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I Is an Other: The Secret Life of Metaphor and How It Shapes the Way We See the World

Page 27

by James Geary


  Flatlanders, 167–68, 171–72, 178

  football metaphors, 126–27

  footnote, 21n

  forward, 95–96, 100

  Foundations of Science (Poincaré), 15

  Fourier, Jean-Baptiste-Joseph, 169–70

  framing, 162–65

  Franklin, Benjamin, 207

  free association, 62–63

  freedom fries, 119–20

  Freud, Sigmund, 62–63, 207

  frogs, and pattern recognition, 36–38

  frontoinsula cortex (FI), 143

  Frost, Robert, 35–36, 43, 197

  Futurological Congress, The (Lem), 151

  Gardner, John, 59

  Geary, Gilles, 154, 155

  Geary, Hendrikje, 156, 179

  Geary, Theresa, 208–11, 222

  Geary, Tristan, 154, 159–60, 162, 184

  Gentner, Dedre, 160–61

  Gesture and Thought (McNeill), 108–10

  gestures, 106–11, 138

  Gibbs, Raymond, Jr., 105–6

  Gilman, James, 139

  Gilovich, Thomas, 116–17, 127

  Glucksberg, Sam, 117–19, 164, 168–69

  gnostic neurons, 91–92

  Goodman, Nelson, 11, 25, 149

  Gordon, William J. J., 198–201, 206

  Grady, Joseph, 24, 120–25

  Great Recession of 2008–2009, 32, 66–69

  greenhouse effect, 169–70

  greenhouse gases, 121, 169

  Grove, David, 211–22

  guided imagery, 212–15

  gullibility, 34–38

  Haddon, Mark, 46–47

  Hail Mary pass, 126

  Hands (Napier), 107

  headline, 21n

  Heider, Fritz, 40, 41, 46, 60, 104

  Heine, Heinrich, 166

  History in English Words (Barfield), 20

  Hobbes, Thomas, 18–19, 127–28

  Hollis, Karyn, 144

  Hooke, Robert, 169

  hot-hand theory, 38–39

  Hubbard, Edward, 81

  Hui Tzu, 171–72

  Igbo people, 186, 194

  “I is an other,” 2, 8

  impression formation, 82–83, 97–98

  inkblot images, 62–65

  innovation, 197–207

  intention questions, 216

  interaction theory, 146

  intuition, 23, 49

  Iowa Writers’ Workshop, 58–59

  Iraq, Gulf War, 125–26

  Iraq War, 119–20

  isti’ara, 9

  Izambard, Georges, 1–2

  Jarrell, Randall, 165–66

  Jerome, Saint, 14

  Johnson, Lyndon, 117

  Johnson, Mark, 88, 90–91, 94, 116

  jokes, 140–43

  “Juliet is the sun,” 8–10, 11–12, 119

  Jung, Carl, 62–66, 212, 213–14

  Kafka, Franz, 145, 184

  Kahneman, Daniel, 38

  kennings, 153–54, 162

  Kepler, Johannes, 178

  Kerlikowske, Gil, 125

  KFC, 73–74

  klecksography, 63

  koans, 193–94

  Köhler, Wolfgang, 80–82

  Konorski, Jerzy, 91–92

  Koskinas, Georg, 143

  Kövecses, Zoltán, 92

  Kuhn, Thomas, 177–78

  Lakoff, George, 88, 90–91, 94, 116, 121

  Langer, Suzanne K., 170

  Languages of Art (Goodman), 11

  Lawley, James, 208–12, 214–21

  Leavis, Donald, 147– 48, 163, 166

  Lee, Laurie, 141, 149

  Lem, Stanislaw, 151

  Leslie, Alan, 51–52, 146, 155

  Leviathan (Hobbes), 18–19, 127–28

  Lewis, C. S., 167–69, 171–72, 178, 197

  Lewis, Wyndham, 25

  Lhermitte, Jacques Jean, 112–13, 135

  ligamen, 140, 145, 149–50

  light, 131–32

  Lincoln, Abraham, 6–7, 191–92

  literal, 21–22

  Locke, John, 18–19

  Loptsson, Jon, 152

  “Love Is Like a Bottle of Gin” (song), 79

  Lucretius, 14

  Macbeth effect, 133–34

  McCloskey, Deirdre N., 30, 43

  McCulloch, Warren S., 37–38, 43

  McDonald’s, 73–74

  McKellin, William H., 183

  McNeill, David, 108–10

  Managalese people, 182–83

  “man is a wolf,” 146– 47, 174

  Man on Wire (documentary), 66–67

  Mänti language, 55

  Marketing Metaphoria (Zaltman), 66

  Marks, Lawrence E., 76

