Delphi Complete Works of Henry Wadsworth Longfellow (Delphi Poets Series Book 13)
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I saw, with its celestial keys,
Its chords of air, its frets of fire,
The Samian’s great Æolian lyre,
Rising through all its sevenfold bars,
From earth unto the fixèd stars. 15
And through the dewy atmosphere,
Not only could I see, but hear,
Its wondrous and harmonious strings,
In sweet vibration, sphere by sphere,
From Dian’s circle light and near, 20
Onward to vaster and wider rings,
Where, chanting through his beard of snows,
Majestic, mournful, Saturn goes,
And down the sunless realms of space
Reverberates the thunder of his bass. 25
Beneath the sky’s triumphal arch
This music sounded like a march,
And with its chorus seemed to be
Preluding some great tragedy.
Sirius was rising in the east; 30
And, slow ascending one by one,
The kindling constellations shone.
Begirt with many a blazing star,
Stood the great giant Algebar,
Orion, hunter of the beast! 35
His sword hung gleaming by his side,
And, on his arm, the lion’s hide
Scattered across the midnight air
The golden radiance of its hair.
The moon was pallid, but not faint; 40
And beautiful as some fair saint,
Serenely moving on her way
In hours of trial and dismay.
As if she heard the voice of God,
Unharmed with naked feet she trod 45
Upon the hot and burning stars,
As on the glowing coals and bars,
That were to prove her strength and try
Her holiness and her purity.
Thus moving on, with silent pace, 50
And triumph in her sweet, pale face,
She reached the station of Orion.
Aghast he stood in strange alarm!
And suddenly from his outstretched arm
Down fell the red skin of the lion 55
Into the river at his feet.
His mighty club no longer beat
The forehead of the bull; but he
Reeled as of yore beside the sea,
When, blinded by Œnopion, 60
He sought the blacksmith at his forge,
And, climbing up the mountain gorge,
Fixed his blank eyes upon the sun.
Then, through the silence overhead,
An angel with a trumpet said, 65
“Forevermore, forevermore,
The reign of violence is o’er!”
And, like an instrument that flings
Its music on another’s strings,
The trumpet of the angel cast 70
Upon the heavenly lyre its blast,
And on from sphere to sphere the words
Reëchoed down the burning chords, —
“Forevermore, forevermore,
The reign of violence is o’er!” 75
The Bridge
At first localized as The Bridge over the Charles, the river which separates Cambridge from Boston.
I STOOD on the bridge at midnight,
As the clocks were striking the hour,
And the moon rose o’er the city,
Behind the dark church-tower.
I saw her bright reflection 5
In the waters under me,
Like a golden goblet falling
And sinking into the sea.
And far in the hazy distance
Of that lovely night in June, 10
The blaze of the flaming furnace
Gleamed redder than the moon.
Among the long, black rafters
The wavering shadows lay,
And the current that came from the ocean 15
Seemed to lift and bear them away;
As, sweeping and eddying through them,
Rose the belated tide,
And, streaming into the moonlight,
The seaweed floated wide. 20
And like those waters rushing
Among the wooden piers,
A flood of thoughts came o’er me
That filled my eyes with tears.
How often, oh how often, 25
In the days that had gone by,
I had stood on that bridge at midnight
And gazed on that wave and sky!
How often, oh how often,
I had wished that the ebbing tide 30
Would bear me away on its bosom
O’er the ocean wild and wide!
For my heart was hot and restless,
And my life was full of care,
And the burden laid upon me 35
Seemed greater than I could bear.
But now it has fallen from me,
It is buried in the sea;
And only the sorrow of others
Throws its shadow over me. 40
Yet whenever I cross the river
On its bridge with wooden piers,
Like the odor of brine from the ocean
Comes the thought of other years.
And I think how many thousands 45
Of care-encumbered men,
Each bearing his burden of sorrow,
Have crossed the bridge since then.
I see the long procession
Still passing to and fro, 50
The young heart hot and restless,
And the old subdued and slow!
And forever and forever,
As long as the river flows,
As long as the heart has passions, 55
As long as life has woes;
The moon and its broken reflection
And its shadows shall appear,
As the symbol of love in heaven,
And its wavering image here. 60
To the Driving Cloud
GLOOMY and dark art thou, O chief of the mighty Omahas;
Gloomy and dark as the driving cloud, whose name thou hast taken!
