New Critical Approaches to the Short Stories of Ernest Hemingway

by Jackson J Benson

  Marx, Paul. “Hemingway and Ethics.” Essays in Arts and Sciences 8 (1979): 35–44. (Reprinted in Filler, Louis, ed. Seasoned Authors for a New Season: The Search for Standards in Popular Writing. Bowling Green, Ohio: Popular Press, 1980. 43–50.) [56, 62, 89]

  Mayer, Charles W. “The Triumph of Honor: James and Hemingway.” Arizona Quarterly 35 (1979)’ 373–91. [In Our Time]

  McCartin, James T. “Ernest Hemingway: The Life and the Works.” Arizona Quarterly 39 (1983): 122–34. [46, 84, 86]

  McConnell, Frank. “Stalking Papa’s Ghost: Hemingway’s Presence in Contemporary American Writing.” Ernest Hemingway: New Critical Essays. Ed. Robert A. Lee. London: Vision; Totowa, N.J.: Barnes, 1983: 193–211. [In Our Time, 6, 56]

  Messenger, Christian. “Hemingway and the School Athletic Hero.” Lost Generation Journal 3 (1975): 21–23. [5, 40, 56, 96]

  Meyer, B. Ruth. “The Old Men in Hemingway’s Fiction.” DAI 40 (1979): 258A (Kansas State University). [2, 10, 27, 73, 96]

  Meyers (A Biography). In Our Time. Pp. 26, 83, 127, 143–46, 167–69, 188, 228.

  Meyers (A Biography), in our time. Pp. 98–102, 105–6, 141–43, 146, 185, 284, 391

  . Meyers (A Biography). Men Without Women. Pp. 112, 198.

  Meyers (A Biography). Three Stones and Ten Poems. Pp. 49, 89, 141, 146.

  Meyers (A Biography). Winner Take Nothing. Pp. 257–59, 261.

  Meyers, Jeffrey. Introduction. Hemingway: The Critical Heritage. Ed. Meyers. London: Routledge, 1982: 1–62. [In Our Time, in our time, The Fifth Column and the First Forty-nine Stories, The Nick Adams Stories, Three Stories and Ten Poems, Winner Take Nothing]

  Moddelmog, Debra A. “The Unifying Consciousness of a Divided Conscience: Nick Adams as Author of In Our Time.” American Literature 60 (December 1988): 591–610. [In Our Time, 5, 6, 10, 29, 36, 39, 52, 65, 67, 72, 78, 89, 92, 106]

  Monk, Donald. “Hemingway’s Territorial Imperative.” Yearbook of English Studies 8 (1978): 125–40. [In Our Time, 6, 27, 56, 60]

  Monteiro, George. “Hemingway’s Unnatural History of the Dying.” Fitzgerald-Hemingway Annual (1978): 339–42. [Winner Take Nothing]

  Monteiro, George. “Innocence and Experience: The Adolescent Child in the Works of Mark Twain, Henry James, and Ernest Hemingway.” Estudos Anglo-Americanos (Sao Jose de Rio Preto) 1 (1977): 39–57.

  Mottran, Eric. “Essential History: Suicide and Nostalgia in Hemingway’s Fictions.” Ernest Hemingway: New Critical Essays. Ed. Robert A. Lee. London: Vision; Totowa, N.J.: Barnes, 1983: 122–50. [27, 39, 43, 52, 86, 88, 94]

  Muller, Gilbert H. “In Our Time: Hemingway and the Discontents of Civilization.” Renas cence: Essays on Value in Literature 29 (1977): 185–92. [In Our Time]

  Murray, Donald M. “Thoreau and Hemingway.” Thoreau journal Quarterly 11 (1979): 13–33.

  Nagel, James. “Literary Impressionism and In Our Time.” Hemingway Review 6, no. 2 (Spring 1987): 17–26.

