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Complete Fictional Works of Washington Irving (Illustrated)

Page 227

by Washington Irving


  An 1822 depiction of the opening scene of the opera ‘Der Freischütz’

  CONTENTS

  CHARACTERS OF THE PLAY

  ACT I, SCENE I

  ACT I, SCENE II

  ACT I, SCENE III

  ACT II, SCENE I

  ACT II, SCENE II

  ACT III, SCENE I

  ACT III, SCENE II

  ACT III, SCENE III

  LAST SCENE — AFTER GRAND CHORUS

  A scene from the Second Act

  CHARACTERS OF THE PLAY

  Albert, a young huntsman, in love with Bertha

  Andreas, a foolish, boasting peasant

  Conrad, Head-Ranger to the Duke

  Christopher, an innkeeper Marian, Christopher’s daughter

  Caspar, who has bargained with Satan

  Bertha, Conrad’s daughter, in love with Albert

  Nina, Bertha’s sprightly confidante

  Urian, The Wild Huntsman (Satan)

  The Hermit

  The Duke

  Various Hunters and Peasants

  The action takes place in Bohemia, in the second half of the eighteenth century

  ACT I, SCENE I

  ENTER HUNTERS, ETC.

  [Scene shows a forest glade, with an inn]

  All

  Huzza, huzza! It’s done! Andreas forever! Huzza for the King of Sharpshooters!

  Albert

  Confusion! Vanquished again; and by that braggart Andreas! — (Strikes his forehead. Andreas comes forward with a swaggering air, followed by the crowd).

  CHORUS — VICTORIA, ETC.

  Albert

  Am I then blind? Or has this arm lost all its steadiness? Sure — sure I never took a better aim — and yet continually to miss — (Rises and crosses the stage).

  PROCESSION AND MARCH

  SONG

  Andreas

  Look at me and know your King,

  Sir, I’m the lad a bird to wing, Sir.

  Doff your hat, man, ’tis the law —

  Tell me, will you? ha-ha-ha!

  Star on breast and plume in bonnet,

  I’m the lad that shot and won it.

  Doff your hat then; ’tis the law —

  What, have you won? ha-ha-ha!

  Mighty Sir, excuse our joking,

  Ne’er to hit is quite provoking.

  You, who hit whate’er you saw,

  Quite chapfallen — ha-ha-ha!

  OR THIS

  Mighty Sir, excuse our grinning;

  You’re the lad were sure of winning.

  Never missed whate’er you saw!

  Never? tell me — ha-ha-ha!

  Albert

  (Springing up and seizing Andreas by the collar)

  This is not to be endured. Do you dare then to insult me, Sirrah?

  Andreas

  ‘S-blood, man, stand off! Can’t ye take a joke and behanged to ye? (Scuffle and tumult of the hunters, peasants, etc.).

  Christopher

  (Scrambling out of the affray)

  To it boys — to it boys! — support the King, support the King of Sharpshooters!

  ENTER CONRAD AND HUNTERS

  Conrad

  Hey! What’s all this? What! thirty upon one? For shame! for shame! Ah, you’re here, Master Andreas, are you? Ah then it’s no wonder. Wherever you are there’s sure to be uproar and mischief. But Albert too! What does this mean?

  Christopher

  Nothing but sport, Sir — nothing but sport. All in good humour. The lads have been shooting at the target — for the yearly prize. Andreas has won, so we are greeting him as King for the year, according to custom; and as Albert has missed every turn, why, according to custom we were joking him a little, you know; but all in good humour — all in good humour.

  Andreas

  Yes, but some people can’t take a joke; that’s all. Some people can’t bear being cut out; that’s all. Plague on’t, where’s the use of getting into a passion? I don’t get into a passion.

  Christopher

  Not when you win — that’s pretty clear.

  Andreas

  And then if one is a better marksman, where’s the use of quarreling with him about it? I can’t help it if I am a better shot; that’s all; consequentially —

  Conrad

  What do I hear? Who has missed every shot? Not Albert, surely. What! and surpassed by Andreas! It cannot be.

