The Mirror Crack'd from Side to Side mm-8

by Agatha Christie

  She sprang up and walked rapidly up and down, turning and twisting her hands.

  The director in Jason was full of admiration for those passionate, tortured movements. I must remember them, he thought. For Hedda Gabler, perhaps? Then, with a shock, he remembered that it was his wife he was watching.

  'It's all right, Marina – all right. I'll look after you.'

  'We must go away from this hateful house – at once. I hate his house – hate it.'

  'Listen, we can't go away immediately.'

  'Why not? Why not?'

  'Because,' said Rudd, 'deaths cause complications… and there's something else to consider. Will running away do any good?'

  'Of course it will. We'll get away from this person who hates me.'

  'If there's anyone who hates you that much, they could follow you easily enough.'

  'You mean – you mean – I shall never get away? I shall never be safe again?'

  'Darling – it will be all right. I'll look after you. I'll keep you safe.'

  She clung to him.

  'Will you, Jinks? Will you see that nothing happens to me?'

  She sagged against him, and he laid her down gently on the chaise-longue.

  'Oh, I'm a coward,' she murmured, 'a coward… if I knew who it was – and why?… Get me my pills – the yellow ones not the brown. I must have something to calm me.'

  'Don't take too many, for God's sake, Marina.'

  'All right – all right… Sometimes they don't have any effect any more…' She looked up in his face.

  She smiled, a tender exquisite smile.

  'You'll take care of me, Jinks? Swear you'll take care of me -'

  'Always,' said Jason Rudd. 'To the bitter end.'

  Her eyes opened wide.

  'You looked so – so odd when you said that.'

  'Did I? How did I look?'

  'I can't explain. Like – like a clown laughing at something terribly sad, that no one else has seen…'

  Chapter 21

  It was a tired and depressed Inspector Craddock who came to see Miss Marple the following day.

  'Sit down and be comfortable,' she said. 'I can see you've had a very hard time.'

  'I don't like to be defeated,' said Inspector Craddock. 'Two murders within twenty-four hours. Ah well, I'm poorer at my job than I thought I was. Give me a nice cup of tea, Aunt Jane, with some thin bread and butter and soothe me with your earliest remembrances of St Mary Mead.'

  Miss Marple clicked with her tongue in a sympathetic manner.

  'Now it's no good talking like that, my dear boy, and I don't think bread and butter is after all what you want. Gentlemen, when they've had a disappointment, want something stronger than tea.'

  As usual, Miss Marple said the word 'gentlemen' in the way of someone describing a foreign species.

  'I should advise a good stiff whisky and soda,' she said.

  'Would you really, Aunt Jane? Well, I won't say no.'

  'And I shall get it for you myself,' said Miss Marple, rising to her feet.

  'Oh, no, don't do that. Let me. Or what about Miss What's-her-name?'

  'We don't want Miss Knight fussing about in here,' said Miss Marple. 'She won't be bringing my tea for another twenty minutes so that gives us a little peace and quiet. Clever of you to come to the window and not through the front door. Now we can have a nice quiet little time by ourselves.'

  She went to a corner cupboard, opened it and produced a bottle, a syphon of soda and a glass.

  'You are full of surprises,' said Dermot Craddock. 'I'd no idea that's what you kept in your corner cupboard. Are you quite sure you're not a secret drinker, Aunt Jane?'

  'Now, now,' Miss Marple admonished him. 'I have never been an advocate of teetotalism. A little strong drink is always advisable on the premises in case there is a shock or an accident. Invaluable at such times. Or, of course, if a gentleman should arrive suddenly. There!' said Miss Marple, handing him her remedy with an air of quiet triumph. 'And you don't need to joke any more. Just sit quietly there and relax.'

  'Wonderful wives there must have been in your young days,' said Dermot Craddock.

  'I'm sure, my dear boy, you would find the young lady of the type you refer to as a very inadequate helpmeet nowadays. Young ladies were not encouraged to be intellectual and very few of them had university degrees or any kind of academic distinction.'

  'There are things that are preferable to academic distinctions,' said Dermot. 'One of them is knowing when a man wants whisky and soda and giving it to him.'