  Martin, Emily, 129–30

  Marx, Karl, 71

  master’s metaphor, 172

  Mencius, 171–72

  menstruation, 129–30

  Merritt, Stephin, 79

  metaphor, etymology of, 9

  Metaphors in Mind (Lawley and Tompkins), 211

  Micrographia (Hooke), 169

  Mill, John Stuart, 178

  Mill on the Floss, The (Eliot), 211

  mind, the, 44–57

  Mindblindness (Baron-Cohen), 50, 54

  mirror neurons, 53–54, 105, 108–9

  mixed metaphors, 143– 45

  money, 29– 43

  Monroe, Harriet, 197, 223, 224

  Moore, Marianne, 74

  Morris, Michael W., 30–32, 42–43

  moving time questions, 216

  Muhammad cartoons, 120

  Müller, Cornelia, 110

  mundane metaphors, 19, 82

  “My job is a jail,” 52–53

  Mysteries of Eloquence, The (Al-Jurjani), 9

  Nagel, Thomas, 175–76

  Napier, John, 107

  Nasrudin (Nasreddin), Mullah, 193–94

  “nation is a body,” 127–29

  Nerlove, Harriet, 157–58

  “Nettles” (Scannell), 159–60

  neurons, 79–80, 91–92, 96–97. See also mirror neurons

  New Yorker, 144

  Ney, Robert W., 119–20

  Nietzsche, Friedrich, 116, 135

  “90 North” (Jarrell), 165–66

  nose thumb, 107

  “nostrils like badger-holes,” 141, 149

  Obama, Barack, 6–7, 125, 127, 132

  object metaphors, 30–32, 41–42

  objets trouvés, 205–6

  OK sign, 107

  On the Nature of the Universe (Lucretius), 14

  Oppenheimer, J. Robert, 176–77

  Orwell, George, 135

  Osborn, Alex Faickney, 198

  Oxford English Dictionary, 21–22

  parables, 179–84, 191–96, 221

  parting shot, 22

  pattern recognition, 32–42, 63

  perception, 78–82. See also physiognomic perception

  personification, 59–61

  Petit, Philippe, 66–67

  physical heat, 101–3

  physiognomic perception, 40–41, 63

  Piaget, Jean, 51, 158–59

  Picasso, Pablo, 205–6

  Pinker, Steven, 88

  Pittsburgh Penguins, 103–4

  Planck, Max, 170

  pleasure, 137–51

  “Poet, The” (Emerson), 28

  “Poetry” (Moore), 74

  Poincaré, Henri, 13, 14–15

  politics, 112–36

  Pólya, George, 174

  post-traumatic stress disorder (PTSD), 211–21

  Prati, Gioacchino, 138–39

  Premack, David, 41–42

  Presley, Elvis, 7–8, 16, 17

  pretend play, 50–53

  priming, 96–103, 113–16, 120, 132

  Prince, George, 198–201, 206

  Principles of Comparative Philology, The (Sayce), 22–23

  Pringles, 206

  Prose Edda, 152–53, 162

  proverbs, 184–96

  proximity, 96–97

  P
rudential, 69

  psychology, 208–22

  public structures, 122–24

  puns, 55–56

  Quintilian, 143–44

  Radboud University, 141–42

  Ramachandran, Vilayanur, 79–81, 85–86

  random walk, 42–43

  Rattan, Aneeta, 132–33

  red (color), 103–4

  Resolving Traumatic Memories (Grove), 216

  Rhetoric of Economics, The (McCloskey), 30, 43

  Rimbaud, Arthur, 1–2, 8, 224

  Rips, Lance, 165–66

  Rizzolatti, Giacomo, 108–9, 138

  rock-paper-scissors (game), 106–7

  Romeo and Juliet (Shakespeare), 8–10, 11–12, 119

  Rorschach, Hermann, 62–63

  Rowland, Neal, 120

  Russell, John, 184

  Savage-Rumbaugh, Sue, 154

  Sayce, A. H., 22–23

  scaffolding, 87

  Scannell, Vernon, 159–60

  Scholl, Brian, 40–41

  Schwarzkopf, Norman, 126

  science, 167–78

  Scruton, Roger, 86

  “Season in Hell, A” (Rimbaud), 2

  Second Nature (Edelman), 34

  “seeing is knowing,” 23–24, 89–90

  Seer Letters (Rimbaud), 1–2

  Shakespeare, William, Romeo and Juliet, 8–10, 11–12, 119

  Sharklet Technologies, 204–5

  Shelley, Percy Bysshe, 114–15, 135

  Sherman, Gary, 130–31

  Shklovsky, Victor, 199–200