  Andreas

  Maybe not — maybe not — maybe one cannot shoot at all. Maybe one cannot hit a mark —— ask him yourself; that’s all — ask him yourself; but don’t joke, or you’ll put the gentleman in a passion; that’s all.

  Conrad

  Why Albert, is this true?

  Albert

  It is indeed too true. I have been continually unsuccessful.

  Caspar

  (Aside)

  Urian has kept his word! The magic spell acts bravely.

  Conrad

  Can it be possible? What! you, the surest marksman of the forest then to fail! But now I bethink me — you have not sent a single head of game to the Forest House for many days What means this sudden change?

  Albert

  Indeed I know not; it seems as if all skill had left me. I feel cast down, disheartened.

  Christopher

  Ods-blood! Master Albert the case is plain —— thou’rt spellbound. Some one has been practicing witchcraft on thee. Thou’rt spellbound, as sure as thou’rt alive.

  Conrad

  A truce, good Christopher, to all such nonsense!

  Christopher

  Nonsense? Nay, nay, Master Grand Forester, there’s more truth in these matters than you think for. My good old grandmother who lived all her life in these forests, has told me many a story about the spells that used to be laid upon hunters to make them miss their aim. And then who has not heard of the Wild Huntsman!

  Several Peasants

  Ah, the Wild Huntsman! What of him?

  Christopher

  Hush! whisht! — Be quiet, can’t ye! Is this a time and place to be gabbling so loud about him? Who knows but he is at your elbow this very moment.

  A Hunter

  But what of him, good Christopher? I know you have a thousand stories to tell about him.

  Christopher

  But I’m in no story telling mood, look ye — or I might tell you how I have heard him scouring through the woods like a storm at midnight; and clattering along in the air, with whoop and hound and horse. Well — well — be he what he may — goblin or wizard — they say he casts spells upon all that displease him, and gives magic balls to his favorites.

  A Hunter

  Magic balls! What are they?

  Christopher

  Why — balls that never miss the mark, be it ever so far off. But then they say he always gives one ball that flies where he pleases, and does mischief.

  Caspar

  Old wives’ gossip! The slanders of bad marksmen, with which they seek to deny the skill of their betters. A quick eye and a steady aim — that’s your only witchcraft.

  Conrad

  Enough of all this prattle! But hearken, my good Albert — this sudden loss of skill distresses me. Recollect, tomorrow you shoot before the Duke for the place of Ranger of the Forest. I have staked my judgment on your success. Nay more, in my confidence in your skill I have consented that your marriage with my daughter should immediately follow. Have a care then, Albert. Remember that I hold a place which from earliest days has been hereditary in my family. I never can give my daughter’s hand to any but the man who is to follow me in office. Tomorrow will determine whether or not you are that man. Should you fail tomorrow — think it not hard — but it is impossible the marriage should take place.

  Albert

  Tomorrow! Tomorrow! Is then my future, my love, my happiness, all cast upon one chance —— and I so luckless!

  Conrad

  I feel for you, my son. Would I had not been so confident. Would that we could put the trial off until this singular spell
of ill fortune were past. But the Duke is punctilious and would think we trifled with him. (Encouraging with cheery manner) — Rouse thee then, Albert; shake off this heartless desponding mood, which is the whole cause of thy ill luck; rouse thee and be thyself, and the event is certain! And now, brother Huntsmen, remember — the place of rendezvous for tomorrow’s hunt is in the meadow by the mill. His Grace will be there by sunrise — we’ll show him sport, I’ll warrant; and make the forest echo with the music of our horns. chorus Conrad Now let’s away! Albert, we’ll go together. Come, be of good heart, man — courage and success go hand in hand. (Exeunt Conrad and Albert).

  A Peasant

  A worthy gentleman as ever breathed is our Grand Forester.

