New Critical Approaches to the Short Stories of Ernest Hemingway
Page 62
(97) Under the Ridge
(1939/October 1939/Cosmopolitan/FUS, FV)
Capellan, p. 250.
Cooper, pp. 96–97.
Donaldson, p. 113.
Flora (Short Fiction), p. 95.
Gaggin, pp. 63–64.
Knight, Christopher. “Ernest Hemingway’s ‘Under the Ridge’: A Textual Note.” NMAL: Notes on Modern American Literature 7 (Winter 1983): item 15.
Kvam, Wayne. “Hemingway’s ‘Under the Ridge.’” Fitzgerald-Hemingway Annual (1978): 225–40.
Smith, pp. 385–88.
Wagner (Inventors/Masters), pp. 91–92.
(105) Up in Michigan
(1921/Summer 1923/Three Stories and Ten Poems/CS[revised])
Bruccoli, p. 10.
Capellan, p. 222.
Cappel, pp. 14, 119–27, 128, 184.
Donaldson, pp. 38, 145, 178.
Flora (Short Fiction), pp. 21–22, 54, 68, 182, 186.
Grimes, pp. 5, 25–27, 72.
Kert, pp. 74, 114, 128, 138, 143, 154.
Lynn, pp. 108–10, 170, 224–25.
Meyers (A Biography), pp. 49, 143, 147, 435.
Nelson (H, Expressionist Artist), p. 22.
Paul, Angus. “Hemingway Scholar [Paul Smith] Offers New Views on the Story ‘Up in Michigan.’” The Chronicle of Higher Education 32 (March 5, 1986): 5, 10.
Petry, Alice Hall. “Coming of Age in Hortons Bay: Hemingway’s ‘Up in Michigan.’” Hemingway Review 3, no. 2 (Spring 1984): 23–28.
Rao, E. Nageswara, p. 58.
Rao, P. G. Rama, pp. 44, 97, 163.
Reynolds (The Paris Years), pp. 37, 98, 169.
Reynolds (Young H), pp. 95, 246–47.
Smith, pp. 3–7.
Smith, Paul. “Three Versions of ‘Up in Michigan.’” Resources for American Literary Study 15, no. 2 (Autumn 1985): 163–77.
Spenka, James Leo. “A Long Look at Hemingway’s ‘Up in Michigan.’” Arizona Quarterly 39 (1983): 111–21.
Swartzlander, Susan. “Uncle Charles in Michigan.” Hemingway’s Neglected Short Fiction: New Perspectives. Ed. Susan F. Beegel. Ann Arbor: UMI Research Press, 1989: 31–42.
Wagner (Inventors/Masters), pp. 30, 63.
Whitlow, pp. 83–86, 93.
Wilkinson, p. 78.
(106) A Very Short Story (“Chapter X” from in our time; “One hot evening in Milan”)
(1923/Spring 1924/in our time/IOT, CS)
Brian, p. 29.
Capellan, pp. 69, 80.
Cappel, p. 115.
Cooper, pp. 32–33.
Donaldson, p. 145.
Donaldson, Scott. “‘A Very Short Story’ as Therapy.” Hemingway’s Neglected Short Fiction: New Perspectives. Ed. Susan F. Beegel. Ann Arbor: UMI Research Press, 1989: 99–106.
Flora (Nick Adams), pp. 105, 132, 213.
Flora (Short Fiction), pp. 30, 61, 62.
Grimes, pp. 35, 42, 45.
Kert, p. 131.
Meyers (A Biography), pp. 40–41, 147, 199, 506.
Phillips, p. 84.
Rao, P. G. Rama, pp. 46, 123, 162, 165, 175–77.
Reynolds (H’s First War), pp. 181, 216, 280.
Reynolds (The Paris Years), pp. 126, 270.
Smith, pp. 25–29.
Villard and Nagel, pp. 264–65.
Williams, pp. 30, 32, 33, 36, 65, 106.
(107) A Way You’ll Never Be
(1932/October 27, 1933/Winner Take Nothing/CS, NA)
Bakker, p. 6.