  shoulder, 10

  “show you the ropes,” 47

  similes, 8, 141, 160–61

  Simmel, Mary-Ann, 40, 41, 46, 60, 104

  Slovic, Paul, 61, 62

  Smith, Richard, 66–68, 70, 72

  “Smoke” (game), 58–59

  Song of Songs, 2–3

  Sontag, Susan, 130, 134, 213

  spatial metaphors, 96–99

  speculate, 23

  spill the beans, 188

  sports metaphors, 125–27

  Stalder, Daniel, 187

  Stapledon, Olaf, 90, 100

  Star Maker (Stapledon), 90, 100

  Star Trek: The Next Generation (TV show), 162

  Stevens, Wallace, 197–98

  stock market, 27–32, 36, 38, 39– 40, 42–43, 104

  Stow, John, 225

  StrategyOne, 65–66

  string theory, 170

  Stroop, John Ridley, 117

  Stroop effect, 117–18

  Stroop tests, 117–19, 130–31

  Structure of Scientific Revolutions, The (Kuhn), 177–78

  Stuff of Thought, The (Pinker), 88

  Sturluson, Snorri, 152–53, 162

  Sumerian people, 185–86

  Survey of London (Stow), 225

  sweet, 97–98

  symbolic modeling, 208–12

  symbolic re-namings, 119–25

  syncretism, 51

  Synectics, 198–204, 206

  Synecticsworld, 200–204

  synesthetic metaphors (synesthesia), 76–93

  talkback chains, 122–24

  Tammet, Daniel, 54–55, 79–80

  taste, 22, 77–78, 90

  Telephone (game), 122

  Thames River, 225–26

  theory of mind, 49–50

  Thompson, Philip, 70

  thought, 5–16

  “Three Academic Pieces” (Stevens), 197–98

  thumbs-up sign, 11

  “time is motion,” 94–100

  Tompkins, Penny, 208–12, 214–21

  Tourangeau, Roger, 165–66

  truth, 19

  Turkana culture, 110–11

  Turner, Mark, 91

  Tversky, Amos, 38–39, 162–64, 168

  uncanny, the, 207

  “us and them” metaphor, 121–22

  Vico, Giambattista, 137–40, 187–88

  Vietnam War, 116–17

  visual metaphors, 11, 48–49

  Von Economo, Constantin, 143

  Von Economo cells, 143–44, 150

  Walker, Caitlin, 215–16, 219–20

  Wallace, George, 147– 48

  war and sports metaphors, 125–27

  warmth, 82–84

  weight, 84–85

  Weston, Drew, 132

  “What is it like to be a bat?”, 175–76

  Wilkowski, Benjamin M., 101–3

  Williams, Connie, 200–204

  Williamson, Judith, 71–72

  Winner, Ellen, 156

  Woman in the Body, The (Martin), 129–30

  Woodruff, Guy, 41– 42

  worn-out metaphors, 23, 116–17, 136

  Zaltman, Gerald, 62–66. See also ZMET

  ZMET (Zaltman Metaphor Elicitation Technique), 62–72

  Acknowledgments

  “What resembles nothing does not exist,” the French poet Paul Valéry wrote in one of his many encomiums to metaphor. This book would not exist without the insights and assistance of Simon Baron-Cohen, who helped me make the right connections among autism, synesthesia, and metaphor; Max Brockbank, master weaver of my many-stranded Web site; Michael Brunton, for whom no research request was too bizarre and no academic paper too obscure; David Deutsch, for his tasty analogical rice puddings; James Lawley and Penny Tompkins, who, in addition to taking me on a guided tour of clean language, read the entire penultimate version of this book and made comments that opened up new vistas in my metaphor landscape; Sara Levine, for sharing with me her spotty metaphor bibliography, which turned out to hit exactly the right spot; the literary estate of Vernon Scannell for permission to reproduce the poem “Nettles”; ZMETicians Richard Smith and Noleen Robinson of Business Development Research Consultants in London (and Olson Zaltman Associates, which licenses ZMET to BDRC), for my ZMET consultation and collage; Adam Somlai-Fischer of