Bach: Music in the Castle of Heaven

by Gardiner, John Eliot

  Nach dir, Herr, verlanget mich 3.1, 6.1

  Nimm, was dein ist, und gehe hin

  Nimm von uns, Herr, du treuer Gott 9.1, 13.1

  Nun komm, der Heiden Heiland

  O Ewigkeit, du Donnerwort 9.1, 9.2

  oboes da caccia in 9.1, 9.2, 9.3, 9.4, 9.5

  Peasant

  penitential 9.1, 9.2

  as a performance guide to other Bach works 1.1, 10.1

  Schauet doch und sehet (Jeremiad cantata) 9.1, 13.1, 13.2

  Schmücke dich, o liebe Seele

  secular (drammi per musica) 6.1, 7.1n, 7.2n, 8.1, 8.2, 8.3, 8.4, 9.1, 13.1, 14.1

  Sehet, wir gehn hinauf 9.1n, 12.1

  Sie werden aus Saba alle kommen

  Sie werden euch in den Bann tun (BWV 44) 9.1n, 9.2

  Sie werden euch in den Bann tun (BWV 183) 9.1

  Siehe zu, dass deine Gottesfurcht

  signed off with ‘SDG’ (‘To God alone the Glory’)

  sketches/drafts 7.1, 7.2n, 7.3n

  and spirituality/faith 1.1, 1.2, 3.1, 5.1, 5.2, 5.3, 9.1, 12.1, 12.2, 12.3

  Süßer Trost, mein Jesus kömmt

  Tilge, Höchster, meine Sünden

  Trauer-Ode

  Tritt auf die Glaubensbahn

  Unser Mund sei voll Lachens

  Wachet auf 3.1, 7.1

  Wachet! Betet! 9.1, 9.2

  Was mir behagt, ist nur die muntre Jagd! (Hunt Cantata) 6.1, 8.1n

  Weimar cantatas 9.1, 9.2, 9.3, 9.4n, 9.5, 11.1n, 12.1, 12.2, 13.1

  Weinen, Klagen, Sorgen, Zagen 4.1, 13.1

  Wer mich liebet, der wird mein Wort halten (BWV 59) 9.1n

  Wer mich liebet, der wird mein Wort halten (BWV 74) 9.1

  Wer nur den lieben Gott lässt walten

  Wer weiß, wie nahe mir mein Ende 12.1, 12.2

  Wie schön leuchtet der Morgenstern 9.1, 11.1n

  Wir danken dir, Gott 13.1, 14.1

  Wir müssen durch viel Trübsal

  Wo Gott der Herr nicht bei uns halt

  Wo soll ich fliehen hin?

  cantor responsibilities, as schoolteacher

  Caravaggio, Michelangelo 4.1, 4.2, 9.1

  Carissimi, Giacomo 2.1, 4.1, 4.2

  Carlowitz, Hans Carl von 2.1, 9.1

  Carlsbad

  Carpzov, Johann Benedikt III 9.1, 10.1n

  Carpzov, Johann Benedikt IV

  Casals, Pablo n

  Catholicism

  and anti-Puritan propaganda n

  bitterness between Protestants and Catholics

  Catholic Church music 2.1, 5.1n

  Counter-Reformation 2.1, 3.1, 4.1

  Inquisition

  Jesuits 2.1, 4.1, 4.2

  and Purcell

  and science

  Cavalieri, Emilio de’

  Cavalli, Francesco 4.1, 4.2

  Didone

  cello piccolo 7.1, 9.1, 9.2, 9.3

  Celtis, Conrad

  Cesti, Antonio

  Chafe, Eric 7.1n, 7.2n, 9.1n, 9.2, 10.1n, 10.2, 10.3, 10.4n, 11.1n

  Chan, Mary n

  Charpentier, Marc-Antoine 4.1, 4.2, 4.3, 4.4

  chorus symphoniacus 3.1, 6.1n

  Christ, Johann Alexander n

  Christian of Saxe-Weissenfels, Duke n

  Christian of Weissenfels, Duke 6.1n, 6.2, 6.3

  Christiane Eberhardine, Electress of Saxony

  Christianity

  atonement theories 10.1, 10.2

  Calvinist see Calvinism

  Catholic see Catholicism

  as ‘danced religion’

