The Mirror Crack'd from Side to Side mm-8

by Agatha Christie

  'Well, you mustn't worry about it,' said Miss Knight, 'and you mustn't let it make you nervous in any way, because I'm sure it's nothing to do with us. But with all these American gangsters and things like that, well I suppose it's nothing to be surprised about.'

  'Somebody else has been killed,' said Miss Marple, 'is that it?'

  'Oh, that's very sharp of you, dear. I don't know what should put such a thing into your head.'

  'As a matter of fact,' said Miss Marple thoughtfully, 'I've been expecting it.'

  'Oh, really? exclaimed Miss Knight.

  'Somebody always sees something,' said Miss Marple, 'only sometimes it takes a little while for them to realize what it is they have seen. Who is it who's dead?'

  'The Italian butler. He was shot last night.'

  'I see,' said Miss Marple thoughtfully. 'Yes, very likely, of course, but I should have thought that he'd have realized before now the importance of what he saw -'

  'Really!' exclaimed Miss Knight, 'you talk as though you knew all about it. Why should he have been killed?'

  'I expect,' said Miss Marple, thoughtfully, 'that he tried to blackmail somebody.'

  'He went to London yesterday, they say.'

  'Did he now,' said Miss Marple, 'that's very interesting, and suggestive too, I think.'

  Miss Knight departed to the kitchen intent on the concoction of nourishing beverages. Miss Marple remained sitting thoughtfully till disturbed by the loud aggressive humming of the vacuum cleaner, assisted by Cherry's voice singing the latest favourite ditty of the moment, 'I Said To You and You Said To Me.'

  Miss Knight popped her head round the kitchen door.

  'Not quite so much noise, please, Cherry,' she said. 'You don't want to disturb Miss Marple, do you? You mustn't be thoughtless, you know.'

  She shut the kitchen door again as Cherry remarked, either to herself or the world at large, 'And who said you could call me Cherry, you old jelly-bag?' The vacuum continued to whine while Cherry sang in a more subdued voice. Miss Marple called in a high clear voice:

  'Cherry, come here a minute.'

  Cherry switched off the vacuum and opened the drawing-room door.

  'I didn't mean to disturb you by singing, Miss Marple.'

  'Your singing is much pleasanter than the horrid noise that vacuum makes,' said Miss Marple, 'but I know one has to go with the times. It would be no use on earth asking any of you young people to use the dustpan and brush in the old-fashioned way.'

  'What, get down on my knees with a dustpan and brush?' Cherry registered alarm and surprise.

  'Quite unheard of, I know,' said Miss Marple. 'Come in and shut the door. I called you because I wanted to talk to you.'

  Cherry obeyed and came towards Miss Marple looking inquiringly at her.

  'We've not much time,' said Miss Marple. 'That old – Miss Knight I mean – will come in any moment with an egg drink of some kind.'

  'Good for you, I expect. It'll pep you up,' said Cherry encouragingly.

  'Had you heard,' asked Miss Marple, 'that the butler at Gossington Hall was shot last night?'

  'What, the wop?' demanded Cherry.

  'Yes. His name is Giuseppe, I understand.'

  'No,' said Cherry, 'I hadn't heard that. I heard that Mr Rudd's secretary had a heart attack yesterday, and somebody said she was actually dead – but I suspect that was just a rumour. Who told you about the butler?'

  'Miss Knight came back and told me.'

  'Of course I haven't seen anyone to speak to this morning,' said Cherry, 'not before coming along here. I expect the news has only just got round. Was he bumped off?' she demanded.

  'That seems to be assumed,' said Miss Marple, 'whether rightly or wrongly I don't quite know.'

  'This is a wonderful place for talk,' said Cherry. 'I wonder if Gladys got to see him or not,' she added thoughtfully.

  'Gladys?'

  'Oh, a sort of friend of mine. She lives a few doors away. Works in the canteen at the studios.'

  'And she talked to you about Giuseppe?'

  'Well, there was something that struck her as a bit funny and she was going to ask him what he thought about it. But if you ask me it was just an excuse – she's a bit sweet on him. Of course he's quite handsome and Italians do have a way with them – I told her to be careful about him, though. You know what Italians are.'