  Miss Marple smiled at him affectionately.

  'Come,' she said, 'tell me all about it. Or as much as you are allowed to tell me.'

  'I think you probably know as much as I do. And very likely you have something up your sleeve. How about your dogsbody, your dear Miss Knight? What about her having committed the crime?'

  'Now why should Miss Knight have done such a thing?' demanded Miss Marple surprised.

  'Because she's the most unlikely person,' said Dermot. 'It so often seems to hold good when you produce your answer.'

  'Not at all,' said Miss Marple with spirit. 'I have said over and over again, not only to you, my dear Dermot – if I may call you so – that it is always the obvious person who has done the crime. One thinks so often of the wife or the husband and so very often it is the wife or the husband.'

  'Meaning Jason Rudd?' He shook his head. 'That man adores Marina Gregg.'

  'I was speaking generally,' said Miss Marple, with dignity. 'First we had Mrs Badcock apparently murdered. One asked oneself who could have done such a thing and the first answer would naturally be the husband. So one had to examine that possibility. Then we decided that the real object of the crime was Marina Gregg and there again we have to look for the person most intimately connected with Marina Gregg, starting as I say with the husband. Because there is no doubt about that husbands do, very frequently, want to make away with their wives, though sometimes, of course, they only wish to make away with their wives and do not actually do so. But I agree with you, my dear boy, that Jason Rudd really cares with all his heart for Marina Gregg. It might be very clever acting, though I can hardly believe that. And one certainly cannot see a motive of any kind for his doing away with her. If he wanted to marry somebody else there could, I should say, be nothing more simple. Divorce, if I may say so, seems second nature to film stars. A practical advantage does not seem to arise either. He is not a poor man by any means. He has his own career, and is, I understand, most successful in it. So we must go farther afield. But it certainly is difficult. Yes, very difficult.'

  'Yes,' said Craddock, 'it must hold particular difficulties for you because of course this film world is entirely new to you. You don't know the local scandals and all the rest of it.'

  'I know a little more than you may think,' said Miss Marple. 'I have studied very closely various numbers of Confidential, Film Life, Film Talk and Film Topics.'

  Dermot Craddock laughed. He couldn't help it.

  'I must say,' he said, 'it tickles me to see you sitting there and telling me what your course of literature has been.'

  'I found it very interesting,' said Miss Marple. 'They're not particularly well written, if I may say so. But it really is disappointing in a way that it is all so much the same as it used to be in my young days. Modern Society and Tit Bits and all the rest of them. A lot of gossip. A lot of scandal. A great preoccupation with who is in love with whom, and all the rest of it. Really, you know, practically exactly the same sort of thing goes on in St Mary Mead. And in the Development too. Human nature, I mean, is just the same everywhere. One comes back, I think, to the question of who could have been likely to want to kill Marina Gregg, to want to so much that having failed once they sent threatening letters and made repeated attempts to do so. Someone perhaps a little -' very gently she tapped her forehead.

  'Yes,' said Craddock, 'that certainly seems indicated. And of course it doesn't always show.'

  'Oh, I know,'
agreed Miss Marple, fervently. 'Old Mrs Pike's second boy, Alfred, seemed perfectly rational and normal. Almost painfully prosaic, if you know what I mean, but actually, it seems, he had the most abnormal psychology, or so I understand. Really positively dangerous. He seems quite happy and contented, so Mrs Pike told me, now that he is in Fairways Mental Home. They understand him there, and the doctors think him a most interesting case. That of course pleases him very much. Yes, it all ended quite happily, but she had one or two very near escapes.'

  Craddock revolved in his mind the possibility of a parallel between someone in Marina Gregg's entourage and Mrs Pike's second son.

  'The Italian butler,' continued Miss Marple, 'the one who was killed. He went to London, I understand, on the day of his death. Does anyone know what he did there – if you are allowed to tell me, that is,' she added conscientiously.

  'He arrived in London at eleven-thirty in the morning,' said Craddock, 'and what he did in London nobody knows until a quarter to two he visited his bank and made a deposit of five hundred pounds in cash. I may say that there was no confirmation of his story that he went to London to visit an ill relative or a relative who had got into trouble. None of his relatives there had seen him.'

