Sacred Hearts

by Sarah Dunant

  Zuana waits. While the abbess knows of her night wanderings, it is important that she should disturb the routine of the convent as little as possible. The door to the chapel groans open on heavy hinges, then closes again after the procession has passed through. Further snarls of wood mark out a first latecomer, then a second. The sound of chanting is already seeping under the door as she leaves the cell and crosses into the darkness. In front of her she notices a small figure with a slight limp moving out into the courtyard from the upstairs cloister. This is a night wandering that wants to keep itself hidden. She lets the image slide from her mind. There has been enough emotion spent tonight. No point in making more trouble.

  She waits until the chapel door is closed again, then enters quickly, head bowed, moving between the choir stalls to where the great crucifix hangs down in front of the grille that divides the nuns from the outer public church. She prostrates herself before it, registering the momentary shock of cold stone through her robes, before slipping into her place at the end of the second row of the choir stalls. She is without her breviary—the book left sitting on the table in her cell. While she knows the lessons and the psalms by heart, its absence is still a misdemeanor. The abbess’s eye passes quickly over her. Zuana opens her mouth and begins to sing.

  The convent is not at its best tonight. Winter has scoured a number of throats, and the chanting is disturbed by ragged bouts of coughing and sniffing. At night the church is fiercely cold, and across the choir stalls the dozen or so novices are struggling. With their fat cheeks and downy skin they look too young to be up both so late and so early. When they are tired, Zuana has noticed, some of them rub their eyes with their fists like small children. The convent’s indefatigable novice mistress, Suora Umiliana, is of the opinion that each new batch is worse than the last, more selfish and prone to the vanities of life. The truth is probably more complex, since Umiliana herself is also changing, growing more fervent and demanding with the years, while they at least remain young. Either way Zuana feels sympathy for them. Girls of their age are greedy for sleep, and Matins, slicing its way through the middle of the night, is the harshest of all the convent offices.

  Yet its brutality is also its great sweetness, for its very meaning is to coax and draw up the soul through the body’s resistance, and when one is pulled from sleep there can be less distraction from the noise and chatter of the mind. Zuana knows sisters who, as they age, grow to love this service above all others, to feed off it like nectar, for once you have disciplined yourself to transcend tiredness, the wonder of being in His presence while the rest of the world is asleep is a rare gift, a form of privilege without pride, feasting without gluttony.

  A few can become so close to God during such moments that they have been known to see angels hovering above them or, in one case, the figure of Christ lifting His arms off the great wooden crucifix and stretching out toward them. Such tremors of the soul happen more at Matins than at any other devotion, which is helpful for the young ones, as the occasional drama of palpitations or even fainting keeps them open to the possibility of ecstasy. Even Zuana herself, who has never been prone to visions, has felt moments of wonder: the way in which the night silence seems to make the voices more melodious, or how their breaths make the candles flare in the darkness, causing the most solid statues to melt, sending liquid shadows dancing onto the walls.

  There is little chance of such marvels tonight. Old Suora Agnesina sits febrile with devotion, head cocked to one side, vigilant as ever for the divine note inside the human chorus, but in the back stalls Suora Ysbeta is already asleep, making much the same wheezing sounds as her rancid little dog, and for the rest it is an achievement just to keep their minds on the text.

  To counter her weariness, Zuana pulls herself upright until her shoulders connect with the back of the seat. In most choir stalls, nuns rest their backs against plain wood, polished by years of cloth rubbing against it. But Santa Caterina is different. Here the seats are decorated by the wonder of intarsia: hundreds of cuts of different-colored woods, inlaid and glued together to create scenes and pictures. The stalls were a gift from one of the convent’s benefactors during the reign of the great Borso d’Este a century before, and the story is that it took a father and son over twenty years to complete them. Now, as the sisters of Santa Caterina pray to God, each and every spine rests against a different image of their beloved city—streets, rooftops, chimney pots, and spires—recognizable even down to the slivers of cherry or chestnut wood that mark out the edges of the wharves and the dark walnut veins that make the River Po. In this way, though they live separated from the city of their birth, their beloved Ferrara is kept alive for them.

