Old Masters, New World

by Cynthia Saltzman

  McFadden, Elizabeth. The Glitter & the Gold. New York: Dial Press, 1971.

  McQueen, Alison. The Rise of the Cult of Rembrandt: Reinventing an Old Master in ­Nineteenth-­Century France. Amsterdam: Amsterdam University Press, 2003.

  Meier-­Graefe, Julius. The Spanish Journey. Trans. J. ­Holroyd-­Reece. New York: Harcourt, Brace & Company, 1926.

  Methuen, Paul Ayshford. An Historical Account of Corsham Court. Corsham: Corsham Estate, 1965.

  Miller, Lillian B. Patrons and Patriotism: The Encouragement of the Fine Arts in the United States, 1790–1860. Chicago: University of Chicago Press, 1966.

  Minty, Nancy. “Dutch and Flemish ­Seventeenth-­Century Art in America, 1800–1940.” Thesis (Ph.D.), New York University, Institute of Fine Arts, 2003.

  The Morgan Library: An American Masterpiece. New York and London: Pierpont Morgan Library, in association with Scala Publishers, 2000.

  Morison, Samuel Eliot. The Oxford History of the American People. New York: Oxford University Press, 1965.

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  Nasaw, David. Andrew Carnegie. New York: Penguin Press, 2006.

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  Paintings from the Frick Collection. New York: H. N. Abrams in association with the Frick Collection, 1990.

  Panofsky, Erwin. Problems in Titian, Mostly Iconographic. New York: Published for the Institute of Fine Arts, New York University, by New York University Press, 1969.

  Paret, Peter. The Berlin Secession: Modernism and Its Enemies in Imperial Germany. Cambridge, MA: The Belknap Press of Harvard University Press, 1980.

  Passavant, Johann David, with Colin J. Bailey. Tour of a German Artist in En­gland. East Ardsley: EP Publishing, 1978.

  Pears, Iain. The Discovery of Painting: The Growth of Interest in the Arts in En­gland, 1680–1768. New Haven and London: published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1988.

  Pope-­Hennessy, John. “Roger Fry and the Metropolitan Museum of Art,” in E. Chaney and N. Ritchie, eds. Oxford, China and Italy, Writings in Honour of Sir Harold Acton. London: Thames and Hudson, 1984.

  Postle, Martin, ed. Joshua Reynolds: The Creation of Celebrity. London: Tate Publishing, 2005.

  Quodbach, Esmée. The Age of Rembrandt. New York: Metropolitan Museum of Art, 2007.

  Reitlinger, Gerald. The Economics of Taste: The Rise and Fall of Picture Prices, 1760–1960. London: Barrie and Rockliff, 1961.

  Rembrandt: collection des oeuvres du maître réunies, à l’occasion de l’inauguration de S.M. la Reine Wilhelmine. Amsterdam: Imprimerie ­Roeloffzen-­Hubner and Van Santen, 1898.

  Rosenthal, Michael, and Martin Myrone. Gainsborough. London: Tate Publishing, 2002.

  Ruskin, John. Fors Claviger: Letters to the Workmen and Labourers of Great Britain. Ed. Dinah Birch. Edinburgh: Edinburgh University Press, 2000.

  ———. Selected Writings. Ed. Kenneth Clark. London and New York: Penguin Books, 1991.

  Ryskamp, Charles, et al. Art in the Frick Collection: Paintings, Sculpture, Decorative Arts. New York: Harry N. Abrams in association with the Frick Collection, 1996.

  Saarinen, Aline B. The Proud Possessors. New York: Random ­House, 1958.

  Saltzman, Cynthia. Portrait of Dr. Gachet: The Story of a van Gogh Masterpiece. New York: Viking, 1998.

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  Samuels, Ernest, and Jayne Samuels. Bernard Berenson: The Making of a Legend. Cambridge, MA: Belknap Press, 1987.

  Sanger, Martha Frick Symington. Henry Clay Frick: An Intimate Portrait. New York: Abbeville Press Publishers, 1998.

  ———. The Henry Clay Frick ­Houses: Architecture, Interior, Landscapes in the Golden Era. New York: Monacelli Press, 2001.