  and history

  Lutheran see Lutheranism

  music and the strengthening of Christian belief

  musical receptivity and Christian belief

  Nicene Creed 13.1, 13.2

  and Nietzsche’s view of Bach

  and the seasons

  Chrysostom, John, St 9.1, 13.1n

  Cicero 2.1, 7.1

  circle of keys

  Clemens non Papa, Jacob

  Clemens Wenceslaus of Saxony n

  Clement of Alexandria

  Comenius, Jan Amos 2.1, 6.1, 7.1

  Copernicus 2.1, 2.2

  copyists

  Corelli, Arcangelo

  corpus evangelicorum

  Cöthen 6.1n, 6.2, 6.3, 6.4

  Bach works written at 7.1n, 9.1, 9.2, 12.1

  Calvinist court 6.1, 6.2, 9.1

  Counter-Reformation 2.1, 3.1, 4.1

  Couperin, Armand-Louis

  Couperin, François

  Couperin, Gervais-François n

  Couperin, Louis

  Couperin family

  Cramer, Johann Andreas

  Cranach, Lucas

  Cumming, Naomi

  Curtius Rufus, Quintus

  da capo arias 4.1, 4.2, 4.3, 5.1n, 7.1n, 10.1, 11.1, 11.2

  Dadelsen, Georg von

  Dart, Thurston 1.1, 1.2

  Dawkins, Richard

  Dean, Winton n

  Debussy, Claude

  Dedekind, Andreas Christian

  Delitzsch

  Dervishes, Whirling n

  Descartes, René 2.1, 4.1n

  Cartesian reductionism

  Deyling, Salomon 7.1n, 9.1

  Doles, J. H.

  Donati, Johann Gottfried

  Dostoevsky, Fyodor

  Dounias, Minos

  Dresden 3.1, 6.1, 6.2, 7.1, 7.2n, 8.1, 8.2, 8.3, 10.1, 13.1, 13.2, 13.3, 13.4, 14.1

  Court and Capelle 2.1, 4.1, 6.1, 8.1, 8.2, 13.1, 13.2, 13.3, 13.4, 13.5, 14.1

  Hofkirche 13.1, 13.2n, 13.3

  Drese, Johann Samuel 6.1, 6.2n

  Drese, Johann Wilhelm

  Dreyfus, Laurence prf.1, 7.1, 7.2, 7.3n, 7.4, 9.1, 9.2, 10.1n, 12.1, 12.2, 12.3n

  Drury, John 3.1n, 10.1, 10.2n

  Dryden, John 3.1, 4.1

  dualism 9.1, 13.1, 13.2

  Düben, Gustav n

  Duncan, Daniel

  Durante, Francesco 13.1, 13.2

  Dürer, Albrecht 2.1, 4.1n, 14.1, 14.2

  Durkheim, Emile

  Dürr, Alfred 8.1, 9.1n, 9.2n, 9.3n, 10.1n, 12.1, 12.2n

  Eaton, Sybil

  Eberlin, Daniel

  education

  Bach: musical see Bach, Johann Sebastian, man and musician: musical training; schooling see Bach, Johann Sebastian, man and musician: schooling

  Latin Schools 2.1, 2.2, 3.1, 6.1

  Ohrdruf Klosterschule 2.1, 3.1, 6.1

  Effler, Johann 3.1n, 6.1n

  Eichentopf, Johann

  Einstein, Albert

  Eisenach 2.1, 2.2, 2.3, 2.4, 3.1, 3.2, 3.3, 3.4, 3.5, 3.6, 5.1, 5.2, 5.3, 5.4

  Consistory 2.1, 6.1

  Latin School 2.1, 2.2, 3.1, 6.1

  Neues vollständiges Eisenachisches Gesangbuch

  seventeenth-century copper engraving 2.1

  Eisenacher Kantorenbuch 3.1n

  Eliot, T. S. 9.1, 10.1

  English Baroque Soloists 1.1, 1.2, 8.1n

  English Concert

  Enlightenment (Aufklärung) 8.1, 8.2, 10.1, 13.1

  epics n

  Erasmus, Desiderius 2.1, 10.1

  Erba, Dionigi n

  Erdmann, Georg 2.1, 3.1, 3.2, 6.1, 7.1n, 12.1

  Erfurt 2.1, 3.1, 3.2, 3.3, 3.4, 3.5, 3.6, 3.7, 3.8n, 6.1

  Ernesti, Johann August 6.1n, 6.2n, 6.3, 6.4, 6.5, 14.1, 14.2, 14.3, 14.4

  Ernesti, Johann Heinrich 6.1n, 6.2

  Ernst, Johann 6.1, 6.2

  Ernst August, Duke of Saxe-Weimar 6.1, 6.2, 6.3, 12.1

  Escher, M. C. n

  Eucharist

  Euclid

  Eyre, Richard

  faith see Bach, Johann Sebastian, man and musician: faith; religion; spirituality