  'He went to London yesterday,' said Miss Marple, 'and only returned in the evening I understand.'

  'I wonder if she managed to get to see him before he went.'

  'Why did she want to see him, Cherry?'

  'It was just something which she felt was a bit funny,' said Cherry.

  Miss Marple looked at her inquiringly. She was able to take the word 'funny' at the valuation it usually had for the Gladyses of the neighbourhood.

  'She was one of the girls who helped at the party there,' explained Cherry. 'The day of the fête. You know, when Mrs Badcock got hers.'

  'Yes?' Miss Marple was looking more alert than ever, much as a fox terrier might look at a waiting rat-hole.

  'And there was something that she saw that struck her as a bit funny.'

  'Why didn't she go to the police about it?'

  'Well, she didn't really think it meant anything, you see,' explained Cherry. 'Anyway she thought she'd better ask Mr Giuseppe first.'

  'What was it that she saw that day?'

  'Frankly,' said Cherry, 'what she told me seemed nonsense! I've wondered, perhaps, if she was just putting me off – and what she was going to see Mr Giuseppe about was something quite different."

  "What did she say?' Miss Marple was patient and pursuing.

  Cherry frowned. 'She was talking about Mrs Badcock and the cocktail and she said she was quite near her at the time. And she said she did it herself.'

  'Did what herself?'

  'Spilt her cocktail all down her dress, and ruined it.'

  'You mean it was clumsiness?'

  'No, not clumsiness. Gladys said she did it on purpose – that she meant to do it. Well, I mean, that doesn't make sense, does it, however you look at it?'

  Miss Marple shook her head, perplexed. 'No,' she said. 'Certainly not – no, I can't see any sense in that.'

  'She'd got on a new dress too,' said Cherry. 'That's how the subject came up. Gladys wondered whether she'd be able to buy it. Said it ought to clean all right but she didn't like to go and ask Mr Badcock herself. She's very good at dressmaking, Gladys is, and she said it was lovely stuff. Royal blue taffeta; and she said even if the stuff was ruined where the cocktail stained it, she could take out a seam – half a breadth say – because it was one of those full skirts.'

  Miss Marple considered this dressmaking problem for a moment and then set it aside.

  'But you think your friend Gladys might have been keeping something back?'

  'Well, I just wondered because I don't see if that's all she saw – Heather Badcock deliberately spilling her cocktail over herself – I don't see that there'd be anything to ask Mr Giuseppe about, do you?'

  'No, I don't,' said Miss Marple. She sighed. 'But it's always interesting when one doesn't see,' she added. 'If you don't see what a thing means you must be looking at it wrong way round, unless of course you haven't got full information. Which is probably the case here.' She sighed. 'It's a pity she didn't go straight to the police.'

  The door opened and Miss Knight bustled in holding a tall tumbler with a delicious pale yellow froth on top.

  'Now here you are, dear,' she said, 'a nice little treat. We're going to enjoy this.'

  She pulled forward a little table and placed it beside her employer. Then she turned a glance on Cherry. 'The vacuum cleaner,' she said coldly, 'is left in a most difficult position in the hall. I nearly fell over it. Anyone might have an accident.'

  'Right-ho,' said Cherry. 'I'd better get on with things.'

  She left the room.

  'Really,' said Miss Knight, 'that Mrs Baker! I'm continually having to speak to her about something or
other. Leaving vacuum cleaners all over the place and coming in here chattering to you when you want to be quiet.'

  'I called her in,' said Miss Marple. 'I wanted to speak to her.'

  'Well, I hope you mentioned the way the beds are made,' said Miss Knight. 'I was quite shocked when I came to turn down your bed last night. I had to make it all over again.'

  'That was very kind of you,' said Miss Marple.

  'Oh, I never grudge being helpful,' said Miss Knight. 'That's why I'm here, isn't it. To make a certain person we know as comfortable and happy as possible. Oh dear, dear,' she added, 'you've pulled out a lot of your knitting again.'

  Miss Marple leaned back and closed her eyes. 'I'm going to have a little rest,' she said. 'Put the glass here – thank you. And please don't come in and disturb me for at least three-quarters of an hour.'

