Complete Works of William Faulkner

by William Faulkner

  ‘I dont know,’ he said. ‘There was a big wood tick just inside his off hind leg. I saw that. But I didn’t have the gun then.’

  ‘But you didn’t shoot when you had the gun,’ McCaslin said. ‘Why?’ But McCaslin didn’t wait, rising and crossing the room, across the pelt of the bear he had killed two years ago and the bigger one McCaslin had killed before he was born, to the bookcase beneath the mounted head of his first buck, and returned with the book and sat down again and opened it. ‘Listen,’ he said. He read the five stanzas aloud and closed the book on his finger and looked up. ‘All right,’ he said. ‘Listen,’ and read again, but only one stanza this time and closed the book and laid it on the table. ‘She cannot fade, though thou hast not thy bliss,’ McCaslin said: ‘For ever wilt thou love, and she be fair.’

  ‘He’s talking about a girl,’ he said.

  ‘He had to talk about something,’ McCaslin said. Then he said, ‘He was talking about truth. Truth is one. It doesn’t change. It covers all things which touch the heart — honour and pride and pity and justice and courage and love. Do you see now?’ He didn’t know. Somehow it had seemed simpler than that, simpler than somebody talking in a book about a young man and a girl he would never need to grieve over because he could never approach any nearer and would never have to get any farther away. He had heard about an old bear and finally got big enough to hunt it and he hunted it four years and at last met it with a gun in his hands and he didn’t shoot. Because a little dog — But he could have shot long before the fyce covered the twenty yards to where the bear waited, and Sam Fathers could have shot at any time during the interminable minute while Old Ben stood on his hind legs over them.… He ceased. McCaslin watched him, still speaking, the voice, the words as quiet as the twilight itself was: ‘Courage and honour and pride, and pity and love of justice and of liberty. They all touch the heart, and what the heart holds to becomes truth, as far as we know truth. Do you see now?’ and he could still hear them, intact in this twilight as in that one seven years ago, no louder still because they did not need to be because they would endure: and he had only to look at McCaslin’s eyes beyond the thin and bitter smiling, the faint lip-lift which would have had to be called smiling; — his kinsman, his father almost, who had been born too late into the old time and too soon for the new, the two of them juxtaposed and alien now to each other against their ravaged patrimony, the dark and ravaged fatherland still prone and panting from its etherless operation:

  ‘Habet then. — So this land is, indubitably, of and by itself cursed:’ and he

  ‘Cursed:’ and again McCaslin merely lifted one hand, not even speaking and not even toward the ledgers: so that, as the stereopticon condenses into one instantaneous field the myriad minutiæ of its scope, so did that slight and rapid gesture establish in the small cramped and cluttered twilit room not only the ledgers but the whole plantation in its mazed and intricate entirety — the land, the fields and what they represented in terms of cotton ginned and sold, the men and women whom they fed and clothed and even paid a little cash money at Christmas-time in return for the labour which planted and raised and picked and ginned the cotton, the machinery and mules and gear with which they raised it and their cost and upkeep and replacement — that whole edifice intricate and complex and founded upon injustice and erected by ruthless rapacity and carried on even yet with at times downright savagery not only to the human beings but the valuable animals too, yet solvent and efficient and, more than that: not only still intact but enlarged, increased: brought still intact by McCaslin, himself little more than a child then, through and out of the debacle and chaos of twenty years ago where hardly one in ten survived, and enlarged and increased and would continue so, solvent and efficient and intact and still increasing so long as McCaslin and his McCaslin successors lasted, even though their surnames might not even be Edmonds then: and he: ‘Habet too. Because that’s it: not the land, but us. Not only the blood, but the name too; not only its colour but its designation: Edmonds, white, but, a female line, could have no other but the name his father bore; Beauchamp, the elder line and the male one, but, black, could have had any name he liked and no man would have cared, except the name his father bore who had no name—’ and McCaslin