  Fasch, Johann Friedrich 6.1, 8.1n

  Feldhaus, Martin 3.1, 3.2, 6.1

  Ferber, Georg n

  Finckthaus, Sigismund

  Finscher, Ludwig

  Fischer, Christian Gabriel n

  Flaubert, Gustave

  Fleckeisen, Gottfried Benjamin

 
Fletin, Jonas de

  Flor, Christian 3.1, 10.1n, 10.2

  Florence 3.1, 4.1

  Florentine Camerata

  Fontainebleau, American Conservatory

  forestry

  Forkel, Johann Nikolaus prf.1, 3.1, 3.2, 3.3, 3.4, 3.5n, 4.1, 7.1, 8.1n, 14.1

  C. P. E. Bach’s correspondence with 3.1, 3.2, 3.3, 3.4, 6.1, 7.1n, 12.1, 14.1

  Förster, Georg

  Förster, Kaspar n

  Förtsch, Johann Philipp

  Franck, Johann 9.1n, 12.1

  Franck, Melchior

  Franck, Salomo 6.1, 6.2, 9.1, 9.2

  Francke, August Hermann 10.1, 10.2, 10.3, 10.4

  Frankfurt am Main

  Franklin, Don O. n

  Frederick I of Prussia (Friedrich III)

  Frederick II of Prussia, ‘Frederick the Great’ 2.1, 7.1, 14.1

  Freiberg

  Freylinghausen, Johann Anastasius n

  Friedrich August II, Elector of Saxony (Augustus III of Poland) 8.1, 13.1, 13.2n, 13.3, 13.4, 13.5n, 13.6

  Friedrich Wilhelm, Elector of Brandenburg and Duke of Prussia 2.1, 2.2n

  Fries, Hans

  Froberger, Johann Jakob

  Führer, Christian, Pastor n

  Fuhrmann, Martin Heinrich

  Gabrieli, Andrea

  Gabrieli, Giovanni 3.1n, 11.1

  galant music style 4.1, 7.1, 7.2, 8.1, 8.2n, 8.3, 8.4, 8.5, 8.6, 13.1, 13.2, 14.1