  'Indeed I won't, dear,' said Miss Knight. 'And I'll tell that Mrs Baker to be very quiet.'

  She bustled out purposefully.

  II

  The good-looking young American glanced round him in a puzzled way.

  The ramifications of the housing estate perplexed him.

  He addressed himself politely to an old lady with white hair and pink cheeks who seemed to be the only human being in sight.

  'Excuse me, m'am, but could you tell me where to find Blenheim Close?'

  The old lady considered him for a moment. He had just begun to wonder if she was deaf, and had prepared himself to repeat his demand in a louder voice, when she spoke.

  'Along here to the right, then turn left, second to the right again, and straight on. What number do you want?'

  'No. 16.' He consulted a small piece of paper. 'Gladys Dixon.'

  'That's right,' said the old lady. 'But I believe she works at the Hellingforth Studios. In the canteen. You'll find her there if you want her.'

  'She didn't turn up this morning,' explained the young man. 'I want to get hold of her to come up to Gossington Hall. We're very shorthanded there today.'

  'Of course,' said the old lady. 'The butler was shot last night, wasn't he?'

  The young man was slightly staggered by this reply.

  'I guess news gets round pretty quickly in these parts,' he said.

  'It does indeed,' said the old lady. 'Mr Rudd's secretary died of some kind of seizure yesterday, too, I understand.' She shook her head. 'Terrible. Quite terrible. What are we coming to?'

  Chapter 20

  I

  A little later in the day yet another visitor found his way to 16 Blenheim Close. Detective-Sergeant William (Tom) Tiddler.

  In reply to his sharp knock on the smart yellow painted door, it was opened to him by a girl of about fifteen. She had long straggly fair hair and was wearing tight black pants and an orange sweater.

  'Miss Gladys Dixon live here?'

  'You want Gladys? You're unlucky. She isn't here.'

  'Where is she? Out for the evening?'

  'No. She's gone away. Bit of a holiday like.'

  'Where's she gone to?'

  'That's telling,' said the girl.

  Tom Tiddler smiled at her in his most ingratiating manner. 'May I come in? Is your mother at home?'

  'Mum's out at work. She won't be in until half past seven. But she can't tell you any more than I can. Gladys has gone off for a holiday.'

  'Oh, I see. When did she go?'

  'This morning. All of a sudden like. Said she'd got the chance of a free trip.'

  'Perhaps you wouldn't mind giving me her address.'

  The fair-haired girl shook her head. 'Haven't got an address,' she said. 'Gladys said she'd send us her address as soon as she knew where she was going to stay. As like as not she won't though,' she added. 'Last summer she went to Torquay and never sent us as much as a postcard. She's slack that way and besides, she says, why do mothers have to bother all the time?'

  'Did somebody stand her this holiday?'

  'Must have,' said the girl. 'She's pretty hard up at the moment. Went to the sales last week.'

  'And you've no idea at all who gave her this trip or – er – paid for her going there?'

  The fair girl bristled suddenly.

  'Now don't get any wrong ideas. Our Gladys isn't that sort. She and her boyfriend may like to go to the same place for holidays in August, but there's nothing wrong about it. She pays for herself. So don't you get ideas, mister.'

  Tiddler said meekly that he wouldn't get ideas but he would like the address if Gladys Dixon should send a postcard.

  He returned to the station with the result of his various inquiries. From the studios, he had learnt that Gladys Dixon had rung up that day and said she wouldn't be able to come to work for about a week. He had also learned some other things.

  'No end of a shemozzle there's been there lately,' he said. 'Marina Gregg's been having hysterics most days. Said some coffee she was given was poisoned. Said it tasted bitter. Awful state of nerves she was in. Her husband took it and threw it down the sink and told her not to make so much fuss.'

  'Yes?' said Craddock. It seemed plain there was more to come.

  'But word went round as Mr Rudd didn't throw it all away. He kept some and had it analysed and it was poison.'

  'It sounds to me,' said Craddock, 'very unlikely. I'll have to ask him about that.'

  II

  Jason Rudd was nervous, irritable.

  'Surely, Inspector Craddock,' he said, 'I was only doing what I had a perfect right to do.'