  ‘And since I know too what you know I will say now, once more let me say it: And one other, and in the third generation too, and the male, the eldest, the direct and sole and white and still McCaslin even, father to son to son—’ and he

  ‘I am free:’ and this time McCaslin did not even gesture, no inference of fading pages, no postulation of the stereoptic whole, but the frail and iron thread strong as truth and impervious as evil and longer than life itself and reaching beyond record and patrimony both to join him with the lusts and passions, the hopes and dreams and griefs, of bones whose names while still fleshed and capable even old Carothers’s grandfather had never heard: and he: ‘And of that too:’ and McCaslin

  ‘Chosen, I suppose (I will concede it) out of all your time by Him as you say Buck and Buddy were from theirs. And it took Him a bear and an old man and four years just for you. And it took you fourteen years to reach that point and about that many, maybe more, for Old Ben, and more than seventy for Sam Fathers. And you are just one. How long then? How long?’ and he

  ‘It will be long. I have never said otherwise. But it will be all right because they will endure—’ and McCaslin

  ‘And anyway, you will be free. — No, not now nor ever, we from them nor they from us. So I repudiate too. I would deny even if I knew it were true. I would have to. Even you can see that I could do no else. I am what I am; I will be always what I was born and have always been. And more than me. More than me, just as there were more than Buck and Buddy in what you called His first plan which failed:’ and he

  ‘And more than me:’ and McCaslin

  ‘No. Not even you. Because mark. You said how on that instant when Ikkemotubbe realised that he could sell the land to Grandfather, it ceased for ever to have been his. All right; go on: Then it belonged to Sam Fathers, old Ikkemotubbe’s son. And who inherited from Sam Fathers, if not you? co-heir perhaps with Boon, if not of his life maybe, at least of his quitting it?’ and he

  ‘Yes. Sam Fathers set me free.’ And Isaac McCaslin, not yet Uncle Ike, a long time yet before he would be uncle to half a county and still father to none, living in one small cramped fireless rented room in a Jefferson boarding-house where petit juries were domiciled during court terms and itinerant horse- and mule-traders stayed, with his kit of brand-new carpenter’s tools and the shotgun McCaslin had given him with his name engraved in silver and old General Compson’s compass (and, when the General died, his silver-mounted horn too) and the iron cot and mattress and the blankets which he would take each fall into the woods for more than sixty years and the bright tin coffee-pot

  there had been a legacy, from his Uncle Hubert Beauchamp, his godfather, that bluff burly roaring childlike man from whom Uncle Buddy had won Tomey’s Terrel’s wife Tennie in the poker-game in 1859— ‘posible strait against three Treys in sigt Not called’ — ; no pale sentence or paragraph scrawled in cringing fear of death by a weak and trembling hand as a last desperate sop flung backward at retribution, but a Legacy, a Thing, possessing weight to the hand and bulk to the eye and even audible: a silver cup filled with gold pieces and wrapped in burlap and sealed with his godfather’s ring in the hot wax, which (intact still) even before his Uncle Hubert’s death and long before his own majority, when it would be his, had become not only a legend but one of the family lares. After his father’s and his Uncle Hubert’s sister’s marriage they moved back into the big house, the tremendous cavern which old Carothers had started and never finished, cleared the remaining negroes out of it and with his mother’s dowry completed it, at least the rest of the windows and doors and moved into it, all of them save Uncle Buddy who declined to leave the cabin he and his twin had built, the move being the bride’s notion and more than just a notion and none eve
r to know if she really wanted to live in the big house or if she knew beforehand that Uncle Buddy would refuse to move: and two weeks after his birth in 1867, the first time he and his mother came downstairs, one night and the silver cup sitting on the cleared dining-room table beneath the bright lamp and while his mother and his father and McCaslin and Tennie (his nurse: carrying him) — all of them again but Uncle Buddy — watched, his Uncle Hubert rang one by one into the cup the bright and glinting mintage and wrapped it into the burlap envelope and heated the wax and sealed it and carried it back home with him where he lived alone now without even his sister either to hold him down as McCaslin said or to try to raise him up as Uncle Buddy said, and (dark times then in Mississippi) Uncle Buddy said most of the niggers gone and the ones that didn’t go even Hub Beauchamp could not have wanted: but the dogs remained and Uncle Buddy said Beauchamp fiddled while Nero fox-hunted

