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As punishment for his part in an attempted coup in Heaven, the Archangel Michael is banished to Earth. The holiest of the angelic host has to learn to live as a mortal, not an easy job when you’ve got Satan as a next-door neighbour. Michael soon finds that being a good person involves more than helping out at Sunday school and attending church coffee mornings. He has to find his purpose in life, deal with earthly temptations and solve a mystery involving some unusual monks and a jar of very dangerous jam. Heide Goody and Iain Grant have written a wild comedy that features spear-wielding cub scouts, accidental transvestites, King Arthur, a super-intelligent sheepdog, hallucinogenic snacks, evil peacocks, old ladies with biscuits, naked paintball, stolen tractors, clairvoyant computers, the Women’s Institute, and way too much alcohol.**From the AuthorWe had a lot of fun writing Pigeonwings together, and hopeyou have fun reading it.
We get a lot of questions about the process that we followfor collaborative writing. Here's a brief taster of how we wrote this novel:
We had already written Clovenhoof, so we knew a lot about our fictional world, and most of the characters. The end of Clovenhoof saw Archangel Michael banished to earth. It added a nice finish to that novel, and gave us the jumping-off point that we needed for this one. Having said that, it was really important to us that this novel stands alone, so a top priority for this book was to make sure that people who haven't read Clovenhoof are not short-changed in any way.
Pigeonwings is partially set in Wales. We went for a road trip to go and research some locations, with permission from our respective families! It's about a 4 hour drive from Birmingham to the Llyn peninsula, so we had a great opportunity to discuss our characters and plot on the way. The locations in the book are all real, although the monastery that we use is sadly now a ruin.
While we were writing Pigeonwings we attended a course run by veteran sitcom writer, Keith Lindsay. It was good to see how much we were doing right, and it helped us to tweak a few things to make the most of the comedy.
We worked through the chapters likethis - Heide plotted a chapter for Iain to write while Iain plotted a chapterfor Heide to write. Then we wrote those chapters, and swapped back to the otherperson to do an edit. This helped to smooth out any stylistic differences.






Leap-frogging like this, we were able to write the first draft of Pigeonwings in around nine months.