  Nakajima, Kenji. “Literary Bravery in Hemingway’s ‘Chapter III’ and ‘Chapter IV’ of In Our Time.” Kyushu American Literature 27 (1986): 47–56.

  Nakjavani, Erik. “The Aesthetics of Meiosis: Hemingway’s ‘Theory of Omission.’” DAI 46.6 (December 1985): 1628A. [In Our Time, The Nick Adams Stories]

  Nakjavani, Erik. “The Aesthetics of the Visible and the Invisible: Hemingway and Cezanne.” Hemingway Review 5, no. 2 (Spring 1986): 2–11. [In Our Time, The Nick Adams Stories]

  Nakjavani, Erik. “Hemingway on Nonthinking.” North Dakota Quarterly 57.3 (Summer 1989): 173–98. [6, 29, 40, 41]

  Nelson. In Our Time. Pp. 1, 12, 13, 19.

  Nelson, in our time. Pp. 6, 12.

  Nelson. Men Without Women. P. 12.

  Nelson. The Nick Adams Stories. Pp. 16, 19, 25, 36, 38, 39.

  Nelson. The Short Stories of EH. Pp. 13, 14–15.

  Nelson. Winner Take Nothing. Pp. 8, 13.

  Nicholson, Colin E. “The Short Stories After In Our Time: A Profile.” Ernest Hemingway: New Critical Essays. Ed. Robert A. Lee. London: Vision; Totowa, N.J.: Barnes, 1983: 36–48. [In Our Time, 8, 27, 40, 41, 46, 51, 56, 72, 73, 8i, 84, 88, 94, 107, 108]

  Nolan, Charles J., Jr. “Hemingway’s Women’s Movement.” Hemingway Review 3, no. 2 (Spring 1984): 14–22. (Reprinted in Wagner, Linda W., ed. Ernest Hemingway: Six Decades of Criticism. East Lansing: Michigan State University Press, 1987: 209–19.) [In Our Time, 10, 36, 46, 78, 86, 88, 105]

  Oldsey, Bernard. “Hemingway’s Beginnings and Endings.” College Literature 7 (1980): 213–38. (Reprinted in Oldsey, Bernard, ed. Ernest Hemingway: The Papers of a Writer. New York: Garland, 1981: 37–62; and in Wagner, Linda W., ed. Ernest Hemingway: Six Decades of Criticism. East Lansing: Michigan State University Press, 1987: 113–38.) [6, 52, 86]

  Oldsey, Bernard. “The Genesis of A Farewell to Arms.” Studies in American Fiction 5 (1977): 175–85.

  Oppenheim, Rosa. “The Mathematical Analysis of Style: A Correlation Based Approach.” Computers and the Humanities 22 (1988): 241–52. [In Our Time, 6]

  O’Sullivan, Sibbie. “Love and Friendship/Man and Woman in The Sun Also Rises.” Arizona Quarterly 44, no. 2 (Summer 1988): 76–97. [Briefly mentions 5, 36, 67]

  O’Sullivan, Sylvia Geraldine. “Hemingway vs. Hemingway: Femininity and Masculinity in the Major Works.” DAI 48 (1987): 127A (University of Maryland).

  Phillips, Gene D. “Novelist Versus Screenwriter: The Case for Casey Robinson’s Adaptations of Hemingway’s Fiction.” A Moving Picture Feast. Ed. Charles M. Oliver. New York: Praeger, 1989: 12–18. [67, 86, 88]

  Pickard, Linda Kay Haskovec. “A Stylo-Linguistic Analysis of Four American Writers.” DAI 36 (1976): 6103A (Texas Woman’s University). [The Nick Adams Stories]

  Pizer, Donald. “The Hemingway-Dos Passos Relationship.” Journal of Modern Literature 13, no. 1 (March 1986): 111–28. [In Our Time, 86, 88, 90]

  Portch, Stephen Ralph. “Writing Without Words: A Nonverbal Approach to the Short Fiction of Hawthorne, Hemingway, and O’Connor.” DAI 43 (1983): 2349A (Penn State University). [46, 56]