  Miss Marple nodded her head appreciatively.

  'Five hundred pounds,' she said. 'Yes, that's quite an interesting sum, isn't it. I should imagine it would be the first instalment of a good many other sums, wouldn't you?'

  'It looks that way,' said Craddock.

  'It was probably all the ready money the person he was threatening could raise. He may even have pretended to be satisfied with that or he may have accepted it as a down payment and the victim may have promised to raise further sums in the immediate future. It seems to knock out the idea that Marina Gregg's killer could have been someone in humble circumstances who had a private vendetta against her. It would also knock out, I should say, the idea of someone who'd obtained work as a studio helper or attendant or a servant or a gardener. Unless' – Miss Marple pointed out – 'such a person may have been the active agent whereas the employing agent may not have been in the neighbourhood. Hence the visit to London.'

  'Exactly. We have in London Ardwyck Fenn, Lola Brewster and Margot Bence. All three were present at the party. All three of them could have met Giuseppe at an arranged meeting-place somewhere in London between the hours of eleven and a quarter to two. Ardwyck Fern was out of his office during those hours. Lola Brewster had left her suite to go shopping. Margot Bence was not in her studio. By the way -'

  'Yes?' said Miss Marple, 'have you something to tell me?'

  'You asked me,' said Dermot, 'about the children. The children that Marina Gregg adopted before she knew she could have a child of her own.'

  'Yes I did.'

  Craddock told her what he had learned.

  'Margot Bence,' said Miss Marple softly. 'I had a feeling, you know, that it had something to do with children…'

  'I can't believe that after all these years -'

  'I know, I know. One never can. But do you really, my dear Dermot, know very much about children? Think back to your own childhood. Can't you remember some incident, some happening that caused you grief, or a passion quite incommensurate with its real importance? Some sorrow or passionate resentment that has really never been equalled since? There was such a book, you know, written by that brilliant writer. Mr Richard Hughes. I forget the name of it but it was about some children who had been through a hurricane. Oh yes – the hurricane in Jamaica. What made a vivid impression on them was their cat rushing madly through the house. It was the only thing they remembered. But the whole of the horror and excitement and fear that they had experienced was bound up in that one incident.'

  'It's odd you should say that,' said Craddock thoughtfully.

  'Why, has it made you remember something?'

  'I was thinking of when my mother died. I was five I think. Five or six. I was having dinner in the nursery, jam roll pudding. I was very fond of jam roll pudding. One of the servants came in and said to my nursery governess, "Isn't it awful? There's been an accident and Mrs Craddock has been killed."… Whenever I think of my mother's death, d'you know what I see?'

  'What?'

  'A plate with jam roll pudding on it, and I'm staring at it. Staring at it and I can see as well now as then, how the jam oozed out of it at one side. I didn't cry or say anything. I remember just sitting there as though I'd been frozen stiff, staring at the pudding. And d'you know, even now if I see in a shop or a restaurant or in anyone's house a portion of jam roll pudding, a whole wave of horror and misery and despair comes over me. Sometimes for a moment I don't remember why. Does that seem very crazy to you?'

  'No,' said Miss Marple, 'it seems entirely natural. It's very interesting, that. It's given me a sort of idea…'

  The door opened and Miss Knight appeared bearing the tea tray.

  'Dear, dear,' she exclaimed, 'and so we've got a visitor, have we? How very nice. How do you do, Inspector Craddock. I'll just fetch another cup.'

  'Don't bother,' Dermot called after her. 'I've had a drink instead.'

  Miss Knight popped her head back round the door.

  'I wonder – could you just come here a minute, Mr Craddock?'

  Dermot joined her in the hall. She went to the dining-room and shut the door.

  'You will be careful, won't you,' she said.

  'Careful? In what way, Miss Knight?'

  'Our old dear in there. You know, she's so interested in everything but it's not very good for her to get excited over murders and nasty things like that. We don't want her to brood and have bad dreams. She's very old and frail, and she really must lead a very sheltered life. She always has, you know. I'm sure all this talk of murders and gangsters and things like that is very, very bad for her.'