  Satterlee, Herbert Livingston. J. Pierpont Morgan: An Intimate Portrait. New York: The Macmillan Co., 1939.

  Scallen, Catherine B. Rembrandt, Reputation, and the Practice of Connoisseurship. Amsterdam: Amsterdam University Press, 2004.

  Schapiro, Meyer. Theory and Philosophy of Art: Style, Artist, and Society. New York: George Braziller, 1994.

  Secrest, Meryle. Being Bernard Berenson. New York: Holt, Rinehart and Winston, 1979.

  ———. Duveen: A Life in Art. New York: Alfred A. Knopf, 2004.

  Seligman, Germain. Merchants of Art, 1880–1960: Eighty Years of Professional Collecting. New York: ­Appleton-­Century-­Crofts, 1961.

  Shand-­Tucci, Douglass. The Art of Scandal: The Life of Isabella Stewart Gardner. New York: HarperCollins, 1997.

  Sheehan, James J. Museums in the German Art World from the End of the Old Regime to the Rise of Modernism. New York: Oxford University Press, 2000.

  Simpson, Colin. Artful Partners: Bernard Berenson and Joseph Duveen. New York: Macmillan, 1986.

  Simpson, Marc, et al. Uncanny Spectacle: The Public Career of the Young John Singer Sargent. New Haven: Yale University Press; Williamstown: Sterling and Francine Clark Art Institute, 1997.

  Sonnenburg, Hubert von, and Walter A. Liedtke. Rembrandt/Not Rembrandt in the Metropolitan Museum of Art. 2 vols. New York: Metropolitan Museum of Art, 1995.

  Stern, Robert A. M., Gregory Gilmartin, and John Montague Massengale. New York 1900: Metropolitan Architecture and Urbanism, 1890–1915. New York: Rizzoli, 1983.

  Strahan, Edward. The Art Trea­sures of America. 3 vols. Philadelphia: Gebbie & Barrie, 1880.

  Strehlke, Carl Brandon. Italian Paintings, 1250–1450, in the John G. Johnson Collection and the Philadelphia Museum of Art. Philadelphia: Philadelphia Museum of Art, in association with the Pennsylvania State University Press, 2004.

  Strouse, Jean. J. Pierpont Morgan, Financier and Collector. New York: Metropolitan Museum of Art, 1999.

  ———. Morgan: American Financier. New York: Random ­House, 1999.

  Sutton, Denys, ed. Letters of Roger Fry. 2 vols. London: Chatto & Windus, 1972.

  Sutton, Peter C. A Guide to Dutch Art in America. Washington, DC: ­Netherlands-­American Amity Trust; Grand Rapids: Eerdmans, 1986.

  Sweet, Frederick Arnold. Miss Mary Cassatt, Impressionist of Pennsylvania. Norman: University of Oklahoma Press, 1966.

  Thackeray, William Makepeace. Vanity Fair: A Novel Without a Hero. London and New York: Penguin Books, 2001.

  Tharp, Louise Hall. Mrs. Jack: A Biography of Isabella Stewart Gardner. Boston: Little, Brown, 1965.

  Tietze, Hans. Masterpieces of Eu­ro­pe­an Painting in America. New York: Oxford University Press, 1939.

  Tillyard, Stella K. Aristocrats: Caroline, Emily, Louisa and Sarah Lennox, 1750–1832. London: Chatto & Windus, 1994.

  Tinterow, Gary, and Geneviève Lacambre. Manet/Velázquez: The French Taste for Spanish Painting. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2003.

  Tolles, Thayer, et al., eds. American Sculpture in the Metropolitan Museum of Art. 2 vols. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 1999.

  Tomkins, Calvin. Merchants and Masterpieces: The Story of the Metropolitan Museum of Art. New York: H. Holt, 1989.

  Turner, Jane, ed. The Dictionary of Art. 34 vols. New York: Grove’s Dictionaries, 1996.

  Valentiner, Wilhelm Reinhold. Cata­logue of a Collection of Paintings by Dutch Masters of the Seventeenth Century. 2 vols. New York: Metropolitan Museum of Art, 1909.

  Venturi, Lionello. Les Archives de l’impressionnisme. Paris, New York: ­Durand-­Ruel, 1939.