  Christopher

  Why, yes — a worthy kind of dry virtuous man; but I don’t altogether relish your men of dry virtue — they’re bad customers to us publicans. Give me a moist spongy old age that soaks up good liquor by the flaggon — that’s the kind of virtue to thrive by.

  Marian

  Oh Father, but then the Grand Forester’s daughter, Miss Bertha — what an angel she is — so kind and affable — and so fond of Mr. Albert too!

  Caspar

  Aye, there’s more of that witchcraft that your father prated about. For sure the girl’s bewitched to dote on such a spark as Albert — a smooth-tongued Sir that takes the lead of all the stout lads of the forest, and yet when it comes to the test cannot hit a target.

  A Hunter

  Come, come, Master Caspar, there’s not a wittier fellow in all Bohemia. He is a favorite with us all — and till lately he was the very best of marksmen. Why he has failed, heaven only knows.

  Caspar

  (Aside)

  I might give a reason for that too perhaps.

  A Peasant

  Girl But we all know why Caspar is no friend of Albert.

  Marian

  Oh yes, ’twas because Bertha rejected you for Albert, Mr. Caspar! We’ve noticed that you’ve borne him a grudge ever since.

  Caspar

  Pish! out on your nonsense! (Aside, with bitterness) — Must I be constantly stung thus with sneers, twitted with women’s taunts? Sure, of all nettles, thorns and thistles there is no curse on earth so teasing to the soul as woman’s tongue! (Exit into the Inn).

  Andreas

  (Conies bustling forward)

  Come, no more of this snapping and wrangling. What the deuce! — am I to have nothing but brawling on the day of my coming to the Crown? Come lads and lasses — I’m king of the year and egad, will have a merry reign of it; so strike up music, every man to his partner, and hey for a dance to round all off cheerily.

  DANCE, ETC.

  EXEUNT. — ENTER CASPAR FROM THE INN

  Caspar Are they then gone? So — my spirit is free again. Curse on their piping and their dancing, their shallow, broad-mouthed merriment! Ever more music — ever more frolick — as if ‘twere done to mad me. And I must go about with civil look, but fretting festering heart — a cursed being in a happy world — a lost one — a hopeless crawler upon earth. No matter, — still I am on earth. Still, still I breathe this cooling air of heaven. Better be here, however bad, than elsewhere. But how to keep here — that’s the question. This very night my term of compact ends, and ere tomorrow’s sun this unknown being claims me for his own, unless I sooth him with another votary. Strange magic bond in which I have involved myself! Little did that dotard think when prating about magic spells, how near he touched upon the truth. The Wild Huntsman! Inexplicable being! Still he has kept his word, and Albert, spellbound by his arts, is driven to despair. Thus far my project thrives. Yes, yes, Albert is in the very state of mind that suits my purpose. Now to work on him, to tempt him to the scene of incantation and throw him into the Wild Huntsman’s power! But should he shun the snare! Then some other victim must be had — no time is to be lost. Why, a little wine and flattery will make an easy dupe of that poor [peasant, Andreas.]

  ACT I, SCENE II

  (A room in the village Inn — a round table and chairs. Andreas speaking from without)

  Andreas

  Come; come along my boys; I tell you it’s not too late. Ods-blood! a’nt! King of the Sharpshooters — and Ranger of the forest that is to be? (Banging at the door — pounding it open and swaggering into the room) — Who dares to set up doors to keep out jolly fellows?’S-blood! when I’m Upper Forester, as I mean to be in the fullness of time, we’ll have no doors in the forest.

  First Hunter

  Enough, good Andreas! Come, it’s getting late. Old Christopher will give us no more wine — and we must be home.

  Andreas

  Enough!’S-blood, man! it’s never enough while there’s penny in pouch and bottle in cellar.’S-blood, a’nt! King of Sharpshooters? Mustn’t I drink my rounds and bring all the Inns in my dominion into proper order? Damme, Sir, I mean to rule by drinking, and my court shall be composed of none but jolly red noses. Halloa! house! house! bottles! bottles! Full bottles, and behanged to ye!

