Bossa Nova: The Story of the Brazilian Music That Seduced the World
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at A noite de amor, do sorriso e a flor, 205
Gilberto, Bebel, 301
Gilberto, João, 25, 29, 40–42, 53, 58–59, 66, 74, 77, 96–106, 112, 121, 143, 146, 162–63, 164–65, 166–69, 173, 176–78, 179, 182, 184–85, 189–92, 194–95, 197, 199, 202, 210–12, 214, 216, 218, 219, 222–24, 227, 234, 254–56, 260, 264, 277, 279–80, 284, 289, 291, 309, 311, 319, 322, 331, 333, 335
and Astrud Weinert Gilberto, 187–89
and Canção do amor demais, 126–30
and “Chega de saudade,” 130–41, 148
and “Desafinado,” 153–58
and Esta vida é um carnaval, 46–47
and João Donato, 42–43
and Lena Horne, 205–6
and Mariza, 43–47
and Miúcha Buarque de Holanda, 298–302
and Nat “King” Cole, 206
and Os Garotos da Lua, 32–37
and Quitandinha Serenaders, 47–48
and recording with Stan Getz, 256–58
and Roberto Menescal, 91–94
and Sylvinha Telles, 37–39
at A noite do amor, do sorriso e a flor, 203–5
at Au Bon Gourmet, 235–38
at Carnegie Hall, 244–53
first recording of, 39–40
in Mexico, 302–4
Gillespie, Dizzy, 248, 252, 301
Gimbel, Norman, 306
“Girl from Ipanema, The.” See “Garota de Ipanema”
Girls from Bahia, The, 286, 310, 322, 331
Gnatalli, Radamés, 5, 27, 54, 57, 61, 88, 99, 184, 281, 334
Godoy, Amílson, 294
Gonçalves, Lélio, 152
Gonzaga, Chiquinha, 78
Gonzaga, Luís, 26, 122, 146
Gonzaga, Zé, 146
Gordine, Sacha, 166–67, 217–18, 311
Gormé, Eydie, 333
“Gosto de você,” 202
Goulart, Jorge, 61
Gouveia, Evaldo, 283
“Grande mágoa,” 45
Grant, Felix, 241–42
Grappelli, Stèphane, 333
Greco, Buddy, 235
Green, Adolph, 307
Gross, Walter, 6
Grupo X, 24
Guarany, 133, 155
Guarnieri, Gianfrancesco, 201, 276–77
Guerra, Adroaldo, 99
Guerra, Ray, 222, 264–65, 267, 276, 289
Guimarães, Roberto, 129, 176
Guinle, Carlinhos, 11
Guinle, Jorginho, 11, 14
Gullar, Ferreira, 200, 273
Gurzoni, Oswaldo, 134–37
Gusmão, Manoel, 216
Hall, Jim, 208
Hall, Lani, 314
Harburg, E.Y., 307
Harrison, George, 328
Hart, Lorenz, 307
Hartman, Johnny, 333
“Hava Nagila,” 150
“Hawaiian War Chant,” 34
Haymes, Dick, 5, 17–19, 20, 70
Heath, Percy, 244
Hebraico, Grupo, 151
Hendricks, Jon, 306
Henrique, 179
Henrique, Luís, 287, 334
Herman, Woody, 7, 10
Hermanny, Sigrid, 235
Hi-Los, The, 333
Hi-Los Happen to Bossa Nova, The, 241
Hime, Francis, 147, 263, 277, 289, 304, 322
Hines, Earl, 333
“Hino ao sol,” 61
Hirszman, Leon, 200
Hitchcock, Bill, 5, 291, 324
“Hô-ba-la-lá,” 92, 114, 118, 130, 148, 155, 169, 218
Holman, Bill, 17
Hora, Rildo, 216
Horn, Bill, 150, 178, 216