  Dermot looked at her with faint amusement.

  'I don't think,' he said gently, 'that anything that you or I could say about murders is likely unduly to excite or shock Miss Marple. I can assure you, my dear Miss Knight, that Miss Marple can contemplate murder and sudden death and indeed crime of all kinds with the utmost equanimity.'

  He went back to the drawing-room, and Miss Knight, clucking a little in an indignant manner, followed him. She talked briskly during tea with an emphasis on political news in the paper and the most cheerful subject she could think of. When she finally removed the tea tray and shut the door behind her, Miss Marple drew a deep breath.

  'At last we've got some peace,' she said. 'I hope I shan't murder that woman some day. Now listen, Dermot, there are some things I want to know.'

  'Yes? What are they?'

  'I want to go over very carefully what happened on the day of the fête. Mrs Bantry has arrived, and the vicar shortly after her. Then come Mr and Mrs Badcock ad on the stairs at that time were the mayor and his wife, this man Ardwyck Fenn, Lola Brewster, a reporter from the Herald Argus of Much Benham, and this photographer girl, Margot Bence. Margot Bence, you said, had her camera at an angle on the stairs, and was taking photographs of the proceedings. Have you seen any of those photographs?'

  'Actually I brought one to show you.'

  He took from his pocket an unmounted print. Miss Marple looked at it steadfastly. Marina Gregg with Jason Rudd a little behind her to one side, Arthur Badcock, his hand to his face, looking slightly embarrassed, was standing back, whilst his wife had Marina Gregg's hand in hers and was looking up at her and talking. Marina was not looking at Mrs Badcock. She was staring over her head looking, it seemed, full into the camera, or possibly just slightly to the left of it.

  'Very interesting,' said Miss Marple. 'I've had descriptions, you know, of what this look was on her face. A frozen look. Yes, that describes it quite well. A look of doom. I'm not really so sure about that. It's more a kind of paralysis of feeling rather than apprehension of doom. Don't you think so? I wouldn't say it was actually fear, would you, although fear of course might take you that way. It might paralyse you. But I don't think it
was fear. I think rather that it was shock. Dermot, my dear boy, I want you to tell me, if you've got notes of it, what exactly Heather Badcock said to Marina Gregg on that occasion. I know roughly the gist of it, of course, but how near can you get to the actual words. I suppose you had accounts of it from different people.'

  Dermot nodded.

  'Yes. Let me see. Your friend, Mrs Bantry, then Jason Rudd and I think Arthur Badcock. As you say they varied a little in wording, but the gist of them was the same.'

  'I know. It's the variations that I want. I think it might help us.'

  'I don't see how,' said Dermot, 'though perhaps you do. Your friend, Mrs Bantry, was probably the most definite on the point. As far as I remember – wait – I carry a good many of my jottings around with me.'

  He took out a small note-book from his pocket, looked through it to refresh his memory.

  'I haven't got the exact words here,' he said, 'but I made a rough note. Apparently Mrs Badcock was very cheerful, rather arch, and delighted with herself. She said something like "I can't tell you how wonderful this is for me. You won't remember but years ago in Bermuda – I got up from bed when I had chicken pox and came along to see you and you gave me an autograph and it's one of the proudest days of my life which I have never forgotten."'

  'I see,' said Miss Marple, 'she mentioned the place but not the date, did she?'

  'Yes.'

  'And what did Rudd say?'

  'Jason Rudd? He said that Mrs Badcock told his wife that she'd got up from bed when she had the 'flu and had come to meet Marina and she still had her autograph. It was a shorter account than your friend's but the gist of it was the same.'

  'Did he mention the time and place?'

  'No. I don't think he did. I think he said roughly that it was some ten or twelve years ago.'

  'I see. And what about Mr Badcock?'

  'Mr Badcock said that Heather was extremely excited and anxious to meet Marina Gregg, that she was a great fan of Marina Gregg's and that she'd told him that once when she was ill as a girl she managed to get up and meet Miss Gregg and get her autograph. He didn't go into any close particulars, as it was evidently in the days before he was married to his wife. He impressed me as not thinking the incident of much importance.'