  Second Hunter

  Well, well — one bottle more, Master Andreas; but it must be only one bottle. Recollect how far we have to go.

  Andreas

  To go? Who talks of going? Damme, if any man shall go in my dominions! Every man shall be carried. House! house! bottles! bottles, I say!

  ENTER MARIAN

  Marian

  What did you please to want, gentlemen?

  Andreas

  Want — gentlemen? No, my dear, we don’t want gentlemen, but we have no objection to ladies. So come, my pretty Marian, let’s have a taste of your quality. (Kisses her). Ods-blood! she smacks like her father’s own wine. Aye, and bounces too like a bottle of beer. Egad, I must have another taste! (She struggles).

  Marian

  Let me alone — let me alone, I say — you wild man of the woods!

  ENTER CHRISTOPHER, MARIAN’S FATHER

  Christopher

  Hoity toity! What’s all this? Who’s making such a riot in the house?

  Andreas

  Who? Why, the King of Sharpshooters, damme — going his rounds to taste all the old wine and young lips in the forest.

  Christopher

  What! is it you, Master Andreas?

  Andreas

  Me? — no, it’s not me — for they say I’m not myself today; but if I’m a man beside myself, why, damme, I must have double the quantity of wine. So bottles, bottles, old boy!

  Christopher

  Long life to you, Master Andreas — you shall have wine as long as there is a bottle in my cellar — (aside) — and a dollar in your pocket.

  Andreas

  And harkee, old slabber-chops — none of your damned thin cold Bohemian swampy stuff that lays a man’s heart under water; but the juice of real old fiery Hungarian grape — that kindles one up like touchwood.

  Christopher

  You shall have it — you shall have it, Master Andreas. I know how to treat a good customer. Here, Marian (gives her a key) — from the south side of the cellar. (Exit Marian). Ah, Master Andreas, good luck to you —— it did my heart good to see you carry off the prize today. I like to see jolly fellows succeed —— it all comes of good drinking — there’s nothing clears one’s sight like old wine.

  First Hunter

  Egad, I never heard that before!

  Christopher

  It makes one see double at least; and that comes to the same thing, I take it.

  Andreas

  ‘S-blood! old Kit’s right — and that’s another good reason for drinking hard tonight — that I may see better tomorrow. (Enter Marian with wine and glasses). So come, bumpers, bumpers! (Filling the glasses) — and here, old Kit, you shall be my taster, to show that there’s no poison.

  Christopher

  (Taking the glass)

  Ah, bless your jolly heart! Well, here’s success to you tomorrow!

  Hunters

  (Taking their glasses)

  Aye — success to Andreas!
r />   Andreas

  Thank you, my boys. ‘S-blood! if I become Ranger we’ll have rare times on’t. There’ll be a wet spell set in, I’ll warrant you.

  Christopher

  Well, I always wish success to good customers and jolly drinkers. I’ve no idea of these steady fellows, as they call men like Albert. Their virtue is a pitiful dry quality and no friend to us publicans.

  Andreas

  When I come to be Upper Forester, look you —— as I mean to be, now I’ve got my hand in — we’ll have no virtuous men in these parts — damme — none but jolly companions and hard drinkers. Come boys — a song! a song in praise of jolly old wine.

  GLEE

  (Caspar enters during the chorus and stands to one side observing them with malignant satisfaction)

  Caspar

  Aye, here’s my man! Just the proper vein, too — flush’d to the eyes with wine and vanity. Good evening, comrades. I hope there’s no intrusion. You’ve drawn me hither by your merriment, for, faith, you make the old forest ring again!

  Andreas

  Ah Caspar! — my cock of the woods. What! at your old tricks — owling in the dark? Come, sit down here, man.’S-blood! you shall drink, sup and let free, and for once be merry in honor of the King of Sharpshooters!

 

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