  Portch, Stephen R. “The Hemingway Touch.” Hemingway Review 2 (1982): 43–47. [46, 56]

  Pullin, Faith. “Hemingway and the Secret Language of Hate.” Ernest Hemingway: New Critical Essays. Ed. Robert A. Lee. London: Vision; Totowa, N.J.: Barnes, 1983: 172–92. [In Our Time, 6, 8, 10, 36, 46, 52, 65, 84, 86, 88, 89, 92, 106]

  Putnam, Ann Lenore. “Retreat, Advance, and Holding Steady: Vision and Form in the Short Stories of Ernest Hemingway.” DAI 46.2 (August 1985): 425A-26A (University of Washington).

  Radeljkovic, Zvonimir. “Initial Europe: 1918 as a Shaping Element in Hemingway’s Weltanschauung.” College Literature 7 (1980): 304–9. (Reprinted in Bernard Oldsey, ed. Ernest Hemingway: The Papers of a Writer. New York: Garland, 1981: 133–38.) [29a, 62a, 843–44]

  Raeburn, John. “Hemingway in the Twenties: The Artist’s Reward.’” Rocky Mountain Review of Language and Literature 29 (1975): 118–46. [In Our Time, in our time, Men Without Women]

  Rao, E. Nageswara. “Syntax as Rhetoric: An Analysis of Ernest Hemingway’s Early Syntax.” Indian Linguistics: Journal of the Linguistic Society of India 36 (1975): 296–303. [in our time, 13, 29, 36]

  Rao, E. Nageswara. “The Motif of Luck in Hemingway. “Journal of American Studies 13 (1979): 29–35. [55, 62, 85]

  Rao, P. G. Rama. In Our Time. Pp. 15, 26, 27, 28, 31, 33, 46, 52, 56, 75, 77, 93, 158–65, 176, 177.

  Rao, P. G. Rama. Men Without Women. Pp. 45, 122, 123, 126.

  Rao, P. G. Rama. Winner Take Nothing. Pp. 45, 123, 132, 154.

  Reboli, Nicola L. “Death as a Vehicle to Life in the Works of Ernest Hemingway.” Studi dell: Istituto Linguistico 7 (1984): 333–46. [In Our Time, 5, 35, 51, 56, 96]

  Reich, Kenneth E. “Sport in Literature: The Passion of Action.” Jack London Newsletter 12 (1979): 50–62. [5, 40, 67, 88]

  Reynolds (The Paris Years). In Our Time. Pp. 232–35, 242, 271–72, 276, 328–31.

  Reynolds (The P
aris Years), in our time. Pp. 80–81, 114–17, 123–28, 138–42, 151–52, 181, 198–99, 233–34, 243.

  Reynolds (The Paris Years). Three Stories and Ten Poems. Pp. 122, 127–28, 138, 142, 151, 152–53, 164, 181.

  Roeder, Gordon Karl Walter. “In Search of a Father: A Comparative Study of Melville and Hemingway.” DAI 47 (1987): 3421A (University of Oregon). [In Our Time, 27]

  Robinson, Sharon. “Hemingway, Emerson, and Nick Adams.” Studies in the Humanities 7 (1978): 5–9. [In Our Time, 6, 35, 36]

  Rodgers, Bernard F., Jr. “The Nick Adams Stories: Fiction or Fact?” Fitzgerald-Hemingway Annual (1974): 155–62. [The Nick Adams Stories]

  Rohrkemper, John. “The Great War, The Midwest, and Modernism: Cather, Dos Passos, and Hemingway.” Midwestern Miscellany 16 (1988): 19–29. [In Our Time]

  Roseman, Mona G. “Five Hemingway Women.” The Glaflin College Review 2 (1977): 9–15. [10, 46, 84, 86, 105]

  Rovit and Brenner, in our time. Pp. 29–32, 66, 110.