  'If you suspected anything was wrong with that coffee, Mr Rudd, it would have been much better if you'd turned it over to us.'

  'The truth of it is that I didn't suspect for a moment that anything was wrong with it.'

  'In spite of your wife saying that it tasted odd?'

  'Oh, that!' A faintly rueful smile came to Rudd's face. 'Ever since the date of the fête everything that my wife has eaten or drunk has tasted odd. What with that and the threatening notes that have been coming '

  'There have been more of them?'

  'Two more. One through the window down there. The other one was slipped in the letter-box. Here they are if you would like to see them.'

  Craddock looked. They were printed, as the first one had been. One ran:

  "It won't be long now. Prepare yourself."

  The other had a rough drawing of a skull and crossbones and below it was written:

  "This means you, Marina."

  Craddock's eyebrows rose.

  'Very childish,' he said.

  'Meaning you discount them as dangerous?'

  'Not at all,' said Craddock. 'A murderer's mind usually is childish. You've really no idea at all, Mr Rudd, who sent these?'

  'Not the least,' said Jason. 'I can't help feeling it's more like a macabre joke than anything else. It seemed to me perhaps -' he hesitated.

  'Yes, Mr Rudd?'

  'It could be somebody local, perhaps, who – who had been excited by the poisoning on the day of the fête. Someone perhaps, who has a grudge against the acting profession. There are rural pockets where acting is considered to be one of the devil's weapons.'

  'Meaning that you think Miss Gregg is not actually threatened? But what about this business of the coffee?'

  'I don't even know how you got to hear about that,' said Rudd with some annoyance.

  Craddock shook his head.

  'Everyone's talked about that. It always comes to one's ears sooner or later. But you should have come to us. Even when you got the result of the analysis you didn't let us know, did you?'

  'No,' said Jason. 'No, I didn't. But I had other things to think about. Poor Ella's death for one thing. And now this business of Giuseppe. Inspector Craddock, when can I get my wife away from here? She's half frantic.'

  'I can understand that. But there will be the inquests to attend.'

  'You do realize that her life is still in danger?'

  'I hope not. Every precaution will be taken '

  'Every precaution! I've heard that before, I think… I must get h
er away from here, Craddock. I must.'

  III

  Marina was lying on the chaise-longue in her bedroom, her eyes closed. She looked grey with strain and fatigue.

  Her husband stood there for a moment looking at her. Her eyes opened.

  'Was that that Craddock man?'

  'Yes.'

  'What did he come about? Ella?'

  'Ella – and Giuseppe.'

  Marina frowned.

  'Giuseppe? Have they found out who shot him?'

  'Not yet.'

  'It's all a nightmare… Did he say we could go away?'

  'He said – not yet.'

  'Why not? We must. Didn't you make him see that I can't go on waiting day after day for someone to kill me. It's fantastic.'

  'Every precaution will be taken.'

  'They said that before. Did it stop Ella being killed? Or Giuseppe? Don't you see, they'll get me in the end… There was something in my coffee that day at the studio. I'm sure there was… if only you hadn't poured it away! If we'd kept it, we could have had it analysed or whatever you call it. We'd have known for sure…'

  'Would it have made you happier to know for sure?'

  She stared at him, the pupils of her eyes widely dilated.

  'I don't see what you mean. If they'd known for sure that someone was trying to poison me, they'd have to let us leave here, they'd have to let us get away.'

  'Not necessarily.'

  'But I can't go on like this! I can't… I can't… You must help me, Jason. You must do something. I'm frightened. I'm so terribly frightened… There's an enemy here. And I don't know who it is… It might be anyone – anyone. At the studios or here in the house. Someone who hates me – but why?… Why?… Someone who wants me dead… But who is it? Who is it? I thought – I was almost sure – it was Ella. But now -'

  'You thought it was Ella?' Jason sounded astonished. 'But why?

  'Because she hated me – oh yes she did. Don't men ever see these things? She was madly in love with you. I don't believe you had the least idea of it. But it can't be Ella, because Ella's dead. Oh, Jinks, Jinks – do help me – get me away from here – let me go somewhere safe… safe…'