Wrapped in thy scarlet blanket, I see thee stalk through the city’s
Narrow and populous streets, as once by the margin of rivers
Stalked those birds unknown, that have left us only their footprints. 5
What, in a few short years, will remain of thy race but the footprints?
How canst thou walk these streets, who hast trod the green turf of the prairies?
How canst thou breathe this air, who hast breathed the sweet air of the mountains?
Ah! ‘t is in vain that with lordly looks of disdain thou dost challenge
Looks of disdain in return, and question these walls and these pavements, 10
Claiming the soil for thy hunting-grounds, while down-trodden millions
Starve in the garrets of Europe, and cry from its caverns that they, too,
Have been created heirs of the earth, and claim its division!
Back, then, back to thy woods in the regions west of the Wabash!
There as a monarch thou reignest. In autumn the leaves of the maple 15
Pave the floors of thy palace-halls with gold, and in summer
Pine-trees waft through its chambers the odorous breath of their branches.
There thou art strong and great, a hero, a tamer of horses!
There thou chasest the stately stag on the banks of the Elkhorn,
Or by the roar of the Running-Water, or where the Omaha 20
Calls thee, and leaps through the wild ravine like a brave of the Blackfeet!
Hark! what murmurs arise from the heart of those mountainous deserts?
Is it the cry of the Foxes and Crows, or the mighty Behemoth,
Who, unharmed, on his tusks once caught the bolts of the thunder,
And now lurks in his lair to destroy the race of the red man? 25
Far more fatal to thee and thy race than the Crows and the Foxes,
Far more fatal to thee and thy race than the tread of Behemoth,
Lo! the big thunder-canoe, that steadily breasts the Missouri’s
Merciless current! and yonder, afar on the prairies, the camp-fires
Gleam through the night; and the cloud of dust in the gray of the daybreak 30
Marks not the buffalo’s track, nor the Mandan’s dexterous horse-race;
It is a caravan, whitening the desert where dwell the Camanches!
Ha! how the breath of these Saxons and Celts, like the blast of the east-wind,
Drifts evermore to the west the scanty smokes of thy wigwams!
BIRDS OF PASSAGE
CONTENTS
FLIGHT THE FIRST.
Birds of Passage
Prometheus, or the Poet’s Forethought
Epimetheus, or the Poet’s Afterthought
The Ladder of St. Augustine
The Warden of the Cinque Ports
Haunted Houses
In the Churchyard at Cambridge
The Emperor’s Bird’s-Nest
The Two Angels
Daylight and Moonlight
The Jewish Cemetery at Newport
Oliver Basselin
Victor Galbraith
My Lost Youth
The Ropewalk
The Golden Mile-Stone
Catawba Wine
Santa Filomena
The Discoverer of the North Cape
Daybreak
The Fiftieth Birthday of Agassiz
Children
Sandalphon
FLIGHT THE SECOND
The Children’s Hour
Enceladus
The Cumberland
Snow-Flakes
A Day of Sunshine
Something Left Undone
Weariness
FLIGHT THE FIRST.
Birds of Passage
come i gru van cantando lor lai,
Facendo in aer di sè lunga riga.
DANTE.
This poem, originally published in The Seaside and the Fireside, afforded the poet a convenient title under which to group successively poems contributed to various periodicals, especially Putnam’s Monthly and The Atlantic Monthly; it has therefore been made the introductory poem. The several Flights were printed as the miscellaneous poems in volumes containing longer works. The first was contained in the volume which held The Courtship of Miles Standish.
BLACK shadows fall
From the lindens tall,
That lift aloft their massive wall
Against the southern sky;
And from the realms 5
Of the shadowy elms
A tide-like darkness overwhelms
The fields that round us lie.
But the night is fair,
And everywhere 10
A warm, soft vapor fills the air,
And distant sounds seem near;
And above, in the light
Of the star-lit night,
Swift birds of passage wing their flight 15
Through the dewy atmosphere.
I hear the beat
Of their pinions fleet,
As from the land of snow and sleet
They seek a southern lea. 20
I hear the cry
Of their voices high
Falling dreamily through the sky,
But their forms I cannot see.
Oh, say not so! 25
Those sounds that flow
In murmurs of delight and woe
Come not from wings of birds.
They are the throngs
Of the poet’s songs, 30
Murmurs of pleasures, and pains, and wrongs,
The sound of wingèd words.
This is the cry
Of souls, that high
On toiling, beating pinions, fly, 35
Seeking a warmer clime.