  Rovit and Brenner. Winner Take Nothing. Pp. 5, 53.

  Sangwan, Surender Singh. “Humor in Hemingway’s Short Stories.” Panjab University Research Bulletin (Arts) 18, no. 1 (April 1987): 55–57.

  Scafella, Frank. “T and the Abyss/ Emerson, Hemingway, and the Modern Vision of Death.” Hemingway Review 4, no. 2 (Spring 1985): 2–6. [6, 72]

  Scafella, Frank. “Imagistic Landscape of a Psyche: Hemingway’s Nick Adams.” Hemingway Review 2 (1983): 2–10. [In Our Time, The Nick Adams Stories]

  Scheel, Mark. “Death and Dying: Hemingway’s Predominant Theme.” Emporia State Research Studies 28 (1979): 5–12.

  Scholes, Robert. Textual Power: Literary Theory and the Teaching of English. New Haven: Yale University Press, 1985: 25–38, 42, 59, 62–73. [In Our Time]

  Schwartz, Roberta. “Hemingway Haunts: The Famous Novelist’s Roots are Planted Firmly in the Woods of Northern Michigan.” Heritage: A Journal of Grosse Pointe Life 3 (December 1986): 41–45, 79. [The Nick Adams Stories]

  Seed, David. “The Picture of the Whole’: In Our Time.” Ernest Hemingway: New Critical Essays. Ed. Robert A. Lee. London: Vision; Totowa, N.J.: Barnes, 1983: 13–35. [In Our Time, in our time, 15, 16, 17, 19, 25, 29, 52, 67, 82, 106]

  Shaw, Patrick W. “How Earnest is the Image: Hemingway’s Animals.” CEA Critic: An Official Journal of the College English Association 37 (1975): 3–8. [6, 86, 88]

  Smith, Carol H. “Women and the Loss of Eden in Hemingway’s Mythology.” Ernest Hemingway: The Writer in Context. Ed. James Nagel. Madison: University of Wisconsin Press, 1984: 129–44. [In Our Time, 89, 106]

  Smith, Leverett T., Jr. “How to Live in it.” The American Dream and the National Game. Bowling Green, Ohio: Bowling Green Popular University Press, 1975: 51–103. [5, 6, 27, 40, 41, 56, 86]

  Smith. The Fifth Column and the First Forty-nine Stories. Pp. 319–65.

  Smith. The Fifth Column and Four Stories. Pp. 367–88. Smith. The Finca Vigia Edition. Pp. 389–94.

  Smith. In Our Time. Pp. 23–121.

  Smith. Men Without Women. Pp. 123–213.

  Smith. Three Stories and Ten Poems. Pp. 1–22.

  Smith. Winner Take Nothing. Pp. 215–317.

  Smith, Paul. “Hemingway’s Apprentice Fiction: 1919–1921.” American Literature 58, no. 4 (December 1986): 574–88. [In Our Time, 2a, 29a, 31a, 56, 62, 62a, 80b, 105, 445, 532, 670, 604, 843–44]

  Smith, Paul. “Hemingway’s Early Manuscripts: The Theory and Practice of Omission.” Journal of Modern Literature 10 (1983): 268–88. [In Our Time, 6, 52, 93]

  Smith, Paul. “Hemingway’s Luck.” Hemingway Review 7, no. 1 (1988): 38–42. [The Nick Adams Stories, 29, 39, 59]

  Smith, Paul. “Impressions of Ernest Hemingway.” Hemingway Review 6, no. 2 (Spring 1987): 2–10. [In Our Time, 6]

  Smith, Peter A. “Hemingway’s ‘On the Quai at Smyrna’ and the Universe of In Our Time.” Studies in Short Fiction 24 (1987): 159–62.