Horne, Lena, 205–6, 241
“How High the Moon,” 9, 22
“I Apologize,” 11
“I Concentrate on You,” 329–30
“ideology of poverty,” 270
“I Didn’t Know What Time It Was,” 17
Ieda, 98
“Ilusão à toa,” 227
“Imagem,” 308
“I Make My Money with Bananas,” 308
“I’m in the Mood for Love,” 9
“I’m Looking Over a Four-Leaf Clover,” 34, 186
Imperial, Carlos, 140, 283, 321
“Influência do jazz,” 252
“Insensatez,” 224, 238, 328
“In the Mood,” 6, 23, 27, 249
Introspection, 313
Inútil paisagem, 262, 312, 328
“Inútil Paisagem,” 276, 308, 331
Invitation (movie), 142
“Invitation,” 142–43
Ipanema Music, 306, 308
Irani, 128
Itamaraty, 126–27
It Might as Well Be Spring, 329
“Itsy-Bitsy Teeny-Weeny Yellow Polka-Dot Bikini,” 211
“I Wish I Knew,” 12
“Jacarapaguá,” 4
Jackie & Roy, 333
Jackson, Calvin, 291
Jacques, Geraldo, 26
Jambeiro, 73
James, Harry, 17–18, 326
Janner, Biana, 179
Januário, Velho, 146
Jarreau, Al, 333
Jazz Samba, 256
Jazz Samba Encore!, 258
“Jeepers Creepers,” 58
Jemanjá, 231
Jesus, Alberto, 39
“Jezebel,” 11
João Gilberto, 222, 254
João Gilberto en México, 303
“João Marcelo,” 303
Jobim, Antonio Carlos “Tom” 54, 55–57, 60–61, 62, 75, 76–78, 80, 84, 88, 90–92, 94, 99, 117–19, 122–23, 130, 131, 133, 135, 143, 148–49, 154, 168, 172–73, 177, 178–79, 181–82, 184–85, 188, 190–92, 194–96, 198, 202, 205, 208, 216–18, 223–24, 227, 230, 234, 238, 254, 256–58, 261, 264, 276–77, 279, 280–81, 284–86, 289–90, 302, 306–7, 310–12, 322, 324, 333–34
at Au Bon Gourmet, 235–39
at Carnegie Hall, 244–51, 253
and “Desafinado,” 151–58
and Dolores Duran, 67–68
and Frank Sinatra, 325–31
and “Garota de Ipanema,” 239–41
at Odeon, 110–11
and Orfeu do Carnaval, 164–67
and Vinìcius de Moraes, 80–82, 126–29, 267
“Joga a rede no mar,” 113
Johnson, Arthur, 41
Jongo Trio, 293–95
Jongo Trio, 263, 289, 292–93
Jorginho, 39, 177, 216
Jornal do Brasil, 272
José, Carlos, 164
José, Francisco, 290
Jovem Guarda, 321–22
“Juazeiro,” 26
“Juguete,” 98
“Julie Is Her Name,” 84, 312
Juquinha, 128, 133
“Jura de pombo,” 172, 208
“Just One More Chance,” 41
Kaempfert, Bert, 326
Kafka, 200
Kaper, Bronislau, 142
Kapp Records, 292, 329
Kennedy, Jackie, 254
Kennedy, John, 326
Kennedy, Robert, 314, 326
Kenton, Stan, 7, 9, 11, 21, 23, 102, 141–42, 215, 227, 316
Kern, Jerome, 143
Kessel, Barney, 84, 147, 208, 305, 312
Kéti, Zé, 265–66, 270–71
Kilgore, Rebecca, 333
“King” Cole Trio, 7, 8, 73
Klein, Jacques, 12
Koellreutter, Hans Joachim, 184
Konitz, Lee, 10, 17
Korb, Kristin, 333
Kubitshcek, Juscelino, 100–101, 113, 231
“Labareda,” 230, 267
“Lábios que beijei,” 32