  Verdi, Richard, et al. Saved! 100 Years of the National Art Collections Fund. London: Hayward Gallery and the National Art
Collections Fund, in association with Scala, 2003.

  Viniegra, S. Exposición de las Obras del Greco. Madrid: Museo Nacional de Pintura, 1902.

  Voorsanger, Catherine Hoover, and John K. Howat, eds. Art and the Empire City: New York, 1825–1861. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2000.

  Wall, Joseph Frazier. Andrew Carnegie. Pittsburgh: University of Pittsburgh Press, 1989.

  Warner, Malcolm, and Robyn Asleson. Great British Paintings from American Collections: Holbein to Hockney. New Haven: Yale Center for British Art, 2001.

  Warren, Kenneth. Triumphant Capitalism: Henry Clay Frick and the Industrial Transformation of America. Pittsburgh: University of Pittsburgh Press, 1996.

  Weisberg, Gabriel P., DeCourcy E. McIntosh, and Alison McQueen. Collecting in the Gilded Age: Art Patronage in Pittsburgh, 1890–1910. Pittsburgh: Frick Art & Historical Center, 1997.

  Weitzenhoffer, Frances. The Havemeyers: Impressionism Comes to America. New York: Harry N. Abrams, 1986.

  Wethey, Harold E. El Greco and His School. 2 vols. Princeton, NJ: Princeton University Press, 1962.

  Wheelock, Arthur K. Dutch Paintings of the Seventeenth Century. Washington, DC: National Gallery of Art, 1995.

  Wheelock, Arthur K., ed. Johannes Vermeer. Washington, DC: National Gallery of Art; The Hague: Royal Cabinet of Paintings, Mauritshuis, 1995.

  White, Christopher et al. Rembrandt in ­Eigh­teenth-­Century En­gland. New Haven: Yale Center for British Art, 1983.

  Whitehill, Walter Muir. Museum of Fine Arts, Boston: A Centennial History. 2 vols. Cambridge, MA: Belknap Press, 1970.

  Widener, Peter A. B. Without Drums. New York: G. B. Putnam’s Sons, 1940.

  Wilhelm von Bode, Museumsdirektor und Mäzen: Wilhelm von Bode zum 150. Geburtstag. Berlin: Staatliche Museen zu Berlin, 1995.

  Wilton, Andrew, and Ilaria Bignamini. The Grand Tour: The Lure of Italy in the Eigh­teenth Century. London: Tate Publishing, 1996.

  Wolk-­Simon, Linda. Raphael at the Metropolitan: The Colonna Altarpiece. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2006.

  Wollheim, Richard. On Art and the Mind. Cambridge, MA: Harvard University Press, 1974.

  Woolf, Virginia. Roger Fry: A Biography. New York: Harcourt, Brace Jovanovich, 1940.

  Wright, Gwendolyn. Formations of National Collections of Art and Archaeology. Washington, DC: National Gallery of Art, 1996.

  Young, Dorothy Weir. The Life & Letters of J. Alden Weir. New Haven: Yale University Press, 1960.

  periodicals

  Alexander, E. A. “Mr. Henry G. Marquand.” Harper’s New Monthly Magazine 94, no. 562 (March 1897): 560–71.

  Anderson, Jaynie. “The Po­liti­cal Power of Connoisseurship in Nineteenth-Century Eu­rope: Wilhelm von Bode versus Giovanni Morelli.” Jahrbuch des Berliner Museen. Berlin: Gebr. Mann, 1996, 107–19.

  Baetjer, Katharine. “Buying Pictures for New York: The Founding Purchase of 1871.” Metropolitan Museum Journal 39 (2004): 161–95.

  Baker, Malcolm. “Bode and Museum Display: The Arrangement of the ­Kaiser-­Friedrich-­Museum and the South Kensington Response.” Jahrbuch der Berliner Museen. Berlin: Gebr. Mann, 1996, 144–53.

  Bailey, Colin. “Henry Clay Frick, Roger Eliot Fry, and Rembrandt’s Polish Rider.” The Frick Collection: Members’ Magazine (Spring/Summer 2002): 10–12.

  Bode, Wilhelm. “Alte Kunstwerke in den Sammlungen der Vereinigten Staaten,” Zeitschrift für bildende Kunst 6 (1895): 13–19.