  Sojka, Gregory S. “Hemingway as Angler-Artist.” Lost Generation Journal 3 (1975): 12–13. [6, 72, 107]

  Sojka, Gregory Stanley. “The ‘Aesthetic of Contest’ in Ernest Hemingway’s Life and Writing.” DAI 37 (1977): 5128A–29A (Indiana University). [The Nick Adams Stories, 6, 51, 72, 107]

  Spilka, Mark. “Hemingway and Fauntleroy: An Androgynous Pursuit.” American Novelists Revisited: Essays in Feminist Criticism. Ed. Fritz Fleischmann. Boston: Hall, 1982: 339–70. [86, 88]

  Spilka, Mark. “Victorian Key to the Early Hemingway: Part I—John Halifax, Gentleman; Part II—Fauntleroy and Finn.” Journal of Modern Literature (March and June 1983): 125–50, 289–310. [Men Without Women]

  Steinke, James. “Hemingway’s ‘In Another Country’ and ‘Now I Lay Me.’” Hemingway Review 5, no. 1 (Fall 1985): 32–39.

  Steinke, James. “The Art of Hemingway’s Early Fiction.” DAI 44 (1983): 1455A–56A (University of California, Santa Barbara). [The Nick Adams Stories, 6]

  Steinke, James. “The Two Shortest Stories of Hemingway’s In Our Time.” Critical Essays on Ernest Hemingway’s “In Our Time.” Ed. Michael S. Reynolds. Boston: Hall, 1983: 218–26. [In Our Time, in our time, 82, 108]

  Stephens, Robert O. “Hemingway’s British and American Reception: A Study in Values.” Hemingway: A Revaluation. Ed. Donald Noble. Troy, N.Y.: Whitson, 1983: 83–97. [In Our Time, in our time, Men Without Women]

  Stephens, Robert O. Introduction. Ernest Hemingway: The Critical Reception. Ed. Robert O. Stephens. New York: Franklin, 1977: ix-xxxv. [In Our Time, in our time, The Fifth Column and the First Forty-nine Stories, Men Without Women, The Nick Adams Stories, Winner Take Nothing]

  Stetler, Charles, and Gerald Locklin. “De-Coding the Hero in Hemingway’s Fiction.” Hemingway Notes 5 (1979): 2–10. [In Our Time, 6]

  Stetler, Charles, and Gerald Locklin. “Hemingway and the Adult Sports Story.” McNeese Review 30 (1983–84): 29–37. [40, 67, 96]

  Stevick, Philip. Introduction. The American Short Story, 1900–1945. Ed. Philip Stevick. Boston: Twayne, 1984: 1–31. [15, 46, 92]

  Stine, Peter. “Ernest Hemingway and the Great War.” Fitzgerald-Hemingway Annual (1979): 327–54. [5, 72, 74, 89]

  Stoppard, Tom. “Reflections on Ernest Hemingway.” Ernest Hemingway: The Writer in Context. Ed. James Nagel. Madison: University of Wisconsin Press, 1984: 19–27. [In Our Time, 6, 56]

  Strychacz, Thomas. “Dramatizations of Manhood in Hemingway’s In Our Time and The Sun Also Rises.” American Literature 61, no. 2 (1989): 245–60.

  Svoboda. In Our Time. Pp. 1, 14–15, 33, 35, 114.

  Svoboda. in our time. Pp. 114.

  Svoboda. The Nick Adams Stories. P. 18.

  Sylvester, Bickford. “Winner Take Nothing: Development as Dilemma for the Hemingway Heroine.” Pacific Coast Philology 21, no. 1–2 (November 1986): 73–80.

