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Helmet of Horror

Page 3

by Victor Pelevin


  Ariadne

  Thanks. Ariadne.

  Monstradamus

  Ariadne, please don’t take offence. I’m talking about a hypothetical possibility. It doesn’t mean I suspect you of anything. The same thing could apply to any of us.

  Organizm(-:

  What does ‘phenomenologically’ mean?

  Monstradamus

  It’s the way you can see these words now.

  Ariadne

  Everything I told you was the truth.

  Nutscracker

  Nobody ever doubted it. Nebuchadnezzar’s just theorising, right?

  Monstradamus

  I’m not Nebuchadnezzar.

  Nutscracker

  Sorry, Monstradamus.

  Monstradamus

  I’m no more Monstradamus than I am Nebuchadnezzar, so what’s the difference?

  Organizm(-:

  You know what I think? Either no one’s noticed it or everyone has, but no one’s saying.

  Romeo-y-Cohiba

  What’s that, then?

  Organizm(-:

  We don’t post our messages complete, like in a normal chat room. The words appear on the screen one letter at a time, in real time. We can even interrupt each other, and then three dots appear at the end of the phrase that’s interrupted.

  Nutscracker

  Everyone’s noticed that.

  Organizm(-:

  But at the same time, as far as I can tell, no one’s made a single spelling mistake yet. Not a single typing error. Doesn’t that seem a bit strange?

  Monstradamus

  That’s richt.

  Nutscracker

  They cantroll our entire canvasation.

  IsoldA

  Are yew ploying the foul?

  Romeo-y-Cohiba

  No, I woodn’t deram of it.

  Monstradamus

  Me kneether. It’s the mooderattors.

  Romeo-y-Cohiba

  Step mucking us, you ratten scam!

  UGLI 666

  There’s no point in getting upset, Romeo. It won’t help matters.

  IsoldA

  Have they really stopped?

  Organizm(-:

  Good for you, Romeo! They did what you told them to. Why not try telling our moderators to do something else?

  Romeo-y-Cohiba

  Stick your xxx up your xxx and give it a double right twist.

  IsoldA

  They’re following every word we write.

  Monstradamus

  Maybe that’s why Theseus isn’t saying anything?

  Organizm(-:

  What Theseus?

  Nutscracker

  The one who killed the Minotaur, Organism. Or who has to kill him. What do you have in mind, Monstradamus?

  Monstradamus

  Maybe he’s already here, but he doesn’t want the moderator to notice him. And I suspect the moderator’s our bronze mushroom.

  Romeo-y-Cohiba

  You talk about him as if you’d seen him with your own eyes. But we don’t actually have any reason to believe he exists.

  Ariadne

  Who do you mean? Theseus or Asterisk?

  Romeo-y-Cohiba

  Both.

  Monstradamus

  And for exactly the same reason, Romeo, there’s no reason to believe that you exist.

  Romeo-y-Cohiba

  That just about does it. Leave it out, will you?

  Ariadne

  Perhaps Theseus is one of us?

  Nutscracker

  Perhaps the Minotaur’s one of us.

  Organizm(-:

  I bet a hundred xxx the Minotaur’s Monstradamus.

  Monstradamus

  Stop clowning about.

  Organizm(-:

  Theseus, answer us!

  IsoldA

  At least tell us if you’re here or not! Theseus!

  Monstradamus

  By the way. If the moderators can fulfil our wishes, why don’t we ask them to open the door?

  UGLI 666

  But what’s outside the door?

  Organizm(-:

  We can find out.

  Romeo-y-Cohiba

  You be careful, or the door might really go ahead and open.

  Ariadne

  I’ve composed a little poem. Dedicated to Monstradamus.

  Monstradamus

  Let’s hear it.

  Ariadne

  The Minotaur lurks at the door,

  His axe it gleams moon-bright.

  ‘Dear Watson this could not be more …’

  Then silence in the night.

  Monstradamus

  A bit on the dark side. But maybe I deserve it for being so suspicious.

  Organizm(-:

  An experiment. Doors, open!

  UGLI 666

  Lord have mercy!

  Romeo-y-Cohiba

  I warned you!

  Ariadne

  Did it happen in all the rooms?

  Monstradamus

  It did in mine.

  UGLI 666

  Do you mean the music or the door?

  Ariadne

  The whole thing at once.

  IsoldA

  I’ve got sky outside. Grey. Looks a bit like a park. Everything seems quiet. I’m going out to explore.

  Romeo-y-Cohiba

  Hey, Isolde, wait! It could be dangerous out there!

  UGLI 666

  It’s dark out there.

  Romeo-y-Cohiba

  Isolde!

  Nutscracker

  Did everyone hear the trumpets?

  Ariadne

  Do you think they were trumpets?

  Organizm(-:

  Doors, close!

  Nutscracker

  xxx be praised.

  Monstradamus

  Organizm, don’t go trying any more experiments like that.

  Romeo-y-Cohiba

  Now how’s Isolde going to get back? Doors, open!