la bostella, 234
Lacerda, Carlos, 261
“Lacinhos cor-de-rosa,” 138, 281
“Lady is a Tramp, The,” 70
Lafita, Alfonso, 116–17, 120–21
“Lágrima primeira,” 218, 220
Lai, Francis, 324
Laine, Frankie, 11
“Lamento,” 205
&
nbsp; “Lamento no morro,” 82
“Lapinha,” 231
Lara, Augustin, 303
Lara, Odette, 261
Laranjeira, Elza, 164, 255
La Rosa, Julius, 235
“Las secretarias,” 281
Lawrence, Steve, 235
Leão, Nara Lofego, 86, 88–91, 93, 120, 149–51, 168, 173, 178–79, 181, 199, 203, 205, 208, 219–22, 234, 247, 261, 263–73, 276–78, 287, 304, 312, 318–19, 322, 334
Lebendiger, Henrique, 82, 245
Lecuona, Ernesto, 303
Lee, Peggy, 7, 147, 240, 248, 252, 279, 333
Lees, Gene, 306
Leigh, Carolyn, 307
Lemos, Fafá, 11, 134, 141
Lennon, John, 314, 328
Lerner, Alan Jay, 307
Lessa, Adail, 135–36, 138
Lessa, Ivan, 11, 22
Letters to a Young Poet, 93
Libion, Jacques, 323
Libion, Lidia, 217–18, 234, 323
Lieberson, Goddard, 111
Light, Enoch, 333
Lincoln, Ed, 58, 122, 141, 177, 231
Lindenbergh, Carlos Alberto, 198
Lippman, Joe, 22
Livre, Som, 315
Lobo, Edu, 147, 239, 261, 266–68, 276–78, 289, 304–6, 315, 318, 321–22, 324
Lobo, Fernando, 53, 67, 182
“Lobo bobo,” 90, 150, 156, 168, 218, 284
London, Julie, 84, 147, 312, 333
“Long Ago and Far Away,” 143
Look Around, 314
“Louco,” 148
“Loura ou Morena,” 81
“Louvação,” 320
“Love Is a Many-Splendored Thing,” 311
Lucáks, Gyorg, 200
Lúcia, Ana, 245, 248, 263, 287
“Luciana,” 128
Luís, Edgardo, 37
Luís, João, 24, 39
Luiz Eça & cordas, 294
“Lunik 9,” 320
Lutcher, Nellie, 7
“Luz Negra,” 266
Lyra, Carlinhos, 54, 58, 59, 73, 75, 94, 108, 111, 116–17, 120, 148, 150–51, 156–57, 168, 172–73, 179–80, 182, 187, 190, 194, 199–203, 208, 216, 218, 219, 222, 227, 232, 239, 245–47, 250, 252, 254, 263–67, 276, 280–81, 286, 322, 334
and Roberto Menescal, 84–90
and Vinícius de Moraes, 224–25, 293, 298
Machado, Carlos, 5, 46–47, 82, 167, 169, 232
Machado, Edison, 216, 267–68, 287, 294, 331, 334
Maciel, Edmundo, 128, 144, 157, 215
Maciel, Edson, 215
Madi, Tito, 75, 84, 88, 92, 113, 129, 130–31, 148–49, 153–54, 177, 196, 211, 255–56, 283, 304
“Mãe solteira,” 88
Magalhães, Oldemar, 109
Maia, Déo, 46
Maia, Lauro, 223
Maia, Lurdinha, 146
Maia, Tim, 140
“Mais valia não chorar,” 283
“Malagueña Salerosa,” 48
“Mal–me–quer,” 267
“Mamã passou açúcar em mim,” 283
“Mamadeira atonal,” 91, 172
“Mambinho,” 143
Manchete, 163, 173, 318
Manchete Esportiva, 149
Mancini, Henry, 312
Manga, Carlos, 9, 13–14, 169
Manga, Vítor, 85, 216, 334
“Manhã de carnaval,” 166–67, 252, 311
Manhã na roça, 141
“Manias,” 62