From their distant flight
Through realms of light
It falls into our world of night,
With the murmuring sound of rhyme. 40
Prometheus, or the Poet’s Forethought
The two poems Prometheus and Epimetheus were originally conceived as a single poem, bearing both the names in the title.
OF Prometheus, how undaunted
On Olympus’ shining bastions
His audacious foot he planted,
Myths are told and songs are chanted,
Full of promptings and suggestions. 5
Beautiful is the tradition
Of that flight through heavenly portals,
The old classic superstition
Of the theft and the transmission
Of the fire of the Immortals! 10
First the deed of noble daring,
Born of heavenward aspiration,
Then the fire with mortals sharing,
Then the vulture, — the despairing
Cry of pain on crags Caucasian. 15
All is but a symbol painted
Of the Poet, Prophet, Seer;
Only those are crowned and sainted
Who with grief have been acquainted,
Making nations nobler, freer. 20
In their feverish exultations,
In their triumph and their yearning,
In their passionate pulsations,
In their words among the nations,
The Promethean fire is burning. 25
Shall it, then, be unavailing,
All this toil for human culture?
Through the cloud-rack, dark and trailing,
Must they see above them sailing
O’er life’s barren crags the vulture? 30
Such a fate as this was Dante’s,
By defeat and exile maddened;
Thus were Milton and Cervantes,
Nature’s priests and Corybantes,
By affliction touched and saddened. 35
But the glories so transcendent
That around their memories cluster,
And, on all their steps attendant,
Make their darkened lives resplendent
With such gleams of inward lustre! 40
All the melodies mysterious,
Through the dreary darkness chanted;
Thoughts in attitudes imperious,
Voices soft, and deep, and serious,
Words that whispered, songs that haunted! 45
All the soul in rapt suspension,
All the quivering, palpitating
Chords of life in utmost tension,
With the fervor of invention,
With the rapture of creating! 50
Ah, Prometheus! heaven-scaling!
In such hours of exultation
Even the faintest heart, unquailing,
Might behold the vulture sailing
Round the cloudy crags Caucasian! 55
Though to all there be not given
Strength for such sublime endeavor,
Thus to scale the walls of heaven,
And to leaven with fiery leaven,
All the hearts of men forever; 60
Yet all bards, whose hearts unblighted
Honor and believe the presage,
Hold aloft their torches lighted,
Gleaming through the realms benighted,
As they onward bear the message! 65
Epimetheus, or the Poet’s Afterthought
HAVE I dreamed? or was it real,
What I saw as in a vision,
When to marches hymeneal
In the land of the Ideal
Moved my thought o’er Fields Elysian? 5
What! are these the guests whose glances
Seemed like sunshine gleaming round me?
These the wild, bewildering fancies,
That with dithyrambic dances
As with magic circles bound-me? 10
Ah! how cold are their caresses!
Pallid cheeks, and haggard bosoms!
Spectral gleam their snow-white dresses,
And from loose, dishevelled tresses
Fall the hyacinthine blossoms! 15
O my songs! whose winsome measures
Filled my heart with secret rapture!
Children of my golden leisures!
Must even your delights and pleasures
Fade and perish with the capture? 20
Fair they seemed, those songs sonorous,
When they came to me unbidden;
Voices single, and in chorus,
Like the wild birds singing o’er us
In the dark of branches hidden. 25
Disenchantment! Disillusion!
Must each noble aspiration
Come at last to this conclusion,
Jarring discord, wild confusion,
Lassitude, renunciation? 30
Not with steeper fall nor faster,
From the sun’s serene dominions,
Not through brighter realms nor vaster,
In swift ruin and disaster,
Icarus fell with shattered pinions! 35
Sweet Pandora! dear Pandora!
Why did mighty Jove create thee
Coy as Thetis, fair as Flora,
Beautiful as young Aurora,
If to win thee is to hate thee? 40
No, not hate thee! for this feeling
Of unrest and long resistance
Is but passionate appealing,
A prophetic whisper stealing
O’er the chords of our existence. 45
Him whom thou dost once enamor,
Thou, beloved, never leavest;
In life’s discord, strife, and clamor,
Still he feels thy spell of glamour;
Him of Hope thou ne’er bereavest. 50
Weary hearts by thee are lifted,
Struggling souls by thee are strength ened,
Clouds of fear asunder rifted,
Truth from falsehood cleansed and sifted,
Lives, like days in summer, lengthened! 55
Therefore art thou ever dearer,