  When Zuana’s mind suffers badly from distraction, as it does tonight, she uses these little jewels of perspective as a way of connecting back to God’s devotion. She imagines the voices floating upward, a cloud of sound rising high into the nave, up and through the chapel roof into the air outside, then moving like a long plume of smoke out into that same city; twisting and turning around warehouses and palazzos, passing along the side of the cathedral, hovering over the dank moat surrounding the d’Este Palace, poking its way through windows and releasing mellifluous echoes in the great chambers, before slipping out and returning to the edge of the river itself, from where it rises up toward the night stars and the heavens behind.

  And the beauty and clarity of that thought makes her tiredness fall away, so that she too feels herself lifting free and growing toward something greater, even if the transcendence does not manifest itself in the beating of angels’ wings or the warmth of Christ’s arms around her in the night.

  IN THE CELL across the courtyard, the angry novice moves heavily in her sleep, full of the wonder and madness of drugged dreams.

  CHAPTER TWO

  “HOW QUICKLY WAS she calmed?”

  “After the draft, soon enough. She was sleeping deeply when I left.”

  “Too deeply. I could not wake her for Prime or Terce.” Suora Umiliana’s tone is sharp. “I feared that God might have taken her to Him in the night.”

  “It was my duty to settle her. In my experience, when a body is warm and breathing it is easy enough to tell life from death.”

  “Oh, I don’t doubt your medicinal skills, Suora Zuana. But I am concerned for her soul …and it is impossible to bring God’s comfort to a young woman who can barely sit up, let alone kneel.”

  “Sisters, sisters, we are all weary, and it does no good to anyone to find fault with each other. Suora Zuana, you are to be thanked for calming her. The convent needed its rest. And Suora Umiliana, as novice mistress you have, as always, done all that could be asked of you. This novice is given to us as a challenge, and we must do what we can for her.”

  The two nuns bow their heads in obedience to their abbess’s voice. It is early afternoon, and they are gathered in her outer chamber. The room is heated by a wood fire, but outside of its immediate orbit the air remains bitterly cold. The abbess herself sits with a rabbit-fur cape around her shoulders, leather shoes, newly tooled, peeking out from under spread robes. She is forty-three years of age but looks younger. Recently, Zuana has noticed, a few wispy curls have been allowed to escape from under her wimple, and her face is softened by them. While there are those who might suspect such attention to worldly detail as vanity, Zuana sees it more as a reflection of how fastidious she is with everything, from the painted finish on the gesso religious figures that the convent produces for sale to the pastoral care of her flock. Besides, God and fashion sit more easily together than those outside might imagine, and the sisters of Santa Caterina absorb the latest styles with the same appetite with which their choir voices explore the latest complexities of polyphony. In this way, while they may be cloistered, they are still true daughters of their fashionable, musical city.

  “So. Let us consider the young soul we are dealing with. Your thoughts first, Suora Zuana. How did you find her?”

  “Angry.”

  �
��Yes. Well, that much we could all hear. What else?”

  “Afraid. Sad. Outraged. There was a lot of spirit.”

  “Though little of it directed toward our Savior, I would assume.”

  “No. I think it safe to say she does not enter with a vocation.”

  “Ah, always the diplomat with words, Zuana.” She laughs, and one of the curls dances on her forehead. It is not surprising that she is admired by the young as well as the old, since her style combines elements of the benign elder sister along with those of the strict mother. “Did she have anything to say on the matter?”

  “She told me that the vows came from her mouth but not her heart.”

  “I see.” The abbess pauses. “Those were the actual words she used?”

  “Yes.”

  At Zuana’s side, Suora Umiliana sighs heavily, as if this is a burden she is already shouldering. “I feared as much during the ceremony. She was opening her mouth but I could barely hear any words.”