Mann, Herbie, 168, 227, 241, 248
Mann, Thomas, 200
Manne, Shelly, 17, 305
“Mar, amar,” 208
“Maracangalha,” 132
Marano, Nancy, 333
“Marcada,” 70
“Marcha da quarta-feira de cinzas,” 293
Marchinha, 267, 302, 320
Marconi, Umberto, 216–18
Maria, ângela, 281
Maria, Antônio, 29, 36, 52–55, 67, 81, 87–88, 166, 181–83, 252
Maria, Rosa, 211
“Maria Moita,” 264, 266
“Maria Ninguém,” 90, 150, 156, 168, 199, 203, 225, 254
Mariano, César Camargo, 202, 263, 294
marijuana, 41–42
“Marina,” 6
Marinho, Tião, 216
Mário, João, 150, 168, 179
Mariza, 43–47, 102
Marotta, Ugo, 147, 216
Martin, Hugh, 303
Martino, Bruno, 280
Martino, Telmo, 254
Martins, Herivelto, 182, 302
Martrand, Mick, 330
Mascarenhas, Mário, 146–47, 277
Mascarenhas, Pacífico, 101–2, 129, 176, 179, 312
Mascarenhas, Raul, 12, 14, 86
Matarazzo, André, 69, 71–72
Mathis, Johnny, 333
Matoso, Francisco, 99
Mattar, Pedrinho, 205, 219, 263, 286, 294
Maurílio, 216
Mazoier, Roberto, 68
McCartney, Paul, 314
McCorckle, Susannah, 333
McRae, Carmen, 333
Medaglia, Julio, 184, 301
Medeiros, Elton, 266
“Meditação,” 152, 164, 190–91, 197, 205, 328
“Meia Luz,” 39–40, 45
Meirelles, J.T., 216
“Melancolia,” 220
Mello, Acyr Bastos, 22–23, 28–29, 114–15, 155
Mello, Breno, 166
Melo, Dilu, 146
Mel-Tones, 23, 28
Mendes, Sérgio, 189, 214–16, 233, 245–46, 254, 261, 263, 267, 282, 287, 290, 294, 304–6, 309, 322, 335
and Brasil ‘66, 314–16
at Carnegie Hall, 248, 253
Mendonça, Newton, 54, 69, 75, 80, 88, 90, 92, 94, 111, 117–18, 148, 157, 164, 190–92, 194–98, 202, 205, 214, 227, 306
and “Desafinado,” 151–53
early life of, 56–67
Menescal, Roberto Batalha, 54, 84–94, 117, 120, 147–48, 150–51, 163, 167–68, 172–73, 179, 182–83, 185, 187, 199–201, 205, 208–10, 216–18, 220, 222, 245–47, 249, 252, 254, 261, 264, 269, 276–77, 283–84, 286, 288, 290, 298, 312, 322
“Menina,” 75, 111
“Menina feia,” 174, 215
“Menina Moça,” 149
“Menina que passa,” 239
“Menino das laranjas,” 263, 292, 295
Mens sana in corpore samba, 287
Mercer, Johnny, 7, 306–7
Mercky, Z.J., 132
Merrill, Helen, 333
Merry-Macs, 34
Mesquita, Custódio, 88, 185
“Meu limão, meu limoeiro,” 283
“Meu mundo caiu,” 219
Midani, André, 119–20, 132, 141, 155, 162, 168–69, 173–74, 182, 184, 199, 260, 264, 321
“Midnight Sun,” 306
Miéle, Luís Carlos, 162–63, 188, 214, 283, 285, 322–23
Migliori, Gabriel, 183–84
Milfont, Gilberto, 61
Milito, Hélcio, 178, 216, 241, 293–94, 322, 335
Miller, Glenn, 23
Miller, Sidney, 261, 303
“Minha palhoça,” 232
“Minha Saudade,” 121, 143, 215
Miranda, Aurora, 109
Miranda, Carmen, 5–6, 10, 109