  Galen of Pergamon

  Galileo Galilei 2.1, 2.2, 2.3

  Gallus, Jacob

  Garton Ash, Timothy n

  Gaulicke, Christian n

  Gay, Peter

  Geier, Martin: Zeit und Ewigkeit 9.1n

  Geist, Christian

  Georg, Johann, Duke

  Georg, Theophil

  Georgiades, Thrasybulos n

  Gerard, Alexander

  Gerber, Christian 8.1, 10.1

  Gerber, Ernst Ludwig 6.1n, 8.1

  Gerber, Heinrich Nicolaus n

  on Mühlhausen 6.1

  Gerlach, Carl Gotthelf 8.1n, 8.2

  Germany

  aesthetics

  agriculture

  Catholic–Protestant relations

  Enlightenment (Aufklärung) in 8.1, 8.2, 10.1, 13.1

  forestry

  imperial power

  Italian music fashion in 2.1, 5.1n

  Saxony see Saxony

  superstition

  Thirty Years War see Thirty Years War

  at the time of Bach’s birth

  war-scarred landscape and psyche

  Gerstenbüttel, Joachim n

  Gesius, Bartholomeus

  Gesner, Johann Matthias 7.1, 8.1

  Gesualdo, Carlo n

  Gewandhaus Orchestra

  Geyersbach, Johann Heinrich 6.1, 6.2

  Giotto

  Gluck, Christoph 4.1, 8.1, 14.1

  Goehr, Lydia n

  Goethe, Johann Wolfgang von 9.1, 9.2, 10.1, 12.1

  Görner, Johann Gottlieb n

  Gotha 3.1, 3.2n, 3.3n, 6.1, 6.2n, 6.3, 8.1n, 10.1

  court preacher 10.1, 10.2

  Göttingen Festival

  Gottsched, Johann Christoph 4.1n, 7.1, 8.1, 8.2, 8.3

  Goudimel, Claude

  Gould, Glenn 7.1n, 12.1

  Graf, Johann Christoph n

  Grandi, Alessandro 2.1, 3.1

  Gräser, Heinrich

  Graun, Carl Heinrich 8.1, 14.1

  Graun, Johann Gottlieb

  Graupner, Christoph

  Greene, Graham

  Gregory, St

  Griffiths, Jay n

  Grimmelshausen, Hans Jakob Christoffel von

  Grünewald, Matthias 10.1, 10.2

  Gryphius, Andreas

  Gumpelzhaimer, Adam, six-part retrograde cruciform canon 2.1

  Habsburgs

  Halle 4.1, 6.1, 6.2, 8.1

  Hamburg 2.1, 6.1

  Bach’s visits 4.1, 8.1

  bombing n

  and Brockes’ Passion setting 10.1, 11.1

  Handel and Mattheson in 4.1, 4.2, 4.3

  opera company 3.1, 4.1, 4.2, 4.3

  Theater am Gänsemarkt 4.1, 4.2, 4.3

  Handel, George Frideric 1.1, 3.1, 4.1, 4.2, 4.3, 4.4, 8.1, 10.1, 11.1, 12.1, 14.1, 14.2, 14.3

  and Bach 3.1, 4.1, 5.1, 7.1, 13.1, 14.1

  birth

  borrowing and transforming of others’ work 7.1, 13.1

  Deidamia

  Dixit Dominus 5.1, 5.2

  in Hamburg 4.1, 4.2, 4.3

  Hercules

  Israel in Egypt 1.1, 7.1n, 10.1, 12.1n

  Jephtha

  and Mattheson 4.1, 4.2

  Messiah 13.1, 13.2n

  and Telemann n

  ‘Zadok the Priest’

  Harnoncourt, Nikolaus

  Harrer, Gottlob 14.1, 14.2

  Harrison, Michael n

  Hasse, Johann Adolph 4.1, 13.1, 13.2, 13.3, 13.4, 13.5, 14.1

  Cleofide

  Mass in D 13.1, 13.2

  Hassler, Hans Leo n

  Haussmann, Elias Gottlob, portraits of Bach

  first

  second 14.1, 14.2, 14.3

  Hazard, Paul

  Hegel, Georg Wilhelm Friedrich

  Heindorff, Ernst Dietrich n

  Heine, Heinrich

  Heinichen, Johann David 8.1n, 10.1, 12.1, 13.1

  Helmbold, Hermann

  Henrici, Christian Friedrich see Picander

  Herda, Elias 3.1, 3.2, 6.1

  Herder, Johann Gottfried von 2.1, 2.2n, 8.1n, 9.1, 14.1

  Hering, Carl Gottlieb: Kaffee-Kanon 8.1n

  Herlicius, Johann David

  Herrmann, Bernard n

  Herthum, Christoph n

  Herz, Gerhard

  Heunisch, Caspar: Hauptschlüssel über die hohe Offenbarung S. Johannis 2.1

  Heyden, Sebald

  Hicks, Stephen

  Hilgenfeldt, Carl Ludwig

  Hilton, John the younger n

  Himmelsburg 6.1, 6.2, 6.3, 8.1

  Hindemith, Paul xxvin, 1.1

  historically informed early-music movement

  and Baroque instruments 1.1, 1.2, 13.1

  and Werktreue 1.1n

  Hitchcock, Alfred: The Birds 7.1n

  Hitchens, Christopher n

  Hoffmann, Melchior 6.1, 8.1n, 10.1n

  Hofstadter, Douglas R. n

  Hogwood, Christopher

  Holbein, Hans

  Holmes, Richard

  Holst, Gustav 1.1, 4.1n

  Holst, Imogen 1.1, 4.1n

  Holy Roman Empire

  see also Germany

  Horace

  Horn, Wolfgang n

  Huguenots n

  Hunold, Christian 10.1, 11.1

  ‘hunting oboes’ see oboes: da caccia

  Hurlebusch, Conrad Friedrich

  Hutter’s Compendium 2.1

  Ibscher, Hugo

  Inquisition

  Italian music in Germany, fashion for 2.1, 5.1n

  James, William

  Jenke, Walter

  Jerome, St n

  Jesuits 2.1, 4.1, 4.2

  Job, Johann 6.1

  Johann Ernst III, Duke of Saxe-Weimar 3.1, 3.2, 6.1, 6.2

  Johann Ernst, prince of Saxe-Weimar

  Johann Georg I of Eisenach, Duke 3.1, 3.2

  John Chrysostom, St 9.1, 13.1n

  John Passion 1.1, 1.2, 1.3, 5.1, 6.1, 7.1, 9.1, 343–96, 11.1

  Affekte 10.1, 10.2, 10.3, 10.4

  anti-Semitism charges

  aria placement and character 10.1, 10.2, 10.3, 10.4, 10.5, 11.1; ‘Erwäge’ 10.6, 10.7, 10.8, 10.9n, 11.2