  “Well, if she was coerced, she gave no indication of it when I met her with her father. Had she been beaten, do you think, Zuana?”

  Zuana feels the body again, soft and heavy in her arms. There had been no sign of wounds, or none that the girl herself seemed aware of. “I …I am not sure, but I think not.”

  “Suora Umiliana. What were your impressions?”

  The novice mistress clasps her hands together, as if asking for help before she speaks. In contrast to the abbess, she is a well-padded woman whose wimple is fixed so tight it seems to have impacted into her features, squashing them ever more closely together, her cheeks like puff pastry and her mouth small and puckered, with a covering of wispy white hairs across her upper lip and chin. She must have been young once, but Zuana cannot remember a time when she looked any different. While she is a ferocious shepherd of her novice flock, few pass through her hands without gaining some sense of Christ’s majesty, and the older sisters who go to her looking for spiritual respite report that beneath her crumpled exterior she has a soul as smooth as an unpacked bolt of silk. There are times when Zuana has felt something akin to envy for the simplicity of her certainty, though in such a close community it does not do to dwell on what one does not have.

  “I agree with Suora Zuana. There is a great storm in her. When we undressed her after the ceremony her face was set like a black mask. I would not be surprised if her education has been directed more toward vanity than spirit.”

  “If that is so, it will come as a surprise to her family,” the abbess says, fielding the implied rebuke to her judgment gently. “They have an excellent name in Milan. One of the best.”

  “Also she didn’t sing—or even open her mouth—at Compline.”

  “Perhaps she is unfamiliar with the texts,” Zuana says softly. “Not everybody knows them when they arrive.”

  “Even those with no voice are able to read the words aloud,” Umiliana says tartly, in what may or may not be a reference to Zuana, who everyone knows arrived tone deaf and ignorant of everything but her remedies. “We were told that her singing was a marvel. Suora Benedicta has been beside herself, waiting for her to arrive.”

  “Indeed she has.” The abbess smiles. “Though our dear choir mistress is no stranger to such a …heightened state, glory be to God, and the welfare of the convent is dear to her. The wedding of the duke’s sister already brings noble audiences into our church, and it would be a fine thing if this new young songbird could find her voice in time for the Feast of Saint Agnes and Carnival. Which I am sure she will.” Her voice is now as deliberately soothing as the novice mistress’s is agitated. “We have come through these heavy seas before. It was barely two summers ago that young Carità spent her first weeks soaked in tears. And look at her now: the most eager seamstress in the convent.”

  Umiliana frowns and her face collapses further into itself. In her eyes noble weddings bring only distraction, and Suora Carità’s dexterity with her embroidery needle is as much about fashion as the solace of prayer. This is not, however, the time to mention such things.

  “Madonna Abbess? If I might suggest …?” She keeps her eyes to the ground, so that unless the abbess sees fit to interrupt her she will go on anyway. “I would like to separate her from the rest of the novices for a while. That way she will have time to contemplate her rebellion, and her intransigence will not infect others.”

  “Thank you for that thought, Suora Umiliana.” The abbess’s smile is immediate and full. “I am confident, however, that under your tutelage such a thing would not happen. And isolation at this stage might agitate rather than calm her.” She pauses. Zuana drops her eyes. She has witnessed it before, this quiet battle of authority between the two women. “Indeed, I think perhaps we should leave any further instruction until she has recovered from the effects of Suora Zuana’s potion.”

  Zuana feels Umiliana stiffen, though her expression remains impassive. Within the rule of Saint Benedict, the first degree of humility is obedience without delay. “As you wish, Madonna Chiara.”

  “I think at this stage nothing of what happened last night need go any farther than these walls. With all the dictates and instructions from the last meetings of the council at Trento, our dear bishop has far more important things on his plate than a rebellious novice. Perhaps you might make that clear to any novices who have family visiting, Suora Umiliana.”

  The novice mistress bows her head, then hesitates, waiting for a sign from Zuana that the two nuns will leave the room together.