Brenner, pp. 53, 75.
Brian, p. 200.
Capellan, p. 80.
Cappel, pp. 109, 200.
Cooper, pp. 3, 24, 25, 90.
Donaldson, pp. 126, 137.
Flora (Nick Adams), pp. 110, 111, 113, 123–40, 149, 154, 156, 216, 237, 252, 255. Gaggin, pp. 65–66.
Grimes, pp. 35, 64–67, 68, 78, 120, 122.
Holcombe, Wayne C. “Philip Young or Youngerdunger?” Hemingway Review 5, no. 2 (Spring 1986): 24–33.
Johnston, Kenneth G. “ ‘A Way You’ll Never Be’: A Mission of Morale.” Studies in Short Fiction 23 (Fall 1986): 429–35. (Reprinted in The Tip of the Iceberg: Hemingway and the Short Story. Greenwood, Fla.: Penkevill, 1987: 171–79.)
Kert, p. 250.
Lynn, pp. 405, 408.
Meyers (A Biography), pp. 29–30, 229, 245, 258, 289.
Nelson (H, Expressionist Artist), pp. 23, 27, 34, 46, 68.
Rao, P. G. Rama, pp. 40, 45, 94.
Reynolds (H’s First War), p. 172.
Reynolds (The Paris Years), p. 127.
Rovit and Brenner, pp. 63–64.
Smith, pp. 268–76.
Sojka, pp. 34, 80, 86, 96.
Unfried, pp. 29–31.
Villard and Nagel, p. 265.
Wagner (Inventors/Masters), pp. 69–71.
Williams, pp. 98–99.
(108) Wine of Wyoming
(1929–1930/August 1930/Scribner’s Magazine/MTV, CS)
Brenner, pp. 20, 53.
Flora (Nick Adams), pp. 14, 16, 210, 218, 223–35, 236, 237, 241, 245, 248, 249, 260, 262.
Flora (Short Fiction), pp. 65–66.
Johnston, Kenneth G. “Hemingway’s ‘Wine of Wyoming’: Disappointment in America.” Western American Literature 11 (November 1974): 159–67. (Revised as “‘Wine of Wyoming’: Disappointment in America,” and reprinted in The Tip of the Iceberg: Hemingway and the Short Story. Greenwood, Fla.: Penkevill, 1987: 147–58.)
Kobler, p. 42.
Martin, Lawrence H., Jr. “Crazy in Sheridan: Hemingway’s ‘Wine of Wyoming’ Reconsidered.” Hemingway Review 8, no. 1 (Fall 1988): 13–25.
Nelson (H, Expressionist Artist), p. 45.
Putnam, Ann. “‘Wine of Wyoming’ and Hemingway’s Hidden West.” Western American Literature 22, no. 1 (May 1987): 17–32.
Smith, pp. 217–22.
Stoneback, H. R. “‘Mais Je Reste Catholique’: Communion, Betrayal, and Aridity in ‘Wine of Wyoming.’” Hemingway’s Neglected Short Fiction. Ann Arbor: UMI Research Press, 1989: 209–24.
Williams, pp. 101–2.
B. Posthumously Published: Apprenticeship Fiction, Fragments, Parts of Longer Manuscripts Published as Short Stories
(1a) An African Story (part of unfinished novel)
( . . . /1987/Finca Vigía/ . . . )
(2A) The Ash Heel’s Tendon—A Story
(1930/August 1985/New York Times Magazine/ . . . )
Griffin, pp. 174–80 (story plus brief comment).
Reynolds (Young H), pp. 91–93, 218.
(6a) Black Ass at the Crossroads
(1956/1987/Finca Vigía . . . )
Flora (Short Fiction), pp. 102–4.
(29a) Crossroads—An Anthology
(1919/August 1985/New York Times Magazine/ . . . )
Griffin, pp. 124–27 (story plus brief comment).
Reynolds (The Paris Years), p. 251.
(31) Crossing the Mississippi (fragment)
( . . . /1972/The Nick Adams Stories/ . . . )
Capellan, p. 80.
Dahiya, p. 46.