  ———. “Die Amerikanische Konkurrenz im Kunsthandel und ihre Gefahr für Europa.” Kunst und Kunstler 1 (1902): 5–12.

  ———. “Die amerikanischen Gemäldesammlungen in ihrer neueren Entwicklung.” Kunst und Kunstler 2 (1903–4): 387–89.

  ———. “Die Amerikanische Gefahr im Kunsthandel.” Kunst und Kunstler 5 (1906–7): 3–6.

  ———. “Paris und London unter dem Gestirn der Americanischen Kaufwut.” der Cicerone 1 (1909): 441–43.

  ———. “Die Berliner Museen und die Amerikanische Konkurrenz.” der Ci­c­erone 2 (1910): 81–84.

  ———. “The Berlin Re­nais­sance Museum.” The Fortnightly Review, no. 56 (October 1891): 506–15.

  Boone, M. Elizabeth. “Gilded Age Values and a Golden Age Paint­er: American Perceptions of Jan Vermeer.” Rutgers Art Review 12–13 (1991–1992): 47–67.

  Brandt, Kathleen ­Weil-­Garris. “Mrs. Gardner’s Re­nais­sance.” Fenway Court (1972): 10–30.

  Brown, David Alan. “Berenson and Mrs. Gardner: The Connoisseur, the Collector and the Photograph.” Fenway Court (1978): 24–29.

  ———. “Bode and Berenson: Berlin and Boston.” Jahrbuch der Berliner Museen. Berlin: Gebr. Mann, 1996, 101–6.

  Burroughs, Bryson. “A Loan Exhibition of Mr. Morgan’s Paintings.” Metropolitan Museum of Art Bulletin 8, no. 1 (January 1913): 1–13.

  Carrier, David. “Mrs. Isabella Stewart Gardner’s Titian.” Source 20, no. 2 (Winter 2001): 20–24.

  Clark, Kenneth. “Bernard Berenson.” Burlington Magazine 102, no. 690 (September 1960): 381–386.

  Cortissoz, Royal. “Old Dutch Masters.” Metropolitan Museum of Art Bulletin 4, no. 10 (October 1909): 83, 85.

  Cox, Kenyon. “Dutch Pictures in the ­Hudson-­Fulton Exhibition” Burlington Magazine 16, no. 83 (February 1910): 302–6.

  Cust, Lionel. “The New Van Dyck in the National Gallery.” Burlington Magazine 11, no. 53 (August 1907): 324–26.

  de Forest, Robert W. “William Tilden Blodgett and the Beginnings of the Metropolitan Museum of Art.” Metropolitan Museum of Art Bulletin 1, no. 3 (February 1906): 37–40.

  Eisler, Colin. “Bode’s ­Burden—Berlin’s Museum as an Imperial Institution.” Jahrbuch der Berlin Museen. Berlin Gebr. Mann, 1996, 25–31.

  Elam, Caroline. “ ‘A More and More Important Work’: Roger Fry and the Burlington Magazine.” Burlington Magazine 145, no. 1200 (March 2003): 142–52.

  Fahy, Everett. “Italian Paintings at Fenway Court and Elsewhere.” Connoisseur 198, no. 795 (May 1978): 28–43.

  Fry, Roger E. “Notes.” Burlington Magazine 9, no. 41 (August 1906): 363.

  ———. “Pietro Aretino by Titian.” Burlington Magazine 7, no. 29 (August 1905): 344–47.

  ———. “Ideals of a Picture Gallery.” Metropolitan Museum of Art Bulletin 1, no. 4 (March 1906): 58–60.

  ———. “Principal Accessions.” Metropolitan Museum of Art Bulletin 2, no. 10 (October 1907): 172–73.

  Gennari Santori, Flaminia. “Holmes, Fry, Jaccaci and the ‘Art in America’ Section of the Burlington Magazine, 1905–1910.” Burlington Magazine 145, no. 1200 (March 2003): 153–63.

  Goetzmann, William N. “Accounting for Taste.” American Economic Review 83, no. 5 (December 1993): 1370–76.

  Hadley, Rollin Van N. “The Isabella Stewart Gardner Museum.” Connoisseur 198, no. 795 (May 1978): 2–9.