  Tavernier-Courbin, Jacqueline. “The Mystery of the Ritz-Hotel Papers.” College Literature 7 (1980): 289–303. (Reprinted in Bernard Oldsey, ed. Ernest Hemingway: The Papers of a Writer. New York: Garland, 1981: 117–31.) [40, 56, 96]

  Tichi, Cecelia. “Opportunity: Imagination Ex Machina IL” Shifting Gears: Technology, Literature, Culture in Modernist America. Chapel Hill: North Carolina University Press, 1987: 216–29. (Reprinted in Flora, Joseph M. Ernest Hemingway: A Study of the Short Fiction. Boston: Twayne, 1989: 157–71) [6, 36]

  Unrue, John. “Hemingway: The Vital Principal.” The Origins and Originality of American Culture. Ed. Tibor Frank. Budapest: Akademiai Kiado, 1984: 261–67. [27, 41, 47, 68, 107, 108]

  Vaidyanathan, T. G. “The Nick Adams Stories and the Myth of Initiation.” Indian Studies in American Fiction. Eds. M. K. Naik, S. K. Desai, and S. Mokashi-Punekar. Dharwar: Karnatak University; India: Macmillan, 1974: 203–18. [5, 6, 29, 35, 36, 52, 56, 92, 107]

  Verduin, Kathleen. “The Lord of Heroes: Hemingway and the Crucified Christ.” Religion and Literature 19, no. 1 (1988): 21–44. [In Our Time, 60, 94]

  Wagner, Linda W. “Juxtaposition in Hemingway’s
In Our Time.” Studies in Short Fiction 12 (1975): 243–52. (Reprinted in Reynolds, Michael S., ed. Critical Essays on Ernest Hemingway’s “In Our Time.” Boston: Hall, 1983: 120–29.) Wagner, Linda W. “‘Proud and Friendly and Gently’: Women in Hemingway’s Early Fiction.” College Literature 7 (1980): 239–47. (Reprinted in Bernard Oldsey, ed. Ernest Hemingway: The Papers of a Writer. New York: Garland, 1981: 63–71.) [In Our Time, Men Without Women, 10, 29, 36, 46, 52, 59, 92, 105]

  Wagner, Linda W. “The Poetry in American Fiction.” Prospects: Annual of American Cultural Studies 2 (1976): 513–26. [Three Stories and Ten Poems, 6, 29, 36, 52, 89]

  Waldmeier, Joseph J. “And the Wench is Faith and Value.” Studies in Short Fiction 24 (Fall 1987): 393–98. [In Our Time, 51, 72]

  Watson, James G. “The American Short Story: 1930–45.” The American Short Story, 1900–1945: A Critical History. Ed. Philip Stevick. Boston: Twayne, 1984: 103–46. [In Our Time, The Fifth Column and First Forty-nine Stories, Winner Take Nothing, 39, 88] Way, Brian. “Hemingway the Intellectual: A Version of Modernism.” Ernest Hemingway: New Critical Essays. Ed. Robert A. Lee. London: Vision; Totowa, N.J.: Barnes, 1983: 151–71. [6, 36, 40, 88, 89, 96]

  Wells, David J. “Hemingway in French.” Fitzgerald-Hemingway Annual (1974): 235–38. [6, 27, 56, 86, 88]

  Westbrook, Max. “Grace Under Pressure: Hemingway and the Summer of 1920.” Ernest Hemingway: The Writer in Context. Ed. James Nagel. Madison: University of Wisconsin Press, 1984: 77–106. (Reprinted in Linda W. Wagner, ed. Ernest Hemingway: Six Decades of Criticism. East Lansing: Michigan State University Press, 1987: 19–40.)

  White, William. “Addenda to Hanneman: Hemingway’s Selected Stories.” Papers of the Bibliographical Society of America 73, no. 1 (1979): 121–23. [The Fifth Column and the First Forty-nine Stories]

  White, William. “A Misprint in Hemingway’s Winner Take Nothing.” Papers of the Bibliographical Society of America 72, no. 3 (1978): 360–61.

  Whitlow, Roger. “The Destruction/Prevention of the Family Relationship in Hemingway’s Fiction.” Literary Review: An International Journal of Contemporary Writing 20 (1976): 5–16. [The Nick Adams Stories, 35, 52, 86]