Flora (Nick Adams), pp. 176–78, 266.
Unfried, p. 24.
(31a) The Current—A Story
(1921/September 1985/Along with Youth/ . . . )
Griffin, pp. 200–209 (story plus brief comment).
(45) Great News from the Mainland
(ca. 1955/1987/Finca Vigía/ . . . )
Flora (Short Fiction), pp. 107–8.
(49) I Guess Everything Reminds You of Something
(ca. 1955/1987/Family/Circle/FV)
Flora (Short Fiction), pp. 105–7.
Meyers (A Biography), pp. 291–92.
(54) (The Indians Moved Away (fragment)
. . . /1972/The Nick Adams Stories/ . . . )
Capellan, p. 79.
Dahiya, p. 34.
Flora (Nick Adams), pp. 32–34, 35.
Unfried, p. 16.
Williams, p. 106.
(58) Landscape with Figures
(1938/1987/Finca Vigía/ . . . )
(59) The Last Good Country (part of unfinished novel)
(1952–58/1972/The Nick Adams Stories/FV)
Capellan, p. 112.
Dahiya, pp. 44, 45.
Donaldson, pp. 83, 291.
Flora (Nick Adams), pp. 15, 43, 53–54, 69, 253–79.
Gaggin, pp. 26, 88.
Grimes, pp. 59–60.
Johnson, David R. “‘The Last Good Country’: Again the End of Something.”
Fitzgerald-Hemingway Annual (1979): 363–70.
Lerfald, Robert Allan. “Hemingway’s Search for the Sacred: A Study of the Primitive Rituals of a Twentieth-Century American Adam.” DAI 37 (1977): 7752A (University of Minnesota).
Lynn, pp. 56–58, 322.
Meyers (A Biography), pp. 10, 15, 435.
Reynolds (Young H), pp. 51, 72, 141.
Sojka, pp. 75, 76.
Spanier, Sandra Whipple. “Hemingway’s ‘The Last Good Country’ and the Catcher in the Rye: More than a Family Resemblance.” Studies in Short Fiction 19 (1982): 35–43.
Spilka, Mark. “Original Sin in ‘The Last Good Country’: Or, The Return of Catherine Barkley.” The Modernists: Studies in a Literary Phenomenon. Eds. Lawrence B. Gamache and Ian S. MacNiven. Rutherford, N.J.: Fairleigh Dickinson University Press, 1987: 210–33.
Unfried, pp. 20–24.
Williams, pp. 105–6.
(62a) The Mercenaries—A Story
(1919/August 1985/New York Times Magazine/ . . . )
Flora (Short Fiction), p. 101.
Gladstein, Mimi Reisel. “‘The Mercenaries’: A Harbinger of Vintage Hemingway.” Hemingway’s Neglected Short Fiction. Ed. Susan F. Beegel. Ann Arbor: UMI Research Press, 1989: 19–30.
Griffin, pp. 104 (story plus brief comment).
Lynn, pp. 111–12.
Reynolds (Young H), pp. 125–27.
(70) Night Before Landing (fragment from unfinished novel, Along with Youth: A Novel)
(1925/1972/The Nick Adams Stories/ . . . )
Capellan, p. 250.
Dahiya, pp. 45, 47, 51.
Donaldson, p. 137.
Flora (Short Stories), pp. 60, 110–13, 129, 131, 132.
Grimes, p. 61.
Meyers (A Biography), pp. 311, 372.
Unfried, pp. 24–25.
Wagner (Inventors/Masters), pp. 90–91, 96.
(75) On Writing (part of “Big Two-Hearted River” manuscript)
(1924/1972/The Nick Adams Stories/ . . . )
Broer, Lawrence. “Hemingway’s ‘On Writing’: A Portrait of the Artist as Nick Adams.” Hemingway’s Neglected Short Fiction. Ed. Susan F. Beegel. Ann Arbor: UMI Research Press, 1989: 131–40.
Gaggin, p. 26.
Giger, p. 21.
Phillips, p. 98.
Reynolds (The Paris Years), p. 40.
Svoboda, p. 18.
Unfried, pp. 39–41.