Miranda, Claudio, 245
Miranda, Milton, 312
Miranda, Wilson, 211
Mocambo, 285
“Mocinho Bonito,” 75
moda, 293, 318, 320
Modernaires, 23
Modern Jazz Quartet, 244
modinhas, 285
Monjardim, Alcebíades, 69–70
Monjardim, Jayme, 71
Monjardim, Maysa Figueira, 66, 130, 139, 155, 164, 208, 261, 290, 312, 334
early life of, 69–74
and Ronaldo Bôscoli, 219–22
Monteiro, Cyro, 80, 150, 183
Monteiro, Doris, 14, 35, 61
Montero, Ed, 333
Montes, Henrique, 150, 168
Montgomery, Wes, 313
Mooney, Joe
, 29, 102
Moreira, Airto, 216, 314, 319, 335
“More I See You, The,” 12
“Morena boca de ouro,” 156
Morgan, Russ, 34, 186
“Morrer de amor,” 308
Motta, Nelsinho, 180
Motta, Nelson, 180, 277
Moura, Paulo, 8, 14, 58, 142, 216, 246
movies, silent, 79
MPB (Música Popular Brasileira), 292–93
“Muié rendera,” 121
“Mulher, sempre mulher,” 82
Müller, Maneco, 81
Mulligan, Gerry, 10, 168, 248
Murphy, Mark, 333
Murphy, Rose, 7
Muse Records, 313
Música e Romance, 74–75
Musical Três Leões, 189
música sertaneja, 292
Musidisc, 186
“Muskrat Ramble,” 307
“Na Baixa do Sapateiro,” 302, 307
Namorados da Lua, 23–25, 141
“Nanã,” 266, 283
Nanai, 144
“Não faz assim,” 91, 150, 172, 215
“Não tem soluçao,” 11
“Não tenho lágrimas,” 86
“Na paz do Senhor,” 62
Nara, 265
Nascimento, Roberto, 115
National Radio, 4
Navarro, Osmar, 109
“Nel blu di pinto di blu,” 134
Neto, Macedo, 38
Neto, Ranmalho, 58
Neto, Silvino, 20
Neto, Tião, 215–16, 267–68, 279–80, 294, 304, 314–15, 322
Netto, Hortênsia, 108
Netto, Ismael, 25, 35, 54–55, 108
Netto, Severino, 108
New Face of Luiz Bonfà, The, 313
Ney, Nora, 14, 53–54, 58, 61
Ney, Paulo, 122
“Nick Bar,” 62, 87
Niemeyer, Oscar, 81
“Night and Day,” 4–5
“Ninguém me ama,” 53–54, 146
“Noa-noa,” 216
Noel, Noélia, 98
Nogueira, Paulinho, 263, 286–87
Noite de gala, 165, 188, 219, 282
“Noite do Sambalanço,” 203
“Noites do Rio,” 61
“No meido do caminho,” 129
Norival Reis, 36
“Nós e o mar,” 208, 218
Nova geração em ritmo de samba, 285
Novas estruturas, 262
Nunes, Armando, 75
Nunes, Bené, 179–80
Nunes, Dulce, 281
O amor, o sorriso e a flor, 177, 190–91, 223
“O amor é chama,” 278, 309
“O amor em paz,” 224, 328
“O astronauta,” 230, 238
“O barquinho” (“the Little Boat”), 172, 208, 210, 218–19, 222, 324
O bem do amor, 281
O bom Tom, 165, 188–89, 286
O cangaceiro, 183
O Circo do Carequinha, 72
O Cruzeiro, 179–80, 252–53
O’Day, Anita, 10, 17, 333
Odeon, 109–11, 117, 120, 126, 130, 132–33, 137–39, 157–58, 163, 168–69, 174, 184–85, 199–201, 203, 222–23, 240, 254, 260
“Odete,” 302
O fino, 322–23
O fino da Bossa, 287, 289, 302, 320–21