  Nutscracker

  xxx, eh? Again!

  Monstradamus

  Let’s just keep calm and get our bearings.

  Organizm(-:

  Okay, I think I’ve got it. When the door opens, a lever shaped like a leg with a hoof moves out and down.

  UGLI 666

  Lord save us and keep us!

  Nutscracker

  To make the door close, you push the lever. To make it open, you press on the axe in the middle. So everyone can open their own door when they want to.

  Romeo-y-Cohiba

  It works.

  Monstradamus

  What can you see outside the door?

  Ariadne

  There’s another room outside mine.

  UGLI 666

  Semi-darkness. Benches, a lot of benches.

  Romeo-y-Cohiba

  Fresh air at last.

  Sartrik

  Two fridges full of booze. So there is a God after all!

  Organizm(-:

  Plywood walls painted to look like bricks. It all looks pretty naff.

  Nutscracker

  I’ve got a load of electronic equipment.

  Organizm(-:

  I’m hungry. Hey, you moderators, how’s about a bit of nosh down here? Right … I think I’ve got it. You have to turn this thingy that way, and then that thingy this way … Now we’re talking.

  Monstradamus

  What?

  Romeo-y-Cohiba

  What was it you turned, tell us.

  Organizm(-:

  They sent down some pancakes with jam. Not bad for Ancient Greece. I feel like a nice quiet meal, so I’m taking a break now.

  Romeo-y-Cohiba

  Enjoy your meal. Just tell us what it was you turned.

  Organizm(-:

  When I’m feeding my tum, I go all deaf and dumb.

  Ariadne

  Organism, you only need to type two words! Then you can go ahead and eat in peace.

  Nutscracker

  Organism, we’re all asking you.

  Organizm(-
:

  I’m busy.

  UGLI 666

  I never understood before why gluttony is a sin. Then a spiritual friend of mine explained. Gluttony is not so very terrible in itself. But it’s a sign of a base soul. The same thing applies to debauchery. The soul doesn’t become debased through committing these acts. A base soul manifests itself through them.

  Romeo-y-Cohiba

  No, you won’t get under his skin that easily.

  Monstradamus

  Moderators! Give us all something to eat!

  Ariadne

  I heard some kind of noise. But where’s the food?

  Monstradamus

  There’s a small flap to the right of the monitor. Just a rectangle in the wall. Lift the flap and you’ll find a tray behind it.

  Ariadne

  I found it, thank you.

  Romeo-y-Cohiba

  But what are you supposed to turn? Organism said …

  Ariadne

  He was just joking, Romeo. Having a laugh.

  Nutscracker

  Let’s all eat in peace. Bon appetit .

  IsoldA

  I’m back. Who’s there?

  Romeo-y-Cohiba

  I am. Is everything all right?

  IsoldA

  Yes.

  Romeo-y-Cohiba

  I was worried.

  IsoldA

  I was only gone for a moment. Where’s everyone else?

  Romeo-y-Cohiba

  They’re eating. There’s just the two of us.

  IsoldA

  What’s outside your door?

  Romeo-y-Cohiba

  A labyrinth of neatly trimmed rough bushes higher than my head. And running between the bushes is a dirt pathway.

  IsoldA

  And I’ve got the same kind of bushes along the sides of an alley.

  Romeo-y-Cohiba

  An alley?

  IsoldA

  My door opens into a park. The alley starts right outside and along the sides there are bushes. With treetops showing above them in places.

  Romeo-y-Cohiba

  What I’ve got is more like a corridor between the bushes, I wouldn’t call it an alley. And it starts winding straightaway, so I can’t see anything but leaves. It’s more like a narrow corridor than anything else, neatly sliced through the bushes by something like a combine harvester.

  IsoldA

  What colour is the ground there?

  Romeo-y-Cohiba

  Beige.

  IsoldA

  It’s beige here too. We’re near each other!

  Romeo-y-Cohiba

  What else did you see?

  IsoldA

  I didn’t go very far. There are lots of alleys, and they keep branching and twisting and turning corners. I wasn’t afraid in the least. Quite the opposite, what I saw gave me a really good feeling. The labyrinth might be complex, but it’s impossible to get lost in.

  Romeo-y-Cohiba

  Why?

  IsoldA

  Because there’s a plan hanging at every place the path branches. And there’s a little sign on the plan: ‘You are here’.

  Romeo-y-Cohiba

  That’s handy all right. And wasn’t there any little sign saying: ‘The Minotaur is here’?

  IsoldA

  No.

  Romeo-y-Cohiba

  I was joking. Did you meet anyone?

  IsoldA

  No. But several times I had the feeling there was someone just round the corner.

  Romeo-y-Cohiba

  And was there anything like what Ariadne was talking about?

  IsoldA

  Yes, kind of. Only not exactly. Once I spotted some roofs above the bushes, but they were a long way off. And I saw fountains with different kinds of figures.

  Romeo-y-Cohiba

  Like the one Ariadne talked about?