Wagner (Inventors/Masters), p. 57.
(80a) The Porter (part of unfinished novel)
( . . . /1987/ . . . Finca Vigía/ . . . )
(80b) Portrait of the Idealist in Love—A Story
(1921/September 1985/Along With Youth/ . . . )
Griffin, pp. 161–64 (story plus brief comment).
(89a) The Strange Country (part of unfinished novel)(ca. 1950/1987/Finca Vigía/ . . . )
Flora, Joseph M. “Hemingway’s ‘The Strange Country’ in the Context of The Complete Short Stories.” Studies in Short Fiction 25 (Fall 1988): 409–20.
(90) Summer People
(1924/1972/The Nick Adams Stories/FV)
Donaldson, pp. 145–46, 178.
Flora (Nick Adams), pp. 8, 53, 181–87, 188, 189, 191, 194, 211, 273.
Griffin, pp. 131–33.
Griffin, Peter M. “A Substantive Error in the Text of Ernest Hemingway’s ‘Summer People.’” American Literature: A journal of Literary History, Criticism and Bibliography 50 (1978): 471–73.
Kert, p. 46.
Lindholdt, Paul J. “Ernest Hemingway’s ‘Summer People’: More Textual Errors and a Reply.” Studies in Short Fiction 20 (1983): 319–20.
Lynn, pp. 128–29.
Meyers (A Biography), pp. 23, 217.
Reynolds (The Paris Years), pp. 229–31, 252.
Reynolds (Young H), pp. 123–24.
Unfried, pp. 38–39.
Williams, p. 106.
(93) Three Shots (part of “Indian Camp” manuscript)
(1924/1972/The Nick Adams Stories/ . . . )
Capellan, p. 97.
Dahiya, pp. 23, 25, 28, 29, 33, 48.
Flora (Short Fiction), pp. 31–32, 117, 130.
Grimes, pp. 2, 55–56, 57, 118, 121.
Meyers (A Biography), p. 15.
Sojka, pp. 74, 78.
Unfried, pp. 11–12.
(95a) A Train Trip (part of unfinished novel)
( . . . /1985/Finca Vigía/ . . . )
(107a) A Wedding Day
( . ? . /1972/The Nick Adams Stories/ . . . )
Flora (Nick Adams), pp. 188–89, 194, 212, 218.
Kert, pp. 102–3.
C. Tentative List of Unpublished Sketches and Stories (with Kennedy Library item number)
(241a) “An American citizen not yet thirty-five years old . . .”
ms, 12 pp., signed [sketch of life in Paris]
(252) “As Alice came walking down the road . . .”
ts, 4 pp. [satiric sketch on New Deal]
(260) “At one o’clock in the morning . . .”
ms, 8 pp. [unfinished sketch of World War I soldier dying of pneumonia in hospital]
Griffin, pp. 95–96.
(265a) The Autobiography of Alice B. Hemingway
ts, 6 pp. [seriocomic response to Stein’s AABT]
(340–41) Crime and Punishment
ms, 11 pp. [experimental episodic story, after 1927]
(351) Culture Hour at the Floridita
ms, 7 pp. [bar in Havana, cruise ships]
(356–563) “The day we drove back from Nancy to Paris . . .”
ts, 12 pp. [WW II story]
(360–628) Death of the Standard Oil Man
ms. fragments, see also 397, 518, 526, 847. [various drafts, sections, etc. for a story on characters in Constantinople, 1922]
(407a) Fragments from Ernest von Hemingstein’s Journal
ts, 5 pp. [humorous sketch of writers in Paris]
(435a) The Great Black Horse
ms, ts, 11 pp. [fable, 1950s; part in Adriana Ivancich’s hand]
(445) “He had known he would not get up . . .”
ms, 17 pp.
Griffin, pp. 222—25.
Lynn, pp. 130–31.
(477–5) The Home Front
ts, 6 pp.
Meyers (A Biography), p. 256.
