese mandarin.
With what a look of proud command
Thou shakest in thy little hand
The coral rattle with its silver bells, 15
Making a merry tune!
Thousands of years in Indian seas
That coral grew, by slow degrees,
Until some deadly and wild monsoon
Dashed it on Coromandel’s sand! 20
Those silver bells
Reposed of yore,
As shapeless ore,
Far down in the deep-sunken wells
Of darksome mines, 25
In some obscure and sunless place,
Beneath huge Chimborazo’s base,
Or Potosí’s o’erhanging pines!
And thus for thee, O little child,
Through many a danger and escape, 30
The tall ships passed the stormy cape;
For thee in foreign lands remote,
Beneath a burning, tropic clime,
The Indian peasant, chasing the wild goat,
Himself as swift and wild, 35
In falling, clutched the frail arbute,
The fibres of whose shallow root,
Uplifted from the soil, betrayed
The silver veins beneath it laid,
The buried treasures of the miser, Time. 40
But, lo! thy door is left ajar!
Thou hearest footsteps from afar!
And, at the sound,
Thou turnest round
With quick and questioning eyes, 45
Like one, who, in a foreign land,
Beholds on every hand
Some source of wonder and surprise!
And, restlessly, impatiently,
Thou strivest, strugglest, to be free. 50
The four walls of thy nursery
Are now like prison walls to thee.
No more thy mother’s smiles,
No more the painted tiles,
Delight thee, nor the playthings on the floor, 55
That won thy little, beating heart before;
Thou strugglest for the open door.
Through these once solitary halls
Thy pattering footstep falls.
The sound of thy merry voice 60
Makes the old walls
Jubilant, and they rejoice
With the joy of thy young heart,
O’er the light of whose gladness
No shadows of sadness 65
From the sombre background of memory start.
Once, ah, once, within these walls,
One whom memory oft recalls,
The Father of his Country, dwelt.
And yonder meadows broad and damp 70
The fires of the besieging camp
Encircled with a burning belt.
Up and down these echoing stairs,
Heavy with the weight of cares,
Sounded his majestic tread; 75
Yes, within this very room
Sat he in those hours of gloom,
Weary both in heart and head.
But what are these grave thoughts to thee?
Out, out! into the open air! 80
Thy only dream is liberty,
Thou carest little how or where.
I see thee eager at thy play,
Now shouting to the apples on the tree,
With cheeks as round and red as they; 85
And now among the yellow stalks,
Among the flowering shrubs and plants,
As restless as the bee.
Along the garden walks,
The tracks of thy small carriage-wheels I trace; 90
And see at every turn how they efface
Whole villages of sand-roofed tents,
That rise like golden domes
Above the cavernous and secret homes
Of wandering and nomadic tribes of ants. 95
Ah, cruel little Tamerlane,
Who, with thy dreadful reign,
Dost persecute and overwhelm
These hapless Troglodytes of thy realm!
What! tired already! with those suppliant looks, 100
And voice more beautiful than a poet’s books
Or murmuring sound of water as it flows,
Thou comest back to parley with repose!
This rustic seat in the old apple-tree,
With its o’erhanging golden canopy 105
Of leaves illuminate with autumnal hues,
And shining with the argent light of dews,
Shall for a season be our place of rest.
Beneath us, like an oriole’s pendent nest,
From which the laughing birds have taken wing, 110
By thee abandoned, hangs thy vacant swing.
Dream-like the waters of the river gleam;
A sailless vessel drops adown the stream,
And like it, to a sea as wide and deep,
Thou driftest gently down the tides of sleep. 115
O child! O new-born denizen
Of life’s great city! on thy head
The glory of the morn is shed,
Like a celestial benison!
Here at the portal thou dost stand, 120
And with thy little hand
Thou openest the mysterious gate
Into the future’s undiscovered land.
I see its valves expand,
As at the touch of Fate! 125
Into those realms of love and hate,
Into that darkness blank and drear,
By some prophetic feeling taught,
I launch the bold, adventurous thought,
Freighted with hope and fear; 130
As upon subterranean streams,
In caverns unexplored and dark,
Men sometimes launch a fragile bark,
Laden with flickering fire,
And watch its swift-receding beams, 135
Until at length they disappear,
And in the distant dark expire.
By what astrology of fear or hope
Dare I to cast thy horoscope!
Like the new moon thy life appears; 140
A little strip of silver light,
And widening outward into night
The shadowy disk of future years;
And yet upon its outer rim,
A luminous circle, faint and dim, 145
And scarcely visible to us here,
Rounds and completes the perfect sphere;
A prophecy and intimation,
A pale and feeble adumbration,
Of the great world of light, that lies 150
Behind all human destinies.
Ah! if thy fate, with anguish fraught,
Should be to wet the dusty soil
With the hot tears and sweat of toil, —
To struggle with imperious thought, 155
Until the overburdened brain,
Weary with labor, faint with pain,
Like a jarred pendulum, retain
Only its motion, not its power, —
Remember, in that perilous hour, 160
When most afflicted and oppressed,
From labor there shall come forth rest.
And if a more auspicious fate
On thy advancing steps await,
Still let i
t ever be thy pride 165
To linger by the laborer’s side;
With words of sympathy or song
To cheer the dreary march along
Of the great army of the poor,
O’er desert sand, o’er dangerous moor. 170
Nor to thyself the task shall be
Without reward; for thou shalt learn
The wisdom early to discern
True beauty in utility;
As great Pythagoras of yore, 175
Standing beside the blacksmith’s door,
And hearing the hammers, as they smote
The anvils with a different note,
Stole from the varying tones, that hung
Vibrant on every iron tongue, 180
The secret of the sounding wire,
And formed the seven-chorded lyre.
Enough! I will not play the Seer;
I will no longer strive to ope
The mystic volume, where appear 185
The herald Hope, forerunning Fear,
And Fear, the pursuivant of Hope.
Thy destiny remains untold;
For, like Acestes’ shaft of old,
The swift thought kindles as it flies, 190
And burns to ashes in the skies.
The Occultation of Orion
Mr. Longfellow says: “Astronomically speaking, this title is incorrect; as I apply to a constellation what can properly be applied to some of its stars only. But my observation is made from the hill of song, and not from that of science; and will, I trust, be found sufficiently accurate for the present purpose.”
I SAW, as in a dream sublime,
The balance in the hand of Time.
O’er East and West its beam impended;
And Day, with all its hours of light,
Was slowly sinking out of sight, 5
While, opposite, the scale of Night
Silently with the stars ascended.
Like the astrologers of eld,
In that bright vision I beheld
Greater and deeper mysteries. 10