Prezi.com, who gave my metaphor talk its Prezi panache; Connie Williams of Synecticsworld, for making the strange world of synectics familiar; Jason Zweig, whose comments on the “How High Can a Dead Cat Bounce?” chapter were right on the money and whose own book, Your Money and Your Brain, informed much of my thinking about behavioral economics; those individuals who agreed to be interviewed for this book but did not want their identities revealed; Gillian Blake, Katinka Matson, and Jeanette Perez, for—literally—making this book happen; and Linda, Gilles, Tristan, and Hendrikje: apples of my eye and icing on my cake.

  Also by James Geary

  Geary’s Guide to the World’s Great Aphorists

  The World in a Phrase: A Brief History of the Aphorism

  The Body Electric: An Anatomy of the New Bionic Senses

  Copyright

  I IS AN OTHER. Copyright © 2011 by James Geary. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

  FIRST EDITION

  EPub Edition © 2011 ISBN: 9780062041777

  Library of Congress Cataloging-in-Publication Data is available upon request.

  ISBN 978-0-06-171028-5

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  1. “A Poet makes himself a visionary . . .” Rimbaud, Arthur. Complete Works. Translated by Paul Schmidt. New York: Harper Colophon Books, 1976, p. 102.

  2. A language that “will include everything . . .” Ibid., p. 103.

  3. “I got used to elementary hallucination . . .” Ibid., p. 205.

  4. “I is an other.” Ibid., p. 100.

  5. “A round goblet never lacking mixed wine.” Hunt, Patrick. Poetry in the Song of Songs: A Literary Analysis. Frankfurt: Peter Lang, 2008, p. 327.

  6. “The gazelle has stolen its eyes from my beloved.” Al-Jurjani, Abdalqahir. The Mysteries of Eloquence. Ritter, Hellmut, ed. Istanbul: Government Press, 1954, p. 20.

  7. One metaphor for every ten to twenty-five words. Cameron, Lynne. “Metaphor and Talk.” In: The Cambridge Handbook of Metaphor and Thought. Gibbs, Raymond W., Jr., ed. Cambridge: Cambridge University Press, 2008, p. 199. This figure comes from an analysis of different types of talk, including ordinary discourse, college lectures, and doctor–patient interviews. An analysis of TV shows found speakers used approximately one metaphor for every twenty-five words. See: Bowdle, Brian F., and Gentner, Dedre. “The Career of Metaphor.” Psychological Review 112, 1, 2005, p. 193.

  8. Six metaphors a minute. Gibbs, Raymond W., Jr. The Poetics of Mind: Figurative Thought, Language, and Understanding. Cambridge: Cambridge University Press, 1994, pp. 123–124. Gibbs based this statistic on analyses of psychotherapeutic interviews, essays, the 1960 Kennedy–Nixon presidential debates, and episodes of the MacNeil/Lehrer news program on PBS.

  9. The Australian weather forecast. From the Weather page of the BBC Web site on March 15, 2010.

  10. “Risks to U.K. Recovery Lurk behind Cloudy Outlook.” From a Reuters article on March 15, 2010. Available at uk.reuters.com/article/idUKLNE62903A20100310.

  11. Abraham Lincoln’s Gettysburg Address. Available at http://www.visit-gettysburg.com/the-gettysburg-address-text.html.

  12. The fourth paragraph of Barack Obama’s inaugural address. Available at http://www.nytimes.com/2009/01/20/us/politics/20text-obama.html.

  13. “She touched my hand . . .” “All Shook Up.” Music and lyrics by Otis Blackwell/Elvis Presley.

 

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