  “Oh—and Suora Zuana, would you stay for a moment longer? I have dispensary business to discuss with you.”

  ZUANA KEEPS HER head down until the door closes. When she looks up, the abbess is rearranging her skirts and drawing her cape farther around her. “Are you cold? You could come closer to the fire.”

  Zuana shakes her head. Lack of sleep is beginning to overcome her, and she needs the chill to keep her mind alert.

  “Perhaps you should tell me about the draft.”

  “It is possible that I put too much poppy syrup in it.” She remembers her father’s words. “A few extra drops is a little, but it can be a lot.”

  “Well, do not blame yourself too fiercely. She was making an awful din, and I doubt even Suora Umiliana’s prayers could have quieted her on their own.”

  “I did say psalms while the draft was taking effect.”

  “You did? Which ones?”

  “And they cry unto God in their trouble: Who delivereth them out of their distress—”

  “—For He maketh the storm to cease, so that the waves thereof are still: and He bringeth them to their haven”. Her voice joins in, melodious and soft. “One hundred and seven. A great solace and very apt. Are you sure you are not cold? Did you rest?”

  “A few hours before Prime. Enough.”

  The abbess looks at her for a while. “So. It seems we have a problem. Do you think we are looking at greensickness?”

  Zuana frowns. It is a slippery illness, greensickness, since although it arrives with the onset of menstruation, many of its symptoms—rage, despair, excessive exhilaration—can come naturally to young women and pass without any treatment at all. “No. I believe she is just angry and frightened.”

  “Is there anything else I should know?”

  “Only that she thinks her dowry was a bribe to get us to accept her.”

  “Oh! There is hardly a dowry that isn’t a bribe these days, whoever the husband. She would need to be a simpleton not to know that. Still, she is right about its size. The city agent says the rent on the commercial properties alone will bring in an extra hundred ducats a year—which makes it a substantial sum indeed.”

  Substantial enough to make the vote in chapter unanimous when the abbess had announced it. Honor, breeding, a fat dowry, and a superior choir voice. What reason could there have been for refusing her? Did it matter that much if she needed a little coaxing? Hadn’t most of them? While it might damage their sense of charity to admit it, there was a certain
satisfaction to be had from watching others pass through the same flame.

  Zuana waits. The silence grows. With Umiliana gone they are comfortable in each other’s presence, these two brides of Christ. They have known each other for many years and have more in common than at first glance it might appear. Though one was born to the veil, with all the appetite for politics and gossip that convent life entails, and the other was unwillingly inducted, they both have a leaning to the life of the mind as much as the spirit and an enjoyment of the challenges that come with it. It was a bond forged early, when a newly appointed assistant novice mistress befriended an angry grieving novice and helped her through the tempests of convent entrance.

  Since Suora Chiara’s elevation, the strength of their connection has loosened, as it must, given the shift in their relative status. No abbess who cares for her flock should be seen to show favoritism, and as head of her family faction in the convent she has support enough to call on should she need advice. Nevertheless, Zuana suspects there are times when Chiara mourns the freedom she enjoyed before the weight of such responsibility, just as Zuana herself misses the informality, even the companionship, that they once shared. Whatever the abbess chooses to say now, they both know Zuana’s lips will remain closed. With plants and invalids as her closest companions, whom would she tell anyway?

  “Her father insisted that she had been bred for the veil.” She clicks her tongue. It is a sound Zuana recognizes well; it comes when she is frustrated with herself. “He made a most convincing case for Ferrara as a better home for her than Milan. Certainly her voice will be better used here. It seems that Cardinal Borromeo is turning out to be more of a reformer than the pope himself. From what I hear, if he has his way all the nuns of Milan will be singing plainchant with barely a few organ notes for accompaniment.” She laughs. “Imagine how our city would react to that! Half of our benefactors would desert us immediately. Though I daresay you would find the settings easier to follow,” she adds, almost mischievously.