  IsoldA

  I don’t know. I went through a few forks in the path and at every one there was a small … I don’t know what to call it – an oasis, I suppose. Trees and a fountain with bronze figures of animals. First a hare and a tortoise. They were sitting facing each other, with their faces lifted up to the sky. Their mouths were open and there were long thin streams of water spurting out. To be quite honest, it looked a bit ridiculous, as though they were spitting at an invisible ceiling that was too high, so that everything just fell back down on their own heads. At another fork there was a fountain with a fox and a crow. The crow was high up in the tree, and so big it looked more like an eagle. There was a water pipe leading up to it, hidden among the leaves. The fox was squatting on his haunches gazing up at the crow as though it was trying to hit it with the stream of water spurting out of its throat, but it couldn’t reach high enough. The crow had its wings pulled back and up and its beak was open, and there was another stream of water spurting out of that, as though the sight of the fox made it feel sick.

  Sartrik

  Now that’s something I can understand.

  IsoldA

  What do you understand?

  Romeo-y-Cohiba

  Take no notice. You’re a wonderful storyteller, Isolde. It was like seeing it all with my own eyes.

  IsoldA

  Yes, I forgot to say. The plan that was hanging everywhere looked more like an old engraving than something modern. Or like an enlarged photocopy of an engraving. And written on it in this strange oblique typeface was: plan du labirinthe de versailles . What could that mean? Is it from the word ‘verse’? Because there are characters from fables in the fountains?

  Romeo-y-Cohiba

  A plan of the labyrinth at Versailles. That’s a real piece of luck.

  IsoldA

  Versailles? Then why is it written with a small letter?

  Monstradamus

  I could suggest that’s not really the strangest thing about our surroundings.

  Romeo-y-Cohiba

  Do you mind not butting into other people’s conversations?

  Monstradamus

  Sorry, I didn’t realise it was private.

  IsoldA

  And where did you go, Romeo?

  Romeo-y-Cohiba

  I haven’t been outside yet.

  IsoldA

  Why not?

  Romeo-y-Cohiba

  I think it’s some kind of trap.

  IsoldA

  I think it’s a trap, too. But we’re already caught in it anyway. And the room you’re sitting in is just as much a part of it as what’s outside the door.

  Romeo-y-Cohiba

  That’s true. I suppose I ought to go out and scout around. Maybe I could find the way to your fountains.

  IsoldA

  Wait, Romeo. It’s dark out there already. You can go tomorrow. Why don’t you tell me what you look like instead? Are you like what Ariadne said?

  Romeo-y-Cohiba

  I don’t understand why everyone’s decided I was the man she dreamed about. The only things we have in common are the tattoo and the moustache. We’ve already dealt with the tattoo. That just leaves the moustache. And that’s like identifying a man by the colour of his tie.

  IsoldA

  Are you really bald?

  Romeo-y-Cohiba

  Not bald, my head’s shaved. That’s a big difference. People go bald because they have no choice, but they shave their heads out of self-respect. Even if it does look the same from a distance. And my mole is really small, you can hardly see it. And anyway, who doesn’t have some kind of a mole on his face?

  IsoldA

  Are you handsome?

  Romeo-y-Cohiba

  What does ‘handsome’ mean?

  IsoldA

  Well, it means a man is nice to look at.

  Romeo-y-Cohiba

  Nice for who? I got used to the way I look ages ago. And as far as anyone else is concerned, it depends on the circumstances. But one thing I can say for certain is you needn’t be afraid of being with me.

  IsoldA

  What do you mean? Do you mean I wouldn’t be frightened of you?
Or do you mean that with you I wouldn’t have to be afraid of anything?

  Nutscracker

  He’s trying to say that if you’re with him even he won’t frighten you.

  Romeo-y-Cohiba

  Just give people a chance to talk, will you? Isolde, can I ask you something about yourself?

  IsoldA

  Such as?

  Romeo-y-Cohiba

  Such as … Do you like poetry?

  IsoldA

  Sometimes.

  Romeo-y-Cohiba

  Who’s your favourite poet?

  IsoldA

  Caroline Kennedy.

  Romeo-y-Cohiba

  What has she written?

  IsoldA

  ‘The Favourite Poems of Jacqueline Kennedy-Onassis.’

  Romeo-y-Cohiba

  And what do you look like?

  IsoldA

  How would you like me to look?

  Romeo-y-Cohiba

  I’d like to know how you really look.

  IsoldA

  Medium height. Dark hair. Green eyes. They say I’m beautiful.

  Romeo-y-Cohiba

  But can you describe yourself so I can imagine how you look?

  IsoldA

  I have been told … But I’m not sure it’s worth mentioning.

  Romeo-y-Cohiba

  What have you been told?

  IsoldA

  I was compared once to a cover of ‘The New Yorker’ that had a drawing of Monica Lewinsky as the Mona Lisa. Only I look five times younger.

  Romeo-y-Cohiba

  You mean you look like Monica Lewinsky?

  IsoldA

  No, not at all.

  Romeo-y-Cohiba

 

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