  they would go and see it there; at last his mother would prevail and they would depart in the surrey, once more all save Uncle Buddy and McCaslin to keep Uncle Buddy company until one winter Uncle Buddy began to fail and from then on it was himself, beginning to remember now, and his mother and Tennie and Tomey’s Terrel to drive: the twenty-two miles into the next county, the twin gateposts on one of which McCaslin could remember the half-grown boy blowing a fox-horn at breakfast dinner and suppertime and jumping down to open to any passer who happened to hear it but where there were no gates at all now, the shabby and overgrown entrance to what his mother still insisted that people call Warwick because her brother was if truth but triumphed and justice but prevailed the rightful earl of it, the paintless house which outwardly did not change but which on the inside seemed each time larger because he was too little to realise then that there was less and less in it of the fine furnishings, the rosewood and mahogany and walnut which for him had never existed anywhere anyway save in his mother’s tearful lamentations and the occasional piece small enough to be roped somehow on to the rear or the top of the carriage on their return (And he remembered this, he had seen it: an instant, a flash, his mother’s soprano ‘Even my dress! Even my dress!’ loud and outraged in the barren unswept hall; a face young and female and even lighter in colour than Tomey’s Terrel’s for an instant in a closing door; a swirl, a glimpse of the silk gown and the flick and glint of an ear-ring: an apparition rapid and tawdry and illicit yet somehow even to the child, the infant still almost, breathless and exciting and evocative: as though, like two limpid and pellucid streams meeting, the child which he still was had made serene and absolute and perfect rapport and contact through that glimpsed nameless illicit hybrid female flesh with the boy which had existed at that stage of inviolable and immortal adolescence in his uncle for almost sixty years; the dress, the face, the ear-rings gone in that same aghast flash and his uncle’s voice: ‘She’s my cook! She’s my new cook! I had to have a cook, didn’t I?’ then the uncle himself, the face alarmed and aghast too yet still innocently and somehow even indomitably of a boy, they retreating in their turn now, back to the front gallery, and his uncle again, pained and still amazed, in a sort of desperate resurgence if not of courage at least of self-assertion: ‘They’re free now! They’re folks too just like we are!’ and his mother: “That’s why! That’s why! My mother’s house! Defiled! Defiled!’ and his uncle: ‘Damn it, Sibbey, at least give her time to pack her grip:’ then over, finished, the loud uproar and all, himself and Tennie and he remembered Tennie’s inscrutable face at the broken shutterless window of the bare room which had once been the parlour while they watched, hurrying down the lane at a stumbling trot, the routed compounder of his uncle’s uxory: the back, the nameless face which he had seen only for a moment, the once-hooped dress ballooning and flapping below a man’s overcoat, the worn heavy carpet-bag jouncing and banging against her knee, routed and in retreat true enough and in the empty lane solitary young-looking and forlorn yet withal still exciting and evocative and wearing still the silken banner captured inside the very citadel of respectability, and unforgettable.)