  chorales 10.1, 10.2, 10.3, 10.4, 10.5, 10.6, 10.7, 10.8, 10.9, 10.10, 11.1

  and the circle of keys 10.1, 10.2

  in context of first cycle of cantatas 10.1, 10.2

  dramatic impact 10.1, 10.2, 11.1

  Es ist vollbracht 9.1n, 10.1, 10.2, 10.3

  first performance 9.1, 10.1, 10.2; preparation 9.2

  and Francke 10.1, 10.2, 10.3, 10
.4

  historical and spiritual levels of

  historical overshadowing by Matthew Passion 10.1

  mathematical images

  Matthew Passion compared with 10.1, 10.2n, 10.3, 11.1

  Matthew’s Gospel insertions 10.1, 10.2, 10.3, 10.4

  music–word relationship 10.1, 10.2, 10.3n, 10.4, 10.5

  and the three musical signs n

  opening 10.1, 10.2

  revisions

  and Schumann

  spiritual impact/intent 10.1, 10.2, 10.3

  theological subtexts

  tragic irony

  turbae 10.1, 10.2n, 10.3, 10.4, 10.5, 10.6

  uplifting impact on today’s listener

  Josephus, Flavius

  Kaffee-Kanon (Hering) 8.1n

  Kaiser, Georg

  Kaiser, Rainer

  Kaiser, Reinhold

  Kant, Immanuel n

  Karig, Elisabeth n

  Katechismuslied

  Keats, John

  Keiser, Reinhard 4.1n, 4.2, 4.3, 4.4n, 10.1

  Mark Passion attributed to

  Kellner, Christine Pauline

  Kepler, Johannes 2.1, 2.2

  Kerll, Johann Kaspar 3.1, 4.1n, 7.1n, 13.1

  Kerman, Joseph n

  Kevorkian, Tanya 8.1n, 8.2n

  Keyserlingk, Count

  Kiesewetter, Johann Christian

  Kirchberg, Georg von 2.1, 6.1

  Kirchmajer, Sebastian

  Kirnberger, Johann Philipp 13.1, 13.2, 14.1

  Kittel, Johann Christian

  Klemsee, Christoph n

  Knüpfer, Sebastian 6.1, 8.1, 9.1n

  Koch, Johann Georg

  Koch, Johann Wilhelm

  Krebs, Johann Ludwig

  Kremberg, Jakob n

  Kriegel, J. E.

  Krieger, Adam

  Krieger, Johann Philipp 2.1, 4.1, 4.2n

  Krügner, Johann Gottfried

  Kuhnau, Johann 4.1, 4.2, 6.1, 7.1, 8.1, 8.2, 9.1, 10.1, 14.1

  Mark Passion

  Kuhnau, Johann Andreas

  Kuijken brothers

  Kundera, Milan

  Kurtág, György

  Küstner, C. G., Frau

  Lalande, Michel-Richard de n

  Lämmerhirt, Hedwig

  Lämmerhirt, Maria Elisabeth 3.1, 3.2, 3.3

  Lämmerhirt, Tobias

  Lämmerhirt family

  Lancret, Nicolas

  Landstände

  Lange, Gottfried 6.1, 6.2, 6.3, 6.4, 6.5, 8.1, 8.2, 9.1, 10.1

  Lange, Joachim

  Lange, Johann Christian n

  Latin Schools 2.1, 2.2, 3.1, 6.1

  Leach, Edmund

  Leaver, Robin A. 5.1n, 8.1n, 9.1n, 13.1

  Leclair, Jean-Marie: Scylla et Glaucus 1.1

  Lehmann, Johann

  Leibniz, Gottfried Wilhelm 2.1, 2.2, 9.1n

  Leibniz, Johann Friedrich

  Leichenglocken (funerary bells) 12.1, 12.2

  Leipzig

  Bach-Archiv prf.1, 7.1, 8.1

  Bach in 5.1, 6.1, 6.2, 6.3, 6.4, 7.1, 7.2, 7.3, 7.4, 8.1, 8.2, 8.3, 12.1, 12.2, 13.1, 14.1, 14.2, 14.3; cantata work 7.5, 7.6, 7.7, 7.8, 8.4, 8.5, 9.1, 10.1, 12.3; and the coffee-house 8.6, 8.7, 8.8, 8.9, 8.10, 8.11; employer/authority relations 6.5, 6.6, 6.7, 6.8, 7.9, 7.10, 8.12, 8.13, 14.4; as leader of collegium musicum 8.14, 8.15, 8.16, 8.17, 14.5; musical receptivity to 8.18, 8.19, 8.20, 10.2, 11.1; public perception of his musical authority 8.21