(496–96) Indian Country and the White Army
ts, 19 pp. [World War II story]
(529a) James Allen lived in a studio . . .
ms, 45 pp. [the beginning of a novel manuscript about a writer in Paris at the time he is divorcing his wife]
Meyers, (A Biography), pp. 178, 557.
(532) “John Wesley Marvin was hulked . . .”
ms, 4 pp., see also 286a [high school fighting story]
Reynolds (The Young H), pp. 57–58.
(538–41) A Lack of Passion
Capellan, p. 203.
Meyers (A Biography), p. 230.
Reynolds (The Paris Years), p. 260.
(541b) Landscape with Figures
ts, 33 pp. [complete Civil War story]
Flora (Short Fiction), pp. 96–98.
(546a) “Lawrence lived alone comfortably . . .”
ts, 2 pp. [possibly incomplete sketch, Paris literary figure]
(575a) The Mink Jacket
[full sketch, dated January 12, 1951, not described in catalog]
(580–80a) The Monument
ts, 14 pp. [World War II story]
Meyers (A Biography), pp. 346, 401.
(604) “Nick lay in be
d in the hospital . . .”
ms, 4 pp. [unfinished sketch, wounded World War I, with soldier and nurse]
Griffin, p. 95.
Reynolds (The Young H), pp. 33–34.
(634) “One night Frankie and Johnnie Clinton . . .”
ts, 11 pp. [in six installments, early story (1919–21) intended for magazine like St. Nicholas]
(648a) Philip Haines was a writer . . .
ms, 31 pp. [related to 529a, beginning of a novel about a married couple in Paris getting a divorce]
Meyers (A Biography), pp. 178–79.
(648b) Philip Haines was a writer . . .
ms, 29 pp. [gathering of disconnected fragments related to 529a and 648a]
(660) Portrait of Three or the Paella
ms, 10 pp. [sketch of picnic, ca. 1931, with Stanley Franklin and bullfighters]
(670a–b) “Red Smith lay on a cot . . .” (The Visiting Team)
ts, 17 pp. [Chicago story, 1919–21]
(673–74) A Room on the Garden Side
ts, 11 pp. [Ritz Hotel in Paris, World War II]
(692a–b) The Shot
ms, 9 pp. [hunting with children, Cuba]
(714) Spain
ms, 10 pp. [three sketches, each titled Spain; Pamplona with Hadley]
(828) “When I was a boy I answered advertisements . . .”
ms, 11 pp. [“framed letter” story (cp. One Reader Writes), including the letter from Mark Schorer/EH July 30, 1929]
Griffin, pp. 123–24.
Reynolds (The Young H), pp. 58–59.
Svoboda, pp. 33, 35.
(843–44) The Woppian Way (The Passing of Pickles McCarty)
ts, 17 pp. [1919 story]
Griffin, pp. 123–24.
Meyers (A Biography), p. 50.
Reynolds (The Young H), pp. 58–59, 89, 237, 254, 265.
Svoboda, pp. 33, 35.
(859) “You think it is pretty hot playing football . . .”
ms. fragments, 10 pp. [high school story (1916)]
Notes and References
Debra A. Moddelmog, “The Unifying Consciousness of a Divided Conscience: Nick Adams as Author of In Our Time”
1 The Nick Adams Stories (New York: Scribner’s, 1972). All references to this work are to the Bantam edition (1973) and are designated NAS in the text.
2 Philip Young, for instance, asserts that "the ‘he,’ the consciousness of the piece, shifts from Nick to Hemingway back to Nick again"—"‘Big World Out There’: The Nick Adams Stories," in The Short Stories of Ernest Hemingway: Critical Essays, ed. Jackson J. Benson (Durham, N.C.: Duke University Press, 1975), p. 31. Paul Smith also criticizes this passage, citing as its most incriminating sentence: "He, Nick, had wanted to write about country so it would be there like Cézanne had done it in painting" (NAS, 218). Smith maintains that the unnecessary appositive here emphasizes the "autobiographical character" of this ending: "it is as if [Hemingway] had to remind himself he was writing a work of fiction"—"Hemingway’s Early Manuscripts: The Theory and Practice of Omission," Journal of Modern Literature 10 (1983): 282.