  the cup, the sealed inscrutable burlap, sitting on the shelf in the locked closet, Uncle Hubert unlocking the door and lifting it down and passing it from hand to hand: his mother, his father, McCaslin and even Tennie, insisting that each take it in turn and heft it for weight and shake it again to prove the sound, Uncle Hubert himself standing spraddled before the cold unswept hearth in which the very bricks themselves were crumbling into a litter of soot and dust and mortar and the droppings of chimney-sweeps, still roaring and still innocent and still indomitable: and for a long time he believed nobody but himself had noticed that his uncle now put the cup only into his hands, unlocked the door and lifted it down and put it into his hands and stood over him until he had shaken it obediently until it sounded then took it from him and locked it back into the closet before anyone else could have offered to touch it, and even later, when competent not only to remember but to rationalise, he could not say what it was or even if it had been anything because the parcel was still heavy and still rattled, not even when, Uncle Buddy dead and his father, at last and after almost seventy-five years in bed after the sun rose, said: ‘Go get that damn cup. Bring that Damn Hub Beauchamp too if you have to:’ because it still rattled though his uncle no longer put it even into his hands now but carried it himself from one to the other, his mother, McCaslin, Tennie, shaking it before each in turn, saying: ‘Hear it? Hear it?’ his face still innocent, not quite baffled but only amazed and not very amazed and still indomitable: and, his father and Uncle Buddy both gone now, one day without reason or any warning the almost completely empty house in which his uncle and Tennie’s ancient and quarrelsome great-grandfather (who claimed to have seen Lafayette and McCaslin said in another ten years would be remembering God) lived, cooked and slept in one single room, burst into peaceful conflagration, a tranquil instantaneous sourceless unanimity of combustion, walls floors and roof: at sunup it stood where his uncle’s father had built it sixty years ago, at sundown the four blackened and smokeless chimneys rose from a light white powder of ashes and a few charred ends of planks which did not even appear to have been very hot: and out of the last of evening, the last one of the twenty-two miles, on the old white mare which was the last of that stable which McCaslin remembered, the two old men riding double up to the sister’s door, the one wearing his fox-horn on its braided deerhide thong and the other carrying the burlap parcel wrapped in a shirt, the tawny wax-daubed shapeless lump sitting again and on an almost identical shelf and his uncle holding the half-opened door now, his hand not only on the knob but one foot against it and the key waiting in the other hand, the face urgent and still not baffled but still and even indomitably not very amazed and himself standing in the half-opened door looking quietly up at the burlap shape become almost three times its original height and a good half less than its original thickness and turning away and he would remember not his mother’s look this time nor yet Tennie’s inscrutable expression but McCaslin’s dark and aquiline face grave insufferable and bemused: then one night they waked him and fetched him still half-asleep into the lamplight, the smell of medicine which was familiar by now in that room and the smell of something else which he had not smelled before and knew at once and would never forget, the pillow, the worn and ravaged face from which looked out still the boy innocent and immortal and amazed and urgent, looking at him and trying to tell him until McCaslin moved and leaned over the bed and drew from the top of the nightshirt the big iron key on the greasy cord which suspended it, the eyes saying Yes Yes Yes now, and cut the cord and unlocked the closet and brought the parcel to the bed, the eyes still trying to tell him even when he took the parcel so that was still not it, the hands still clinging to the parcel even while relinquishing it, the eyes more urgent than ever trying to tell him but they never did; and he was ten and his mother was dead too and McCaslin said, ‘You are almost halfway now. You might as well open it:’ and he: ‘No. He said twenty-one:’ and he was twenty-one and McCaslin shifted
the bright lamp to the centre of the cleared dining-room table and set the parcel beside it and laid his open knife beside the parcel and stood back with that expression of old grave intolerant and repudiating and he lifted it, the burlap lump which fifteen years ago had changed its shape completely overnight, which shaken gave forth a thin weightless not-quite-musical curiously muffled clatter, the bright knife-blade hunting amid the mazed intricacy of string, the knobby gouts of wax bearing his uncle’s Beauchamp seal rattling on to the table’s polished top and, standing amid the collapse of burlap folds, the unstained tin coffee-pot still brand-new, the handful of copper coins and now he knew what had given them the muffled sound: a collection of minutely-folded scraps of paper sufficient almost for a rat’s nest, of good linen bond, of the crude ruled paper such as negroes use, of raddedly-torn ledger-pages and the margins of newspapers and once the paper label from a new pair of overalls, all dated and all signed, beginning with the first one not six months after they had watched him seal the silver cup into the burlap on this same table in this same room by the light even of this same lamp almost twenty-one years ago: