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Ronit & Jamil

Page 2

by Pamela L. Laskin


  to the desert

  to his home,

  and sometimes he is soft and warm

  as a goat.

  He gives his pills freely

  to the clinic in Jerusalem,

  “sad,” he says

  then adds

  “he’s Arab.”

  Puzzling

  my Abba

  the wolf.

  Father of Light

  My Father, my Abba

  Aish Hamachelet1

  not Eloheem2

  though sometimes

  his rage makes me feel that,

  mostly he is Aviv Shel Kol3

  and Aviv Shel Or4

  until he discovers

  Jamil.

  Tiger

  My father is a tiger

  sleek on the outside, contained

  he pounces on illness

  till it oozes out of you,

  unless you die in his hands

  then my father roars

  laments, cries out

  to Allah,

  and my grandfather

  snarls

  “fool”

  for becoming a doctor

  in such futile times

  for taking medical supplies

  from the hands of Jews.

  My Great Father

  My Father, my Abi

  Abi Alazeem5

  Abi Hwa Batali6

  Fel-youbarek Allah Abi7

  but if he knew

  how I dream the body

  of an Israeli girl,

  he’d fry me

  in the desert,

  still I say

  Ana Ohibuka ya Abi.8

  Imah

  Why

  doesn’t she stand up to him,

  tell him to leave me alone,

  she must have known

  the stories of the heart

  one time,

  enough to know

  you don’t always fall for

  the guy next door,

  though that is who Jamil is

  (I have heard his papa say his name)

  truly.

  Ommi

  Why

  doesn’t Ommi stand up to him,

  tell him I have grown beyond the trees,

  that I have my own heart

  and that is what I answer.

  Didn’t she ever fall in love

  or was that just a bitter pill

  she had to swallow.

  Zayde

  I have named him fish

  (though I cuddle in his arms like a cradle);

  he wants payback

  for the family

  lost in the Holocaust.

  He calls himself a Zionist,*

  I call him fish

  for the way he stays in deep waters

  (where others would drown)

  admonishing his only son

  for giving out drugs

  to Arabs,

  smiling sadistically

  drinking blood

  for breakfast.

  Imagine:

  The Pharmacist’s Profession

  Imagine pills

  like poppies,

  sunflowers,

  roses,

  so many colors

  in Papa’s garden,

  where people

  plan a pilgrimage:

  the Christians, the Arabs

  always the Jews,

  because their bones are broken

  their bodies are battered

  their heads are splitting open

  like a bleeding melon,

  and Abba’s pills—

  fragrant flowers

  offer a promise

  if not for today

  for tomorrow.

  When His Abi Isn’t Looking

  When he looks

  into my eyes

  sneaking glances

  when we are at the clinic

  and his Abi isn’t looking,

  I am the girl

  who laughs, who is free,

  one who wears skirts

  and not pants, like I always do;

  his gaze

  makes me want to undress

  so he can lift up

  and see

  what’s beneath

  the dress.

  When Her Abba Isn’t Looking

  I have already left

  poems in her pocket,

  and she

  blows kisses

  when her Abba

  isn’t looking,

  so I know

  she thinks of me

  as a man

  who would lift her skirt

  and love her,

  not the foolish boy

  my Abi

  thinks I am.

  Let’s Meet

  I hand him

  a slip of paper

  when Abba isn’t looking.

  My name is Ronit

  here is my number.

  Please call

  so we can make plans

  right away.

  The Gift

  I feel this piece of paper—

  a gift

  in my hand,

  and pretend

  it is her body

  I am touching.

  Call me.

  I will.

  Spices

  “Abba,

  let me get

  your coffee,”

  and he gives me shekels

  tells me

  not to be long.

  I have already texted Jamil

  to meet at the spice market:

  the big one with tamarind, curry, paprika

  every delicious taste

  you can imagine.

  “Salaam,” he greets me.

  “Shalom.”

  Spice Market

  At first

  we walk

  side by side

  our bodies barely touching;

  I know a little Hebrew.

  She knows some Arabic,

  and as we continue walking

  the narrow streets,

  our bodies

  are squeezed

  together,

  so we smile,

  graze hands

  and the smells of spices

  hold me captive.

  I close my eyes and imagine

  the taste of tamarind

  in her mouth.

  Hands

  Abi’s hands

  soft as dates

  when he touches

  the wounds of a child

  swept from the streets,

  but I remind him

  “some of our people

  wear bombs

  on their bodies.”

  “Because there is no electricity

  no running water

  no health care,” he shouts,

  then adds

  “our people wear bombs

  because of this.”

  After

  he wraps his arms, a blanket

  around the burnt legs

  of a baby.

  He Touched My Hand

  Smiling morning replaces frowning night

  darkness stumbles out like a drunken man

  Jamil’s big bones startle my sight

  if Abba only knew he touched my hand.

  Darkness stumbles out like a drunken man

  discover light inside his hazel eyes

  if Abba only knew he touched my hand

  my body rustles and it cries.

  Discover light inside his hazel eyes

  a cease-fire already taking place

  my body rustles and it cries

  dreams begin to run a race.

  A cease-fire already taking place

  between two bodies all ablaze

  dreams begin to run a race

  in our world’s distorted maze.

  Lightning Strikes

  The first thing that I notice are her eyes

  as blue as day or sorrow they have rage

  she teases me to en
ter, my demise

  if Abi only knew my heart is caged.

  As blue as day or sorrow they have rage

  from years of being told to stay away

  if Abi only knew my heart is caged

  a cacophony of hands that beg to stay.

  From years of being told to stay away

  the monster fence with signs “Do not trespass”

  a cacophony of hands that beg to stay

  how could I dare to dream that this would last.

  The monster fence with signs “Do not trespass”

  she teases me to enter, my demise

  how could I dare to dream that this would last

  the first thing that I notice are her eyes.

  What I Love

  Bones

  singing over them,

  dancing

  when they are on the forest floor.

  Imah

  the light of her eyes

  the lightning of her voice

  she has taught me

  to be strong

  but in Abba’s presence

  she is quiet,

  but he is a wolf.

  I love the wolf

  the way he cares for his family

  his hands as large as leaves

  and their shadows.

  I love the drum, the whistle, the cry

  archaeology

  Where is his fossil from?

  Jamil

  I love Jamil,

  I gave to him

  with my heart

  before he requested it

  and would gladly give again.

  I would kill him with such cherishing.

  His bones

  beautiful

  like a bird’s

  ready to fly.

  What I Love II

  I also love

  music

  dance

  forgetting

  I have a body

  thinking what I want to do with this body,

  sometimes fresh

  not like the good girl

  my mother’s made me out to be.

  What I Love

  Words

  whispering over them

  writing

  filling up the page.

  Ommi.

  She worries I am weak

  like a broken well

  that there is too little water.

  I love Abi

  his hands like dates

  sweetening our family.

  And the souq9

  where the kmaaj10

  is soft

  as her body must be.

  Oh,

  to take her to El Bireh

  where there is a Turkish bath

  NO GIRLS ALLOWED,

  but I can dream

  her body bathed in mine.

  What I Love II

  Disco

  drums

  dancing on the beach,

  gyrating to thoughts

  of Ronit

  on me

  in me.

  What I Hate

  Senseless school

  like history

  when they distort

  that Arabs

  have no right

  to the land.

  I hate idle chatter

  my sisters rumble with it:

  hair and makeup.

  I like natural

  hair like a forest of greenery.

  I hate

  when Imah asks me

  where I’m going

  like she senses

  my subterfuge.

  Lately she has been checking

  my phone,

  but I erase

  my messages.

  Does she want me to tell her

  East Jerusalem

  where the heat

  is a murderer,

  but I will go there anyway

  heat

  of his body

  of my body.

  I hate the parting

  the sorrow of it

  the fear

  tomorrow will never come,

  and I will not see him

  again.

  What I Hate II

  That I have to pretend

  that I don’t know him,

  how lame is that?

  That I have to ignore

  that I want him

  now

  right now

  not tomorrow.

  What I Hate

  Senseless school

  like history

  that Jews

  are the enemy

  who robbed our land.

  I hate the ruins

  they call my land.

  But what about

  our rights to water?

  I hate the way my twin

  is Ommi’s friend

  the secrets shared

  in hushed whispers.

  Ronit’s alphabet

  its letters

  are indecipherable

  though she says

  mine are, too.

  And when Ommi says

  “where are you going?”

  the mask of her burka

  a shroud for her face,

  I want to tell her

  the desert

  where I can cross the bridge of her body

  and feel Ronit’s heat,

  so much heat

  dripping with it.

  What I Hate II

  That I can’t say

  let’s do it now,

  anywhere

  who cares where,

  that I smile

  when I want to tell

  my family

  where to go,

  so I

  don’t have to hide.

  Ronit Goes to the Market

  Imah

  is curious

  why I suddenly want

  to do errands

  but she is so tired

  from the girls

  she gives me a list,

  and I go

  to the Rami Levy market

  where Arabs and Jews

  sometimes mingle

  and there are

  natural foods

  a bakery

  a restaurant

  Jamil.

  Jamil Goes to the Market

  A text:

  meet me

  at Gush Etzion Junction.

  And immediately

  I ask my mother

  for a list.

  “He acts like a girl,”

  Abi says.

  He should only know

  I have a girl

  who I will meet

  at Rami Levy market,

  we will hold hands

  and kiss

  with our mouths wide open.

  I say nothing

  take the list

  and run.

  Shell-Struck

  They may have named me

  “Argonauta”

  Imah says

  since I swam away

  so fast

  as if

  every dwelling was temporary.

  They say I have a land

  but I do not feel

  at home.

  My shell

  is feather-light

  but sturdy, strong

  compelled

  by an unknown sea.

  Jordan

  They may have named me

  “Jordan”

  a pet name

  since I am a river

  my feelings are liquid

  even before Ronit

  I was the boy without armor,

  because I love to read and write,

  but I also listen to Coldplay,

  so why say

  I melt?

  Are my prayers

  too petrified for you?

  Sweet Statue

  I’ll name you

  sweet statue

  with bronzed skin.

  I’ll ask the sun

  to step aside

  since the glare

&nb
sp; is blinding.

  At night

  the full moon

  reappears,

  still

  no one notices

  “I am whiter than new snow

  upon a raven’s back,”*

  no one sees

  the full moon

  and its treacherous treason.

  No More

  No more

  tender-boned

  Jamil. No more.

  So tired

  of being the sweet boy

  like a shepherd who

  herds his sheep.

  Soon I will be

  a ram

  who watches as

  “the orchard hangs out its lanterns.

  The dead come stumbling by

  in shrouds.

  Nothing can stay bound

  or be imprisoned.”*

  Not me.

  Hunger

  I am hungry for bourekas

  stuffed with cheese

  oozing on the plate,

  maybe labane—

  spicy or dripping

  or jachnun

  drunk with mint tea.

  Imah grinds the nuts

  for baklava

  just like his Ommi;

  then why

  must I eat

  alone?

  Hunger

  I am hungry for

  knafeh nabulsi

  the queen of Arabic sweets,

  or date-filled semolina cookies

  the magrood

  of pistachio baklava cake,

  and hummus;

  my Ommi grinds the chickpeas

  with the heart of her knuckles,

  same as Ronit’s Imah;

  I am hungry for Ronit

  and thirsty, too.

  The Enemy: Ronit Speaks

  My Abba has named you the enemy:

  the one who births bombs

  and throws them out the window;

  the one who would smile like a knife

  just to see blood,

  blood lips and rivers of red

  for Israelis to swim in;

  look at his eyes, they would say

  they are black slits

  (but he has light eyes)

  and when I look

  all I see is an invitation

  to gaze at the moon

  in your night.

  The Enemy: Jamil Speaks

  My Abi has named you

  the enemy:

  such a ruthless thief

  to steal land

 

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