  Haskell, Francis. “The Benjamin Altman Bequest.” Metropolitan Museum Journal 3 (1970): 259–80.

  Havemeyer, Louisine W. “The Prison Special.” Scribner’s Magazine 71, no. 6 (June 1922): 661–74.

  ———. “The Suffrage Torch.” Scribner’s Magazine 71, no. 5 (1922): 528–39.

  Holmes, C. J. “Rembrandt and Van Dyck in the Widener and Frick Collections.” Burlington Magazine 13, no. 65 (August 1908): 306–11, 14–16.

  Kisluk-­Grosheide, Danielle O. “The Marquand Mansion.” Metropolitan Museum Journal 29 (1994): 151–81.

  Knaufft, Ernest. “Henry G. Marquand as an American Art Patron.” American Monthly Review of Reviews 27 (January–June, 1903): 172–76.

  Laidlaw, Christine Wallace. “Silver by the Dozen: The ­Wholesale Business of Teunis D. Dubois.” Winterthur Portfolio 23, no. 1 (Spring 1988): 25–50.

  “The Marquand Gallery.” Metropolitan Museum of Art Bulletin 6, no. 1 (January 1911): 3–6.

  Muller, Priscilla E. “Discerning Goya.” Metropolitan Museum Journal 31 (1996): 175–87.

>   Nathanson, Carol A. “The American Reaction to London’s First Grafton Show.” Archives of American Art Journal 25, no. 3 (1985): 2–10.

  Orcutt, Kimberly. “Buy American? The Debate over the Art Tariff.” American Art 16, no. 3 (Autumn 2007): 82–91.

  Penny, Nicholas, and Karen Serres. “Duveen and the Decorators.” Burlington Magazine 149, no. 1251 (June 2007).

  Pomeroy, Jordana. “The Orléans Collection: Its Impact on the British Art World.” Apollo (February 1997): 26–31.

  Quodbach, Esmée. “The Last of the American Versailles: The Widener Collection at Lynnewood Hall.” Simiolus 29, no. 1⁄2 (2002): 42–96.

  ———. “ ‘Rembrandt’s “Gilder” Is ­Here.’ ” Simiolus 31, no. 1⁄2 (2004–5): 90–107.

  “The Pierpont Morgan Gift.” Metropolitan Museum of Art Bulletin 13, no. 1 (January 1918): 2–19.

  “Rearrangement of a Picture Gallery at the Museum.” Metropolitan Museum of Art Bulletin 1, no. 5 (April 1906): 69.

  “Recent Changes in the Gallery.” Metropolitan Museum of Art Bulletin 1, no. 6 (May 1906): 86–87.

  Roberts, Keith. “Frick, Gulbenkian & Co.” Burlington Magazine 114, no. 831 (June 1972): 405–9.

  Robinson, Frank T. “Van Dyck’s Masterpiece.” Boston Eve­ning Transcript, Boston Weekly Transcript (January 29, 1887).

  Rosasco, Betsy. “The Teaching of Art and the Museum Tradition: Joseph Henry to Allan Marquand.” Record of the Art Museum, Princeton University 55, no. 1⁄2 (1996): 7–52.

  Rubin, Patricia. “Portrait of a Lady: Isabella Stewart Gardner, Bernard Berenson and the Market for Re­nais­sance Art in America.” Apollo (September 2000): 37–44.

  Simpson, Marc. “Windows on the Past: Edwin Austin Abbey and Francis Davis Millet in En­gland.” American Art Journal 22, no. 3 (1990): 64–85.

  Stephenson, Byron P. “Great Dutch Artists.” Metropolitan Museum of Art Bulletin 4, no. 10 (October 1909): 167–73.

  Sutton, Denys. “Herbert Horne and Roger Fry.” Apollo 123, no. 282 (August 1985): 130–59.

  ———. “The Letters of Bernard Berenson and Isabella Stewart Gardner 1887–1924.” Burlington Magazine 130, no. 1026 (September 1988): 710.

  Valentiner, Wilhelm R. “Die Ausstellung Hollandischer Gemälde in New York.” Monatshefte für Kunstwissenschaft 3 (1910): 5–12.